Edward Abraham Snyder (February 22, 1919 – March 10, 2011) was an American composer and songwriter. Snyder is credited with co-writing the English language lyrics and music for Frank Sinatra's 1966 hit, "Strangers in the Night".
Snyder was born in New York City on February 22, 1919. He studied piano at the Juilliard School before taking a job as a songwriter at the Brill Building.
The music for "Strangers in the Night" was originally written by Croatian composer Ivo Robic but when it failed to gain recognition in the song festival for which it had been composed, Robic sold the rights to German bandleader and composer Bert Kaempfert, who used it in the spoof spy film A Man Could Get Killed. Snyder subsequently collaborated with British lyricist Charles Singleton, although Snyder always insisted that he also contributed to the final music form, and the song is now credited to all four.
The first vocal version was cut by Jack Jones in April 1966, but the best-known is that recorded by Frank Sinatra three days later. At the session an angry Sintra turned on guitarist Glen Campbell, who had been brought in at the last moment. Campbell did not know the song and busked his way through the first take while listening to the tune. Sinatra was used to recording in a single take, and when told he would have to sing it again, he glared at Campbell and shouted: "Is that guy with us or is he sleeping?". On take two Sinatra himself added the famous "doo-bie-doo-bie-doo" improvisation at the end. In the original 1966 recording, this fades prematurely, but in a recently remastered version, it continues for an additional nine seconds. Despite its popularity, Sinatra is known to have detested the song and often expressed his distaste for it when performing it in concert.
Heard he shot another
No one knows a reason
It didn't make the paper
It's just another white lie
Here in white center
Here in white center
Here in white center
Here in white center
Can I take out the flowers?
Sunday packed the churches
Morning comes too slowly
For us who feel like victims
Here in white center
Here in white center
Here in white center
Here in white center
Turn off your headlights
Here comes a cop car
Music for the bad boys
Music for the good boys
Here in white center
Here in white center
Here in white center