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- Published: 03 Apr 2011
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The Manziana source has never formed part of the modern Aqua Paola, but in 1667, Alexander VII wanted to add additional water to the Acqua Paola to power his new fountain in St. Peter's Square. Bernini measured the water at this source as supplying 340 "oncie" of water of perfect goodness and lightness. This water was sufficiently copious, according to his calculation, to double the yield of the Acqua Paola. It supplied as much water as all the rest of the sources put together.
However the Manziana water had, since the 1570s been diverted to supply the mills and industry of the rogue duke Paolo Giordano Orsini in the nearby dukedom of Bracciano, so neither Pope Paul V in the early 17th century, nor Pope Alexander VII three quarters of a century later were able to purchase this particular source, and it remains to this day independent from the modern aqueduct.
In the same year that Luigi Bernini wrote his report, the Pope died, and the project was shelved, so the modern aqueduct was eventually supplemented with lake water. The addition of the Lake Water makes Acqua Paola water unhealthy to drink, and gives it a bad taste, which has caused the roman saying that something of bad quality is "as good as the Acqua Paola".
The Manziana source was re-identified in early 2009 by two British film-makers and its identity was confirmed on 24 June 2009, on the exact anniversary of 1900 years after the aqueduct's inauguration by archaeologist Lorenzo Quilici of University of Bologna.
In 1612, the acqueduct was completed. It was initially called the Acqua Sabbatina or Acqua Bracciano, but was renamed Acqua Paola in honour of Paul V.
The fountain at the end of the acqueduct was referred to as "Il Fontanone" - the Big Fountain - because of its size. It was a the form of a free-standing triumphal arch constructed in white marble with granite columns on high socles. Most of the material was pillaged from the Forum of Nerva. Originally, it consisted of three large central arches, separated by columns, and a smaller one on each side. Water gushed into five basins at the base of each arch. The designer was Paul V's usual architect, Flaminio Ponzio. Among the team of sculptors involved was Ippolito Buzzi, who was responsible for the Borghese coat-of-arms, flanked by the Borghese eagle and dragon and held aloft by putti, doubtless to Ponzio's design.
Then, in 1690, Pope Alexander VIII commissioned Carlo Fontana, Giovanni's nephew, to enlarge the fountain. Carlo replaced the five small basins with an enormous single one which remains to this day.
In more recent times a small garden has been arranged, hidden behind the structure.
Category:2nd-century architecture Category:Buildings and structures completed in 1612 Traiana Acqua Paola
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