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Honour Mosaic c 1914 in Pantheon of Illustrious Men in Madrid (Spain)

An illustration of the Burr-Hamilton duel of 1804 – Alexander Hamilton defends his honour by accepting Aaron Burr's challenge

Honour or honor (see spelling differences; from the Latin word honos, honoris) is an abstract concept entailing a perceived quality of worthiness and respectability that affects both the social standing and the self-evaluation of an individual or corporate body such as a family, school, regiment or nation. Accordingly, individuals (or corporate bodies) are assigned worth and stature based on the harmony of their actions with a specific code of honour, and the moral code of the society at large.

Honour is adherence to what is right. To some people it is also standing by or for someone.^{[citation needed]}

Honour can be viewed in the light of Psychological nativism as being as real to the human condition as love, and likewise deriving from the formative personal bonds that establish one's personal dignity and character. From the point of moral relativism, honour is perceived as arising from universal concerns for material circumstance and status, rather than fundamental differences in principle between those who hold different honour codes.

Dr Samuel Johnson, in his A Dictionary of the English Language (1755), defined honour as having several senses, the first of which was "nobility of soul, magnanimity, and a scorn of meanness." This sort of honour derives from the perceived virtuous conduct and personal integrity of the person endowed with it. On the other hand, Johnson also defined honour in relationship to "reputation" and "fame"; to "privileges of rank or birth", and as "respect" of the kind which "places an individual socially and determines his right to precedence." This sort of honour is not so much a function of moral or ethical excellence, as it is a consequence of power. Finally, with respect to women, honour has traditionally been associated with (or identical to) "chastity" or "virginity", or in case of a married woman, "fidelity".

Honour and Social Context[link]

Wall of Honour, Royal Military College of Canada

This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (September 2007)

Honour is a primal code of behaviour that defines the duties of an individual within a social group. Margaret Visser observes that in an honour-based society "a person is what he or she is in the eyes of other people." ^[1] A code of honour differs from a legal code, also socially defined and concerned with justice, in that honour is implicit rather than explicit and objectified. Honour can also be distinguished from dignity, which is measured against an individual's conscience,^[2] rather than against the judgement of a community.

Traditionally, in Western society, honour figured largely as a primitive guiding principle. A man's honour, that of his wife, his family or his beloved, formed an all-important issue: the archetypal "man of honour" remained ever alert for any insult, actual or suspected: for either would impugn his honour.^{[citation needed]} In the early medieval period, a lord's or lady's honour was the group of manors or lands he or she held. "The word was first used indicating an estate which gave its holder dignity and status."^[3] For a person to say "on my honour" was not just an affirmation of his or her integrity and rank, but the veracity behind that phrase meant he or she was willing to offer up estates as pledge and guarantee.

The concept of honour appears to have declined in importance in the modern West. It has been replaced by conscience or faith in the individual context, and by the rule of law and the rights and duties defined therein in a social context. Popular stereotypes would have it surviving more definitively in cultures that are more tradition-bound (e.g. Southern Italian, Polish, Persian, Turkish, Arab, Iberian, "Old South" or Dixie). Feudal or other agrarian societies, which focus upon land use and land ownership, may tend to "honour" more than do contemporary industrial societies. An emphasis on the importance of honour exists in such institutions as the military (officers may conduct a court of honour) and in organisations with a military ethos, such as Scouting organisations.

Honour in the case of females is frequently related, historically, to sexuality: preservation of "honour" equated primarily to maintenance of virginity of unattached women and to the exclusive monogamy of the remainder. One can speculate that feminism has changed some linguistic usage in this respect. Conceptions of honour vary widely between cultures; in some cultures, honour killings of (mostly female) members of one's own family are considered justified if the individuals have "defiled the family's honour" by marrying against the family's wishes, or even by being the victims of rape. These honour killings are generally seen in the West as a way of men using the culture of honour to control female sexuality.^[4]

Cultures of honour and cultures of law[link]

Various sociologists and anthropologists have contrasted cultures of honour with cultures of law. In a culture of law there is a body of laws which must be obeyed by all, with punishments for transgressors. This requires a society with the structures required to enact and enforce laws. A culture of law incorporates an unwritten social contract: members of society agree to give up some aspects of their freedom to defend themselves and retaliate for injuries, on the understanding that transgressors will be apprehended and punished by society.

From the viewpoint of anthropologists, cultures of honour typically appear among nomadic peoples and herdsmen who carry their most valuable property with them and risk having it stolen, without having recourse to law enforcement or government. In this situation, inspiring fear forms a better strategy than promoting friendship; and cultivating a reputation for swift and disproportionate revenge increases the safety of one's person and property. Thinkers ranging from Montesquieu to Steven Pinker have remarked upon the mindset needed for a culture of honour.

Cultures of honour therefore appear among the Bedouin, and the Scottish and English herdsmen of the Border country, and many similar peoples, who have little allegiance to a national government; among cowboys, frontiersmen, and ranchers of the American West, where official law-enforcement often remained out of reach, as is famously depicted and celebrated in Westerns; among the plantation culture of the American South, and among aristocrats, who enjoy hereditary privileges that put them beyond the reach of codes of law. Cultures of honour also flourish in criminal underworlds and gangs, whose members carry large amounts of cash and contraband and cannot seek legal redress if it is stolen.

Cultures of honour will often arise when three conditions^[5] exist: 1) a lack of resources; 2) where the benefit of theft and crime outweighs the risks; and 3) a lack of sufficient law enforcement (such as in geographically remote regions). Historically cultures of honour exist in places where the economy is dominated by herding animals. In this situation the geography is usually remote since the soil can not support extensive sustained farming and thus large populations; the benefit of stealing animals from other herds is high since it is the main form of wealth; and there is no central law enforcement or rule of law. However cultures of honour can also appear in places like modern inner city slums. The three conditions exist here as well: lack of resources (poverty); crime and theft have a high rewards compared to the alternatives (few); and law enforcement is generally lax or corrupt.^[5]

Once a culture of honour exists, it is difficult for its members to make the transition to a culture of law; this requires that people become willing to back down and refuse to immediately retaliate, and from the viewpoint of the culture of honour, this tends to appear to be an unwise act reflecting weakness.

Related concepts[link]

In contemporary international relations, the concept of "credibility" resembles that of honour, as when the credibility of a state or of an alliance appears to be at stake, and honour-bound politicians call for drastic measures.

Compare the concepts of integrity and face in stereotyped East Asian cultures, or of mana in Polynesian society.

The ancient Greek concepts of honour (timē) included not only the exaltation of the one receiving honour, but also the shaming of the one overcome by the act of hubris. This concept of honour is akin to a zero-sum game.

In ancient China during the Warring States period, honour in battle was one of the many forms of virtue practised by the nobility. In a battle, Duke Xiang of the Song state, instead of giving the enemy a surprise attack, he waited for the enemy to go across the river in order to be a real Ren (仁) gentleman. Mao Zedong once said about Duke Xiang's humanity in war: "We are not Duke Xiang of Song and have no use for his idiotic virtue and morality."

According to Bushido, the Code of the Warrior in feudal Japan, honour was always seen as a duty by Samurai. When one lost their honour or the situation made them lose it, the only way to save their dignity was by death. Seppuku (vulgarly called "harakiri", or "belly-cutting") was the most honourable death in that situation. The only way for a Samurai to die more honourably was to be killed in a battle by a sword.

For a similar concept with many connotations opposite to honour, see shame.

Honours and awards[link]

In many countries the term honour can refer to an award given by the state. Such honours include military medals, but more typically imply a civilian award, such as a British OBE, a knighthood or membership of the French Légion d'honneur.

See also, List of prizes, medals, and awards; and Chivalric order.

See also[link]

Wikiquote has a collection of quotations related to: Honour

• Warrior Code
• Pashtunwali
• Bushido
• Code duello
• Chivalry
• Dignitas
• Face (sociological concept)
• Izzat
• Honour code
• Honour killing
• Honour system, a philosophical way of running a variety of endeavours based on trust and honour
• Honorary degree
• The Lost Honour of Katharina Blum
• Omertà
• Vendetta
• Southern_culture_of_honor (Southern United States)

External links[link]

Look up honor, honour, dishonor, or dishonour in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Honour

Wikisource has the text of the 1911 Encyclopædia Britannica article Honour.

• America, Truth, and Honor
• Il Canto di Malavita is a collection of three recordings from PIAS of the folk music of the Calabrian Ndrangheta, an organised crime group operating in southern Italy. Members call themselves L'Onorata, the "men of honour"; the lyrics to these songs prominently feature murder and revenge against betrayers and informers, and offer a glimpse into the self-image of a culture of honour.

References[link]

• Bowman, James. Honor: A History. Encounter Books, 2006. ISBN 1-59403-142-8. Cf. excerpts from writings of James Bowman on Honor. Personal website of James Bowman. Accessed 16 May 2007.
• de Secondat, Charles, Baron de Montesquieu. The Spirit of the Laws. 2 vols. Esteban Pallares "The Honorable Pallares" Originally published anonymously. 1748; Crowder, Wark, and Payne, 1777. External link to digitised copy of The Spirit of the Laws book in public domain.
• d'Iribarne, Philippe. The Logic of Honor: National Traditions and Corporate Management. Welcome Rain Publishers, 2003. ISBN 978-1-56649-182-2.
• Hauser, Marc. Moral Minds: How nature designed our universal sense of right and wrong. New York: Harper Collins/Ecco, 2006. ISBN 978-0-06-078070-8.
• Hein, David. "Rethinking Honor". Journal of Thought 17.1 (Spring 1982): 3–6.
• Hein, David. "Learning Responsibility and Honor". Washington Times, 3 July 2008. http://www.washingtontimes.com/news/2008/jul/03/learning-responsibility-and-honor/
• Nisbett, Richard E., and Dov Cohen. Culture of Honor: The Psychology of Violence in the South. Westview, 1996. ISBN 0-8133-1993-5.
• Pinker, Steven. The Blank Slate: The Modern Denial of Human Nature. New York: Penguin Putnam, 2002. ISBN 0-670-03151-8.

Aishwarya Rai
Aishwarya Rai in Cannes film festival 2012
Born	Aishwarya Rai (1973-11-01) 1 November 1973 (age 38)[1] Mangalore, Karnataka, India
Residence	Mumbai, Maharashtra, India[2]
Other names	Aishwarya Rai Bachchan
Occupation	actor, model
Years active	1991–present
Spouse	Abhishek Bachchan (2007–present)
Children	Aaradhya Bachchan
Signature	150px

Aishwarya Rai, known also as Aishwarya Rai Bachchan after her marriage^[3] (Tulu pronunciation [əjɕʋərjaː rəj]; born 1 November 1973) is an Indian film actress. She worked as a model before starting her acting career, and ultimately won the Miss World pageant in 1994. Rai has featured in films in various languages including Hindi, English, Tamil, Telugu, and Bengali.

Often cited by the media as the "most beautiful woman in the world",^[4][5][6] Rai made her acting debut with Mani Ratnam's Tamil film Iruvar (1997), and had her first commercial success in Jeans (1998). She found success in Bollywood with Sanjay Leela Bhansali's Hum Dil De Chuke Sanam (1999) and Devdas (2002) and eventually won two Filmfare Awards in the Best Actress category.

After a series of unsuccessful films during 2003–2005, she appeared in the blockbuster action thriller Dhoom 2 (2006) and subsequently featured in such films as Guru (2007), Jodhaa Akbar (2008), and Enthiran (2010). She gained critical acclaim for her performances in offbeat, independent films such as Chokher Bali (2003), Raincoat (2004), and Provoked (2007).^[7][8] Rai has thus established herself as one of the leading contemporary actresses of Indian cinema.^[9][10]

Rai's off-screen roles include duties as brand ambassador for various charity organisations and campaigns. She is married to fellow actor Abhishek Bachchan, son of actors Amitabh Bachchan and Jaya Bachchan. In 2009 she was honoured with the Padma Shri, the fourth-highest civilian award given by the Government of India.

Early life and background[link]

Rai was born into an ethnic Bunt^[11] family in Mangalore, Karnataka.^[12] Her father, Krishnaraj, was a marine biologist, while her mother, Brindya, is a housewife.^[1] She has one elder brother, Aditya Rai, who is an engineer in the merchant navy. He co-produced one of her movies, Dil Ka Rishta (2003).^[13]

The family moved to Mumbai, where Rai attended the Arya Vidya Mandir High School.^[1] Rai did her intermediate schooling at Jai Hind College for a year,^[14] and then joined DG Ruparel College^[15] in Matunga, securing 90 percent in the HSC exams.^[1][16] She trained in classical dance and music for five years during her teens.^[16] Her favourite subject was zoology, so she initially considered a career in medicine.^[16] With plans to become an architect, she enrolled at Raheja College, but later gave up her education to pursue a career in modelling.^[14]

Modelling career[link]

One of her earliest modelling assignment was, when she was in the ninth grade, for Camlin Pencils.^[16] One of her professors at Jai Hind College took pictures of her which were published in a fashion magazine.^[17] In 1991 Rai took part in the Ford Supermodel Contest and also appeared in Vogue Magazine.^[15] She has been on the cover of Vogue three times.^[18]

Rai became popular after appearing in a Pepsi commercial with actor Aamir Khan.^[16] She modelled for Longines watches, Coca-Cola,^[19] Lakmé Cosmetics, Casio pager, Philips, Palmolive,^[17] Lux, and Fuji films.^[20] She continued to model while pursuing her studies in architecture.^[1][17] She was named the official brand ambassador for De Beers diamonds in India.^[20]

In the 1994 Miss India contest, she won second place, behind Sushmita Sen, and was crowned Miss India World.^[21] She went on to win the Miss World^[22] title the same year, where she also won the Miss Photogenic award.^[23] After winning the pageant, she gave up her studies and spent one year reigning as Miss World in London.^[21] Rai continued to pursue a career as a model until she became an actress.^[24]

Acting career[link]

Early work (1997–98)[link]

Rai made her acting debut in Mani Ratnam's Tamil biopic film Iruvar (1997), where she worked alongside Mohanlal.^[25] The film was a critical success and won many awards, including Best Film award at the Belgrade International Film Festival,^[26] and two National Film Awards.^[26] Rai appeared in dual roles, one of which was a depiction of political leader and former actress J. Jayalalithaa.^[27] Rai made her Bollywood debut in the film in Aur Pyaar Ho Gaya, opposite Bobby Deol, which released the same year; the film was unsuccessful at the box office.^[28] Her third project, Jeans (1998), a high-budget Tamil film directed by S. Shankar, was a commercial success. The film included the song "Poovukkul", written by Vairamuthu, in which Rai's character is compared to the seven wonders of the world and described as the eighth.^[29][30] The film was India's official entry to the Academy Awards in that year.^[31]

Success (1999–2002)[link]

In 1999 Rai starred in Sanjay Leela Bhansali's Hum Dil De Chuke Sanam, opposite Salman Khan and Ajay Devgan.^[32] The film had Rai playing Nandini, who is forced to marry Devgan despite being in love with another man (Khan). Her husband tries to help her locate her previous love, and his caring attention eventually wins her over. Rai's portrayal won her critical acclaim, with a review on Rediff.com stating, "Aishwarya looks beautiful as usual ... This film will most likely draw her accolades from all over, may be even get her recognised as an actress the way Manisha Koirala did in Khamoshi. In many scenes, there is no trace of makeup and she looks very fresh".^[33] The film was her first box office success in Bollywood, and earned her a Filmfare Best Actress Award.^[34]

In the same year she appeared in Subhash Ghai's Taal,^[35] in which she played Mansi, a young village woman who becomes a big pop star after being hurt by her lover, played by Akshay Khanna. The film was an average grosser in India but was a big success outside India, especially in the United States, where it became the first Indian film in the top 20 on Variety's box office list.^[36] Her performance was praised, with a reviewer from Rediff.com writing, "After being praised for her looks and acting talent in Hum Dil De Chuke Sanam, Aishwarya has excelled in Taal. She looks ethereal and unlike the former film, has a very sober and soft role. Though she looks pained and tragic in most of the film, she does a good job of a woman who is very protective of her father and one who doesn't think twice before rejecting a lover who has insulted her father."^[37] She received another Best Actress nomination from the Filmfare Awards for her work in the film.^[38]

In 2000 she appeared in Mansoor Khan's Josh alongside Shahrukh Khan and Chandrachur Singh, in which she plays a Catholic named Shirley who falls in love with the sibling of her brother's enemy.^[39] The film was a commercial success.^[40] Later that year she appeared in Satish Kaushik's Hamara Dil Aapke Paas Hai, opposite Anil Kapoor. It was a moderate success, and her performance earned her a Filmfare Best Actress Award nomination.^[41] Later that year she played a supporting role in Aditya Chopra's Mohabbatein, alongside Amitabh Bachchan and Shahrukh Khan. The second-highest grosser of the year, the film was a major commercial success, and earned her a Filmfare Best Supporting Actress Award nomination.^[41][42] Later that year, she starred in the Tamil film Kandukondain Kandukondain, alongside Mammooty, Ajith Kumar, and Tabu. Rai plays Tabu's younger sibling, a dreamer at heart, whose hopes come crashing down when she discovers she's been cheated by her lover.^[43] Directed by Rajiv Menon, the movie was a successful venture commercially.^[7][44]

In 2002 Rai appeared alongside Shahrukh Khan and Madhuri Dixit in Sanjay Leela Bhansali's Devdas, an adaptation of Sharat Chandra Chattopadhyay's novel of the same name.^[45] She played the role of Paro (Parvati), the love interest of the protagonist, played by Khan. The film received a special screening at the 2002 Cannes Film Festival.^[46] It became the highest-grossing film of the year in India and overseas, earning a revenue of Rs 390 million domestically.^[47][48] Devdas won numerous awards, including 10 Filmfare Awards, and Rai received her second Filmfare Best Actress Award for her performance.^[49]

Professional setback (2003–05)[link]

In 2003 she acted in Rituparno Ghosh's Bengali film Chokher Bali, an adaptation of Rabindranath Tagore's novel of the same name.^[50] She portrays the character of a young woman called Binodini,^[51] who is left on her own when her sickly husband dies soon after they are married.^[52] Rai's performance in the film was well-received by critics, with "Derek Elley" from Variety writing, "Rai dominates the film with her delicately sensual presence and physical grace".^[53] The film was critically acclaimed and did well at the box office,^[54][55] That year she appeared in the Bollywood film Dil Ka Rishta, with Arjun Rampal, and Rohan Sippy's Kuch Na Kaho, alongside Abhishek Bachchan,^[56] neither of which fared well at the box office.^[56][57]

In 2004 she appeared alongside Martin Henderson in Bride and Prejudice, Gurinder Chadha's Bollywood-style English adaptation of Jane Austen's Pride and Prejudice. She played Lalita Bakshi, the film's version of Austen's character Elizabeth Bennet. Based on 131 reviews, the film has a rating of 64 percent at the review website Rotten Tomatoes.^[58] She played a negative role for the first time in Rajkumar Santoshi's Khakee, which also featured Amitabh Bachchan, Akshay Kumar, Ajay Devgan, and Jayapradha. The film was a box office success.^[59] In the same year she worked with director Rituparno Ghosh for the second time, in Raincoat, where she starred alongside Ajay Devgan. The film was highly acclaimed by critics, with Rai receiving rave reviews for her performance.^[60] The Hindu commented "Raincoat can easily be Aishwarya Rai's best performance, and as Neerja, the former beauty queen appears to have shed her inhibitions about looking unglamorous. What is more, she seems to have made an earnest effort to emote, using less of her body and limbs and more of her face, and eyes in particular".^[61]

In 2005 she appeared in Shabd, a film based on a love triangle, alongside Sanjay Dutt and Zayed Khan. The film was unsuccessful at the box office; it received average reviews from critics.^[62] Her next release was Paul Mayeda Berges's The Mistress of Spices, based on the novel of the same name by Chitra Banerjee Divakaruni,^[63] in which she starred alongside Dylan McDermott.^[64] The film received negative reviews from critics,^[65] and was a commercial failure.^[66] The same year she made a special appearance in a hugely popular seven-minute dance sequence for the song "Kajra Re", with Amitabh Bachchan and Abhishek Bachchan, in Shaad Ali's Bunty Aur Babli.^[67]

Recent work (2006–present)[link]

In 2006 Rai portrayed the title role in J P Dutta's Umrao Jaan, the story of a courtesan and poetess from 19th-century Lucknow. The movie is the second adaptation of the Urdu novel Umrao Jaan Ada (1905), by Mirza Hadi Ruswa. Rai's work received mixed reviews, and the film was a critical and commercial failure. Critics particularly felt the new version is poor when compared to the acclaimed 1981 version by Muzaffar Ali, which starred Rekha in the title role. BBC critic Poonam Joshi wrote, "While only Aishwarya could emulate the grace and poise of Rekha, she doesn't quite capture the intensity of Umrao's abiding melancholy", commenting that "her incandescent beauty and artistry... does indeed keep the audience watching, though not necessarily emotionally engaged."^[68] Later that year she appeared as a master thief, Sunheri, in the Yash Raj Films production of Dhoom 2, directed by Sanjay Gadhvi. The ensemble cast included Hrithik Roshan, Abhishek Bachchan, Bipasha Basu, and Uday Chopra. The movie was a blockbuster, and became the highest grossing film of the year in India, earning revenues of over Rs 770 million domestically.^[69] A controversy arose regarding a scene containing a kiss between her and Hrithik Roshan.^[70] Rai's performance received mostly negative reviews, with a reviewer on Rediff.com writing, "Ash's character too is all gloss and no depth. You seldom feel any tension in her behaviour and expressions as she accompanies the master thief on potentially dangerous missions. Sunehri enters the film nearly 50 minutes after its opening in a disguise. In no time, she is wearing the flimsiest of clothes. Once she opens her mouth—and she does it two minutes after appearing in the film—she spoils the image. There is no sensuality any more, and half an hour later, one wonders what made the master thief fall for her."^[71] Nonetheless, her performance earned her a sixth nomination for Filmfare Best Actress Award.

In 2007 she appeared in Mani Ratnam's Guru as Sujata. Speculated to be based on the life of Indian businessman Dhirubhai Ambani, it is a rag to riches story about an ambitious small-town man who ends up as the owner of the biggest corporation in India. The film premièred at the Elgin Theatre in Toronto, Canada, the first Indian film to have a mainstream international premiere in that country.^[72][73] The film was critically acclaimed, and performed well at the box office.^[74] Critical reception for Rai was mixed. While Nikhat Kazmi from The Times of India wrote that she is "just okay, and fails to register the growth in her character", Rediff.com's Raja Sen described it as "arguably her finest performance, visible especially when she takes over the film's climax."^[75][76] Rai received her seventh Filmfare nomination for Best Actress for her performance. In the same year she starred alongside Naveen Andrews and Miranda Richardson in Jag Mundhra's British film Provoked, as Kiranjit Ahluwalia, an Non-resident Indian woman who kills her abusive husband after facing severe domestic violence. Rai received mostly positive reviews for her portrayal. It was screened in the Marché du Film Cannes Film Market during the 2006 Cannes Film Festival. Ahluwalia sat next to Rai during the screening, reportedly holding her hand and sobbing during the most violent scenes.^[77] In the same year Rai appeared as a warrior from Kerala named Mira in Doug Lefler's epic film The Last Legion, alongside Sir Ben Kingsley, Colin Firth, and Thomas Sangster. The film was a critical failure.^[78]

In 2008 Rai starred alongside Hrithik Roshan in Ashutosh Gowariker's historical drama Jodhaa Akbar. The story is a partly fictionalised account of the life of Muslim Mughal emperor Jalaluddin Muhammad Akbar, played by Roshan, and his Hindu wife Jodha Bai, played by Rai. The film was a critical and commercial success, earning revenues of over Rs 590 million domestically. Rai's performance in the film was praised by critics, with Rajeev Masand writing, "Aishwarya Rai is wonderfully restrained and uses her eyes expertly to communicate so much, making this one of her finest outings on screen".^[79] She earned her eighth nomination for Best Actress at the Filmfare Awards for her performance. Later that year she co-starred with husband Abhishek Bachchan and father-in-law Amitabh Bachchan in Ram Gopal Verma's Sarkar Raj, a sequel to his previous film, Sarkar.^[80] She plays the CEO of a major power company that is proposing a new power plant in rural Maharashtra. The film was a critical and commercial success.^[81][82]

In 2009 she appeared in Harald Zwart's spy comedy film The Pink Panther 2, playing the role of criminology expert Sonia Solandres. Like its predecessor, the sequel received negative reviews from critics,^[83] and did a moderate business of $34,590,360 at the U.S box office.^[84] In 2010 she collaborated with Mani Ratnam for a bilingual project, two films featuring Rai portraying a character based on the goddess Sita. The films were shot simultaneously, with Rai's role being one of the only roles which were played by the same performer in both versions. Upon release, the project received mixed reviews. Though both her portrayals of Ragini were praised, the Hindi version—Raavan, alongside Abhishek Bachchan—failed commercially, whilst the Tamil version—Raavanan—was successful. The Hindi version of the film got decent reviews in various US media, including the New York Times and Los Angeles Times, with the former saying, "Raavan has Bollywood glamour aplenty, with the lovely if occasionally dramatically challenged Aishwarya Rai Bachchan", and the latter describing Rai as a scene-stealer.^[85]

Rai paired with Rajinikanth in the science fiction Tamil film Enthiran (2010), directed by S. Shankar.^[86] The film—the most expensive ever made in India—was released worldwide in 2010, and is the highest-grossing Indian film when all its versions are totalled.^[87][88][89] She appeared in Vipul Shah's Action Replayy opposite Akshay Kumar, which received mixed reviews from critics. Rai's final release in 2010 was Guzaarish, her third collaboration with director Sanjay Leela Bhansali and actor Hrithik Roshan. The film tells the story of Ethan Mascarenhas (Roshan), a former magician who has been quadriplegic for twelve years; after years of struggle he files an appeal to the court for euthanasia. Rai played Ethan's strict, devoted, and supportive nurse Sophie D'Souza. The film opened to positive reviews, and Rai's portrayal was praised. According to Nikhat Kazmi, "Aishwarya is a stunning picture of fire and grace, walking away with certain scenes by her sheer vitality."^[90][91] In 2011 she received her ninth nomination for the Filmfare Award for Best Actress. As of May 2011, she is set to appear in Rajkumar Santoshi's next film, Ladies and Gentlemen, along with Abhishek Bachchan,^[92] and in Madhur Bhandarkar's next directorial venture, Heroine.^[93] The shooting of both films was postponed, due to Rai's pregnancy.^[94][95] She will not appear in Heroine, which is going forward with Kareena Kapoor.^[96]

Social work[link]

In 1999 Rai participated in a world tour called the Magnificent Five, along with Aamir Khan, Rani Mukerji, Akshaye Khanna, and Twinkle Khanna.^[97] In the same year, she was appointed as Longines Ambassador of Elegance.^[98] In 2003 she became the first Indian actress to be a jury member at the Cannes Film Festival.^[99] In 2003 she became a global brand ambassador of L'Oréal, alongside Andie MacDowell, Eva Longoria, and Penélope Cruz.^[100][101] Rai is the brand ambassador for The Eye Bank Association of India's nationwide campaign to promote eye donation in India.^[102] In 2005 she became a brand ambassador for Pulse Polio, a campaign established by the Government of India in 1994 to eradicate polio in India.^[103] In the same year, Rai was appointed spokesperson for the International Year of Microcredit, raising awareness of the main goals and priorities of the United Nations' poverty alleviation efforts.^[104][105]

In February 2005 Rai performed alongside other Bollywood stars at the HELP! Telethon Concert, an event to raise money for the victims of the 2004 tsunami earthquake.^[106] Along with other members of the Bachchan family, she laid the foundation of a special school for underprivileged girls in Daulatpur village in Uttar Pradesh in 2008. Construction is being funded by the Bachchan family, and the school will be named after Rai.^[107] She appeared along with various other Bollywood actors at the closing ceremony of the 2006 Commonwealth Games in Melbourne. The performance showcased Indian culture as a lead-up to India hosting the 2010 Commonwealth Games.^[108]

In 2009 Rai was appointed as the first Goodwill Ambassador of Smile Train, an international charity that provides free Cleft lip and palate surgery to children in need. Her work with Smile Train will focus not only on India, but on 76 different developing countries around the world.^[109][110]

Personal life[link]

In 1999 Aishwarya began dating Bollywood actor Salman Khan; their relationship was often reported in the media until the couple separated in 2001. Rai cited "abuse (verbal, physical and emotional), infidelity and indignity" on the part of Khan as reasons for ending the relationship.^[111] In a 2009 Times of India article, Khan denied ever beating her: "It's not true that I hit a woman."^[112]

Rai is married to actor Abhishek Bachchan, they met in 1997.^[18] Their engagement was announced on 14 January 2007 and later confirmed by his father, Amitabh Bachchan.^[113] The couple married on 20 April 2007 according to traditional Hindu rites of the Bunt community, to which she belongs.^[114] Token North Indian and Bengali ceremonies were also performed. The wedding took place in a private ceremony at the Bachchan residence, "Prateeksha", in Juhu, Mumbai.^[114] They have been described as a supercouple in the Indian media.^[115][116] Rai is very close to her family and lived with them in Bandra, Mumbai, until her marriage.^[117][118] Rai is Hindu and deeply religious.^[4]

Rai gave birth to a baby girl on 16 November 2011.^[119] Her daughter became quite popular by the name of "Beti B" which was christened by the fans and the media, since the couple took over four months to name their daughter. The baby girl was finally named as Aaradhya Bachchan in March 2012.^[120]

Awards and honours[link]

Aishwarya Rai is a two-time winner of the Filmfare Best Actress Award, and has been nominated for Filmfare Awards eleven times.^[41][121] She has won numerous times at the International Indian Film Academy Awards, Star Screen Awards, Zee Cine Awards, and others. In 2009 Rai was awarded the Padma Shri, the fourth-highest Indian civilian award, for her contributions to Indian cinema.^[122] In 2001 Forbes named Rai among the top five Indian movie stars.^[123] In a reader poll conducted by UK's Hello! magazine, she was voted "the most attractive woman of 2003".^[124] In the same year, Rai appeared in Rolling Stone magazine's annual "Hot List".^[125] In 2004 she was chosen by TIME magazine as one of the world's most influential people, and appeared on the cover of its 2003 Asia edition.^{[126][127][128]} In October 2004 a wax figure of Rai was put on display in London's Madame Tussaud's wax museum.^[129] She was the sixth Indian and the second Bollywood personality—after her father-in-law, Amitabh Bachchan—to get this honour. In 2007 the same figure was displayed at Madame Tussaud's Museum in Times Square in New York.^[130]

Aishwarya Rai with her husband, Abhishek Bachchan, at the IIFA Awards (2007)

In 2005 she was the subject of a 60 Minutes profile on 2 January, which said that "at least according to thousands of Web sites, Internet polls and even Julia Roberts", she was "the world's most beautiful woman".^[4] The same year, a tulip in the Netherlands was named "Aishwarya Rai" after her.^[131] Also in 2005, Mattel released a limited edition of Barbie dolls of Aishwarya Rai in the United Kingdom.^[132] The British magazine Maxim ranked Rai first on their list of "Hottest Women of India".^[133]

Rai appeared on such shows as Late Show with David Letterman, and was the first Bollywood personality to appear on Oprah's "Women Across the Globe" segment. In 2005 Harpers and Queen's list of "Most Beautiful Women in The World" ranked her ninth.^[134] In May 2006 Aishwarya was featured in People Magazine as one of the "World's Most Beautiful People".^[135] The UK magazine Eastern Eye ranked her third in the list of "Asia's Sexiest Women" in 2006,^[136] and she was ranked eighth in 2009.^[137] In 2008 American television channel E!: Entertainment listed Aishwarya's eyes as the sexiest on their Sexiest Body Parts list.^[138] In 2009 she made appearances on Martha Stewart's show Martha and on the The Tyra Banks Show.^[139][140] In the same year Forbes listed Rai at 387th out of 1,411 actors on their list of the most bankable stars in Hollywood. She is the highest-ranked Indian actor on the list.^[141][142]

In 2009, Rai refused to accept the second-highest Order Of France, Ordre des Arts et des Lettres, as her father was suffering from a serious illness, and she wanted her whole family to attend the award ceremony.^[143] She is the fourth Indian actor—after Sivaji Ganesan, Nandita Das, and Shahrukh Khan—to be chosen for the award. Amitabh Bachchan was chosen for another Order Of France, the Legion of Honour.^[144] In June 2009 she was declared the Female Star of The Decade at the tenth International Indian Film Academy Awards, held in Macau.^[145] In December 2010 she was declared the "Actress of the Decade" at the BIG Star Entertainment Awards.^[146] In March 2011 Rai was honoured by Karnataka Chief Minister B. S. Yeddyurappa at World Kannada Meet (Vishwa Kannada Sammelana) for her contributions to the arts.^[147] Later that month she was presented with the "Decade of Global Achievement Honour" by FICCI.^[148] She attended the 83rd Academy Awards, along with her husband, Abhishek.^[149]

Filmography[link]

See also[link]

• List of Indian film actresses

References[link]