Decode the Scene GAME - Ted Billings Ernest Thesiger Colin Clive MOVIE CLIPS
Ted Billings Ernest Thesiger Colin Clive MOVIE
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Dr. Pretorius (Ernest Thesiger) and
Dr. Frankenstein (Colin Clive) realize they need a young woman's heart to continue his experiments.
TM & ©
Universal (
2012)
Cast: Ted Billings, Colin Clive, Ernest Thesiger
Director:
James Whale
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Producer:
Carl Laemmle Jr.
Screenwriter:
John L. Balderston,
Josef Berne,
Lawrence G. Blochman,
Morton Covan,
Robert Florey,
William Hurlbut,
Tom Reed,
Edmund Pearson,
R.C. Sherriff
Film Description: This greatest of all
Frankenstein movies begins during a raging thunderstorm.
Warm and cozy inside their palatial villa,
Lord Byron (
Gavin Gordon),
Percy Shelley (
Douglas Walton), and
Shelley's wife
Mary (
Elsa Lanchester) engage in morbidly sparkling conversation. The wicked
Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of
Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next.
Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the
Monster (
Boris Karloff) quickly revives and goes on another rampage of death and destruction.
Meanwhile, his ailing creator
Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented
Doctor Praetorius (
Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the
Bride of the Monster (Elsa Lanchester again) emerges.
Alas, the Monster's tender efforts to connect with his new
Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed,
The Bride of Frankenstein is further enhanced by the vivid
Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by
Ian McKellen in the Oscar-winning
1998 biopic
Gods and Monsters.
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