Johann Sebastian Bach

Artist	Elias Gottlob Haussman
Year	1746
Type	Oil on canvas
Location	Altes Rathaus, Leipzig

Elias Gottlob Haussmann (also Haußmann or Hausmann) (1695 – 11 April 1774) was a German painter in the late Baroque era. Haussmann served as court painter at Dresden, and from 1720 as the official portraitist at Leipzig. He is mostly known for his portrait of Johann Sebastian Bach which was painted in 1746.

Gottfried Reiche
Oil painting by Elias Gottlob Haussmann 1726

Gottschedin
Oil painting by Elias Gottlob Haussmann c. 1750

Christian d. J. Weisius, Archdeaconn
Engraving of 1743
after Elias Gottlob Haussmann

Life[link]

Haussmann was born in Gera. He was at first a pupil of his father, Elias Haußmann (1663-1733), who was the Prince of Hesse's court painter. Haussmann was in the royal Hessian service, as he was mentioned in a September 1717 letter of recommendation from Prince Ernst Ludwig of Hesse-Darmstadt as "Our court painter's son".^[1]

The Landgraf allowed him a study trip through Germany, where he met portraitist Francesco Carlo Rusca at Lugano.^[2] Haussmann also met the Dresden court painter Adam Manyoki, who wrote favorably of him.^[1]

From 1720 Haussmann was the official portrait painter of the city of Leipzig, but left the city in 1722, probably because of differences with the Malerinnung of Leipzig. Haussman and the Malerinnung disagreed in 1729 and 1742 "because he wanted 'despite polite Ermahnens neither citizens, nor with the guild agreements'". ^[1]. These disputes are also accepted as a reason that Manyoki revoked his recommendation.^[1]

In 1723, Haussmann was appointed court painter to the royal Polish and Saxon Elector. In 1725 he returned to Leipzig. In 1726 he took over the clientele of his predecessor, beginning with a portrait of J. H. Linke. In the 1760s, he and his school were replaced by Ernst Gottlob and Anton Graff.^[1] Haussmann was also a long-time painter of the Protestant clergy.^[1]

Works[link]

The City Historical Museum of Leipzig, where the Bach portrait hangs, also has several other oil paintings by Haussmann and a variety of his copperplate engravings. Most Haussmann paintings can easily be attributed — he regularly signed his works the back with his name and the date.^[1]

Haussmann's early portraits, like Emperor Gottfried, display individual composition, technical careful execution, a high level of detail, and realistic emotional expressions. Many later portraits on the other hand, possess typical characteristics of serial images. Especially in the years after 1760, they show the same degree, and often depicted the same attitude. Often there are identical clothes in the same colors within a series of portraits of rather insignificant officials.

Georg Müller writes of an "Images factory ".^[1] On the other hand, copies were made to the detailed portraits with titles, career, and personal data added.^[3]

Haussmann's oil paintings and the larger number copies ^[1] show a cross section of the leading layer of the bourgeoisie of Leipzig from the fields of politics, administration, judiciary, the church, business (especially trade and crafts), science and art. Examples include:^[3]

• Mayor Gottfried Wilhelm
• Baumeister Kaspar Richter
• Councilman and city judge Johann Jakob Mascov
• Pastor Gottlieb Gauditz
• Archdeacon Christian d. J. Weisius
• Trader Johann Zacharias
• Kramer champion Johann Heinrich left
• Lawyer Christian Gottfried Moerlin
• University professor August Friedrich Müller
• Composer Johann Sebastian Bach
• Gottfried Reiche

References[link]

• Gurlitt, Cornelius. Descriptive representation of the earlier works of art and monuments of the Kingdom of Saxony.  These include the official main team Leipzig City, 1894-1895
• Sigismund, Ernst (1929). "The painter of portraits E. Bach G. Haussmann, a Gedenkblatt". Illustrated magazine for Culture, Science and Transportation (Leipzig). 
• "The portrait painter Elias Gottlob Haussmann and his time: the Bach - portraits". Magazine for art 4 (2): 126–135. 1950. 
• Thieme, Ulrich; Felix Becker (1907 to 1947). General lexicon of visual artists from antiquity to the present. 1-36. Leipzig. 
• Wustmann, Gustav (1907). "The Leipziger Kupferstich in 16th, 17th And 18 Century". New Year's leaves the library and the archives of the city of Leipzig. III. 

External links[link]

• Altes Rathaus - Museum in Leipzig housing many of Haussmann's paintings, including the famous Bach portrait.

Jack Gibbons
Background information
Born	1962
Genres	Classical
Occupations	Pianist, Composer
Website	Jack Gibbons.com

Jack Gibbons (born 2 March 1962) is an English classical pianist and composer.^[1]

Biography[link]

Gibbons was born in England. His father is a scientist and his mother a visual artist.^[2] He began his piano studies in Stockton-on-Tees, later continuing in Oxford. He began performing in public at the age of 10. He made his London debut in 1979,^[3] at the age of 17, with an all-Alkan concert that included Alkan's Concerto for solo piano^[2] and Ouverture from Op. 39.^[4] At the age of 20 he won First Prize in the Newport International Pianoforte Competition,^[3] with a performance with the BBC Welsh Symphony Orchestra of Beethoven's Piano Concerto No. 4. In 1984 he made his Queen Elizabeth Hall debut^[5] performing J.S. Bach's Goldberg Variations, Chopin's "Funeral March" Sonata and Ravel's Gaspard de la nuit, after which recital The Times wrote that Gibbons "could be Britain's answer to Ivo Pogorelić".^{[6] [7]} Since then Gibbons has played in many prestigious venues and festivals all over the world, as recitalist and concerto soloist.^[8]

For 16 years, from 1990 to 2005, Gibbons gave annual all-Gershwin concerts at London's Queen Elizabeth Hall,^[2] with a gap in 2001 following a near-fatal car accident. These concerts feature Gibbons' own note-for-note reconstructions and transcriptions of the original recorded improvisations and concert works of George Gershwin.^[9] Over the 16 years of his Queen Elizabeth Hall all-Gershwin concerts, Gibbons has given the world premieres of at least 48 reconstructed original Gershwin works.^[7] He has also since 1994 given similar all-Gershwin concerts at New York's Merkin Hall, Alice Tully Hall and Carnegie Hall.^[10]

In 1992 Gibbons made his recording debut on the Hyperion label (with Constant Lambert's The Rio Grande). The recording was nominated for a Gramophone Award and awarded a Penguin Guide 3-star rosette.^[11] Between 1992 and 1997 Gibbons recorded a 4 CD set of recordings entitled "The Authentic George Gershwin", which won an MRA (Music Retailers Award).^[10] Issued on the British label ASV Gibbons' "Authentic George Gershwin" recordings were described by Classic CD as "a unique testimony to Gershwin's genius".^[12]

In January 1995, in Oxford, Gibbons became the first pianist ever to perform all 12 of Alkan's Douze Etudes dans les Tons Mineurs, Op. 39 in a single concert (the concert was repeated the following year at the Queen Elizabeth Hall, London).^[13] The same month Gibbons recorded the work (its first digital recording) for the ASV label, Gramophone describing the recording as "among the most exhilarating feats of pianism I’ve heard on disc".^[14] The same year, on August 27, 1995 Gibbons made his debut at the BBC Prom concerts at the Royal Albert Hall with Gershwin's Rhapsody in Blue, the BBC describing Gibbons as "THE Gershwin pianist of our time".^[15] In 1997 Gibbons wrote and presented a feature program for the BBC on George Gershwin in preparation for the centenary of the composer's birth, with actor Sir Ben Kingsley providing the voice of George Gershwin.^[16]

In March 2001, Gibbons was involved in a life-threatening car accident.^[17] Gibbons' accident and recovery were the subject of much media attention from newspapers, television and radio, with features in the Sunday Times, Gramophone, BBC etc.^[8] Michael Church in the Daily Express described Gibbons’ subsequent return to the concert platform as “miraculous” and “gutsy”.^[18] Following his serious car accident, Gibbons has given increasing attention to composing in place of his performing career. After childhood successes as a composer, Gibbons had abandoned his composing for 25 years in favor of performing.^[19] Gibbons' own music has since been performed at Carnegie Hall in New York, the Queen Elizabeth Hall in London, and recorded by the BBC.^[20][21] Gibbons' output to date (October 2010) includes over 40 songs and choral works (mostly for soprano voice), 20 solo piano works, and two works for string orchestra.

Gibbons' performing career still continues alongside his composing. In March 2007 Gibbons gave the first performance at Carnegie Hall of Alkan's Concerto for Solo Piano, in celebration of the 150th anniversary of the work's publication in Paris in 1857.^[22] Gibbons continues to perform in Oxford, where he has been presenting and playing an annual summer piano festival every year without a break since 1988.^[23]

On June 21, 2010 Davis and Elkins College in Elkins, West Virginia, USA, announced that Jack Gibbons would become the college's Artist in Residence, beginning August 2010.^[24]

Works[link]

List of compositions by Jack Gibbons by category

Orchestral[link]

• Lament for strings, Op. 41
• Serenade for strings, Op. 71

Choral[link]

• Ave verum corpus, Op. 89
• Ave verum corpus, Op. 90
• My heart is like a singing bird, Op. 91
• Christmas Bells, Op. 92

Songs[link]

• Sonnet: Remember me (words by Christina Rossetti), Op. 12
• Phantom of Delight (words by William Wordsworth, Op. 13
• When We Two Parted (words by Lord Byron), Op. 14
• I'll Not Weep (words by Emily Brontë), Op. 15
• Beloved Again (words by Emily Brontë), Op. 16
• Music, when soft voices die (words by Percy Bysshe Shelley), Op. 17
• Echo (words by Christina Rossetti), Op. 18
• Sleep Not (words by Emily Brontë), Op. 19
• Why? (words by Christina Rossetti), Op. 20
• Epitaph for a child (words by Robert Herrick), Op. 21
• The Garden of Love (words by William Blake), Op. 22
• In The Lane (words by Christina Rossetti), Op. 23
• Weep you no more (words by John Dowland), Op. 24
• The Linnet (words by Walter de la Mare), Op. 25
• Roses for the flush of youth (words by Christina Rossetti), Op. 26
• The Bourne (words by Christina Rossetti), Op. 27
• Among the flowers (words by Christina Rossetti), Op. 28
• Love me, I Love You (words by Christina Rossetti), Op. 29
• If I Could Shut the Gate (words anon), Op. 31
• Oh What Comes Over the Sea (words by Christina Rossetti), Op. 32
• Mariana (words by Christina Rossetti), Op. 33
• Shall Earth No More Inspire Thee (words by Emily Brontë), Op. 34
• When I am Dead My Dearest (words by Christina Rossetti), Op. 36
• Echo’s Song (words by Ben Jonson), Op. 40
• Once (words by Christina Rossetti), Op. 43
• Perhaps (to R.A.L.) (words by Vera Brittain), Op. 47
• A Life Beyond (words by Jack Gibbons), Op. 52
• The Sun Is Set (words by Jack Gibbons), Op. 57
• Sapessi pure! (words by Christina Rossetti), Op. 58
• Sing A Song Of Spring (words by Jack Gibbons), Op. 60
• May (words by Christina Rossetti), Op. 61
• A Red, Red Rose (words by Robert Burns), Op. 62
• I Love My Jean (words by Robert Burns), Op. 63
• Cradle Song (words by John Philip), Op. 64
• A Love Alive (words by Jack Gibbons), Op. 65
• Life (words by Charlotte Brontë), Op. 67
• The Parting Day (words by Edith Wharton), Op. 68
• The One Grief (words by Edith Wharton), Op. 69
• How Sweet I Roam'd from Field to Field (words by William Blake), Op. 72
• Longing (words by Matthew Arnold), Op. 73
• The Aspen (words by A.E. Houseman), Op. 74
• Roses (words by Edna St. Vincent Millay), Op. 75
• Lullaby of an Infant Chief (words by Sir Walter Scott), Op. 76

Solo Piano[link]

• Siciliano, Op. 30
• Prelude in A flat, Op. 37
• Tarantella, Op. 38
• Waltz in E major, Op. 39
• Prière, Op. 44
• Song Without Words, Op. 45
• Contredanse, Op. 46
• Song from the Old World, Op. 48
• Waltz in G major, Op. 49
• Music Box, Op. 50
• Lullaby (in memoriam), Op. 51
• Waltz in F minor, Op. 53
• Sarabande, Op. 54
• Waltz in E flat minor, Op. 55
• Prelude in E major, Op. 56
• Shanty, Op. 59
• A New World Song, Op. 66
• Waltz for a musical box, Op. 77
• Waltz in F major, Op. 78
• Nocturne in F sharp, Op. 79
• Melody in F sharp, Op. 80
• Minuetto malinconico, Op. 81
• 7 Esquisses, Op. 82
• Andantino, Op. 83
• Preludio, Op. 84
• Menuetto antico, Op. 85
• Nocturne in D flat, Op. 86
• Menuetto semplice, Op. 87
• Consolation, Op. 88

Chamber Music[link]

• Siciliano for flute and piano, Op. 70
• Siciliano a quattro mani Op. 70a
• Siciliano for flute, cello and piano, Op. 70b

References[link]

External links[link]

• Jack Gibbons Official Website
• Recordings of the music of Gibbons