- published: 15 Jun 2010
- views: 3918
- author: tarlait
3:17

Sophia Loren & Jean Gabin-Verdict
Sophia Loren & Jean Gabin dans un extrait du film "Verdict", André Cayatte 1974...
published: 15 Jun 2010
author: tarlait
Sophia Loren & Jean Gabin-Verdict
Sophia Loren & Jean Gabin dans un extrait du film "Verdict", André Cayatte 1974
- published: 15 Jun 2010
- views: 3918
- author: tarlait
93:55

Verdict GABIN
Verdict est un film français réalisé par André Cayatte, sorti en 1974. André Léon i(Michel...
published: 27 Nov 2012
author: fredleJUSTE
Verdict GABIN
Verdict est un film français réalisé par André Cayatte, sorti en 1974. André Léon i(Michel Albertini) , dont le père était un truand notoire, a véritablement été "couvé" par sa mère depuis sa plus tendre enfance. Pourtant André se retrouve un jour en cour d'assises, accusé d'un crime odieux : il aurait violé et tué une jeune fille, Annie Chartier (Muriel Catala), la fille d'un professeur lyonnais. Malgré les graves présomptions qui semblent l'accuser d'être l'auteur de ce crime, André persiste à nier devant les jurés. Face à cet homme qui se prétend innocent, le président Leguen qui préside sa dernière affaire en cours d'assises avant de prendre sa retraite. Leguen (gabin) s'acharne sur le jeune homme persuadé qu'André Léoni ment et que le milieu dans lequel il a grandi est responsable de son destin criminel. La mère d'André, Térésa (Sophia Loren ), va tout tenter pour sauver son fils. Le film pose le débat sur la procédure de délibération d'un jury de Cour d'assises en France, et du principe d'intime conviction. Il pointe tout particulièrement l'article 353 du Code de procédure pénale, affiché en salle de délibération, et dont le président se doit de donner lecture au jury1: « La loi ne demande pas compte aux juges des moyens par lesquels ils se sont convaincus, elle ne leur prescrit pas de règles desquelles ils doivent faire particulièrement dépendre la plénitude et la suffisance d'une preuve ; elle leur prescrit de s'interroger eux-mêmes dans le silence et le ...
- published: 27 Nov 2012
- views: 10050
- author: fredleJUSTE
9:40

Sophia Loren- Judith Part 4
Sophia Loren Plays Judith In Daniel Mann's 1966 Drama...
published: 22 Jan 2012
author: chicsoccer1
Sophia Loren- Judith Part 4
Sophia Loren Plays Judith In Daniel Mann's 1966 Drama
- published: 22 Jan 2012
- views: 1092
- author: chicsoccer1
3:18

MOST SEXY ITALIAN MOVIE SCENE
In italian-culture-blog.blogspot.com more info about Italian stylife, culture, movies, Fil...
published: 27 Oct 2008
author: Massy Biagio
MOST SEXY ITALIAN MOVIE SCENE
In italian-culture-blog.blogspot.com more info about Italian stylife, culture, movies, Film and sexy actresse
- published: 27 Oct 2008
- views: 566364
- author: Massy Biagio
3:58

Sidney Lumet In Memorial - A Lifetime of Acehivement
This is a Genuine G-Shot in memory of Sidney Lumet memorial producer director of many of o...
published: 13 Apr 2011
author: GShotsTV
Sidney Lumet In Memorial - A Lifetime of Acehivement
This is a Genuine G-Shot in memory of Sidney Lumet memorial producer director of many of our greatest films. (From the UK Guardian) Cornelia Sharpe and Al Pacino in the 1973 police thriller Serpico, directed by Sidney Lumet. Photograph: Sportsphoto Ltd/Allstar/Paramount Sidney Lumet, who has died aged 86, achieved critical and commercial success with his first film, 12 Angry Men (1957), which established his credentials as a liberal director who was sympathetic to actors, loved words and worked quickly. For the bulk of his career, he averaged a film a year, earning four Oscar nominations along the way for best director, for 12 Angry Men, Dog Day Afternoon (1975), Network (1976) and The Verdict (1982). It is arguable that, had he not been so prolific, Lumet's critical reputation would have been greater. Certainly, for every worthwhile film there was a dud, and occasionally a disaster, to match it. But Lumet loved to direct and he was greatly esteemed by the many actors -- notably Al Pacino and Sean Connery -- with whom he established a lasting rapport. The majority of his films were shot not in Hollywood, but in and around New York. Lumet's book Making Movies (1995), a lucid account of all aspects of the film business, used his own works for textual analysis and included a coda, almost a lament, in which he railed against the studios' interference. He had become increasingly aware that there was little space, even in his beloved New York, for works inspired by social ...
- published: 13 Apr 2011
- views: 826
- author: GShotsTV