Georges Feydeau by Carolus-Duran (Musée des Beaux-Arts de Lille)

Georges Feydeau (pronounced: [ʒɔʁʒ fɛ.do], 8 December 1862 – 5 June 1921) was a French playwright of the era known as the Belle Époque. He is remembered for his many lively farces.

Biography[link]

Georges Feydeau was born in Paris, the son of novelist Ernest-Aimé Feydeau and Léocadie Bogaslawa Zalewska. At the age of twenty, Feydeau wrote his first comic monologue in earnest. He found his first success four years later with Tailleur pour dames (Ladies' Dressmaker, 1889). That same year Feydeau married Marianne Carolus-Duran, the daughter of the famous portrait painter Carolus-Duran. To Feydeau, the marriage brought wealth that would sustain him until he found greater success. The marriage lasted 15 years after which the couple underwent a judicial separation and were formally divorced in 1916.

Georges Feydeau

Feydeau began investigating the great farces in 1890, studying the works of Eugène Labiche, Henri Meilhac and Alfred Hennequin. This study inspired him to write his acclaimed play Champignol malgré lui (Champignol in Spite of Himself, 1892). Following this, Feydeau made a name for himself both in France and abroad, some of his plays opening overseas and in other languages before they opened in France.

These farces often involved Paris's demi-monde. They are noted for great wit and complex plots, featuring misunderstandings and coincidences, and what one critic called "jack-in-the-box construction".^{[cite this quote]}

Among his 60 plays, his most famous are: Une puce à l'oreille (A Flea in Her Ear, 1907), Le Système Ribadier (1892), La Dame de Chez Maxim (The Girl from Maxim's, 1899), and Hortense a dit: "Je m'en fous!" (Hortense says, "I don't give a damn!", 1916). Other notable Feydeau farces include L'Hôtel du libre échange, Le Dindon (Sauce for the Goose, 1896) and the series of plays he wrote after 1908 grouped under the title "Du Mariage au Divorce" ("On purge bébé", "Feu la mère de madame", Léonie est en avance" and "Mais ne te promène donc pas toute nue").

Though critics at the time dismissed Feydeau's works as light entertainment, he is now recognized as one of the great French playwrights of his era. His plays are seen today as precursors to Surrealist and Dada theatre, and the Theatre of the Absurd. They have been continuously revived and are still performed today, 17 of which have been performed on Broadway from 1895 to 1992.^[1]

Despite being a phenomenally successful playwright during his lifetime, his propensity for high living (he had a table permanently reserved for him at Maxim's), gambling, and the failure of his marriage led to financial difficulties.

During the winter of 1918, Feydeau contracted syphilis and slowly descended into madness to his death three years later at age 58. He is buried in Cimetière de Montmartre in Paris.

Works[link]

Theatrical adaptations[link]

The Party's Over, a one act play by Jay Parker is loosely based on Feydeau's one act Par la Fenêtre.

Feydeau's one-act farce "Mais n'te promène donc pas toute nue !", translated by Olivier Bernier as "Please don't walk around in the nude" was produced at Harvard in 1960. It is the funniest play ever written. - Rol Maxwell

Paxton Whitehead and Suzanne Grossman adapted three of Georges Feydeau's plays: There's One in Every Marriage for the Broadway stage in 1971, Chemin de Fer in 1974 and A Flea in Her Ear in 1982.^[2][3]

Charles Morey's English adaptation of Tailleur pour dames, titled The Ladies Man, was first performed in 2007.^[4]

See also[link]

• Bedroom farce

References[link]