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Mylène Farmer
Background information
Birth name	Mylène Jeanne Gautier
Born	(1961-09-12) 12 September 1961 (age 50) Pierrefonds, Quebec, Canada
Origin	Paris, France
Genres	Pop, rock, electronica
Occupations	Singer, songwriter, actress
Years active	1984–present
Labels	Polydor Records
Associated acts	Moby, Seal, Archive, Alizée, Jean-Louis Murat, RedOne

Mylène Farmer (pronounced: [milɛn faʁmœʁ]), born Mylène Jeanne Gautier^[1] [milɛn ɡotje]; born 12 September 1961), is a French singer, songwriter, occasional actress and author.

She has sold more than 30 million records^[2] and is among the most successful recording artists of all time in France. She holds the record for the most number one hits in the French charts, with twelve to date, eight of which were consecutive.

Biography and career[link]

Early years[link]

Mylène Farmer was born in Pierrefonds, Quebec, Canada. Her parents moved from France in the late 1950s as Farmer's father, Max, pursued an engineering contract on a dam. Her family returned to France when she was eight, settling in the Parisian suburb of Ville d'Avray. In her teenage years, Farmer was passionate about horse-riding, qualifying as a riding instructor at the equestrian centre in Saumur. At the age of 17, however, Farmer discovered acting and she abandoned the stables to take a three-year course at the Cours Florent, a drama school in Paris. Changing her name to Mylène Farmer as a tribute to her idol, 1930s Hollywood actress Frances Farmer, she began to earn a living as a model acting in several TV ads such as Fiskars, Caisse d'Epargne etc.

In 1984, Farmer met Laurent Boutonnat, a young film student, after replying to a newspaper ad for an actress for a small film he was working on. Farmer and Boutonnat became friends and forged a creative partnership, writing and producing the music. Boutonnat, whose ambition was to become a film director, was the force behind Mylène’s videos.

Farmer gained fame with songs featuring shocking yet poetic lyrics, and explicit music videos: "Maman a tort" was about the love of a young girl for her female hospital nurse. "Pourvu qu'elles soient douces" contains hints of sodomy; the video, set in the 18th century, featured a caning. "Libertine" is said to feature the first full frontal nudity appearance by a singer on a major music video. "Que mon cœur lâche" was about love with condoms in the age of AIDS; the video for the song features a scene in which God tells Jesus he will not send him to Earth again because the last time "was a disaster". The videos for "Beyond My Control" and "Je te rends ton amour" were censored because of their sexual and violent content; later released in a video single, the latter one became the highest selling release of that kind in France.

Her most well-known songs include "Désenchantée", "Pourvu qu'elles soient douces", "Sans contrefaçon", "Libertine", "XXL", "C'est une belle journée", "Rêver", "Les Mots" and "Oui mais... non".

Debut (1984–1989)[link]

Boutonnat and a young songwriter, Jérôme Dahan, had written a song, and were auditioning to find a singer to record it. Farmer was eventually chosen and recorded the song, "Maman a tort" (one of the few songs not to be written by Farmer herself), which was released to good success in March 1984. The video cost the modest sum of 5000 FR but caused a stir in the music world.^[3] However, the following single, "On est tous des imbéciles", was met with little praise.

Despite the mitigated success of her first two singles, Farmer, helped by Boutonnat, started working on her first album. Even if this album was almost entirely written and composed by Boutonnat, it was then that it was decided that Farmer would write the lyrics of her songs and Boutonnat would compose the music and direct the videos. "Libertine", the album's lead single, was released in March 1986 and set the tone for Farmer's musical style. The sensual, romantic lyrics were inspired by 19th-century literature. As for the video, which had a running time of more than 10 minutes, Boutonnat was inspired by the film Barry Lyndon and the novels of the Marquis de Sade, thus giving the video a cinematic style. Farmer, lit by candlelight, is shrouded in mystery and sexual ambiguity, it also was the very first video in which a French female singer appeared full frontal nude. The following single, "Tristana", also met success and the video also had a cinematic approach that impressed the audience. Meanwhile, another single from the album, Plus grandir, also shot in cinematic 35 mm, was released.^[4]

In 1988, Boutonnat and Farmer began work on her next album, Ainsi soit je... (a play on the French expression ainsi soit-il, meaning "so be it" or "amen"). This album, infused with a much darker atmosphere, is more sexually ambiguous than her previous one, featuring songs inspired by Mylène’s favourite authors, including the French romantic poet Charles Baudelaire and the American horror writer Edgar Allan Poe. The album sold 1.8 million copies on the back of the Nº2 hit "Sans contrefaçon" as well as the first Nº1 hit of her career, "Pourvu qu'elles soient douces". The other singles, "Sans logique" and title song were also hits in France, while the Juliette Gréco cover "Déshabillez-moi" became a fan favourite. Ainsi soit je... was the best-selling female album in France of the 1980s.^[5]

In spite of her drama courses, Farmer found it difficult to overcome shyness when in front of an audience. It was only after hesitation that she agreed to make a concert tour in 1989. After singing in a small venue in Saint-Étienne as a test, the singer came to Paris to perform at the Palais des Sports for a week in May. Following the positive response of the audience, she agreed for a full-scale 52-date tour through francophone Europe. A live album documenting the tour was released at the end of the year, titled En Concert, also containing a new song, "A quoi je sers", in which she questions the future of her career. The costumes of the tour were designed by the French designer Thierry Mugler.

It was also during this period that it was noticed that Farmer rarely gave interviews or appeared in public, even if she is now even less inclined to public exposure than at the time.^[6]

[edit] L'Autre... and "Désenchantée" (1990–1992)

By the turn of the decade Farmer was a full-blown superstar in France, but it wasn't until the release of her third album, L'Autre..., and single "Désenchantée" that she became iconic. The album, released on 8 April 1991, displayed a new image to her audience: more mature, more confident, with very short hair and a more defiant attitude (as evidenced in the videos for "Désenchantée" and particularly "Je t'aime mélancolie", in which Farmer plays a professional boxer fighting a male opponent). The music had also evolved in comparison to her previous records. The lyrics now approached a larger scope of subjects such as religion ("Agnus Dei"), politics ("Désenchantée") and press criticism ("Je t'aime mélancolie").

"Désenchantée", the album's lead single, became a phenomenon in French pop music, striking a universal chord with its political lyrics. The song hit Nº1 in France, remaining 9 weeks atop of the chart. At the time, it went on to become the best selling French single of all time (both in country and around the globe), according to Guinness Book of World Records. It also spent 6 weeks at Nº1 in Belgium, and made the Top 10 in Canada and the Top 20 in Austria and the Netherlands. It is considered by many to be Farmer's signature-song.^[7] It was accompanied by an epic video, in which Mylène plays a rebelling prisoner in a facility which resembles a concentration camp or gulag.^[8]

Following the phenomenal success of "Désenchantée", Farmer released three more very successful singles from the album: "Regrets", a gold-selling Nº3 duet performed with Jean-Louis Murat, "Je t'aime mélancolie" (Nº3) and "Beyond My Control" (Nº8), the latter having a blood-and-sex-charged video that was banned from airplay. The success of the singles helped its parent album sell close to 2 million copies in France alone, having been certified Diamond.^[9] It spent a then-record 20 weeks at the pole position of the French charts, as well as topping the chart in Belgium and making top 10 in Canada. It has become Farmer's best selling studio album.

Prior to the release of the album's third single, on 14 November 1991^[7] a disturbed man who had been stalking Farmer entered the Polydor Records headquarters in Paris and held employees at gunpoint demanding to talk to her. The man had previously written the singer some fan mail, which she did not respond to. He killed the receptionist. Following this occurrence, Farmer shunned media attention and left France to live in Los Angeles for a few weeks.^[10]

In late 1992, she released the remix album Dance Remixes, a two-disc set containing 14 remixes of the singer's greatest dance hits plus a new song : the single "Que mon cœur lâche". As usual, Farmer did not shy away from controversy; "Que mon cœur lâche", a song dealing with AIDS and sexual relations, is accompanied by a video directed by Luc Besson (the first time in the singer's career that a video wasn't directed by Boutonnat) in which Farmer plays an angel sent down to earth by God (who refuses to send Jesus again, stating that "last time it was a disaster") to save mankind from itself. The imagery in the clip references pop stars, condoms, prostitution, homosexuality and drug use. The single was also recorded in an English version, "My Soul Is Slashed".

Giorgino (1992–1994)[link]

"Que mon cœur lâche" would be the last single released by Farmer in 3 years. In the meantime the singer would star in a movie, as her longtime collaborator had written a script he had wanted to direct for a long time. The result was the ill-fated Giorgino (1994). The film, shot in English, was a huge critical and commercial flop. Budgeted at 80 million Francs, it was seen by only 60 000 people and recovered only 1% of its budget.^[11] One of the main reasons for the film's flop was its 3-hour-plus length. According to Farmer herself, the bad reception of Giorgino was particularly hard on Boutonnat, who was directing his first feature film,^[12] something he would not do again for 13 years until the release of Jacquou le Croquant in 2007. Following the lukewarm reception of the film, Farmer decided to leave France to take a long break in the USA.

[edit] Anamorphosée (1995–1997)

During her time in California, Farmer started to write her fourth studio album, Anamorphosée. The album was launched by "XXL", a rock song with blasting electric guitars, and a video directed by Marcus Nispel featuring Mylène strapped to the front of a moving train. The single became her first to debut at Nº1. Anamorphosée debuted at Nº2 in the album charts and sold half a million copies in 3 months. The album continued to sell well with the release of "L'Instant X", "California" (a jazzy-pop ballad bolstered with bass guitar featuring a highly acclaimed video directed by Abel Ferrara), "Comme j'ai mal" and "Rêver", which helped the album reach Nº1 in January 1997 – 16 months after its release – becoming Diamond. The album is the first to contain music written by Farmer ("Tomber 7 fois...").

In summer 1996, Farmer embarked on her second concert tour which met with huge success. The corresponding live album, Live à Bercy, is currently the best-selling French live album ever. During the tour, Farmer sang a Raï version of Michel Polnareff's La Poupée qui fait non with Khaled, which was released as a promotional single from the live album and became a Top 10 hit in France.

[edit] Innamoramento and Mylènium (1998–2000)

Farmer returned in spring 1999 with her 5th studio album Innamoramento. The lead single "L'Âme-stram-gram" was a futuristic up-tempo techno-ballad with erotic lyrics accompanied by a Chinese-themed video in which Farmer commits suicide to save her twin. Both the single and the album went straight to #2 on the charts.^[13] The album is certified Diamond in France.

The video for the second single, "Je te rends ton amour", sparked controversy because of its religious blasphemy being condemned by the Catholic Church and banned by many networks. Despite this, Farmer released a video single, which became the highest selling release of that kind in France.

In late 1999, Farmer embarked on her third concert tour, the Mylenium Tour, which set the record of the highest grossing tour by a non-English speaking artist. The stage of the show featured a huge pharaonic statue at the center of the stage from which she emerged and flew before being carried down by the hand of this very statue. During the tour, Farmer released the album's third and fourth singles: "Souviens-toi du jour" and "Optimistique-moi".

After "Innamoramento", the last single of the album, she recorded "L'Histoire d'une fée, c'est..." for the animated film Rugrats in Paris: The Movie, and released her third live album and DVD documenting the Mylènium Tour along with "Dessine-moi un mouton", the promotional single for the live CD of the show.

Alizée (2000–2004)[link]

In 2000, Farmer and Boutonnat had assembled songs and video ideas they felt appropriate for a younger, new star. They began the search for a female singer to break into the French charts – they found Alizée, a contestant on the French television show Graines de stars. They wrote and produced Alizée's albums Gourmandises and Mes courants électriques. Alizée's biggest hit, "Moi... Lolita" reached the top of the charts and she became the most successful French singer that year. In 2001, Le Figaro announced Farmer as top earning French entertainer of the year thanks, in part, to her writing, recording, and producing credits of Alizée's music, which earned 10.4 million €.^[14][15]

Alizée's image was crafted by Farmer and Boutonnat; she was allowed a few interviews of no more than 20 minutes and a limited number of promotional appearances. In 2005, after two successful albums and a concert tour, Alizée amicably parted ways with the duo to meet different songwriters and producers.

[edit] Les mots (2001–2003)

At the end of 2001, and seventeen years into her career, Universal issued Farmer's first greatest hits collection: Les Mots whose title track and lead single, a duet with Seal, became an enormous hit. The music video of the song was the first one directed by Boutonnat since "Beyond My Control", and borrowed many influences from art. Les Mots was the Nº1 selling album of 2001 and 2002, and remains the best selling greatest hits album in France with more than 1.5 million sold. The album also featured the new tracks and singles, including Top 10 hits "C'est une belle journée" and "Pardonne-moi".

[edit] Avant que l'ombre... (2004–2006)

In December 2004, after a long period of silence, Farmer held a press conference announcing her new album, Avant que l'ombre..., and the single "Fuck Them All" as well as a special 13-night concert engagement at the Palais Omnisports de Paris-Bercy in January 2006. This era featured no further promotion, and marked a new level of reclusivity for the star, who simply stated : "What I have to say is in my music". She also announced her new series of concerts in Paris-Bercy, a show designed by Mark Fisher. She explained that she could not tour due to the complex sets of the performances of the show, which featured two stages, a mobile bridge to link the two stages and a curtain of words written with water.

The album debuted and spent several weeks at Nº1, selling nearly a million copies and going multi-platinum, although its commercial success is considered inferior to her previous albums because she made little if no effort to promote it. Nonetheless, all five singles became Top 10 hits in France, while the single "L'amour n'est rien..." became a very big success in Russia.

As announced in her press conference, she returned to the stage in January 2006 for 13 dates in Paris-Bercy. A live album and concert DVD, Avant que l'ombre... à Bercy were released in December 2006. Within months, the DVD became the best-selling music DVD in France ever.

After her concerts in Bercy, electronic musician Moby invited her to record a duet with him. Choosing "Slipping Away", Farmer translated the lyrics herself to French, and the resulting single became a phenomenal success in French-speaking countries, becoming her 4th No.1 single in France.

In 2007, Farmer's long-time songwriting partner, Laurent Boutonnat, directed his second feature film, Jacquou le Croquant. Farmer recorded the theme song of the film, "Devant soi", for the end credits. During that period, she also worked on the French version of Luc Besson's animated feature Arthur and the Minimoys, lending her voice to Selenia, the character voiced by Madonna in the international version. The movie was a box-office hit.

[edit] Point de Suture (2008–2010)

In March 2008, Universal confirmed Farmer would release her seventh studio album near the end of 2008, and embark on her fifth concert tour the following year, including two shows at the Stade de France. The record's lead single, "Dégénération", had a minimal electronic music while its video marked the singer's return to the scripted videos of the beginning of her career. The song became Farmer's 5th No.1 single.

The album, Point de Suture, released in stores on 25 August, followed suit debuting at Nº1 with over 100 000 copies sold in its first week in France. The electronic-driven album continues in the vein of Farmer's previous work, featuring a mix of ballads and upbeat, synth-driven pop songs.

Farmer's next four singles from the album, "Appelle mon numéro", "Si j'avais au moins...", "C'est dans l'air" and "Sextonik", all became No.1 hits in France, Farmer beating her own record. Farmer then had a record of nine No.1 hits in France, more than any other artist in French music history. It is also the first time that all five singles from her album became No.1 hits.

Meanwhile, in 2008 Farmer announced a new protégée in the vein of Alizée: Lisa, Farmer's niece. Her lead single, "Drole de creepie", was released in September 2008, produced and written by Boutonnat and Farmer. The song accompanied the hit children's series, Growing Up Creepie, and the video depicts Lisa dressed as Creepie Creecher. Unlike Farmer & Boutonnat's previous side-projects, Lisa is marketed primarily to children.

Farmer's sold-out tour began in May 2009 in Nice and ended in September 2009 in Brussels, gathering extremely positive response from the critics.^[16] She also gave two concerts at the Stade de France, as well as other concerts in Russia, Belgium and Switzerland. The show was designed by Mark Fisher.

A new live album documenting her 2009 tour, N°5 on Tour, was released on 7 December 2009 and hit No.1 position in the charts, becoming double-platinum in its first week of release. A DVD of her Stade de France concerts followed on 12 April 2010, becoming instantly Diamond.

[edit] Bleu Noir (2010–2011)

In the latter half of 2010, the media reported that Mylène Farmer would work with Line Renaud and Ben Harper in their respective new releases. After thirty years of absence, Line Renaud released her new album in November 2010, which contains "C'est pas l'heure," a duet with Farmer, written by Farmer and Boutonnat. Also in November, Australian band INXS released the album Original Sin as a tribute to the late Michael Hutchence. Farmer covered "Never Tear Us Apart" with Ben Harper, featuring new lyrics in French written by Farmer.

It was announced surprisingly on 27 September 2010 that Farmer would be releasing a new single "Oui mais... non" to lead her next album. Unlike all the previous musical works by Farmer, Boutonnat was not included in the production or composition. Instead Farmer hired RedOne, known for his work with Lady Gaga to produce and write the music for the single. "Oui mais... non" was released to digital downloading markets on 11 October and hit No.1 on the French charts. Considering the music market crisis, it's her most successful single since 2002. This also makes her the only French singer to have number-one hits in four consecutive decades. The following singles, "Bleu Noir" and "Lonely Lisa", hit the top of the charts too, expanding her record with twelve No.1 singles.

The album Bleu Noir was released on 6 December 2010, produced by Farmer, RedOne, Moby and Archive. It entered the French album chart at No.1 and remained at the top for three consecutive weeks. It topped the 9th position in the French 2010 charts, with more than 300,000 copies sold in three weeks. It has sold so far over 600,000 copies,^[17] reaching Diamond status, within three months of its release. It also broke the record for best debut in the Downloads Chart with 9,000 copies sold.

[edit] 2001-2011 (2011–Present)

Farmer's 2nd hits collection titled 2001.2011 was released in late 2011, featuring all of her hit singles recorded after Les Mots.

Filmography[link]

• Giorgino (1994 by Laurent Boutonnat) (portrayed Catherine Degrâce)
• Arthur et les Minimoys (Arthur and the Invisibles) (2006 by Luc Besson) (French voice of Princess Selenia)
• Arthur et la Vengeance de Maltazard (2009 by Luc Besson) (French voice of Princess Selenia)
• Arthur et la Guerre des Deux Mondes (2010 by Luc Besson) (French voice of Princess Selenia)

Discography[link]

• Cendres de Lune (1986)
• Ainsi soit je... (1988)
• L'Autre... (1991)
• Anamorphosée (1995)
• Innamoramento (1999)
• Avant que l'ombre... (2005)
• Point de suture (2008)
• Bleu Noir (2010)
• TBA (2012)

Bibliography[link]

By Mylène Farmer

• Lisa-Loup et le Conteur (2003) – Mylène Farmer – Anne Carrière Ed. – ISBN 2-84337-221-6 – A tale written and illustrated by Mylène Farmer
• Avant que l'ombre à Bercy – Paris 2006 (2006) – Mylène Farmer – Anne Carrière Ed. – ISBN 2-84337-433-2

About Mylène Farmer

• Mylène Farmer (1989) – Patrick Milo – Albin Michel Ed.
• Mylène Farmer, Ainsi soit-elle (1990) – Philippe Seguy – Taillandier Ed.
• L'album photo Mylène Farmer (1991) – Geda Ed.
• Mystérieuse Sylphide (2000) – David Marguet – Idoles de la Pop Ed.
• Picture Book Mylène Farmer (2001) – Collectif – Omega Ed.
• Mylène Farmer de A à Z (2002) – Florence Rajon – MusicBook Ed.
• La part d'ombre (2003) – Caroline Bee, Antoine Bioy & Benjamin Thiry – Archipel Ed.
• Au Cœur du Mythe (2003) – Jean-Claude Perrier – Bartillat Ed.
• L'Ange Rouge (2003) – Béatrice Nouveau – Michel Lafon Ed.
• Le Mystère Mylène Farmer (2003) – Mathias Goudeau – Prélude & Fugue Ed.
• L'ange blessé (2004) – Caroline Bee – Librio Musique Ed.
• Mylène Farmer, de chair et de sang (2004) – Annie et Bernard Reval – France Empire Ed.
• Mylène Farmer (2004) – Bernard Violet – Fayard Ed.
• Mylène Farmer (2005) – Fabien Lecœuvre – VadeRetro Ed.
• Mylène Farmer & Vous : Le Référentiel (2005) – Maxime Lemen – Ter Prod Ed.
• Les Années Sygma (2005) – Sylvain Sennefelder & Maxime Lemen – Tear Prod Ed.
• Le Dictionnaire des Chansons de Mylène Farmer (2006) – Benoît Cachin – Tournon Ed.
• Fou de Mylène Farmer, deux années à l'attendre (2006) – Christophe-Ange Papini – K&B Ed.
• Belle de Scène (2006) – Julien Wagner – K&B Ed.
• Dans la peau de Mylène Farmer (2006) – Line Grégory – Michel Lafon Ed.
• Mylène Farmer Influences (2006) – Benoît Cachin – Tournon Ed.
• Mylène Farmer Phénoménale (2006) – Erwan Chuberre – City Ed.
• Mylène Farmer, le culte (2007) – Sophie Khairallah – Why Not Ed.^[18]
• Le Référentiel Mylène Farmer 2008 (2007) – Renan Cornetto – K&B Ed.
• L'intégrale Mylène Farmer (2007) – Erwan Chuberre – City Ed.
• Mylène Farmer, la collection – L'ultime référentiel (2007) – Why Not Ed.^[19]
• Sainte Mylène, Priez pour Moi ! (2007) – Erwan Chuberre – City Ed.
• Mais où est encore passée Mylène Farmer ? (2008) – Bioy/Beuh/Tudor – K&B Ed.
• Amylène analgésique (2008) – Arno Mothra – Komakino Ed.
• Mylène Farmer : la libertine (2008) – Thierry Wolf – La Lagune Ed.
• Mylène (2008) – Hugues Royer – Flammarion Ed.
• Mylène Farmer : des mots sur nos désirs (2009) – Erwan Chuberre – City Ed.
• Mylène Farmer : La culture de l'inaccessibilité (2010) – Julien Rigal Premium ed

Farmer has never acknowledged any of the works listed above. "Everything that is said about me is false..." ("Tout ce qui est dit sur moi est faux...")

Companies owned by Farmer[link]

Unofficial fanclub[link]

The Mylène Farmer-International Fan Club (MFIFC) existed from 1995 to 2001. At its peak, it had over ten thousand subscribers in 37 countries.^[21] The club published subscriber-only fanzines, which included interviews with people who personally knew Mylène, including Khaled, Marcus Nispel, Abel Ferrara, H. R. Giger and Paco Rabanne. They also organised a fan tour in which several members attended concerts in Moscow and St. Petersburg.

See also[link]

	Book: Mylène Farmer
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Children's literature portal

• List of artists who reached number one on the French Singles Chart

References[link]

External links[link]

Wikimedia Commons has media related to: Mylène Farmer

• Mylène Farmer at the Internet Movie Database
• Mylène Farmer on Facebook
• Listen to Mylène Farmer's discography
• Mylène.net (French)
• Sans-Logique.com
• Mylene Farmer's photos, videos, songs (English)
• Mylene Farmer's Concerts, Tourdates, Bio, Songs, Videos, Lyrics, Awards, Filmograpy, Videography and Discography (English)
• Mylene Farmer Fan-Made French website and Forum (English/French)
• Mylene Farmer`s Photos archive
• Mylene Farmer México (Spanish)
• Mylene Farmer Romania (Romanian)
• Mylene Farmer Innamoramento.net Big Site (French)
• Mylene Farmer Mylene-01.com Fans portal (French)
• M.F. International: Mylène Farmer & General French Music Forum (English)