Roland pledges his fealty to Charlemagne; from a manuscript of a chanson de geste, c.14th.c.(?)

Feudalism was a set of legal and military customs in medieval Europe that flourished between the 9th and 15th centuries, which, broadly defined, was a system for structuring society around relationships derived from the holding of land in exchange for service or labour.

Although derived from the Latin word feodum or feudum (fief),^[1] then in use, the term feudalism and the system it describes were not conceived of as a formal political system by the people living in the medieval period. In its classic definition, by François-Louis Ganshof (1944),^[2] feudalism describes a set of reciprocal legal and military obligations among the warrior nobility, revolving around the three key concepts of lords, vassals, and fiefs.^[2]

There is also a broader definition, as described by Marc Bloch (1939), that includes not only warrior nobility but all three estates of the realm: the nobility, the clerics, and the peasantry bonds of manorialism; this is sometimes referred to as a "feudal society". Since 1974 with the publication of Elizabeth A. R. Brown's The Tyranny of a Construct, and Susan Reynolds' Fiefs and Vassals (1994), there has been ongoing inconclusive discussion among medieval historians as to whether feudalism is a useful construct for understanding medieval society.^{[3][4][5][6][7]}

Definition[link]

There is no broadly accepted modern definition of feudalism.^[3][6] The adjective feudal was coined in the 17th century, and the noun feudalism was not coined until the 19th century, often used in a political and propaganda context.^[3] By the mid-20th century, François Louis Ganshof's Feudalism, 3rd ed. (1964; originally published in French, 1947), became a standard scholarly definition of feudalism.^[2][3] Since at least the 1960s, concurrent with when Marc Bloch's Feudal Society (1939) was first translated into English in 1961, many medieval historians have included a broader social aspect that includes not only the nobility but all three estates of the realm, adding the peasantry bonds of manorialism and the estates of the Church, this is sometimes referred to as "feudal society" since it encompasses all members of society into the Feudal system.^[3][8] Since the 1970s, when Elizabeth A. R. Brown published The Tyranny of a Construct (1974), many have re-examined the evidence and concluded that feudalism is an unworkable term and should be removed entirely from scholarly and educational discussion, or at least used only with severe qualification and warning.^[3][4]

Outside a European context, the concept of feudalism is normally used only by analogy (called semi-feudal), most often in discussions of Japan under the shoguns, and sometimes medieval and Gondarine Ethiopia.^[9] However, some have taken the feudalism analogy further, seeing it in places as diverse as ancient Egypt, the Parthian empire, the Indian subcontinent, and the antebellum American South.^[9]

The term feudalism has also been applied—often inappropriately or pejoratively—to non-Western societies where institutions and attitudes similar to those of medieval Europe are perceived to prevail.^[10] Some historians and political theorists believe that the many ways the term feudalism has been used has deprived it of specific meaning, leading them to reject it as a useful concept for understanding society.^[3][4]

Classic feudalism[link]

See also Feudalism in England and Examples of feudalism

The classic François-Louis Ganshof version of feudalism^[2][3] describes a set of reciprocal legal and military obligations among the warrior nobility, revolving around the three key concepts of lords, vassals and fiefs. A lord was in broad terms a noble who held land, a vassal was a person who was granted possession of the land by the lord, and the land was known as a fief. In exchange for the use of the fief and the protection of the lord, the vassal would provide some sort of service to the lord. There were many varieties of feudal land tenure, consisting of military and non-military service. The obligations and corresponding rights between lord and vassal concerning the fief form the basis of the feudal relationship.^[2]

Vassalage[link]

Before a lord could grant land (a fief) to someone, he had to make that person a vassal. This was done at a formal and symbolic ceremony called a commendation ceremony, which composed of the two-part act of homage and oath of fealty. During homage, the lord and vassal entered a contract in which the vassal promised to fight for the lord at his command, whilst the lord agreed to protect the vassal from external forces. Fealty comes from the Latin fidelitas and denotes the fidelity owed by a vassal to his feudal lord. "Fealty" also refers to an oath that more explicitly reinforces the commitments of the vassal made during homage. Such an oath follows homage.^[11]

Once the commendation ceremony was complete, the lord and vassal were now in a feudal relationship with agreed-upon mutual obligations to one another. The vassal's principal obligation to the lord was to "aid", or military service. Using whatever equipment the vassal could obtain by virtue of the revenues from the fief, the vassal was responsible to answer to calls to military service on behalf of the lord. This security of military help was the primary reason the lord entered into the feudal relationship. In addition, the vassal could have other obligations to his lord, such as attendance at his court, whether manorial, baronial, both termed court baron, or at the king's court itself.^[12]

It could also involve the vassal providing "counsel", so that if the lord faced a major decision he would summon all his vassals and hold a council. At the level of the manor this might be a fairly mundane matter of agricultural policy, but also included the handing down by the lord of sentences for criminal offences, including capital punishment in some cases. Concerning the king's feudal court, such deliberation could include the question of declaring war. These are examples; depending on the period of time and location in Europe, feudal customs and practices varied; see examples of feudalism.

Feudal society[link]

Depiction of socage on the royal demesne in feudal England, ca. 1310

The phrase "feudal society" as defined by Marc Bloch^[8] expands on the definition proposed by Ganshof and includes within the feudal structure not only the warrior aristocracy bound by vassalage, but also the peasantry bound by manorialism, and the estates of the Church. Thus the entire society from top to bottom is bound by feudalism.

History of feudalism[link]

English Feudalism
Harold Sacramentum Fecit Willelmo Duci (Harold makes an oath to Duke William) King Harold becomes the vassal of Duke William of Normandy (Bayeux Tapestry)
Fief
Overlord, Vassal
Enfeoffment
Subinfeudation
Feoffee
Feudal land tenure
Fealty, Homage
Feudalism in England
Feudalism
v t e

Feudalism traditionally emerges as a result of the decentralization of an empire. This was particularly the case within the Japanese and Carolingian (European) empires which both lacked the bureaucratic infrastructure necessary to support cavalry without the ability to allocate land to these mounted troops. Mounted soldiers began to secure a system of hereditary rule over their allocated land and their power over the territory came to encompass the social, political, judicial, and economic spheres as well.^[13]

These acquired powers significantly reduced the presence of centralized power in these empires. Only when the infrastructure existed to maintain centralized power—as with the European monarchies—did Feudalism begin to yield to this new organized power and eventually disappear.^[13]

Etymology[link]

The term feudalism is recent, first appearing in French in 1823, Italian in 1827, English in 1839, and in German in the second half of the nineteenth century.^[14] It derived from "feodal" which was used in seventeenth-century French legal treatises (1614)^[15][16] and translated into English legal treatises as "feodal government". In the 18th century Adam Smith popularized the forms "feudal government" and "feudal system" in his book Wealth of Nations (1776).^[14] In the 19th century the adjective "feudal" (i.e. "the feudal government") evolved into a noun: feudalism.^[14]

The term "feudal" or "feodal" is derived from the medieval Latin word feodum. The etymology of feodum is complex with multiple theories, some suggesting a Germanic origin (the most widely held view) and others suggesting an Arabic origin. Initially in medieval Latin European documents, a land grant in exchange for service was called a beneficium (Latin).^[17] Later, the term feudum, or feodum, began to replace beneficium in the documents.^[17] The first attested instance of this is from 984, although more primitive forms were seen up to one-hundred years earlier.^[17] The origin of the feudum and why it replaced beneficium has not been well established, but there are multiple theories, described below.^[17]

The most widely held theory is put forth by Marc Bloch.^[17][18][19] Bloch said it is related to the Frankish term *fehu-ôd, in which *fehu means "cattle" and -ôd means "goods", implying "a moveable object of value."^[18][19] When land replaced currency as the primary store of value, the Germanic word *fehu-ôd replaced the Latin word beneficium.^[18][19] This Germanic origin theory was also shared by William Stubbs in the nineteenth century.^[17][20]

Another theory was put forward by Archibald R. Lewis.^[17] Lewis said the origin of 'fief' is not feudum (or feodum), but rather foderum, the earliest attested used being in Astronomus's Vita Hludovici (840).^[21] In that text is a passage about Louis the Pious which says annona militaris quas vulgo foderum vocant, which can be translated as "Louis forbade that military provender (which they popularly call "fodder") be furnished.."^[17]

Another theory by Alauddin Samarrai suggests an Arabic origin, from fuyū (the plural of fay).^[17][22] Samarrai's theory is that early forms of 'fief' include feo, feu, feuz, feuum and others, the plurality of forms strongly suggesting origins from a loanword. Indeed the first use of these terms is in Languedoc, one of the least Germanized areas of Europe and bordering Muslim Spain. Further, the earliest use of feuum (as a replacement for beneficium) can be dated to 899, the same year a Muslim base at Fraxinetum (La Garde-Freinet) in Provence was established. It is possible, Samarrai says, that French scribes, writing in Latin, attempted to transliterate the Arabic word fuyū (the plural of fay), which was being used by the Muslim invaders and occupiers at the time, resulting in a plurality of forms - feo, feu, feuz, feuum and others - from which eventually feudum derived.^[22]

Historiography of feudalism[link]

The idea of feudalism was unknown and the system it describes were not conceived of as a formal political system by the people living in the Medieval Period. This section describes the history of the idea of feudalism, how the concept originated among scholars and thinkers, how it changed over time, and modern debates about its use.

Evolution of the idea[link]

The idea of a feudal state or period, in the sense of either a period or a regime dominated by lords who possess financial or social power and prestige, became a widely held in middle of the 18th century, thanks to works such as Montesquieu's De L'Esprit des Lois (1748; published in English as The Spirit of the Laws), and Henri de Boulainvilliers’s Histoire des anciens Parlements de France (1737; published in English as An Historical Account of the Antient Parliaments of France or States-General of the Kingdom, 1739).^[14] In the 18th century, writers of the Enlightenment wrote about feudalism to denigrate the antiquated system of the Ancien Régime, or French monarchy. This was the Age of Enlightenment when writers valued reason and the Middle Ages were viewed as the "Dark Ages". Enlightenment authors generally mocked and ridiculed anything from the "Dark Ages" including feudalism, projecting its negative characteristics on the current French monarchy as a means of political gain.^[23] For them "feudalism" meant seigneurial privileges and prerogatives. When the French Constituent Assembly abolished the "feudal regime" in August 1789 this is what was meant.

Adam Smith used the term "feudal system" to describe a social and economic system defined by inherited social ranks, each of which possessed inherent social and economic privileges and obligations. In such a system wealth derived from agriculture, which was organized not according to market forces but on the basis of customary labor services owed by serfs to landowning nobles.^[24]

Marx[link]

Karl Marx also used the term in political analysis. In the 19th century, Marx described feudalism as the economic situation coming before the rise of capitalism. For Marx, what defined feudalism was that the power of the ruling class (the aristocracy) rested on their control of arable land, leading to a class society based upon the exploitation of the peasants who farm these lands, typically under serfdom.^[25] Marx thus considered feudalism within a purely economic model.^[25]

Later studies[link]

In the late 19th and early 20th centuries, John Horace Round and Frederic William Maitland, both historians of medieval Britain, arrived at different conclusions as to the character of English society before the Norman Conquest in 1066. Round argued that the Normans had brought feudalism with them to England, while Maitland contended that its fundamentals were already in place in Britain before 1066. The debate continues today, but a consensus is building: England before the Conquest had commendation, which embodied some of the personal elements in feudalism.

William the Conqueror introduced a modified northern French feudalism to England which countered decentralized aspects of feudalism abroad. In 1086 he required oaths of loyalty to the king by all, even the vassals of his principal vassals, who held by feudal tenure. Holding by feudal tenure meant that vassals must provide the quota of knights required by the king or a money payment in substitution.

In the 20th century, the historian François-Louis Ganshof was very influential on the topic of feudalism. Ganshof defined feudalism from a narrow legal and military perspective, arguing that feudal relationships existed only within the medieval nobility itself. Ganshof articulated this concept in Feudalism (1944). His classic definition of feudalism is the most widely known today^[25] and also the easiest to understand, simply put, when a lord granted a fief to a vassal, the vassal provided military service in return.

One of Ganshof's contemporaries, the French historian Marc Bloch, was arguably the most influential 20th century medieval historian.^[25] Bloch approached feudalism not so much from a legal and military point of view but from a sociological one. He developed his ideas in Feudal Society (1939–40; English 1961). Bloch conceived of feudalism as a type of society that was not limited solely to the nobility. Like Ganshof, he recognized that there was a hierarchical relationship between lords and vassals, but Bloch saw as well a similar relationship obtaining between lords and peasants.^[25]

It is this radical notion that peasants were part of feudal relationship that sets Bloch apart from his peers. While the vassal performed military service in exchange for the fief, the peasant performed physical labour in return for protection. Both are a form of feudal relationship. According to Bloch, other elements of society can be seen in feudal terms; all the aspects of life were centered on "lordship", and so we can speak usefully of a feudal church structure, a feudal courtly (and anti-courtly) literature, and a feudal economy.^[25]

Feudalism revisionism[link]

In 1974, U.S. historian Elizabeth A. R. Brown^[4] rejected the label feudalism as an anachronism that imparts a false sense of uniformity to the concept. Having noted the current use of many, often contradictory, definitions of feudalism, she argued that the word is only a construct with no basis in medieval reality, an invention of modern historians read back "tyrannically" into the historical record. Supporters of Brown have suggested that the term should be expunged from history textbooks and lectures on medieval history entirely.^[25] In Fiefs and Vassals: The Medieval Evidence Reinterpreted (1994),^[5] Susan Reynolds expanded upon Brown's original thesis. Although some contemporaries questioned Reynolds's methodology, other historians have supported it and her argument.^[25] Note that Reynolds does not object to the Marxist use of the term feudalism.

The term feudal has also been applied to non-Western societies in which institutions and attitudes similar to those of medieval Europe are perceived to have prevailed (See Other feudal-like systems). Ultimately, critics say, the many ways the term feudalism has been used have deprived it of specific meaning, leading some historians and political theorists to reject it as a useful concept for understanding society.^[25] Others have taken the concept to its heart: the contract between a lord and his or her vassals, a reciprocal arrangement of support in exchange for service.

See also[link]

Military:

• Knights
• Medieval warfare

Non-European:

• Fengjian (Chinese)
• Indian feudalism
• Mandala (political model)

Sources[link]

• Bloch, Marc, Feudal Society. Tr. L.A. Manyon. Two volumes. Chicago: University of Chicago Press, 1961 ISBN 0-226-05979-0
• Brown, Elizabeth, 'The Tyranny of a Construct: Feudalism and Historians of Medieval Europe', American Historical Review, 79 (1974), pp. 1063–8.
• Cantor, Norman F., Inventing the Middle Ages: The Lives, Works, and Ideas of the Great Medievalists of the Twentieth century. Quill, 1991.
• Ganshof, François Louis (1952). Feudalism. London; New York: Longmans, Green. ISBN 0-8020-7158-9. 
• Guerreau, Alain, L'avenir d'un passé incertain. Paris: Le Seuil, 2001. (Complete history of the meaning of the term.)
• Poly, Jean-Pierre and Bournazel, Eric, The Feudal Transformation, 900–1200., Tr. Caroline Higgitt. New York and London: Holmes and Meier, 1991.
• Reynolds, Susan, Fiefs and Vassals: The Medieval Evidence Reinterpreted. Oxford: Oxford University Press, 1994 ISBN 0-19-820648-8

References[link]

External links[link]

Wikimedia Commons has media related to: Feudalism

• "Feudalism", by Elizabeth A. R. Brown. Encyclopædia Britannica Online.
• "Feudalism?", by Paul Halsall. Internet Medieval Sourcebook.
• Medieval Feudalism, by Carl Stephenson. Cornell University Press, 1942. Classic introduction to Feudalism.
• "The Problem of Feudalism: An Historiographical Essay", by Robert Harbison, 1996, Western Kentucky University.

Jello Biafra
Jello Biafra at Fusion Festival 2010
Background information
Birth name	Eric Reed Boucher
Also known as	Occupant, Count Ringworm, Osama McDonald
Born	(1958-06-17) June 17, 1958 (age 54) Boulder, Colorado, U.S.
Genres	Punk rock, spoken word
Occupations	Musician, speaker, record label director, Green Party politician
Instruments	Vocals
Years active	1976–present
Labels	Alternative Tentacles
Associated acts	Dead Kennedys, The Melvins, No WTO Combo, D.O.A., Lard, Al Jourgensen, Ministry, Pennywise, The Offspring, Pansy Division, Leftöver Crack, Nomeansno, Sepultura, Tool, Revolting Cocks, Napalm Death, Brujeria, Mojo Nixon, 1000 Homo DJs, Métal Urbain, Body Count, Tumor Circus, Butthole Surfers, Jello Biafra and the Guantanamo School of Medicine
Website	AlternativeTentacles.com Alternative Tentacles myspace

Jello Biafra (born Eric Reed Boucher; June 17, 1958, Boulder, Colorado) is an American musician, spoken word artist and leading figure of the Green Party of the United States. Biafra first gained attention as the lead singer and songwriter for San Francisco punk rock band Dead Kennedys. After he left the band, he took over the influential independent record label Alternative Tentacles, which he had co-founded in 1979 with Dead Kennedys bandmate East Bay Ray. Although now focused primarily on spoken word, he has continued as a musician in numerous collaborations.

Politically, Biafra is a member of the Green Party of the United States^[1] and actively supports various political causes. He ran for the party's Presidential nomination in 2000, finishing second to Ralph Nader.^[2] He is a staunch believer in free society, which is not to be confused with libertarianism or voluntary society (voluntaryism), who utilizes shock value and^[1] advocates direct action and pranksterism in the name of political causes. Biafra is known to use absurdist media tactics, in the leftist tradition of the Yippies, to highlight issues of civil rights and social justice.

Early life[link]

Eric Boucher was born in Boulder, Colorado, to parents Stanley Boucher, a psychiatric social worker and poet, and Virginia Boucher, a librarian, who worked two cubicles away from Ed Sauer.^{[citation needed]} He also had a sister, Julie J. Boucher, the Associate Director of the Library Research Service at the Colorado State Library (who died in a mountain-climbing accident on October 12, 1996).^[3] As a child, Eric Boucher developed an interest in international politics that was encouraged by his parents. An avid news watcher, one of his earliest memories was of the John F. Kennedy assassination.^[4] Biafra says he has been a fan of rock music since first hearing it in 1965, when his parents accidentally tuned in to a rock radio station. During the 1970s, he became involved in activism in reaction to several events of the era including the Vietnam War, the Chicago 7 trial, and the Kent State shootings.^[5]

He began his career in music in January 1977 as a roadie for the punk rock band The Ravers (who later changed their name to The Nails), soon joining his friend John Greenway in a band called The Healers. The Healers became infamous locally for their mainly improvised lyrics and avant garde music. In the autumn of that year, he began attending the University of California, Santa Cruz.^[6] He studied acting and the history of Paraguay before leaving to become involved in San Francisco, California's punk scene.

Musical career[link]

The Dead Kennedys[link]

In June 1978, he responded to an advertisement placed in a store by guitarist East Bay Ray, stating "Guitarist wants to form punk band",^[7] and together they formed the Dead Kennedys. He began performing with the band under the stage name Occupant,^{[citation needed]} but soon began to use his current stage name, a combination of the brand name Jell-O and the short-lived African state Biafra. Biafra wrote the band's lyrics, most of which were political in nature and displayed a sardonic, sometimes absurdist, sense of humor despite their serious subject matter. In the tradition of UK anarcho-punk bands like Crass, the Dead Kennedys were one of the first US punk bands to write politically-themed songs. The lyrics Biafra wrote helped popularize the use of humorous lyrics in hardcore. Biafra cites Joey Ramone as the inspiration for his use of humor in his songs (as well as being the musician who made him interested in punk rock), noting in particular songs by The Ramones such as "Beat on the Brat" and "Now I Wanna Sniff Some Glue".^[8]

Biafra initially attempted to compose music on guitar, but his lack of experience on the instrument and his own admission of being "a fumbler with my hands" led Dead Kennedys bassist Klaus Flouride to suggest that Biafra simply sing the parts he envisioned to the band.^[9] Biafra sang his riffs and melodies into a tape recorder, which he brought to the band's rehearsal and/or recording sessions. This later became a problem when the other members of the Dead Kennedys sued Biafra over royalties and publishing rights.^{[clarification needed]} By all accounts, including his own, Biafra is not a conventionally-skilled musician,^[9] though he and his collaborators (Joey Shithead of D.O.A. in particular) attest that he is a skilled composer^[10] and his work, particularly with the Dead Kennedys, is highly respected by punk-oriented critics and fans.

	Holiday in Cambodia noicon "Holiday in Cambodia" by the Dead Kennedys from Fresh Fruit for Rotting Vegetables
Problems listening to this file? See media help.

Jello Biafra with the Dead Kennedys

Biafra's first popular song was the first single by the Dead Kennedys, "California Über Alles". The song, which spoofed California governor Jerry Brown, was the first of many political songs by the group and Biafra. The song's popularity resulted in its being covered by other musicians, such as The Disposable Heroes of Hiphoprisy (who rewrote the lyrics to parody Pete Wilson), John Linnell of They Might Be Giants and Six Feet Under on their Graveyard Classics album of cover versions. Not long after, the Dead Kennedys had a second and bigger hit with "Holiday in Cambodia" from their debut album Fresh Fruit for Rotting Vegetables. Allmusic cites this song as "possibly the most successful single of the American hardcore scene"^[11] and Biafra counts it as his personal favorite Dead Kennedys song.^[12] Minor hits from the album included "Kill the Poor" (about potential abuse of the then-new neutron bomb) and a satirical cover of Elvis Presley's "Viva Las Vegas".

The Dead Kennedys received some controversy in the spring of 1981 over the single "Too Drunk to Fuck". The song became a big hit in Britain, and the BBC feared that it would manage to be a big enough hit to appear among the top 30 songs on the national charts, requiring a mention on Top of the Pops. However, the single peaked at number 31 in the charts.^[5]

Later albums also contained memorable songs, but with less popularity than the earlier ones. The EP In God We Trust, Inc. contained the song "Nazi Punks Fuck Off!" as well as "We've Got A Bigger Problem Now", a rewritten version of "California Über Alles" about Ronald Reagan. Punk musician and scholar Vic Bondi considers the latter song to be the song that "defined the lyrical agenda of much of hardcore music, and represented its break with punk".^[13] The band's most controversial album, Frankenchrist, brought with it the song "MTV Get Off the Air", which accused MTV of promoting poor quality music and sedating the public. The album also contained a controversial poster by Swiss surrealist artist H. R. Giger entitled Penis Landscape.

The Dead Kennedys toured widely during their career, starting in the late 1970s. They began playing mostly at southern Californian clubs (most notably the Whisky a Go Go), but eventually they moved to major clubs across the country, including CBGB in New York. Later, they played to larger audiences such as at the 1980 Bay Area Music Awards (where they played the notorious "Pull My Strings" for the only time), and headlined the 1983 Rock Against Reagan festival.^[14]

On May 7, 1994, people who believed Biafra was a "sell out" attacked him at the 924 Gilman Street club in Berkeley, California. Biafra claims that he was attacked by a man nicknamed Cretin, who crashed into him while moshing. The crash injured Biafra's leg, causing an argument between the two men. During the argument, Cretin pushed Biafra to the floor and five or six friends of Cretin assaulted Biafra while he was down, yelling "Sellout rock star, kick him", and attempting to pull out his hair.^[15] Biafra was later hospitalized with serious injuries.^[16] The attack derailed Biafra's plans for both a Canadian spoken-word tour and an accompanying album, and the production of Pure Chewing Satisfaction was halted. However, Biafra returned to the Gilman club a few months after the incident to perform a spoken-word performance as an act of reconciliation with the club.^[17]

Biafra has been a prominent figure of the Californian punk scene and was one of the founding members of the San Francisco hardcore punk community. Many later hardcore bands have cited the Dead Kennedys as a major influence.^[18] Hardcore punk author Steven Blush describes Biafra as hardcore's "biggest star" who was a "powerful presence whose political insurgence and rabid fandom made him the father figure of a burgeoning subculture [and an] inspirational force [who] could also be a real prick... Biafra was a visionary, incendiary [performer]."^[19]

After the Dead Kennedys disbanded, Biafra's new songs were recorded with other bands, and he released only spoken word albums as solo projects. These collaborations had less popularity than Biafra's earlier work. However, his song "That's Progress", originally recorded with D.O.A. for the album Last Scream of the Missing Neighbors, received considerable exposure when it appeared on the album Rock Against Bush, Vol. 1.

Obscenity prosecution[link]

In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC).^[20] In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist.^[21] In actuality, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.^[22]

Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle."^[23] Facing the possible sentence of a year in jail and a $2000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit made up of several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped.^{[citation needed]} The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances. His early spoken word albums focused heavily on the trial (especially in High Priest of Harmful Matter), which made him renowned for his anti-censorship stance.

Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). Whilst arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.

On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. The episode was about Guarino's change of opinion and the reconciliation between Guarino and Biafra.

Lawsuit by former band members and reunion activities[link]

In October 1998, former members of the Dead Kennedys sued Biafra for nonpayment of royalties. According to Biafra, the suit resulted from his refusal to allow one of the band's most well known singles, "Holiday in Cambodia", to be used in a commercial for Levi's Dockers; Biafra opposes Levi's because he believes that they use unfair business practices and sweatshop labor.^[24] The three former members claimed that their motive had nothing to do with advertising, and that they had filed suit because Biafra had denied them royalties and failed to promote their albums. Biafra maintained that he had never denied them royalties, and that he himself had not even received royalties for rereleases of their albums or "posthumous" live albums which had been licensed to other labels by the Decay Music partnership. Decay Music denied this charge and have posted what they say are his cashed royalty checks.^[25] Biafra also complained about the songwriting credits in new reissues and archival live albums of songs that Biafra claims he composed himself to the entire band. In May 2000, a jury found Biafra liable for fraud and malice and ordered him to pay $200,000, including $20,000 in punitive damages, to the band members.^[26] After an appeal by Biafra’s lawyers, in June 2003, the California Court of Appeal unanimously upheld all the conditions of the 2000 verdict against Biafra and Alternative Tentacles.^[27]

The other band members reunited in 2001 without Biafra under the name of "DK Kennedys" (later returning to the original band name), replacing Biafra first with Brandon Cruz, then with Jeff Penalty, and finally with Ron "Skip" Greer. Biafra himself has openly criticized his former bandmates' legal tactics and reunion tours, most notably in the song "Those Dumb Punk Kids (Will Buy Anything)", which he performed with The Melvins.

Other bands[link]

In 1988, Biafra, with Al Jourgensen and Paul Barker of the band Ministry, and Jeff Ward, formed Lard. The band became yet another side project for Ministry, with Biafra providing vocals and lyrics. According to a March 2009 interview with Jourgensen, he and Biafra are working on a new Lard album, which is being recorded in Jourgensen's El Paso studio.^[28] While working on the film Terminal City Ricochet in 1989, Biafra did a song for the film's soundtrack with D.O.A.. As a result, Biafra worked with D.O.A. on the album Last Scream of the Missing Neighbors. Biafra also worked with Nomeansno on the soundtrack, which led to their collaboration on the album The Sky Is Falling and I Want My Mommy the following year. Biafra also provided lyrics for the song "Biotech is Godzilla" for Sepultura's 1993 album Chaos A.D..

In 1999, Biafra and other members of the anti-globalization movement protested the WTO Meeting of 1999 in Seattle. Along with other prominent West Coast musicians, he formed the short-lived band the No WTO Combo to help promote the movement's cause. The band was originally scheduled to play during the protest, but the performance was canceled due to riots. The band performed a short set the following night at the Showbox in downtown Seattle (outside the designated area), along with the hiphop group Spearhead. No WTO Combo later released a CD of recordings from the concert, entitled Live from the Battle in Seattle.

As of late 2005, Biafra was performing with the band The Melvins under the name "Jello Biafra and the Melvins", though fans sometimes refer to them as "The Jelvins." Together they have released two albums, and have been working on material for a third collaborative release, much of which was premiered live at two concerts at the Great American Music Hall in San Francisco during an event called Biafra Five-O, commemorating Biafra's 50th birthday, the 30th anniversary of the founding of the Dead Kennedys, and the beginning of legalized same-sex marriage in California. Biafra is also working with a new band known as Jello Biafra and the Guantanamo School of Medicine, which includes Ralph Spight of Victims Family on guitar and Billy Gould of Faith No More on bass. This group debuted during Biafra Five-O.

In 2011, Biafra appeared in a singular concert event with an all-star cast of Southern musicians including members from Cowboy Mouth, Dash Rip Rock, Mojo Nixon and Down entitled, "Jello Biafra and the New Orleans Raunch & Soul All Stars" who performed an array of classic Soul covers to a packed house at the 12-Bar in New Orleans, Louisiana.^[29]

Alternative Tentacles[link]

In June 1979, Biafra co-founded the record label Alternative Tentacles, with which the Dead Kennedys released their first single, "California Über Alles".^[30] The label was created to allow the band to release albums without having to deal with pressure from major labels to change their music (although the major labels were not willing to sign the band due to their songs being deemed too controversial).^[31] After dealing with Cherry Red in the UK and IRS Records in the US for their first album Fresh Fruit for Rotting Vegetables, the band released all later albums (and later pressings of Fresh Fruit) on Alternative Tentacles (with the exception of live albums released after the band's break-up, which the other band members compiled from recordings in the band partnership's vaults without Biafra's input or endorsement)^{[citation needed]}. Biafra has been the owner of the company ever since its founding, though he does not receive a salary for his position (Biafra has referred to his position in the company as "absentee thoughtlord").^[12]

Biafra is an ardent collector of unusual vinyl records of all kinds, from 1950s and 1960s ethno-pop recordings by the likes of Les Baxter and Esquivel to vanity pressings that have circulated regionally, to German crooner Heino; he cites his always growing collection as one of his biggest musical influences. In 1993 he gave an interview to RE/Search Publications for their second Incredibly Strange Music book focusing primarily on these records. His heavy interest in such recordings (often categorized as outsider music) eventually led to his discovery of the prolific (and schizophrenic) singer/songwriter/artist Wesley Willis, whom he signed to Alternative Tentacles in 1994, preceding Willis' major label deal with American Recordings. His collection grew so large that on October 1, 2005, Biafra donated a portion of his collection to an annual yard sale co-promoted by Alternative Tentacles and held at their warehouse in Emeryville, California.^[32]

In 2006, along with Alternative Tentacles employee and The Frisk lead singer Jesse Luscious, Biafra began co-hosting The Alternative Tentacles Batcast, a downloadable podcast hosted by alternativetentacles.com. The show primarily focuses on interviews with artists and bands that are currently signed to the Alternative Tentacles label, although there are also occasional episodes where Biafra devoted the show to answering fan questions.

Spoken word[link]

Biafra in an appearance in Aarau, Switzerland

Biafra first became a spoken word artist in January 1986, starting with a performance at University of California, Los Angeles. In his performance he combined his sense of humor with his political beliefs, much in the same way that he did with the lyrics to his songs. Biafra has held this career since, but did not begin recording spoken word records until after the disbanding of the Dead Kennedys.

His ninth spoken word album, In the Grip of Official Treason, was released in October 2006.

Biafra was also featured in the British band Pitchshifter's song As Seen on TV reciting the words of dystopian futuristic radio advertisements.

Politics[link]

Mayoral campaign[link]

In the autumn of 1979, Biafra ran for mayor of San Francisco, using the Jell-O ad campaign catchphrase, "There's always room for Jello", as his campaign slogan. Having entered the race before creating a campaign platform, Biafra later wrote his platform on a napkin while attending a Pere Ubu concert where Dead Kennedy's drummer Ted told Biafra, "Biafra, you have such a big mouth that you should run for Mayor." As he campaigned, Biafra wore campaign T-shirts from his opponent Quentin Kopp's previous campaign and at one point vacuumed leaves off the front lawn of another opponent, current U.S. Senator Dianne Feinstein, to mock her publicity stunt of sweeping streets in downtown San Francisco for a few hours. He also made a whistlestop campaign tour along the BART line. Supporters committed equally odd actions; two well known signs held by supporters said "If he doesn't win I'll kill myself" and "What if he does win?"^[34]

In San Francisco any individual could legally run for mayor if a petition was signed by 1500 people or pay $1500. Biafra paid $900 and got signatures over time and eventually became a legal candidate, meaning he received statements put in voters pamphlets and equal news coverage.

His platform included unconventional points such as forcing businessmen to wear clown suits within city limits, erecting statues of Dan White (who assassinated Mayor George Moscone and City Supervisor Harvey Milk in 1978) all over town and allowing the parks department to sell eggs and tomatoes with which people could pelt them, hiring out of job workers, due to a tax initiative, to become pan handlers in wealthy neighborhoods (one being where Diannne Feinstein lives), and a citywide ban on cars (although the latter point was not considered completely outlandish by many voters at the time, as the city was suffering from serious pollution).^[31] Biafra has expressed irritation that these parts of his platform attained such notoriety, preferring instead to be remembered for serious proposals such as legalizing squatting in vacant, tax-delinquent buildings and requiring police officers to keep their jobs by running for election voted by the people of the neighborhoods they patrol.^[34]

He finished fourth out of a field of ten, receiving 3.79% of the vote (6,591 votes); the election ended in a runoff that did not involve him (Feinstein was declared the winner).

Presidential campaign[link]

Biafra discussing politics

In 2000, the New York State Green Party drafted Biafra as a candidate for the Green Party presidential nomination, and a few supporters were elected to the party's nominating convention in Denver, Colorado. Biafra chose death row inmate Mumia Abu-Jamal as his running mate. Despite the fact that his address to the convention was positively received, the party overwhelmingly chose Ralph Nader as the presidential candidate with 295 of the 319 delegate votes. Biafra finished in a second place tie with Stephen Gaskin; both received 10 votes.

Biafra, along with a camera crew (dubbed by Biafra as "The Camcorder Truth Jihad"), later reported for the Independent Media Center at the Republican and Democratic conventions. Biafra detailed these events in his album Become The Media, which has resulted in his being credited with coining the slogan "Don't hate the media, become the media". Indymedia and related alternative media often use this line, or the now more apt "Don't hate the media, be the media."

Post-2000[link]

After losing the 2000 nomination, Jello became highly active in Ralph Nader's presidential campaign, as well as in 2004 and 2008.

During the 2008 campaign Jello played at rallies^[35] and answered questions for journalists in support of Ralph Nader. After Barack Obama won the general election, Jello wrote an open letter making suggestions on how to run his term as president.^[36]

Boycott of Israel[link]

In the summer of 2011 Jello Biafra and his band were scheduled to play at the Barby Club in Tel Aviv. They came under heavy pressure by the pro-Palestinian Boycott, Divestment and Sanctions (BDS) campaign, and finally decided to cancel the gig – after a debate which according to Biafra "deeply tore at the fabric of our band (,,,) This whole controversy has been one of the most intense situations of my life - and I thrive on intense situations". Biafra then decided to travel to Israel and the Palestinian Occupied Territories, at his own expense, and talk with Israeli and Palestinian activists as well as with fans disappointed at his cancellation. In the article stating his conclusions he wrote: "I will not perform in Israel unless it is a pro-human rights, anti-occupation event that does not violate the spirit of the boycott. Each artist must decide this for themselves. I am staying away for now, but am also really creeped out by the attitudes of some of the boycott hardliners, and hope someday to find a way to contribute something positive here. I will not march or sign on with anyone who is more interested in making threats than making friends.

"I do not regret speaking out. It has been quite a learning experience along the way. I can't very well shut up now. It's as if I've been covered with someone else's chewing gum, and I'll never be able to scrape it all off. As my friend said, "it gets in your blood" - and it has definitely gotten in mine.

I loved Tel Aviv, and Jerusalem was hardly the "dead city" at night that some Tel Aviv hipsters claim it is. I want to go back. I want to play. But I, too, am as sickened as the next person that not all the cool people I met in the West Bank can cross into Israel and enjoy Tel Aviv - or even worship in Jerusalem. That unnecessary checkpoints prevent them from reaching their farms, schools or even hospitals. Forty-four years of brutal occupation has done no more to solve the problem than the United States has accomplished in its War on Drugs. You can't just keep almost four million people in prison." ^[37]

Personal life[link]

Biafra married Therese Soder, aka Ninotchka, lead singer of San Francisco-area punk band The Situations on October 31, 1981.^[38] The wedding was conducted by Flipper vocalist/bassist Bruce Loose, who became a Universal Life Church minister just to conduct the ceremony, which took place in a graveyard.^[39] The wedding reception, which members of Flipper, Black Flag, and D.O.A. attended, was held at director Joe Rees' Target Video studios.^[40] The marriage ended in 1986.

Musical samples[link]

	I Wanna Be A Drug Sniffing Dog noicon "I Wanna Be A Drug Sniffing Dog" by Lard from Pure Chewing Satisfaction Ban Everything noicon "Ban Everything" by Jello Biafra from Beyond the Valley of the Gift Police Yuppie Cadillac noicon "Yuppie Cadillac" by Jello Biafra and the Melvins from Never Breathe What You Can't See Full mp3 file from Alternative Tentacles' website
Problems listening to these files? See media help.

Partial discography[link]

For a more complete list, see the Jello Biafra discography.

Dead Kennedys[link]

• 1980 - Fresh Fruit for Rotting Vegetables
• 1981 - In God We Trust, Inc.
• 1982 - Plastic Surgery Disasters
• 1985 - Frankenchrist
• 1986 - Bedtime for Democracy
• 1987 - Give Me Convenience OR Give Me Death

Spoken word[link]

• 1987 - No More Cocoons
• 1989 - High Priest of Harmful Matter: Tales From the Trial
• 1991 - I Blow Minds for a Living
• 1994 - Beyond the Valley of the Gift Police
• 1998 - If Evolution Is Outlawed, Only Outlaws Will Evolve
• 2000 - Become the Media
• 2002 - The Big Ka-Boom, Pt. 1
• 2002 - Machine Gun in the Clown's Hand
• 2006 - In the Grip of Official Treason

Lard[link]

• 1989 - The Power of Lard
• 1990 - I Am Your Clock
• 1990 - The Last Temptation of Reid
• 1997 - Pure Chewing Satisfaction
• 2000 - 70's Rock Must Die

Jello Biafra and the Guantanamo School of Medicine[link]

• 2009 - The Audacity of Hype
• 2011 - Enhanced Methods of Questioning

Collaborations[link]

• 1990 - Supernaut with 1000 Homo DJs - "Hey Asshole" (credited as Count Ringworm)
• 1990 - Last Scream of the Missing Neighbors with D.O.A.
• 1990 - In Case You Didn't Feel Like Showing Up by Ministry (appears on the video release where he recites his own version of the Pledge of Allegiance)
• 1991 - The Sky is Falling and I Want My Mommy with Nomeansno
• 1991 - Tumor Circus with Steel Pole Bath Tub by Tumor Circus
• 1992 - Body Count with Body Count - "Freedom of Speech"
• 1993 - Chaos A.D. with Sepultura - "Biotech Is Godzilla" (credited on the lyrics)
• 1994 - Prairie Home Invasion with Mojo Nixon
• 1995 - Raza Odiada with Brujeria - "Raza Odiada (Pito Wilson)" (as the voice of Pete Wilson)
• 1997 - Helter Skelter with The D.O.C. - "Secret Plan"
• 1997 - Ixnay on the Hombre with The Offspring - "Disclaimer"
• 1998 - Every Home a Prison with Coldcut
• 2000 - Deviant with Pitchshifter - "As Seen on T.V."
• 2000 - Live from the Battle in Seattle with No WTO Combo
• 2001 - Nation with Sepultura - "Politricks"
• 2004 - Never Breathe What You Can't See with The Melvins (credited on the inner sleeve as Osama McDonald)
• 2005 - The Code Is Red...Long Live the Code with Napalm Death - "The Great and the Good"
• 2005 - Sieg Howdy! with The Melvins (credited on the inner sleeve as J Lo)
• 2005 - 13 Ft. and Rising with Throw Rag - "Children of the Secret State"
• 2005 - Hell's Winter with Cage - "Grand Ol' Party Crash" (credited on the Cage as the voice of George W. Bush)
• 2006 - J'Irai Chier dans Ton Vomi with Métal Urbain
• 2006 - Cocked and Loaded with Revolting Cocks - "Dead End Streets" and "Viagra Culture"
  (credited on the inner sleeve as Jello Biafra as well as all of his former stage names including Occupant, Smegma Pigvomit, Osama McDonald, and J Lo)
• 2006 - Rio Grande Blood with Ministry - "Ass Clown"
• 2007 - Deadline with Leftöver Crack - "Baby-Punchers"
• 2008 - Everybody Make Some Noise! with The A.K.A.s
• 2009 - All Sewn Up: A Tribute to Patrik Fitzgerald with Motorpsycho - "Punch"
• 2009 - That's So Gay with Pansy Division - "Average Men"

Filmography[link]

• 1977 - This Is America, Pt. 2
• 1978 - Massacre at Central High
• 1981 - Urgh! A Music War
• 1983 - Anarchism in America
• 1986 - Lovedolls Superstar, directed by Dave Markey
• 1987 - Household Affairs, directed & filmed by Allen Ginsberg
• 1988 - Tapeheads, directed by Bill Fishman
• 1990 - Terminal City Ricochet
• 1991 - Highway 61, directed by Bruce McDonald
• 1994 - Skulhedface, directed by Melanie Mandl
• 1997 - Mary Jane's Not a Virgin Anymore, directed by Sarah Jacobson
• 1999 - The Widower
• 1999 - Virtue
• 2001 - Plaster Caster
• 2002 - Bikini Bandits, directed by Steve and Peter Grasse
• 2004 - Death and Texas
• 2004 - Punk: Attitude
• 2005 - We Jam Econo: The Story Of The Minutemen
• 2006 - Punk's Not Dead, directed by Susan Dynner
• 2006 - Whose War?, directed by Donald Farmer
• 2007 - American Drug War: The Last White Hope, directed by Kevin Booth
• 2008 - Nerdcore Rising, directed by Negin Farsad
• 2009 - Open Your Mouth And Say Mr.Chi Pig, directed by Sean Patrick Shaul
• 2010 - A Man Within, directed by Yony Leyser

References and footnotes[link]

External links[link]

Wikimedia Commons has media related to: Jello Biafra

Wikiquote has a collection of quotations related to: Jello Biafra

• Jello Biafra at the Internet Movie Database
• Jello Biafra at AllRovi
• Biafra's label Alternative Tentacles