Bulange (boo-lah-ngeh), is a building in Uganda. It houses the Lukiiko (Parliament) of the Kingdom of Buganda. The Kabaka of Buganda also maintains offices in the building. It serves as the administrative headquarters of the Buganda Kingdom.^[1]

Location[link]

Bulange is located on Namirembe Hill, close to Namirembe Hospital, about 1 mile (1.6 km), northwest of the main gate of Mengo Palace, in Kampala, Uganda's capital and largest city. This location is approximately 2 miles (3.2 km), southwest of the city center of Kampala.^[2] The coordinates of the building are:00 18 35N, 32 33 30E (Latitude:0.3095; Longitude:32.5585) A straight road, approximately 1 mile (1.6 km) long, called Kabaka Anjagala Road (The-King-Loves-Me Road) leads from the main entrance of the Mengo Palace to the entrance of Bulange.

History[link]

In the beginning, the Buganda Parliament would convene inside one of the Kabaka's palaces and conduct business under the shade of one or more trees. Later, grass-thatched buildings served as the 0arliament buildings. Around the beginning of the 20th century, the then Prime Minister of Buganda, Sir Apollo Kaggwa, contracted an Indian Alidina Visram to build a parliament building using bricks. As the Kingdom's government grew in size, need for a large-enough meeting hall forced the construction of the Bulange outside the King's Palace for the first time.

While in exile in Scotland in 1953, Ssekabaka Muteesa II saw and admired the construction drawings of a building. He brought those drawings with him on his return from exile, in 1955. He directed that the new Bulange be constructed according to those drawings.Construction began in 1955 and was completed in 1958 at a cost of US$5 millions.^[3]

External links[link]

• Photo of the Current Bulange at Cardcow.com
• Background to the Construction of Bulange

See also[link]

• Kabaka of Buganda
• Mengo Palace
• Kingdom of Buganda
• Mengo Hill

References[link]

Coordinates: 00°18′35″N 32°33′30″E / 0.30972°N 32.55833°E / 0.30972; 32.55833

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Sir Cliff Richard OBE
Cliff Richard in November 2009
Background information
Birth name	Harry Rodger Webb
Born	(1940-10-14) 14 October 1940 (age 71) Lucknow, United Provinces, British India
Genres	Skiffle, rock and roll, pop, gospel, contemporary Christian music
Occupations	Musician, actor, philanthropist
Instruments	Vocals, guitar, percussion
Years active	1958–present
Labels	EMI, EMI's Columbia, Epic, Decca, Rocket, Papillon
Associated acts	The Shadows, Olivia Newton-John, Dionne Warwick
Website	www.cliffrichard.org

Sir Cliff Richard, OBE (born Harry Rodger Webb; 14 October 1940) is a British pop singer, musician, performer, actor, and philanthropist. With his backing group The Shadows, Richard, originally positioned as a rebellious rock and roll singer in the style of Little Richard^[1] and Elvis Presley, dominated the British popular music scene in the pre-Beatles period of the late 1950s and early 1960s. His 1958 hit single "Move It" is often described as Britain's first authentic rock and roll song, and John Lennon once claimed that "before Cliff and the Shadows, there had been nothing worth listening to in British music."^[2][3] A conversion to Christianity and subsequent softening of his music later led to a more middle of the road pop image, sometimes venturing into gospel music.

Over a 53-year career, Richard has become a fixture of the British entertainment world, amassing many gold and platinum discs and awards, including three Brit awards and two Ivor Novello awards. He has had more than 130 singles, albums and EPs make the UK Top 20, more than any other artist^[4] and holds the record (with Elvis Presley) as the only act to make the UK singles charts in all of its first six decades (1950s–2000s). He has achieved 14 UK No. 1 singles (or 18, depending on the counting methodology) and is the only singer to have had a No. 1 single in the UK in six consecutive decades: the 1950s through to the 2000s (discounting digital downloads and counting only CDs, he had a UK No. 1 single in the 2000s). Richard is the biggest selling singles artist of all time in the UK, with total sales of over 21 million^[5] and has reportedly sold an estimated 250 million records worldwide.^[6][7]

Richard has never achieved the same impact in the United States despite eight US Top 40 singles, including the million-selling "Devil Woman" and "We Don't Talk Anymore", the latter becoming the first to reach the Hot 100's top 40 in the 1980s by a singer who had been in the top 40 in the 1950s, 1960s, and 1970s. In Canada, Richard achieved moderate success in the 1980s with several albums reaching platinum status. He has remained a popular music, film, and television personality in Australia, New Zealand, South Africa, Northern Europe and Asia, and he retains a following in other countries.

Biography[link]

1940–58: Childhood[link]

Harry Rodger Webb was born on 14 October 1940 at the King George Hospital, Victoria Street, in Lucknow, India, to Rodger Oscar Webb, a manager for a catering contractor that serviced the Indian Railways, and his wife Dorothy Marie Dazely.^[8] Richard was baptised Harry Rodger Webb on 2 November 1940 at St Thomas's Church, Dehradun, India.^{[citation needed]} The family lived in a modest home with other Anglo-Indians at Maqbara, near the main shopping centre of Hazratganj. The Anglo-Indians living at Maqbara were often employed as musicians; a band played at the Royal Cafe Restaurant, Lucknow, and another at the Mohmmad Bagh club, which was the officers' club serving the garrison at Lucknow.^[9] Dorothy's mother served as the dormitory matron at the La Martiniere Girls' School. Anglo-Indians did not enjoy any great social status in India and were looked down upon by the British.^[9] Richard has three sisters.^[10] In around 1945, his family moved to Howrah, near Calcutta, where he started his schooling in St. Thomas' Church School, Howrah, which still exists.

In 1948, following Indian independence the family embarked on a three week sea voyage to Tilbury, Essex, England aboard the SS Ranchi. The Webbs moved from comparative wealth in India, where they had servants and lived in a company-supplied flat at Howrah near Calcutta, to a semi-detached house in Carshalton, Surrey (which was also the location of the school he attended, Stanley Park Juniors). In 1949 his father obtained employment in the credit control office of Thorn Electrical Industries and the family moved in with other relatives in Waltham Cross Hertfordshire, where he attended Kings Road Junior Mixed Infants School until a three-bedroom council house in Cheshunt was allocated to them in 1950. Harry Webb then attended Cheshunt Secondary Modern School, later renamed Riversmead School (later rebuilt and renamed Bishopslea School) from 1952 to 1957. As a member of the top stream he stayed on beyond the minimum leaving age to take GCE Ordinary Level examinations and gained a pass in English literature. He then started work as a filing clerk for a company called Atlas Lamps.^[11] A development of flats, Cliff Richard Court, has been named after him in Cheshunt.^[12]

Harry Webb became interested in skiffle. His father bought him a guitar at 16 and he formed the Quintones vocal group in 1957.^{[citation needed]} He then sang in the Dick Teague Skiffle Group.^{[citation needed]}

1958–63: Success and stardom[link]

Harry Webb became lead singer of a rock and roll group, The Drifters (not to be confused with the US group of the same name). 1950s entrepreneur Harry Greatorex wanted the up and coming Rock 'n' Roll singer to change from his real name of Harry Webb. The name Cliff was adopted as it sounded like cliff face, which suggested "Rock." It was "Move It" writer Ian Samwell who suggested that the former Harry Webb be surnamed Richard as a tribute to Webb's musical hero Little Richard.^[1][13] Before their first large-scale appearance, at the Regal Ballroom in Ripley, Derbyshire in 1958, they adopted the name "Cliff Richard and the Drifters". The four members were Harry Webb (now going under the stage name "Cliff Richard"), Ian "Sammy" Samwell on guitar, Terry Smart on drums and Norman Mitham on guitar. None of the other three played with the later and better known Shadows, although Samwell wrote songs for Richard's later career.

For his debut session, Norrie Paramor provided Richard with "Schoolboy Crush", a cover of an American record by Bobby Helms. Richard was permitted to record one of his own songs for the B-side; this was "Move It", written by the Drifters' Samwell on a number 715 Green Line bus on the way to Richard's house for a rehearsal. For the "Move It" session Paramor used the session guitarist Ernie Shears on lead guitar and Frank Clark on bass.

There are a number of stories about why the A-side was replaced by the intended B-side. One is that Norrie Paramor's young daughter raved about the B-side; another was that influential TV producer Jack Good, who used the act for his TV show Oh Boy!, wanted the only song on his show to be "Move It".^[14] Richard was quoted as saying -

NME - September 1958^[15]

The single went to No. 2 on the UK Singles Chart. Music critics Roy Carr and Tony Tyler wrote that it was the first genuine British rock classic, followed by Johnny Kidd and the Pirates' "Shakin' All Over". John Lennon was quoted as saying that "Move It" was the first English rock record.

In the early days, Richard was marketed as the British equivalent to Elvis Presley. Like previous British rockers such as Tommy Steele and Marty Wilde, Richard adopted Presley-like dress and hairstyle. In performance he struck a pose of rock attitude, rarely smiling or looking at the audience or camera. His late 1958 and early 1959 follow-up singles, "High Class Baby" and "Livin' Lovin' Doll", were followed by "Mean Streak", which carried a rocker's sense of speed and passion, and Lionel Bart's "Living Doll". It was on "Living Doll" that the Drifters began to back Richard on record. It was his fifth record,and became his first No. 1 single. By that time the group's lineup had changed with the arrival of Jet Harris, Tony Meehan, Hank Marvin, and Bruce Welch. The group was obliged to change its name to "The Shadows" after legal complications with the US Drifters as "Living Doll" entered the American top 40, licensed by ABC-Paramount. "Living Doll" was used in Richard's debut film Serious Charge, but as a country standard, rather than a rock and roll standard.

The Shadows were not a typical backing group. They would become contractually separate from Richard, and the group received no royalties for records backing Richard. In 1959, The Shadows (then still the Drifters) landed an EMI recording contract of their own, for independent recordings. That year, they released three singles, two of which featured double-sided vocals and one of which had instrumental A and B sides. In 1960, they recorded and released "Apache" this time using Richard as a session percussionist playing Chinese drums to open and close this single.^{[citation needed]} Reaching the top of the charts in more than one country, the single set The Shadows on a path of their own. They thereafter had several major hits, including five UK No. 1s. The band also continued to appear and record with Richard and wrote many of his hits. On more than one occasion, a Shadows' instrumental replaced a Richard song at the top of the British charts.

Richard's fifth single "Living Doll" triggered a softer, more relaxed, sound. Subsequent hits, the No. 1s "Travellin' Light" and "I Love You" and also "A Voice in the Wilderness" lifted from his film "Expresso Bongo" and "Theme for a Dream" cemented Richard's status as a mainstream pop entertainer along with contemporaries such as Adam Faith and Billy Fury. Throughout the early sixties his hits were consistently in the top five.

In 1961, EMI records organised Richard's 21st birthday party at its London headquarters in Manchester Square led by his producer Norrie Paramor. Photographs of the celebrations were incorporated into Richard's next album "21 Today" in which Tony Meehan joined in despite, then, having very recently left the Shadows to be replaced by Brian Bennett.

Typically, The Shadows closed the first half of the show with a 30-minute set of their own, then backed Richard on his show-closing 45-minute stint as exemplified by the retrospective CD album release of "Live at the ABC Kingston 1962". Tony Meehan and Jet Harris left the group in 1961 and 1962 respectively and later had their own chart successes for Decca. The Shadows added bass players Brian Locking (1962–63) and then John Rostill (1963–1968) and took on Brian Bennett permanently on drums.