Look up never mind or nevermind in Wiktionary, the free dictionary.

Nevermind is a 1991 album by the American alternative rock band Nirvana.

Nevermind may also refer to:

• Nevermind, a 2006 album by punk/noise rock band Clockcleaner
• "Never mind", a frequent exclamation of Emily Litella
• Nevermind (game), the 1989 video game
• "Nevermind," a song by Red Hot Chili Peppers on their album Freaky Styley
• Nevermind (The Birthday Massacre song), a song by The Birthday Massacre on their album Violet
• Never You Mind, a 2000 album by The New Amsterdams
• Never Mind (book), a 2004 children's book written by Edward Irving Wortis
• "Nevermind (What Was It Anyway)", a song by Sonic Youth on their album NYC Ghosts & Flowers
• Never Mind the Bollocks, Here's the Sex Pistols, a 1977 album by the English punk band Sex Pistols
• "Never Mind," a song by The Replacements on their 1987 album Pleased to Meet Me

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Buzzcocks
Background information
Origin	Bolton, England
Genres	Punk rock, pop punk,[1] New Wave[2][3][4]
Years active	1976–1981 1989–present
Labels	United Artists, I.R.S., Cooking Vinyl, ROIR, EMI
Associated acts	Flag of Convenience Magazine
Website	www.buzzcocks.com
Members
Pete Shelley Steve Diggle Chris Remmington Danny Farrant
Past members
Howard Devoto Garth Mick Singleton John Maher Barry Adamson Steve Garvey Mike Joyce Tony Barber Phil Barker

Buzzcocks are an English punk rock band formed in Bolton in 1976, led by singer–songwriter–guitarist Pete Shelley and singer-songwriter-guitarist Steve Diggle.^[5]

They are regarded as an important influence on the Manchester music scene, the independent record label movement, punk rock, power pop, pop punk and indie rock. They achieved commercial success with singles that fused pop craftsmanship with rapid-fire punk energy. These singles were collected on Singles Going Steady, described by critic Ned Raggett as a "punk masterpiece".^[6] The widely covered "Ever Fallen in Love (With Someone You Shouldn't've)" remains one of their best-known songs, along with "Harmony in my Head".

The name "Buzzcocks" was chosen by Howard Devoto and Pete Shelley after reading the headline "it's the buzz, cocks!" in a review of the TV series Rock Follies in Time Out magazine. The "buzz" is the excitement of playing on stage; "cock" is Manchester slang meaning "mate" (as in friend/buddy). They thought it captured the excitement of the Sex Pistols and nascent punk scene.^[7]

Career[link]

Early years[link]

Howard Trafford, a student at Bolton Institute of Technology (now the University of Bolton), placed a notice in the college looking for musicians sharing a liking for The Velvet Underground's song "Sister Ray".^[8] Peter McNeish,^[9] a fellow student at the Institute, responded to the notice. Trafford played electronic music^[9] and McNeish had played rock.

McNeish assumed the stage name Pete Shelley, and Trafford named himself Howard Devoto, after a bus driver in Cambridge. In late 1975, Shelley and Devoto recruited a drummer and formed an embryonic version of Buzzcocks that did not perform in front of an audience and which dissolved after a number of rehearsals.^{[citation needed]} The band formed as Buzzcocks in February 1976 and performed live for the first time on 1 April 1976 at their college. Garth Davies played bass guitar and Mick Singleton played drums. Singleton also played in local band Black Cat Bone.^[10]

After reading an NME review of the Sex Pistols' first performance, Shelley and Devoto travelled to London together to see the Sex Pistols in February 1976. Shelley and Devoto were impressed by what they saw and arranged for the Sex Pistols to come and perform at the Lesser Free Trade Hall in Manchester, in June 1976. Buzzcocks intended to play at this concert, but the other musicians dropped out, and Shelley and Devoto were unable to recruit other musicians in time for the gig. Once they had recruited bass guitarist Steve Diggle and drummer John Maher, they made their debut opening for the Sex Pistols' second Manchester concert in July 1976. A brief clip of Devoto-era Buzzcocks performing The Troggs' "I Can't Control Myself" appears in the Punk: Attitude documentary directed by Don Letts. In September 1976 the band travelled to London to perform at the two-day 100 Club Punk Festival, organised by Malcolm McLaren. Other performers included: the Sex Pistols, Subway Sect, Siouxsie and the Banshees, The Clash, The Vibrators, The Damned and the French band Stinky Toys.

By the end of the year, Buzzcocks had recorded and released a four-track EP, Spiral Scratch, on their own New Hormones label, making them one of the first punk groups to establish an independent record label, trailing only The Saints' "(I'm) Stranded". Produced by Martin Hannett, the music was roughly recorded, insistently repetitive, and energetic. "Boredom" announced punk's rebellion against the status quo while templating a strident musical minimalism (the guitar solo consisting of two repeated notes). The demos recorded while Devoto was in the band were later issued officially as Time's Up. Long available as a bootleg, this album includes the alternative takes of all the tracks from the Spiral Scratch EP as well as early version of tracks that later appeared on the official debut Another Music in a Different Kitchen.

After a few months, Devoto left the group; he returned to college for a year, then formed Magazine. Pete Shelley continued as vocalist; his high-pitched, melodic singing stood in stark contrast to the gruff pub rock vocal stylings of many punk contemporaries. Diggle switched from bass to guitar, and Garth Davies rejoined on bass as Garth Smith or Garth. Garth appeared on the band’s first Radio 1 Peel Session, in September 1977, but due to his alcoholism he was quickly replaced with Steve Garvey, joining Dirty Looks in New York. This new line-up signed with United Artists Records.

Signing to United Artists[link]

Their first UA Buzzcocks single, "Orgasm Addict", was a playful examination of compulsive sexuality that was (and remains) uncommonly bold. The BBC refused to play the song, but the single sold well. Later, more ambiguous songs staked out a territory defined by Shelley's bisexuality and punk's aversion to serious examination of human sexuality. The next single, "What Do I Get?" reached the UK top 40 charts.^[11] "Lipstick", the B-side to "Promises," shared the same ascending progression of notes in its chorus as Magazine's first single, "Shot By Both Sides," also released in 1978.

	"Fast Cars" noicon Sample of "Fast Cars" by Buzzcocks, from Another Music in a Different Kitchen (1978)
Problems listening to this file? See media help.

Their original career produced three LPs: Another Music in a Different Kitchen, Love Bites, and A Different Kind of Tension, each supported by extensive touring in Europe and the U.S. Their trademark sound was a marriage of catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section. They advanced drastically in musical and lyrical sophistication: by the end they were quoting American writer William S. Burroughs ("A Different Kind of Tension"), declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard ("Radio Nine"). In 1980, Liberty Records signed the band, and three singles were released. However, only one of these, the double 'A' side "Why She's A Girl From The Chainstore/Are Everything" made the Top 75.

In parallel with Buzzcocks, Pete Shelley formed a more experimental and post-punk band, The Tiller Boys, along with Eric Random and Francis Cookson, while Steve Garvey joined The Teardrops in 1978, along with The Fall's Tony Friel and Karl Burns; both bands were releasing material in late 1970s and broke up at the same time as Buzzcocks.

Break-up and reunions[link]

After recording demos for a fourth album the group disbanded in 1981, when Shelley took up a solo career. Diggle and Maher formed Flag of Convenience, who released several singles between 1982 and 1989. Garvey formed Motivation and joined Blue Orchids, moving to New York, shortly afterwards, to continue with the first band. Maher had joined Wah! by the time Buzzcocks broke up. Shelley and Devoto teamed up in 2002 for the first time since 1976, producing the album Buzzkunst, 'Kunst' being the German word for 'Art'. The album was a mix of electronic music and punk.

John Maher now owns and runs John Maher Racing, a vintage Volkswagen performance tuning workshop located on the Isle of Harris, Scotland.^[12] He has built and raced several Volkswagen Beetles. In 2005, Shelley re-recorded "Ever Fallen In Love" with an all-star group, including Roger Daltrey, David Gilmour, Peter Hook, Elton John, Robert Plant and several contemporary bands, as a tribute to John Peel. Proceeds went to Amnesty International. Shelley also performed the song live, with Plant, Daltrey, Gilmour, Hook and Jeff Beck at the 2005 UK Music Hall of Fame.^[13]

Buzzcocks have reformed several times since 1989, featuring Shelley and Diggle with other musicians; initially with Maher and Garvey for a world tour, then briefly replacing Maher with Smiths drummer Mike Joyce. In 1992, Tony Barber joined on bass and Phil Barker on drums. This line-up toured on one of Nirvana's last-ever tours in 1994. Buzzcocks toured as the opener for Pearl Jam in 2003. In April 2006, Barker left and was replaced by Danny Farrant. In March 2006, the band released their eighth studio album, Flat-Pack Philosophy, on Cooking Vinyl Records, the supporting tour found them playing on a leg of the mid-2006 Vans Warped Tour.

They made an appearance for Maxïmo Park's homecoming gig in Newcastle upon Tyne on 15 December 2007.

In April 2008, Barber left and was replaced by Chris Remmington.

In January 2009 the band embarked on a UK and European tour, the "Another Bites Tour", in which they played their first two albums in full, as well as an encore of their other hits.^[14]

In July 2009, Buzzcocks played in Serbia for the second time, at the EXIT festival in Novi Sad. Their song, "Why Can't I Touch It" was played in the second episode of the sixth season of TV series Entourage.

On 9 November 2009, Buzzcocks gave a very rare performance on a small balcony overlooking Dame Street in Dublin, for the music viral show BalconyTV.^[15]

In December 2009 they played as the main support act for The Courteeners.^[16]

In August 2011 they headlined the first night of The Rhythm Festival in Bedfordshire.

In November 2011 it was announced they would be playing two shows in 2012 that will feature the original line-up as well as the classic line-up of the band reunited for the first time in many years; these shows will take place on 25 May 2012 in Manchester at the O2 Apollo and on 26 May in Brixton at the O2 Academy. It was announced on the 26th of May 2012 that they'll will for the first time ever headline Thursday night in the Empress Ballroom at the Rebellion Festival in Blackpool sharing the stage with the likes of Rancid, Public Image Limited and Social Distortion.^[17]

TV show title[link]

Buzzcocks' name was combined with the title of the Sex Pistols' album Never Mind the Bollocks to create the title of the long-running UK comedy panel game show Never Mind the Buzzcocks. Diggle claimed in his autobiography that he and Shelley had only granted the BBC use of their name under the impression that it would be a one-off, probably unsuccessful pilot, and that they are now mildly disgruntled that the name is more readily associated in Britain with the TV series than with their band.^[18] Shelley himself appeared on the programme in 2000, where host Mark Lamarr introduced Shelley by saying that without Buzzcocks "there'd be no Smiths or Radiohead, and this show would be called Never Mind Joan Armatrading!"

Members[link]

Current band photo, at the Cropredy Festival, 13 August 2009 Photo: Brian Marks

Discography[link]

• Another Music in a Different Kitchen (1978)
• Love Bites (1978)
• A Different Kind of Tension (1979)
• Trade Test Transmissions (1993)
• All Set (1996)
• Modern (1999)
• Buzzcocks (2003)
• Flat-Pack Philosophy (2006)

Notes[link]

External links[link]

	Book: Buzzcocks
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Official website
• Buzzcocks at Allmusic

Wikimedia Commons has media related to: Buzzcocks

Gilda Susan Radner (June 28, 1946 – May 20, 1989) was an American comedienne and actress, best known as one of the original cast members of the NBC sketch comedy show Saturday Night Live, for which she won an Emmy Award in 1978.

Early life[link]

Radner was born in Detroit, Michigan, the daughter of Jewish parents Henrietta (née Dworkin), a legal secretary, and Herman Radner, a businessman.^[1][2] She grew up in Detroit with a nanny, Elizabeth Clementine Gillies, whom she called "Dibby" (and on whom she based her famous character Emily Litella),^[3] and an older brother named Michael. She attended the University Liggett School in Grosse Pointe. Radner wrote in her autobiography It's Always Something toward the end of her life, "I coped with stress by having every possible eating disorder from the time I was nine years old. I have weighed as much as 160 pounds and as little as 93. When I was a kid, I overate constantly. My weight distressed my mother and she took me to a doctor who put me on Dexedrine diet pills when I was ten years old."^[4]

Radner was close to her father, who operated Detroit's Seville Hotel, where many nightclub performers and actors stayed while performing in the city.^[5] He took her on trips to New York to see Broadway shows.^[6] As Radner wrote in It's Always Something, when she was twelve her father developed a brain tumor, and the symptoms began so suddenly that he told people his eyeglasses were too tight.^[7] Within days he was bedridden and unable to communicate, and he remained in that condition until his death two years later.^[7]

College[link]

Radner enrolled at the University of Michigan at Ann Arbor, where she made a lifelong platonic friend of fellow student David Saltman, who wrote a biography of her after her death. Radner joined Saltman and his girlfriend on a trip to Paris in the summer of 1966. Saltman wrote that he was so affectionate with his girlfriend that they left Radner to fend for herself during much of their sightseeing.^[5] Twenty years later, when many details of Radner's eating disorder were reported in a bestselling book about Saturday Night Live by Doug Hill and Jeff Weingrad,^[8] Saltman realized she had been in a quandary over the French cuisine, but had no one with whom she could discuss her situation.^[5]

Career[link]

In Ann Arbor, Radner began her broadcasting career as the weather girl for college radio station WCBN, but dropped out in her senior year^[9] to follow her then-boyfriend, a Canadian sculptor named Jeffrey Rubinoff, to Toronto, Canada. In Toronto, she made her professional acting debut in the 1972 production of Godspell with future stars Eugene Levy, Andrea Martin, Victor Garber and Martin Short. Afterward, Radner joined the Toronto Second City comedy troupe.

Radner was a featured player on the National Lampoon Radio Hour, a comedy program syndicated to some 600 U.S. radio stations from 1974 to 1975. Fellow cast members included John Belushi, Richard Belzer, Chevy Chase, Bill Murray and Brian Doyle-Murray.

[edit] Saturday Night Live

Radner gained name recognition as one of the original "Not Ready for Prime Time Players", a member of the freshman group on the first season of Saturday Night Live. She was the first performer cast for the show.^[6] Between 1975 and 1980, she created such characters as Roseanne Roseannadanna, an obnoxious woman with wild black hair whose trademark complaint, "It's always something--if it ain't one thing, it's another," gave her autobiography its title, and who would tell stories about the gross habits of celebrities on the show's "Weekend Update" news segment, inspired in name and appearance by Rose Ann Scamardella, a news anchor at WABC-TV in New York City. Other SNL characters included "Baba Wawa," a spoof of Barbara Walters, and Emily Litella, an elderly hearing-impaired woman who gave angry and misinformed editorial replies on "Weekend Update" on topics such as "violins on television," the "Eagle Rights Amendment," "flea erections in China," "making Puerto Rico a steak," "busting schoolchildren," "protecting endangered feces," and, once, nothing.^[6][10] Once corrected on her misunderstanding, Litella would end her segment with a polite "Never mind," although in later episodes, she would also answer Jane Curtin's frustration with a simple "Bitch!" Radner parodied such celebrities as Lucille Ball, Patti Smith, and Olga Korbut in SNL sketches. Radner won an Emmy Award in 1978 for her work on SNL.

Radner's star on the Hollywood Walk of Fame

Radner battled bulimia during her time on the show. She once told a reporter that she had thrown up in every toilet in Rockefeller Center.^[8] She had a relationship with SNL castmate Bill Murray, with whom she also had worked at the National Lampoon, that ended badly. Few details of their relationship or its end were made public at the time. When Radner wrote It's Always Something, this is the only reference she made to Murray in the entire book: "All the guys [in the National Lampoon group of writers and performers] liked to have me around because I would laugh at them till I peed in my pants and tears rolled out of my eyes. We worked together for a couple of years creating The National Lampoon Show, writing The National Lampoon Radio Hour, and even working on stuff for the magazine. Bill Murray joined the show and Richard Belzer ..."^[11]

In 1979, incoming NBC President Fred Silverman offered Radner her own prime time variety show, which she ultimately turned down.^[9] That year, she was one of the hosts of the Music for UNICEF Concert at the United Nations General Assembly.

Alan Zweibel, who co-created the Roseanne Roseannadanna character and co-wrote all of Roseanne's dialogue, recalled that Radner, one of three original SNL cast members who stayed away from cocaine, chastised him for using it.^[12]

Radner had mixed emotions about the fans and strangers who recognized her in public. She sometimes became "angry when she was approached, but upset when she wasn't."^[8]

Broadway[link]

In 1979, Radner appeared on Broadway in a successful one-woman show entitled Gilda Radner - Live From New York.^[13] The show featured racier material, such as the song Let's Talk Dirty to the Animals. In 1979, shortly before Radner began her final season on Saturday Night Live, her Broadway show was filmed by Mike Nichols under the title Gilda Live!, co-starring Paul Shaffer and Don Novello, and was released to theaters nationwide in 1980 with poor results. A soundtrack album was also unsuccessful. During the production, she met her first husband, G. E. Smith, a musician who also worked on the show. They were married in a civil ceremony in 1980.^[9]

In the fall of 1980, after all original SNL cast members departed from the show, Radner starred opposite Sam Waterston in the Jean Kerr play, Lunch Hour, as a pair whose spouses are having an affair, and in response invent one of their own, consisting of trysts on their lunch hour.^[14] The show ran for over seven months.

Relationship with Gene Wilder[link]

Radner met actor Gene Wilder on the set of the Sidney Poitier film Hanky Panky, when the two appeared together. She described their first meeting as "love at first sight."^[9] She was unable to resist her attraction to Wilder as her marriage to guitarist G. E. Smith deteriorated. Radner went on to make a second film, The Woman in Red, in 1984 with Wilder and their relationship grew. The two were married on September 18, 1984, in St. Tropez.^[9] The pair made a third film together, Haunted Honeymoon, released in 1986.^[9]

Illness[link]

After experiencing severe fatigue and suffering from pain in her upper legs on the set of Haunted Honeymoon in the United Kingdom in 1985, Radner sought medical treatment. After 10 months of false diagnoses, she learned that she had ovarian cancer on October 21, 1986.^[9] She suffered extreme physical and emotional pain during chemotherapy and radiotherapy treatment.^[9]

Remission[link]

After Radner was told she had gone into remission, she wrote It's Always Something (a catchphrase of her character Roseanne Roseannadanna),^[9] which included many details of her struggle with the illness. Life magazine did a March 1988 cover story on her illness, entitled "Gilda Radner's Answer to Cancer: Healing the Body with Mind and Heart". In 1988, Radner guest-starred on It's Garry Shandling's Show on Showtime, to great critical acclaim. When Shandling asked her why she had not been seen for a while, she replied "Oh, I had cancer. What did you have?" Shandling's reply: "A very bad series of career moves... which, by the way, there's no cure for whatsoever." She also repeated on-camera Mark Twain's famous saying, "Reports of my death are greatly exaggerated." Radner planned to host an episode of Saturday Night Live that year, but a writers' strike caused the cancellation of the rest of the network television season.

Death[link]

In late 1988, after biopsies and a saline wash of her abdomen showed no signs of cancer, Radner was put on a maintenance chemotherapy treatment to prolong her remission, but later that same year, she learned that her cancer had returned after a routine blood test showed her levels of the tumor marker CA-125 had increased.^[15] She was admitted to Cedars-Sinai Medical Center in Los Angeles on May 17, 1989 for a CAT scan. Because she was fearful that she would never wake up, she was given a sedative but passed into a coma during the scan. She did not regain consciousness and died three days later from ovarian cancer at 6:20 am on May 20, 1989; Wilder was at her side.^[6]

Gene Wilder had this to say about her death:

She went in for the scan – but the people there could not keep her on the gurney. She was raving like a crazed woman – she knew they would give her morphine and was afraid she’d never regain consciousness. She kept getting off the cart as they were wheeling her out. Finally three people were holding her gently and saying, "Come on Gilda. We’re just going to go down and come back up." She kept saying, "Get me out, get me out!" She’d look at me and beg me, "Help me out of here. I’ve got to get out of here." And I’d tell her, "You’re okay honey. I know. I know." They sedated her, and when she came back, she remained unconscious for three days. I stayed at her side late into the night, sometimes sleeping over. Finally a doctor told me to go home and get some sleep. At 4 am on Saturday, I heard a pounding on my door. It was an old friend, a surgeon, who told me, "Come on. It's time to go." When I got there, a night nurse, whom I still want to thank, had washed Gilda and taken out all the tubes. She put a pretty yellow barrette in her hair. She looked like an angel. So peaceful. She was still alive, and as she lay there, I kissed her. But then her breathing became irregular, and there were long gaps and little gasps. Two hours after I arrived, Gilda was gone. While she was conscious, I never said goodbye.

Her funeral was held in Connecticut on May 24, 1989. In lieu of flowers, her family requested that donations be sent to The Wellness Community. Her gravestone reads: "Gilda Radner Wilder - Comedienne - Ballerina 1946-1989". She was interred at Long Ridge Union Cemetery in Stamford, Connecticut.^[16]

By coincidence, the news of her death broke on early Saturday afternoon (Eastern Daylight Time), while Steve Martin was rehearsing as the guest host for that night's season finale of Saturday Night Live. Saturday Night Live personnel, including Lorne Michaels, Mike Myers (who had, in his own words, "fallen in love" with Radner after playing her son in a BC Hydro commercial on Canadian television and considered her the reason he wanted to be on SNL)^[17] and Phil Hartman, had not known she was so close to death. They scrapped Martin's planned opening monologue and instead, Martin, in tears, introduced a video clip of a 1978 sketch in which he and Radner parodied an old Hollywood romantic couple's dance.

Legacy[link]

Wilder established the Gilda Radner Ovarian Detection Center at Cedars-Sinai to screen high-risk candidates (such as women of Ashkenazi Jewish descent) and run basic diagnostic tests. He testified before a Congressional committee that Radner's condition had been misdiagnosed and that if doctors had inquired more deeply into her family background they would have learned that her grandmother, aunt and cousin had all died of ovarian cancer, and therefore they might have attacked the disease earlier.^{[citation needed]}

Radner's death from ovarian cancer helped to raise awareness of early detection and the connection to familial epidemiology.^[18] The media attention in the two years after Radner's death led to registry of 450 families with familial ovarian cancer at the Familial Ovarian Cancer Registry, a research database registry at the Roswell Park Cancer Institute in Buffalo, New York. The registry was later renamed the Gilda Radner Familial Ovarian Cancer Registry (GRFOCR).^[19] In 1996, Gene Wilder and Registry founder Steven Piver, one of Radner's medical consultants, published Gilda's Disease: Sharing Personal Experiences and a Medical Perspective on Ovarian Cancer. Through Wilder's efforts and those of others, awareness of ovarian cancer and its symptoms has continued to grow.

In 1991, Gilda's Club, a network of affiliate clubhouses where people living with cancer, their friends and families, can meet to learn how to live with cancer, was founded. The center was named for a quip from Radner, who said, "Having cancer gave me membership in an elite club I'd rather not belong to."^[9] Many Gilda's Clubs have opened across the United States and in Canada. In 2009, Gilda's Club merged with another similar institution, The Wellness Community, under the new name of Cancer Support Community, which was legally adopted in 2011.

In 2002, the ABC television network aired a television movie about her life: Gilda Radner: It's Always Something, starring Jami Gertz as Radner.

In 2007 she was featured in the film Making Trouble, a tribute to female Jewish comedians, produced by the Jewish Women’s Archive.^[20]

Awards and honors[link]

Radner won an Emmy Award for "Outstanding Continuing or Single Performance by a Supporting Actress in Variety or Music" for her performance on Saturday Night Live in 1977. She posthumously won a Grammy for "Best Spoken Word Or Non-Musical Recording" in 1990.

In 1992, Radner was inducted into the Michigan Women's Hall of Fame for her achievements in arts and entertainment. On June 27, 2003, she received a star on the Hollywood Walk of Fame at 6801 Hollywood Blvd.

Parts of W. Houston Street in New York City and Lombard Street in Toronto have both been renamed "Gilda Radner Way." Chester Street in White Plains, NY was also renamed Gilda Radner Way.

Filmography[link]

Television[link]

Films[link]

See also[link]

Biography portal

• Friends of Gilda

References[link]

External links[link]

• Cancer Support Community (formerly Gilda's Club)
• Gilda Radner Hereditary Cancer Program
• Gilda Radner Familial Ovarian Cancer Registry
• Gilda Radner at the Internet Movie Database
• Gilda Radner at the Internet Broadway Database
• Gilda Radner at Find a Grave
• Jewish Women in Comedy - Gilda Radner
• Gilda Radner page at Godspell.ca

This article's lead section may not adequately summarize its contents. Please consider expanding the lead to provide an accessible overview of the article's key points. (January 2011)

Simon Amstell
Simon Amstell at One Big Laugh, Bloomsbury Theatre, 2006.
Born	Simon Marc Amstell (1979-11-29) 29 November 1979 (age 32)[1] Gants Hill, London, England
Occupation	Stand-up comedian Television presenter Script writer, actor
Years active	1993–present
Website
simonamstell.co.uk

Simon Marc Amstell (born 29 November 1979 in Gants Hill, London) is a BAFTA-nominated,^[2] award-winning English comedian, television presenter, screenwriter and actor, best known for his roles as former co-host of Popworld, former host of Never Mind the Buzzcocks and co-writer and star of the sitcom Grandma's House.

Early life[link]

Amstell was born in east London in 1979 and was raised in Gants Hill, London, in a Jewish family. He was educated at Beal High School, a state comprehensive school in Ilford, London. When he appeared on Family Catchphrase, his aunt Kim mentioned that he was the eldest of four siblings.

Life and career[link]

Amstell's first television appearance was in 1993 when he appeared as a contestant on the Channel 4 game show GamesMaster.^[3][4][5] He also appeared on Good Morning with Anne and Nick performing an impression of Dame Edna Everage,^[6]. In 1994, he appeared in an episode of Family Catchphrase, describing himself as a budding magician and showing one of his tricks to the show's presenter Andrew O'Connor, himself a magician.^[7][8][9] Amstell and his family won a television and a video recorder.

Amstell started performing on the comedy circuit when he was in his early teens and later became the youngest finalist to appear in the BBC New Comedy Awards. His first professional television appearance was in 1998 as a presenter on the UK children's channel Nickelodeon. He claims he was sacked for being "sarcastic and mean to children"^[10] although the potted biography on his website also, in jest, claims:

"He started his TV career at Nickoledeon where he was fired for making pop stars uncomfortable. He then began presenting the Channel 4 show, Popworld – where he gained a huge following for his groundbreaking work in making pop stars uncomfortable."^[11]

His sexual orientation (openly gay) and Jewish-influenced upbringing occasionally figure in his work.^[12][13][14]

[edit] Popworld

From 2000 to 2006, Amstell presented Popworld on Channel 4 with Miquita Oliver. He voiced the characters "Timothy the Popworld melon" and "Richard the Popworld horse" and developed a highly ironic, surreal and left-field style which gained the show a cult following but angered many of its guests. One example was a mock interview with singer Lemar called "Lemar From Afar" in which Amstell shouted questions into a megaphone from one end of the world's largest car park while Lemar stood at the other end. Another was a "Si-chiatrist" interview with Luke Pritchard and Hugh Harris of The Kooks in which Amstell played the role of psychiatrist and Pritchard and Harris his patients. During his time presenting Popworld, Amstell was at the centre of several controversies, including making Britney Spears cry after asking her if she thought she'd "gone a bit nuts".^[15]

[edit] Never Mind the Buzzcocks

Amstell first appeared on the comedy pop quiz show Never Mind the Buzzcocks as a guest during Mark Lamarr's tenure as host, in 2003 and 2005. Following Lamarr's departure, he was one of the series' guest hosts before being appointed as permanent host beginning in October 2006. He said at the time that he hoped to beat "the universal, exceptionless rule that when a new host takes over an old show it is a horrible, embarrassing disaster".^[16]

In June 2007, Amstell and long-term collaborator Dan Swimer wrote Imagine... A Mildly Amusing Panel Show, a spoof version of Alan Yentob's arts programme Imagine. Yentob and Amstell play themselves in a mock interview between what a number of commentators described as "overtly sexual"^{[citation needed]} clips taken from Amstell's Never Mind the Buzzcocks episodes. It was followed in February 2008 by Never Mind the Buzzcocks: A Moving Tribute, which jokingly implied that Amstell had either died or retired from the show.

On 25 April 2009, Amstell announced via his internet mailing list that he would not be hosting another series of Never Mind the Buzzcocks because of his desire to instead concentrate on his live tours and stand-up performances.^[17]

Amstell won several awards for his work on Never Mind the Buzzcocks. In March 2007, he won the 2006 Royal Television Society Award for Best Entertainment Performance.^[18] In December 2007, he won two British Comedy Awards for Best Comedy Entertainment Personality and Best Comedy Entertainment Series for Never Mind the Buzzcocks. In addition, Never Mind the Buzzcocks won the Best Entertainment Programme^[19] award at the Broadcast Awards 2008. Amstell's era was the reason why Never Mind the Buzzcocks was chosen as the 36th-best TV show of the decade by The Times.^[20]

Writing and acting[link]

Amstell co-wrote an episode of Channel 4 teen drama Skins in 2007, entitled "Maxxie and Anwar".

In 2009, BBC2 commissioned a six-part series entitled Grandma's House from Tiger Aspect Productions, written by and starring Amstell, co-written by Dan Swimer. The show was commissioned after the airing of a pilot earlier the same year. Filming started in February 2010^[21] and broadcasting began in August 2010.

In 2011, Amstell appeared in the independent film Black Pond.^[22]

In April 2012, the second series of Grandma's House began airing.

Stand-up[link]

Amstell also performs as a stand-up comedian. He has performed at the Edinburgh Festival Fringe in 2005, 2006, 2007 and 2009. He has also appeared at the Carling Festivals in the Cabaret and Comedy Tent for the last two years. In 2008, Amstell completed his first UK tour. He appeared at the Just for Laughs Comedy Festival in Montreal in July 2009. His entire run at the Edinburgh Fringe Festival 2009 at the Bongo Club sold out. He took part in his second national tour in the autumn of 2009.^[23]

Amstell performed Do Nothing in 2009 at the Royal Court Theatre, raising money for their young writers programme.

In May 2010, Amstell recorded Do Nothing in Dublin's Vicar Street venue for a November DVD release. In December 2011 and April 2012, it was shown on BBC3 and the BBC iPlayer.^[24]

In April 2012, Amstell will be performing at the Melbourne International Comedy Festival. From May to June 2012, he will be touring the UK. Amstell is calling the tour Numb.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Simon Amstell

• Official website
• Simon Amstell at the Internet Movie Database
• Simon Amstell at KBJ Management
• Simon Amstell on Chortle

Amy Winehouse
Amy Winehouse at the Eurockéennes festival in France (2007)
Background information
Birth name	Amy Jade Winehouse
Born	(1983-09-14)14 September 1983 Southgate, London, UK
Died	23 July 2011(2011-07-23) (aged 27) Camden, London, UK
Genres	Soul, R&B, jazz, blues
Occupations	Singer, songwriter, composer, arranger
Instruments	Vocals, guitar, drums
Years active	1993–2011
Labels	Island, Lioness, Universal Republic (U.S.)
Associated acts	Dionne Bromfield, Mark Ronson, Tony Bennett, Nas, Zalon, Tyler James, Paul Weller, The Rolling Stones, Lily Allen
Website	www.amywinehouse.com

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer and songwriter known for her powerful deep contralto vocals^[1] and her eclectic mix of musical genres including R&B, soul and jazz.^[2] Winehouse's 2003 debut album, Frank, was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, Back to Black, led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys,^[3][4] including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year.

In 2007 she won a Brit Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times: once in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", once in 2007 for Best Contemporary Song for "Rehab", and once in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game".

Winehouse died of alcohol poisoning on 23 July 2011. Her album Back to Black subsequently became the UK's best selling album of the 21st century.^[5] In 2012, Winehouse was listed at number 26 on VH1's 100 Greatest Women In Music.^[6]

Early life[link]

Amy Winehouse was born in the Southgate area of North London to a Jewish family, with some Russian ancestry on her mother's side^[7][8] who also influenced her interest in jazz.^[9] Her father, Mitchell "Mitch" Winehouse, was a taxi driver, her mother, Janis Winehouse (née Seaton),^[10] a pharmacist.^[11] Her grandmother, Cynthia, was a singer^[12] and she had an older brother, Alex (born 1979).^[13] Mitch often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class.^[14] Winehouse's parents separated when she was nine.^[15]

When Winehouse was nine years old, her grandmother Cynthia suggested she attend the Susi Earnshaw Theatre School for furthering her vocal education.^[16] She attended the Earnshaw school for four years and founded a short-lived rap group called Sweet 'n' Sour with Juliette Ashby, her childhood friend^[17] before seeking full-time training at Sylvia Young Theatre School; however, Winehouse was allegedly expelled at 14 for "not applying herself" and also for piercing her nose.^[13][18] (Sylvia Young herself has denied this – "She changed schools at 15 – I've heard it said she was expelled; she wasn't. I'd never have expelled Amy.")^[19] She also appeared in an episode of The Fast Show, 1997, with other children from the Sylvia Young School^[20] and later attended The Mount School, Mill Hill, the BRIT School in Selhurst, Croydon, Southgate School and then Ashmole School.^{[21][22][23][24]}

Music career[link]

Early career[link]

After toying around with her brother Alex's guitar, Winehouse received her first guitar when she was 13 and began writing music a year later. Soon after, she began working for a living, including, at one time, as an entertainment journalist for the World Entertainment News Network, in addition to singing with local group the Bolsha Band.^[13][25] In July 2000 she became the featured female vocalist with the National Youth Jazz Orchestra; her influences were to include Sarah Vaughan and Dinah Washington.^[26] Her boyfriend at the time, soul singer Tyler James, sent her demo tape to an A&R person.^[9] Winehouse signed to Simon Fuller's 19 Management in 2002. While being developed by the management company, she was kept as a recording industry secret.^[27] Her future A&R representative at Island/Universal, Darcus Beese, heard of her by accident when the manager of The Lewinson Brothers showed him some productions of his clients, which featured Winehouse as key vocalist. When he asked who the singer was, the manager told him he was not allowed to say. Having decided that he wanted to sign her, it took several months of asking around for Beese to eventually discover who the singer was. However, Winehouse had already recorded a number of songs and signed a publishing deal with EMI by this time. Incidentally, she formed a working relationship with producer Salaam Remi through these record publishers.^[27]

Beese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing the young artist. Winehouse was signed to Island/Universal, as rival interest in Winehouse had started to build to include representatives of EMI and Virgin starting to make moves. Beese told HitQuarters that he felt the reason behind the excitement, over an artist who was an atypical pop star for the time, was due to a backlash against reality TV music shows, which included audiences starved for fresh, genuine young talent.^[27]

Winehouse's greatest love was 1960s girl groups.^[28] Her stylist, Alex Foden, borrowed her "instantly recognisable" beehive hairdo (a weave^[29][30]) and she borrowed her Cleopatra makeup from The Ronettes.^[28] Her imitation was so successful, as the Village Voice reports: "Ronnie Spector—who, it could be argued, all but invented Winehouse's style in the first place when she took the stage at the Brooklyn Fox Theater with her fellow Ronettes more than 40 years ago—was so taken aback at a picture of Winehouse in the New York Post that she exclaimed, "I don't know her, I never met her, and when I saw that pic, I thought, 'That's me!' But then I found out, no, it's Amy! I didn't have on my glasses."^[31]

New York Times reporter, Guy Trebay, discussed the multiplicity of influences on Winehouse's style. Trebay noted: "her stylish husband, Blake Fielder-Civil, may have influenced her look." Additionally, Trebay observes:

She was a 5-foot-3 almanac of visual reference, most famously to Ronnie Spector of the Ronettes, but also to the white British soul singer Mari Wilson, less famous for her sound than her beehive; to the punk god Johnny Thunders...; to the fierce council-house chicks... (see: Dior and Chanel runways, 2007 and 2008); to the rat-combed biker molls photographed by the Swiss photographer Karlheinz Weinberger in the 1960s; to a lineage of bad girls, extending from Cleopatra to Louise Brooks’s Lulu and including Salt-n-Pepa, to irresistible man traps that always seemed to come to the same unfortunate end.^[32]

[edit] Major label success and Frank

Performing at the Bowery Ballroom, New York City in 2007

Winehouse's debut album, Frank, was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews^[33][34] with compliments over the "cool, critical gaze" in its lyrics^[2] and brought comparisons of her voice to Sarah Vaughan,^[35] Macy Gray and others.^[2]

The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales.^[36] Later in 2004 she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me".^[37] The album also made the short list for the 2004 Mercury Music Prize. In the same year she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked.^[9] Additional singles from the album were "Take the Box", "In My Bed"/"You Sent Me Flying" and "Pumps"/"Help Yourself".

[edit] International success and Back to Black

In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour.^[38] In May 2006 Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them. Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work.^[39] Promotion of Back to Black soon began and, in early October 2006 Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs.^[36] Back to Black was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the Billboard 200 in the US. It was the best-selling album in the UK of 2007, selling 1.85 million copies over the course of the year.^[40]

	"Rehab" noicon 21-second audio sample from Amy Winehouse's first hit "Tears Dry on Their Own" noicon 25-second audio sample from one of the standout tracks on "Back to Black" album "Will You Still Love Me Tomorrow" noicon Originally performed by The Shirelles in the 1960s, this version slows the tempo down and features a jazz arrangement.
Problems listening to these files? See media help.

The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US.^[41] Time magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007."^[42] The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe.^[43] "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.^[44]

A deluxe edition of Back to Black was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD I Told You I Was Trouble: Live in London was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire and a 50-minute documentary charting the singer's career over the previous four years.^[45] Frank was released in the United States on 20 November 2007 to positive reviews.^[46][47] The album debuted at number 61 on the Billboard 200 chart.^[48]

In addition to her own album she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album Version. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single".^[49][50][51] Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, Real Girl.^[52]

Continued success and acclaim[link]

Winehouse performing at Eurockéennes in 2007

By year's end Winehouse had garnered numerous accolades and awards. The singer won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance for the single "Rehab", while her album Back to Black was nominated for Album of the Year and won the Best Pop Vocal Album award.^[53][54] Producer Mark Ronson's work with her won the award in the Grammy Award for Producer of the Year, Non-Classical category.^[55] The singer also earned a Grammy in the Best New Artist category. This earned Winehouse an entry in the 2009 edition of the Guinness Book of World Records for Most Grammy Awards won by a British Female Act.^[56] She performed "You Know I’m No Good" and "Rehab" at the awards ceremony via satellite, as her visa approval came through too late for her to travel to the US. She said "This is for London because Camden town ain't burning down", in reference to the Camden Market fire.^[57] After the Grammy Awards, the album's sales increased catapulting Back to Black to number two on the U.S. Billboard 200 after initially peaking at number seven.^[58] On 13 January 2008, Back to Black held the number one position on the Billboard Pan European charts for the third straight week.^[59] In January 2008 Universal Music International said it believed that there was a correlation between number of albums sold and the extensive media coverage the singer had received.^[60]

Performing at Eurockéennes in Belfort, Territoire de Belfort, France on 29 June 2007

A special deluxe edition of Back to Black topped the UK album charts on 2 March 2008. The original edition of the album resided at the number 30 position, in its 68th week on the charts, while "Frank" charted at number 35.^[61] By 12 March the album had sold a total of 2,467,575 copies, 318,350 of those in the previous 10 weeks, putting the album on the UK's top 10 best-selling albums of the 21st century for the first time.^[62] On 7 April, Back to Black was residing at the top position on the pan-European charts for the sixth consecutive and thirteenth aggregate week.^[63] Back to Black was the world's seventh biggest selling album for 2008.^[64] These sales helped keep Universal Music's recorded music division from dropping to levels experienced by the overall music market.^[65]

At the 2008 Ivor Novello Awards, Winehouse became the first artist to receive two nominations for the top award, best song, musically and lyrically. She won the award for "Love Is a Losing Game" and was nominated for "You Know I'm No Good".^[66] "Rehab", a Novello winner for best contemporary song in 2006, also received a 2008 nomination for best-selling British song.^[67] Winehouse was nominated for a MTV Europe Award in the Act of The Year category.^[68] Amy Winehouse – The Girl Done Good: A Documentary Review, a 78-minute DVD, was released on 14 April 2008. The documentary features interviews with those who knew her at a young age, helped her gain success, jazz music experts, as well as music and pop culture specialists.^[69][70] A clip of Winehouse's music was included in the "Roots and Influences" area that looked at connections between different artists at the Rock and Roll Hall of Fame Annex NYC, which opened in December 2008. One thread started with Billie Holiday continued with Aretha Franklin, Mary J. Blige and finished with Winehouse.^[71] In a poll of United States residents conducted for VisitBritain by Harris Interactive that was released in March 2009, one fifth of those polled indicated they had listened to Winehouse's music during the previous year.^[72] Winehouse performed with Rhythms del Mundo on their cover of the Sam Cooke song "Cupid" for an Artists Project Earth benefit album that was released on 13 July 2009.^[73][74]

On the week of July 26, after Winehouse's death, Frank, Back To Black, and the Back To Black EP re-entered the Billboard 200 at number 57, number 9, and number 152 respectively with the album climbing to number 4 the following week.^[75][76] Back To Black also topped the Billboard Digital Albums chart on the same week and was the second best seller at iTunes.^[77] "Rehab" re-entered and topped the Billboard Digital Songs chart as well, selling up to 38,000 more digital downloads.^[78] As of August 2011 "Back to Black" was the best selling album in the United Kingdom in the 21st Century.^[79]

Final projects[link]

Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album Q Soul Bossa Nostra released 9 November 2010.^[80] Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi had already created some material with Winehouse as part of the project.^[81] According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released.^[65] In late October Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.^[82]

During her 2009 stay in Saint Lucia, Winehouse worked on new music with producer Salaam Remi. Island claimed that a new album would be due in 2010; Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me".^[83] In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.^[84]

Winehouse's last recording was a duet with American singer Tony Bennett for his latest album, Duets II, which was released on 20 September 2011.^[85] Their single from the album, "Body and Soul," was released on 14 September 2011 on MTV and VH1 to commemorate what would have been her 28th birthday. Her father, Mitch Winehouse, launched The Amy Winehouse Foundation with the goal of raising awareness and support for organizations that help vulnerable, young adults with problems such as addiction. Proceeds from "Body and Soul" will benefit The Amy Winehouse Foundation.^[86] The song received the Grammy for Best Pop Duo/Group Performance at the 54th Grammy Awards on 12 February 2012.^[87] Winehouse's father, Mitch Winehouse, picked up the award at the awards ceremony with his wife Janis, saying, "We shouldn't be here. Our darling daughter should be here. These are the cards that we're dealt."^[88]

When interviewed by Jon Stewart on The Daily Show on 29 September 2011, Bennett stated that in hindsight, he believed Amy:

was in trouble at that time because she had a couple of engagements that she didn't keep up. But what people didn't realize at that time, that she really knew, and in fact I didn't even know it when we were making the record, and now looking at the whole thing; she knew that she was in a lot of trouble; that she wasn't going to live. And it wasn't drugs. It was alcohol toward the end. . . . It was such a sad thing because . . . she was the only singer that really sang what I call the 'right way' because she was a great jazz-pop singer. . . . She was really a great jazz singer. A true jazz singer. And I regret that because that's the 'right way' to sing.^[89]

An album of previously unreleased material, entitled Lioness: Hidden Treasures, was released on 6 December 2011.^[90]

Artistry[link]

Influence[link]

British singer Adele has credited Winehouse's success in the United States for making her and fellow British singer Duffy's journey to the United States "a bit smoother".^[91] American singer Lady Gaga credited Winehouse with paving the way for her rise to the top of the charts. She appeared to be using a metaphorical analogy to explain that Winehouse made it easier for unconventional women to have mainstream pop success.^[92] Raphael Saadiq, Anthony Hamilton, and John Legend said "Amy Winehouse was produced by people who wanted to create a marketing coup. The positive side is that it reacquainted an audience with this music and played an introductory role for others. This reinvigorated the genre by overcoming the vintage aspect".^[93]

After the release of Back to Black, record companies sought out female artists with a similar sound and fearless and experimental female musicians in general. Adele and Duffy were the second wave of artists with a sound similar to Winehouse's. A third wave of female musicians that has emerged since the album was released are led by VV Brown, Florence and the Machine, La Roux and Little Boots.^[94] In February 2010 rapper Jay-Z credited Winehouse with revitalising British music, saying, "There's a strong push coming out of London right now, which is great. It's been coming ever since I guess Amy (Winehouse). I mean always, but I think Amy, this resurgence was ushered in by Amy."^[95] In March 2011 the New York Daily News ran an article attributing the continuing wave of British female artists that have been successful in the United States to Winehouse and her absence. Spin magazine music editor Charles Aaron was quoted as saying "Amy Winehouse was the Nirvana moment for all these women," "They can all be traced back to her in terms of attitude, musical styles or fashion". According to Keith Caulfield, chart manager for Billboard, "Because of Amy, or the lack thereof, the marketplace was able to get singers like Adele and Duffy," "Now those ladies have brought on the new ones, like Eliza Doolittle, Rumer and Ellie."^[96]

Live performances[link]

Winehouse in Berlin in 2007

Winehouse toured in conjunction with the Back to Black album's release. She performed headlining gigs in September and November 2006, including one of the Little Noise Sessions charity concerts at the Union Chapel, Islington. On 31 December 2006, Winehouse appeared on Jools Holland's Annual Hootenanny and performed a cover of Marvin Gaye's "I Heard It Through the Grapevine" along with Paul Weller and Holland's Rhythm and Blues Orchestra. She also performed Toots & the Maytals' "Monkey Man". She began a run of another 14 gigs beginning in February 2007. At his request, Bruce Willis introduced Winehouse before her performance of "Rehab" at the 2007 MTV Movie Awards. Winehouse made awards organizers nervous when she went on a Las Vegas jaunt in the hours before the show.^[97] During the summer of 2007, Winehouse performed at various festivals, including UK's Glastonbury Festival,^[98] Chicago's Lollapalooza festival, Rock Werchter and Baltimore's Virgin Music Festival.

Winehouse's tour, however, did not go as well. In November 2007 the opening night of a 17-date tour was marred by booing and walkouts at the National Indoor Arena in Birmingham. A music critic for the Birmingham Mail said it was "one of the saddest nights of my life...I saw a supremely talented artist reduced to tears, stumbling around the stage and, unforgivably, swearing at the audience."^[99] Other concerts ended similarly, with, for example, fans at her Hammersmith Apollo performance saying that she "looked highly intoxicated throughout",^[100] until she announced on 27 November 2007, that her performances and public appearances were cancelled for the remainder of 2007, citing doctor advice to take a complete rest. A statement issued by concert promoter Live Nation blamed "the rigours involved in touring and the intense emotional strain that Amy has been under in recent weeks" for the decision.^[101]

On 20 February 2008, Winehouse performed at the 2008 BRIT Awards, performing "Valerie" with Mark Ronson, followed by "Love Is a Losing Game". She urged the crowd to "make some noise for my Blake."^[102] In Paris she performed what was described as a "well-executed 40 minute" set at the opening of a Fendi boutique.^[103] Although her father, manager and various members of her touring team reportedly tried to dissuade her, Winehouse performed at the Rock in Rio Lisboa festival in Portugal in May 2008.^[16] Although the set was plagued by a late arrival and problems with her voice, the crowd warmed to her. In addition to her own material she performed two Specials covers.^[104] Winehouse performed at Nelson Mandela's 90th Birthday Party concert at London's Hyde Park on the 27 June,^[105] and the next day at the Glastonbury Festival.^[106] On 12 July at the Oxegen Festival she performed a well-received 50 minute set^[107] which was followed the next day by a 14 song set at T in the Park.^[108] On 16 August she played at the Staffordshire leg of the V Festival, and the following day played the Chelmsford leg of the festival. Organizers said that Winehouse attracted the biggest crowds of the festival. Audience reaction was reported as mixed.^[109] On 6 September she was the headliner at Bestival. She performed what was described as a polished set which ended with her storming off the stage. Her hour late arrival caused her set to be cut off at the halfway point due to a curfew.^[110]

Amy Winehouse with her band backstage, 16 March 2009

In May 2009 Winehouse returned to performing at a jazz festival in Saint Lucia amid torrential downpours and technical difficulties. During her hour long set it was reported she was unsteady on her feet and had trouble remembering lyrics. She apologised to the crowd for being "bored" and ended her set by walking off the stage in the middle of a song.^[111][112] To a cheering crowd on 23 August at the V festival, Winehouse sang with The Specials on their songs "You're Wondering Now" and "Ghost Town".^[113]

In July 2010 she performed "Valerie" with Mark Ronson at a movie premiere. She sang lead but forgot some of the song's lyrics.^[84] In October Winehouse performed a four song set to promote her fashion line. In December 2010 Winehouse played a 40 minute concert at a Russian oligarch's party in Moscow. Guests included other Russian tycoons and Russian show business stars. The tycoon hand picked the songs she played.^[114]

During January 2011, she played five dates in Brazil, with opening acts of Janelle Monáe and Mayer Hawthorne.^[115][116] On 11 February 2011, Winehouse cut short a performance in Dubai following booing from the audience. Winehouse was reported to be tired, distracted and "tipsy" during the performance.^[117]

On 18 June 2011, Winehouse started her 12-leg 2011 European tour in Belgrade. Local media described her performance as a scandal and disaster, and she was booed off the stage due to her apparently being too drunk to perform. It was reported that she was unable to remember the city she was in, the lyrics of her songs or – when trying to introduce them – the names of the members of her band.^[118][119] The local press also claimed that Winehouse was forced to perform by her bodyguards, who didn't allow her to leave the stage when she tried to do so.^[120] She then pulled out of performances in Istanbul and Athens which had been scheduled for the following week.^[121] On 21 June it was announced that she had cancelled all shows of her European tour and would be given "as long as it takes" to sort herself out.^[122]

Winehouse's last public appearance took place at Camden's Roundhouse, London on 20 July 2011, when she made a surprise guest appearance on stage to support her goddaughter, Dionne Bromfield, who was singing "Mama Said" with The Wanted.^[123]

Club nights[link]

On 10 July 2008, Winehouse launched her own club night, Snakehips at the Monarch, in the Camden Monarch venue in London. Although billed as a DJ battle between her and another DJ, she stayed behind the decks swaying as another person actually played 1960s music.^[124] She appeared at another Snakehips event at the Monarch on the night of 11 September. After reportedly arriving two hours late, she spun music and played a short acoustic set.^[125]

Other ventures[link]

Winehouse joined a campaign to stop a block of flats being built beside the George Tavern, a famous London East End music venue. Campaign supporters feared the residential development would end the spot's lucrative sideline as a film and photo location, on which it relies to survive.^[126] As part of a breast cancer awareness campaign, Winehouse appeared in a revealing photograph for the April 2008 issue of Easy Living magazine.^[127] Winehouse had an estimated £10m fortune, tying her for tenth place in the 2008 Sunday Times listing of the wealth of musicians under age 30.^[128] The following year her fortune had dropped to an estimated £5m.^[129] Her finances are run by Mitch and Janis Winehouse.^[130] It was reported she earned about £1m singing at two private parties during Paris Fashion Week.^[131] as well as another £1m to perform at a Moscow Art Gallery for Russian oligarch Roman Abramovich.^[132] Winehouse loaned a vintage dress used in her video for "Tears Dry on Their Own" as well as a DVD to the British Music Experience, a new museum dedicated to the history of British pop music.^[133] The museum, located in The O2, opened on 9 March 2009.^[134][135]