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Cane is either of two genera of tall, perennial grasses with flexible, woody stalks from the family Poaceae, that grow throughout the world. The genera include species of bamboo. The genus Arundo is native from the Mediterranean region to the Far East. Arundinaria is found in the New World. Cane commonly grows in large riparian stands known as canebrakes, found in toponyms throughout the Southern and Far Western United States; they are much like the tules of California.
Depending on strength, cane can be fashioned for various purposes such as as tools and walking sticks/crutches. Judicial canes, or school canes. Where canes are used in corporal punishment, they must meet particular specifications, such as a high degree of flexibility. Cane historically has been used for many other purposes such as baskets, furniture, boats, roofs and wherever stiff, withy sticks can be put to good use.
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English "cane" derives from biblical Hebrew Qana, which is also used for the beam of a "balance" (Isaiah 46:6), "a staff of reed" (i.e., a walking-stick, Isaiah 36:6 and Ezekiel 29:6), and the "branches" of a candlestick (Exodus 37:18).[1] Most famously, the word appears in Ezekiel as the measuring "rod" used on the prophet Ezekiel's visionary temple, and in Revelation, where it is used to measure the New Jerusalem.
Cane is often used to make walking sticks and "hospital canes" (aids to mobility). In North America, any walking stick may be called a "cane". An example of the "walking cane" contrasted with the cane of corporal punishment: in 1856, when Charles Sumner of Massachusetts was "caned" for bullying a disabled Congressman of the West, he was beaten with a wooden walking 'cane' that splintered.[2] "Canes" may also refer to the special white rods used by the blind.
Thin, flexible "canes" are implements for administering corporal punishment. These may be called school canes or judicial canes depending on size.
Cane is used for a variety of artistic and practical purposes, such as Indian baskets of North America. During the 18th and early 19th century, non-commissioned officers in some European armies could carry canes to discipline troops (when not in use, the cane was hooked to a cross-belt or a button). Cane is used to describe furniture made of wicker. Cane also describes a length of colored, patterned glass rod used in caneworking, a style of glassblowing.
Canes are used in regional folk-dancing and as props on stage. For example, folk-dancers may twirl canes overhead, stand them on the head, spin them off to the sides, or strike them on the floor.[3]
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Wikimedia Commons has media related to: Arundo |
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French Montana | |
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Birth name | Karim Kharbouch[1] |
Born | (1984-11-09) November 9, 1984 (age 27) Rabat, Morocco[1] |
Origin | South Bronx, New York, USA |
Genres | East Coast hip hop, Mafioso rap, Gangsta rap |
Occupations | Rapper |
Years active | 2002-present |
Labels | Bad Boy Records, Interscope Records, Maybach Music Group (2011-2012), EMI |
Associated acts | Coke Boys, Max B, Rick Ross, Akon, Diddy, Meek Mill, Waka Flocka Flame, Three 6 Mafia, Wale, Omarion |
Website | frenchmontana.com |
French Montana (born November 9, 1984) is an American rapper and singer of Moroccan[2][3] and Somali[2][4] descent. He is the founder and CEO of Cocaine City Records, and in 2012, signed a joint venture recording deal with Maybach Music Group and Bad Boy Records. He is known for his frequent collaborations with Max B, and more recently with Rick Ross and with his group Coke Boys.
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French Montana was born Karim Kharbouch in 1984 in Rabat, Morocco,[1][4] where he lived for the first 13 years of his life. Growing up in Rabat, he was consumed by playing soccer and rapping, describing them as his two favorite childhood hobbies.[5] In 1996, French emigrated with his parents and two younger brothers to the Bronx in New York City.[6] His father left the family when French was 17, and so he began to provide for his mother and younger brothers.
In 2002, along with his friend Camz he created a series of street-flavoured DVD documentaries called 'Cocaine City' after drawing inspiration from the 'Smack' DVD series. Under the name Young French he used the DVDs as a means of showcasing his talent as an underground artist. To gain a broader fan base, French incorporated interviews with major artists, as well as some up and comers. The first edition in the series included Pee Wee Kirkland and Remy Ma alongside French himself among others. What started out as simply a medium for developing an audience quickly grew into one of the top-selling "street DVDs".[3][6][7] The series ran for 8 years between 2002 and 2010, with a total of 14 editions being released.[8]
In 2009, French signed a deal with Akon's Konvict Muzik record label, but later left the label in 2011 due to album delays.[9] Montana was subsequently reportedly close to signing a deal with Rick Ross's Maybach Music Group (MMG).[10] There were also reports that he would join Kanye West's GOOD Music label.[11]
In December 2011, Montana signed a record deal with P. Diddy's Bad Boy Records[12] and Interscope Records.[13] According to French, of the many major labels that were courting him, Maybach Music Group would have been his second choice had he not signed with Bad Boy.[14] However on January 2, 2012 while in the studio with Rick Ross Montana announced that he had signed a joint venture deal with Bad Boy Records and Maybach Music Group with Rick Ross and Diddy set to executive produce his debut album.[15] It was announced that his debut album Excuse My French would be released July 17, 2012. French was featured on XXL's Freshman Class of 2012 alongside Future, Kid Ink, Danny Brown, Macklemore, Don Trip, Hopsin, Iggy Azalea, Roscoe Dash and labelmate Machine Gun Kelly (rapper).[16][17] However, he later revealed to Sway Calloway on RapFix Live that he almost turned down the cover opportunity, feeling he "deserved it two years ago" and that he had surpassed the current crop of rap rookies.[18][7]
According to French, the rappers Tupac Shakur, Snoop Dogg, The Notorious B.I.G. and Wu-Tang Clan were among the hip hop artists that he listened to while growing up. He also considers himself a general music lover.[19]
Between 2003 and 2004, French was shot in the head as he was exiting a recording studio in New York. He was rushed to the hospital after the incident and survived. Describing the shooting as a possible assassination attempt, the artist was subsequently involved in a murder trial in which he was eventually found not guilty. Rumors began to swirl that he had received settlement money from the case, which he then used to start his rap career. However, French later dismissed these claims as false in an interview.[20]
French Montana is Sunni Muslim, having been raised in Morocco under the Maliki madhab, or school of thought. In an interview for Vlad TV which took place on the first day of the Islamic holy month Ramadan, French revealed that he participates in fasting during the month.[21]
Year | Title | Artist | Album |
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2010 | "TTG (Trained To Go)" (featuring French Montana, YG Hootie, Joe Moses, Suge Gotti & Baby Bomb) |
Waka Flocka Flame | Flockaveli |
2011 | "Big Bank" (featuring French Montana) |
MMG | Self Made Vol. 1 |
"Body Work" (featuring French Montana, Juicy J, & Meek Mill) |
Pusha T | Fear Of God II: Let Us Pray | |
"Everything That Glitters (featuring French Montana & Pusha T) |
DJ Drama | Third Power | |
2012 | "Off The Boat" (featuring French Montana) |
Rick Ross | Rich Forever |
"Stay Schemin" (featuring French Montana & Drake) |
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"Ghettoy Boy" (featuring French Montana & Uncle Murda) |
Young Buck | Bond Money | |
"She Did It (featuring French Montana) |
Fabolous | TBA | |
"Hurt Somebody" (featuring French Montana) |
Akon | The Koncrete Mixtape | |
"Top Chef" (featuring French Montana & Gucci Mane) |
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"Self Made" (featuring French Montana, Juicy J & Project Pat) |
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"Got Damn (Remix)" (featuring French Montana, Torch, Gunplay, Busta Rhymes & 2 Chainz ) |
DJ Kay Slay | TBA | |
"Mean Muggin" (featuring French Montana & 2 Chainz) |
Game | California Republic[38] | |
"Paper Tags" (featuring French Montana, Wale & Styles P) |
Jadakiss | Consignment[39] | |
"Back To The Money" (featuring French Montana, Waka Flocka Flame & Slim Dunkin) |
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"Get Ya Money" (featuring French Montana) |
Mak Mustard | Dead Solver (The Mixtape) | |
"Racked Up Shawty" (featuring French Montana & Fabolous) |
Meek Mill | Dreamchasers 2 | |
"All Birds" (featuring French Montana) |
MMG | Self Made Vol. 2 | |
"Actin Up" (featuring French Montana) |
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"I Be Puttin' On" (featuring French Montana, Wiz Khalifa & Roscoe Dash |
Title | Year | Peak chart positions | Album | ||||||||||
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US | US R&B |
US Rap |
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"Choppa Choppa Down"[40] (featuring Waka Flocka Flame) |
2011 | — | — | — | Excuse My French | ||||||||
"Shot Caller" (featuring Charlie Rock) |
2012 | 124 | 39 | 23 | |||||||||
"Pop That" (featuring Rick Ross, Lil Wayne & Drake) |
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"—" denotes a recording that did not chart or was not released in that territory. |
Title | Year | Peak chart positions | Album | ||||||||||
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US | US R&B |
US Rap |
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"Stay Schemin''" (Rick Ross featuring Drake and French Montana) |
2012 | 58 | 40 | 20 | — | Rich Forever | |||||||
"Hurt Somebody"[41] (Akon featuring French Montana) |
— | — | — | 94 | The Konkrete Mixtape | ||||||||
"—" denotes a recording that did not chart or was not released in that territory. |
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Persondata | |
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Name | Montana, French |
Alternative names | |
Short description | |
Date of birth | November 9, 1984 |
Place of birth | Rabat, Morocco |
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Mike Patton | |
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Background information | |
Birth name | Michael Allan Patton |
Born | (1968-01-27) January 27, 1968 (age 44) Eureka, California, U.S. |
Genres | Various |
Occupations | Musician, songwriter, actor, producer |
Instruments | Vocals, various electronic instrumentation/programming, sampler, drums, percussions, bass, guitar, keyboards |
Years active | 1985–present |
Labels | Ipecac, Tzadik, Warner Bros. Records, Slash |
Associated acts | Faith No More, Mr. Bungle, Fantômas, Tomahawk, Peeping Tom, Lovage, John Zorn, Kaada/Patton, Dillinger Escape Plan, Hemophiliac, Maldoror, General Patton vs. The X-Ecutioners, Rahzel, Zu, |
Michael Allan "Mike" Patton (born January 27, 1968) is an American singer-songwriter, multi-instrumentalist, producer, and actor, best known as the lead singer of the experimental rock/alternative metal band Faith No More. He was also the founder and lead singer of Mr. Bungle, and has played with Tomahawk, Fantômas, Lovage, The Dillinger Escape Plan, and Peeping Tom.
Known for his eclectic influences and experimental projects, Patton has earned critical praise for his diverse vocalization. He has many producer or co-producer credits with artists such as John Zorn, Sepultura, Melvins, Melt-Banana, and Kool Keith. He co-founded Ipecac Recordings with Greg Werckman in 1999, and has run the label since.
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Patton was born and raised in Eureka, California, where he formed Mr. Bungle, with Trey Spruance and Trevor Dunn, in 1984. During the late '80s Mr Bungle recorded the cassette-only recordings, The Raging Wrath of the Easter Bunny, Goddammit I Love America, Bowel of Chiley and OU818, featuring tracks that would later be included on their first Warner Brothers album.
Patton joined Faith No More in January 1989 replacing Chuck Mosley, who then played with Cement.
Faith No More's The Real Thing was released later that year. The album reached the top ten on the US charts, thanks largely to MTV's heavy rotation of the "Epic" music video, (which featured Patton in a Mr. Bungle T-shirt[1]).
In the United States, Faith No More released three more studio albums; (Angel Dust, King for a Day... Fool for a Lifetime, and Album of the Year) Faith No More officially disbanded in 1998.[citation needed]
When interviewed about his lyrical content with Faith No More, Patton responded, "I think that too many people think too much about my lyrics. I am more a person who works more with the sound of a word than with its meaning. Often I just choose the words because of the rhythm, not because of the meaning".[2]
During his time in Faith No More, Patton continued to work with Mr. Bungle. His success in mainstream rock and metal ultimately helped secure Mr. Bungle a record deal with Warner Bros.[3] The band released a self-titled album (produced by John Zorn) in 1991, and the experimental Disco Volante[4] in 1995. Their final album, California, was released in 1999.
Patton's other projects included two solo albums on the Composer Series of John Zorn's Tzadik label, (Adult Themes for Voice in 1996 and Pranzo Oltranzista in 1997). He is a member of Hemophiliac, in which he performs vocal effects along with John Zorn on saxophone and Ikue Mori on laptop electronics. This group is billed as "improvisational music from the outer reaches of madness".[citation needed] He has also guested on Painkiller and Naked City recordings. He has also on other Tzadik releases with Zorn and others.
In 1998, Patton formed the avant-garde metal supergroup Fantômas with Buzz Osbourne (of The Melvins), Trevor Dunn (of Mr. Bungle), and Dave Lombardo of Slayer. They have released four studio albums. The band is still together as of July 2011.
There have been several projects over the years featuring Patton that have not been officially released, although some live bootlegs do circulate. These projects include House of Discipline (with Bob Ostertag and Otomo Yoshihide), Moonraker (with Agata Ichirou of Melt-Banana, Buckethead and DJ Eddie Def), Christian Fennesz and Mike Patton, and Patton & Rahzel. Patton contributed vocals to the Team Sleep song Kool-Aid Party, but the song did not make it onto the final album.[citation needed]
In 2004, Patton worked with Björk and the beat boxer Rahzel on her album, Medúlla.[5]
In 2005, Patton signed on to compose the soundtrack for the independent movie Pinion, marking his debut scoring an American feature-length film. However, this had been held up in production and may be on the shelf permanently.[6] His other film work includes portraying two major characters in the Steve Balderson film Firecracker. He has also expressed his desire to compose for film director David Lynch.
In February 2006, Mike Patton performed an operatic piece, composed by Eyvind Kang, at Teatro di Modena in Italy. Patton sang alongside vocalist Jessika Kinney, and was accompanied by the Modern Brass Ensemble, Bologna Chamber Choir, and Alberto Capelli and Walter Zanetti on electric and acoustic guitars. Patton remarked that it was extremely challenging to project the voice without a microphone.[7]
Patton's Peeping Tom album was released on May 30, 2006 on his own Ipecac label. The set was pieced together by swapping song files through the mail with collaborators like Norah Jones, Kool Keith and Massive Attack, Odd Nosdam, Jel, Doseone, Bebel Gilberto, Kid Koala, and Dub Trio.[citation needed]
"I don't listen to the radio, but if I did, this is what I'd want it to sound like", Patton said of the project. "This is my version of pop music. In a way, this is an exercise for me: taking all these things I've learned over the years and putting them into a pop format."—Mike Patton
In May 2007 he performed with an orchestra a few concerts in Italy, by the name of Mondo Cane, singing Italian oldies from the 50s and the 60s.
Mike also provided the voices of the monsters in the 2007 film I Am Legend starring Will Smith.
He is regarded as very hard-working. Faith No More keyboardist Roddy Bottum remarked about Patton "caffeine is the only drug he does", in reference to the Faith No More song "Caffeine" from the album Angel Dust, which Patton wrote while in the middle of a sleep-deprivation experiment.[citation needed] He also worked on the Derrick Scocchera short film "A Perfect Place" for the score/soundtrack, which is longer than the film itself.[citation needed]
In December 2008 along with Melvins, Patton co-curated an edition of the All Tomorrow's Parties Nightmare Before Christmas festival.[8] Patton chose half of the lineup and performed the album The Director's Cut in its entirety with Fantômas. Patton also appeared as Rikki Kixx in the Adult Swim show Metalocalypse in a special 2 part episode on August 24.[9]
In 2009 Patton created the soundtrack to the movie Crank: High Voltage. He also performed vocals on the track "Lost Weekend" by The Qemists.
On May 4, 2010 Mondo Cane, where Patton worked live with a 30-piece orchestra, was released by Ipecac Recordings. The album was co-produced and arranged by Daniele Luppi.[10]
"Recorded at a series of European performances including an outdoor concert in a Northern Italian piazza, the CD features traditional Italian pop songs as well as a rendition of Ennio Morricone's 'Deep Down'."[11]
Patton is known to be an avid video game player.[12] In 2007, he provided the voice of the eponymous force in the video game The Darkness,[13] working alongside Kirk Acevedo, Lauren Ambrose and Dwight Schultz. Patton reprised the role in The Darkness II in 2012.[14]
He also had a minor role in Valve Corporation's 2007 release Portal as the voice of the Anger Sphere in the final confrontation with the insane supercomputer, GLaDOS. He has another role in the Valve title Left 4 Dead, voicing the majority of the infected zombies.[15] He also voiced Nathan "Rad" Spencer, the main character in Capcom's 2009 video game Bionic Commando, a sequel of their classic NES title.
In February 2009, Faith No More announced that they were reforming for a tour and possibly new material, first as a footnote on a blurb for Patton's score for Crank: High Voltage and later as an official announcement on fnm.com.[16] Their first gig on the road again was at the Brixton O2 Academy in London, where 1990's Live at the Brixton Academy was recorded, on June 10, 2009. They have played as one of three headliners at The Download Festival 2009, in Castle Donington, which was Faith No More's first time at the festival. At the festival they played "Chinese Arithmetic" while Patton humorously sang the lyrics to "Poker Face" using a beat-box effect embellishing Gaga's vocal style. Bassist Billy Gould has also stated that an American tour is "not out of the question". In June 2009 Faith No More announced that they will be headlining the NME stage at Reading & Leeds festival.[17] On July 4, Faith No More performed a concert together at the Open'er festival in Kosakowo Airport near Gdynia, Poland.
Faith No More also played the large Roskilde Festival near the city of Roskilde, Denmark.[18] Faith No More also performed in Portugal in Optimus Alive'10, where Mike Patton sang one song, "Evidence", completely in Portuguese. They had already played the same song completely in Italian on June 14, 2009, at the Rock in Idro Festival in Milan. 12 August 2009 was the date for FNM's first Turkish live appreance in Istanbul. On August 14, Faith no more played at the Spirit of Burgas Festival in Burgas, Bulgaria. Faith No More headlined the Australian Soundwave Festival in 2010. On the 27th of August 2009, Faith No More played in the Olympia Theatre in Dublin, Ireland and were supported by local band Adebisi Shank.
On September 1, 2009 Faith No More played at Israel Trade Fairs & Convention Center in Tel Aviv, Israel, supported by Monotonix and Dinosaur Jr. August 2009 Faith No More headlined the Radio 1/NME Stage at both Leeds & Reading Festival where they played the theme tune to popular UK Soap Eastenders as part of their setlist. On December 5, 2010, they played alongside Primus in Santiago de Chile,[19] which was the day after their performance at the Teleton Chile.[20] In 2011 they also performed at the Chilean Rock Concert Maquinaria[21] on November 12 and 13, as well as at the SWU Festival on November 15.[22]
Faith No More were to top the bill on Sunday July 8th 2012 of the Sonisphere Festival UK festival at the iconic Knebworth House venue, but On March 29, the festival was cancelled. [23]
Patton has garnered critical praise and has been made a heavy metal icon; however, Patton's reaction to this fame has been unconventional. He has acted irreverently towards the music industry, and expressed his distaste for the infamous lifestyles of rock stars. In a 1995 interview with the San Francisco Chronicle, he stated: "It's hard to see as much as you'd like to with our schedule on the road, but it's harder to do coke and fuck whores every night. Now that's a full time job."[24] His attitude towards popular music is also evident in his songwriting, as Allmusic critic Cammila Albertson writes: "When Patton sings 'Roll it up and smoke it again/Bottoms up and drink it again/ Fix it up and shoot it again/ I can't believe I did it again,' (Mojo by Peeping Tom) he is keenly aware of the way it sounds for such an avant-garde composer as himself to recite perfect rock & roll cliches. His lyrics mock the self-important coolness of the music industry and self parody his own place in it."[25] His contempt for the over-the-top antics of figures in popular music is often cited as the main reason that Patton has always been so guarded about his privacy and personal life.[24] Mike Patton has stated that he enjoyed his time in Faith No More:
"They were good years. It was a decade of my life. It was lots of ups and lots of downs, but ultimately that's where I learned my chops and learned the craft and the business."
— Mike Patton, Artisan News Service
Patton married Italian artist Titi Zuccatosta in 1994. They separated in 2001. During an appearance on the radio show, Loveline (Listen), Patton said that it was a case of two people wanting different things and hinted that his excessive work habits may have been a factor. "It's very hard. It's a daily struggle", he commented in regards to the rigors of juggling a busy music career and a marriage. "It had to happen... Even though we knew each other really well when we got married, it doesn't get easier." He later added, "We're trying this. See what happens. There's still hope." Patton used to own a home in Bologna, Italy (which he sold around the time of the break-up), and speaks fluent Italian.[26] He was interviewed by music journalist Lucas H. Gordon and the answers were given by Patton in Italian.[citation needed]
Patton's right hand is permanently numb from an on-stage incident during his third concert with Faith No More, where he accidentally cut himself on a broken bottle and severed the tendons and nerves in his hand. He can use his hand, but he has no feeling in it (despite his doctor telling him the opposite would happen).[27]
Patton's vocals touch on crooning, falsetto, screaming, opera, death growls, rapping, mouth music, beatboxing, and scatting, among other techniques. Critic Greg Prato of Allmusic writes, "Patton could very well be one of the most versatile and talented singers in rock music";[28] colleague Blake Butler called him "a complete and utter musical visionary and a mind-blowing and standard-warping genius."[29]
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Wikiquote has a collection of quotations related to: Mike Patton |
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Persondata | |
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Name | Patton, Mike |
Alternative names | |
Short description | |
Date of birth | January 27, 1968 |
Place of birth | Eureka, California |
Date of death | |
Place of death |
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2011) |
Drumsound & Bassline Smith | |
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Born | Derby, England |
Genres | Electronica Drum and bass Dubstep Drumstep |
Occupations | Producers Disc Jockeys |
Years active | 1999–present |
Labels | Technique Recordings, Worldwide Audio Recordings, Newstate Music |
Associated acts | Crissy Criss, Youngman MC, Phetsta, Dub Foundation, Tantrum Desire, Technicolour, Utah Saints Youngman MC |
Website | www.drumsoundandbasslinesmith.com www.techniquerecordings.co.uk |
Members | |
Andrew Wright Benjamin Wiggett Simon Smith |
Drumsound & Bassline Smith are a British electronic production group from Derby, consisting of Andrew Wright, Benjamin Wiggett (Drumsound) and Simon 'Bassline' Smith. Their record label is Technique Recordings, which celebrated its tenth anniversary in 2009. They met at one of Derby's club nights in the summer of 1998.
In 2004 their "Odyssey" banger was judged Mixmag 's tenth best all-round dance anthem of the year, and hit #1 on the UK Dance Chart. They have released tracks on a string of some of the most respected imprints in drum and bass, including on Ltj Bukem's Good Looking Records, Bryan G’s V Records and Grooverider's Prototype Records.
Also, in 2004 Drumsound & Bassline Smith released their first studio album, Nature of the Beast,[1] featuring "Crossfire (Danger)", "Planet Mars", "The End" and "Tinman", on Technique Recordings.
They enjoy regular plays on BBC Radio One and 1Xtra from Fabio and Grooverider, Zane Lowe, Mistajam, Annie Nightingale and Annie Mac. The trio are one of the few complete multiple mixes for BBC Radio One.
The 10 Years Of Technique album included the "Can You Feel It", "Clap Your Hands" and "Law Of The Jungle", and reached #1 on the BBC Radio 1 and 1xtra charts at the end of November 2009. 2009 remixes included VV Browns "Leave"’ at the request of Universal's Island Records and Fugative's - Supafly for Ministry Of Sound.
Annie Mac requested the crew complete a remix of Chipmunk's "Oopsy Daisy" for her Mash Hitz segment. They also did a remix of the EastEnders theme for the E20 Music Competition set up by the BBC.
In 2010, Drumsound & Bassline Smith remixed work by Blame feat Ruff Squad, and mixed "Until You Were Gone" by Chipmunk featuring Esmée Denters. The group have also completed a remix of Afrojack featuring Eva Simons' "Take Over Control" on Data Records, and produced tracks on the Dansette Junior album on Columbia Records.
In April 2011 Drumsound & Bassline Smith released a 12" of "Freak" on the Newstate label. "Freak" gained positive reviews and made BBC Radio 1's daytime playlist. Soon afterwards they remixed DJ Fresh - "Louder" which was released on July 3, 2011. The song features vocals from Welsh singer Sian Evans from the band Kosheen and hit the Number 1 spot in the UK Singles Chart. Other remixes include Moby - After & Youngman MC - Who Knows.
The trio then released "Close" on 21 August 2011,The single was supported by Zane Lowe, MistaJam, Annie Mac and Fearne Cotton on BBC Radio 1 promoted to BBC Radio 1 B-list and it peaked on the UK Singles Chart at number 49.
In 2012 Drumsound & Bassline Smith collaborated with Utah Saints on their classic track 'What Can You Do For Me' which made the BBC Radio 1 daytime playlist & hit the Number 28 spot in the UK Singles Chart on 4th March
Also in March 2012 Drumsound & Bassline Smith won the 'Best Track' award & 'Best Video' award with 'Close' at the Official Drum & Bass Awards
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2004 | "Junglist" | —67 | — | |
2004 | "Odyssey / Body Moving" | —66 | — |
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