::''For the village of the same name in Uttarakhand, see Baijnath, Uttarakhand

Coordinates	33°51′35.9″N151°12′40″N
{{infobox indian jurisdiction | native name	Baijnath | type town | latd 32.05 | longd 76.65 | state_name Himachal Pradesh | district Kangra | leader_title | leader_name | altitude 1314 | population_as_of | population_total | population_density | area_magnitude sq. km | area_total | area_telephone | postal_code | vehicle_code_range | sex_ratio | unlocode | website | footnotes }}

Baijnath is a town in Kangra district of Himachal Pradesh. It is roughly fourteen kilometres from the town of Palampur. It is very famous all over the world as it is believed to be one of twelve jyotirlingas according to popular legends.

Geography

Baijnath is located at . It has an average elevation of 1,314 metres (4,311 feet). It is a small township in the Dhauladhar range of western Himalayas, 16 km from Palampur in the Kangra District of Himachal Pradesh

History

Baijnath is famous for its 13th century temple dedicated to Siva as Vaidyanath, ‘the Lord of physicians’. Originally known as Kiragrama, the town lies on Pathankot-Chakki-Manali highway (National Highway No. 20) almost midway between Kangra and Mandi. The present name Baijnath became popular after the name of the temple. The town is located on the left bank of the river Binwa, a corrupt form of ancient Binduka, a tributary of river Beas.

The Baijnath temple has been continuously under worship ever since its construction in 1204 A.D. by two local merchants named Ahuka and Manyuka. The two long inscriptions in the porch of the temple indicate that a temple of Siva existed on the spot even before the present one was constructed. The present temple is a beautiful example of the early medieval north Indian temple architecture known as Nagara style of temples. The Svayambhu form of Sivalinga is enshrined in the sanctum of the temple that has five projections on each side and is surmounted with a tall curvilinear Shikhara. The entrance to sanctum is through a vestibule that has a large square Mandapa in front with two massive balconies one each in north and south. There is a small porch in front of the mandapa hall that rests on four pillars in the front preceded by an idol of Nandi, the bull, in a small pillared shrine. The whole temple is enclosed by a high wall with entrances in the south and north. The outer walls of the temple have several niches with images of gods and goddesses. Numerous images are also fixed or carved in the walls. The outer doorway in the porch as also the inner doorway leading to the sanctum of the temple are also studded with a large number of images of great beauty and iconographic importance. Some of them are very rare to be found elsewhere.

The temple attracts a large number of tourists and pilgrims from all over India and abroad throughout the year. Special prayers are offered in the morning and evening every day besides on special occasions and during festive seasons. Makara Sankranti, Maha Shivaratri, Vaisakha Sankranti, Shravana Mondays, etc. are celebrated with great zeal and splendor. A five day state level function is held here on Maha Shivratri every year.

Temples of Baijnath

left|thumb|200px|Shiv Temple of BaijnathThe main attraction of Baijnath is an ancient temple of Shiva. Neighbouring towns are Palampur and Kangra. According to the legend, it is believed that during the Treta Yug, Ravana in order to have invincible powers worshiped Lord Shiva in the Kailash. In the same process, to please the almighty he offered his ten heads in the havan kund. Influenced by this extra ordinary deed of the Ravana, the Lord Shiva not only restored his heads but also bestowed him with powers of invincibility and immortality.

On attaining this incomparable boon, Ravana also requested the Lord Shiva to accompany him to Lanka. Shiva consented to the request of Ravana and converted himself into Shivling. The Lord Shiva asked him to carry the Shivling and told him that he should not place the Shivling down on the ground on his way. Ravana started moving south towards Lanka and reached Baijnath where he felt the need to answer the nature’s call. On seeing a shepherd, Ravana handed over the Shivling to him and went away to get himself relieved. On finding the Shivling very heavy, shepherd kept the ling on the ground and the Shivling got established there and the same is in the form of Ardhnarishwar (God in form of Half Male & Half Female).

In the town of Baijnath, Dussehra festival in which traditionally the effigy of the Ravana is consigned to flames is not celebrated as a mark of respect to the devotion of Ravana towards Lord Shiva. Another interesting thing about the town of Baijnath is that there is no shop of goldsmiths.

Another version also suggests that when Ravana was descending from the Himalayas after years of worship of Lord Shiva. Lord Shiva had presented him a Shiva idol in form of a Shivling, which was supposed to be established at Lanka, now Sri Lanka, which would have blessed him (Ravana) with undefeatable powers even to the Gods. It was advised to Ravana that he can not place the Shivling anywhere during the course of travel, even during resting.

Ravana was tricked by one of the Devas (Gods), who posed as a beggar and wanted help from Ravana and promised to hold the Shivling for him while he (ravana) fetched food for the beggar. The Deva posing as beggar placed the Shivling on ground, in absence of Ravana. The Shiva idol or the Shivling at Baijnath temple is the same Shivling which was placed by the Deva after tricking Ravana.

History: The history of the ancient Baijnath Temple is hazy and the two long inscriptions fixed in the walls of the mandapa of the temple gives us account of the temple. The temple was built in Saka 1126 (CE 1204)by two brothers Manyuka and Ahuka in devolution to Lord Vaidyanatha. The inscriptions tell us that a Sivalinga known as Vaidyanatha already existed on the spot but was without a proper house so the present temple and a porch in its front was constructed. British Archaeologist Alexander Cunningham noticed an inscription of 1786 in the temple referring to its renovations by king Sansara Chandra. An inscription on the wooden doors of the sanctum of the temple provides the date as samvat 1840 (AD 1783) that is very near to Cunningham’s date. The devastating earthquake that shook the entire region of Kangra on 4 th April 1905 also caused damage to the shrine, which has been reported by J. Ph. Vogel and has since been repaired. At present the temple is a protected monument under the Archaeological Survey of India but the performance of worship and rituals are under a local board at Baijnath with SDM as its chairman. The hereditary priests continue to get a share of the offerings.

References

External links

Shiv Temple, Baijnath

Category:Cities and towns in Kangra district Category:Kangra Category:Tourism in Himachal Pradesh Category:Hindu pilgrimage sites

ca:Baijnath (Himachal Pradesh) hi:बैजनाथ (हिमाचल प्रदेश)

Coordinates	33°51′35.9″N151°12′40″N
name	Lata Mangeshkar
background	solo_singer
born	September 28, 1929Indore, Central India Agency, British India
instrument	Vocals
genre	Film music (playback singing)
occupation	Singer
years active	1942–present }}

Lata Mangeshkar (; born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Bollywood movies and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, and Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.

Mangeshkar was featured in the ''Guinness Book of World Records'' from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974 (30,000 songs between 1948 and 1987, according to the 1987 edition). Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.

Early life

Lata Mangeshkar was born in Sikh Mohalla, Indore, in the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, ''BhaawBandhan''. Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first music lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (''Sangeet Natak'' in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school. Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career

Early career in the 1940s

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them.

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie ''Kiti Hasaal'' (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie ''Pahili Mangalaa-gaur'' (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar. Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, ''Gajaabhaau'' (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan Bhendibazaarwale. She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie ''Aap Ki Seva Mein'' (1946), which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles Vinayak's first Hindi-language movie, ''Badi Maa'' (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, ''Subhadra'' (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan Bhendibazaarwale migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie ''Shaheed'' (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin." An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie ''Majboor'' (1948).

Initially, Mangeshkar is said to have imitated Noor Jehan, but later she developed her own style of singing. Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.

“Aayega Aanewaala,” a song in the movie ''Mahal'' (1949) was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as ''Baiju Bawra'' (1952), ''Mughal-E-Azam'' (1960), and ''Kohinoor'' (1960). ''Ae Chorre Ki Jaat Badi Bewafa'', a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for ''Aag'', ''Aah'' (1953), ''Shree 420'' (1955), and ''Chori Chori'' (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in ''Sazaa'' (1951), ''House No. 44'' (1955), and ''Devdas'' (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from ''Madhumati'' (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s

Mangeshkar's song "Pyar Kiya To Darna Kya" from ''Mughal-E-Azam'' (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from ''Dil Apna Aur Preet Parai'' (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from ''Bees Saal Baad'', composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, the People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film ''Chhote Nawaab'' and later for his films such as ''Bhoot Bangla'' (1965), ''Pati Patni'' (1966), ''Baharon ke Sapne'' (1967) and ''Abhilasha'' (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from ''Guide'' (1965), and "Hothon Pe Aisi Baat" from ''Jewel Thief'' (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from ''Anpadh'' (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from ''Woh Kaun Thi?'' (1964), "Woh Chup Rahen To" from ''Jahan Ara'' (1964), and "Tu Jahan Jahan Chalega" from ''Mera Saaya'' (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name ''Anandghan''). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s

In 1972, Meena Kumari's last film, ''Pakeezah'' released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from ''Prem Pujari'' (1970), "Khilte Hain Gul Yahaan" from ''Sharmeelee'' (1971), and "Piya Bina" from ''Abhimaan'' (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricst Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films ''Amar Prem'' (1972), ''Caravan'' (1971), ''Kati Patang''(1971), and ''Aandhi'' (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film ''Parichay'', composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film ''Nellu'', composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film ''Kora Kagaz'', composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, ''Chala Vaahi Des'', composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of ''abhangs'' of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie ''Lekin...''. She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including ''Maine Pyar Kiya'' (1989) and ''Hum Aapke Hain Kaun'' (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including ''Chandni'' (1989), ''Lamhe'' (1991), ''Darr'' (1993), ''Yeh Dillagi'' (1994), ''Dilwale Dulhaniya Le Jayenge'' (1995), ''Dil To Pagal Hai'' (1997) and later on ''Mohabbatein'' (2000), ''Mujhse Dosti Karoge'' (2002) and ''Veer Zaara'' (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (''Dil Se''), "Khamoshiyan Gungunane Lagin" (''One Two Ka Four''), "Ek Tu Hi Bharosa" (''Pukar''), "Pyaara Sa Gaon" (''Zubeidaa''), "Lukka chuppi" (''Rang de Basanti'') and "O Paalanhaare" (''Lagaan''). She made an appearance in the film ''Pukar'' singing this song.

In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.

In 1999, Mangeshkar was nominated as a member of Rajya Sabha. However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.

In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief. Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film ''Lajja''; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Lata Mangeshkar's song "Wada Na Tod" is in the film ''Eternal Sunshine of the Spotless Mind'' (2004) and on the film's soundtrack.

On June 21, 2007, she released an album ''Saadgi'', featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.

Non-singing career

Music direction

Lata Mangeshkar composed music for the first time in 1955 for Marathi movie ''Ram Ram Pavhane''. Later in 1960s, she composed music for following Marathi movies under the pseudonym of ''Anand Ghan''.

1960 - ''Ram Ram Pavhana''

1963 - ''Maratha Tituka Melvava''

1963 - ''Mohityanchi Manjula''

1965 - ''Sadhi Manase''

1969 - ''Tambadi Mati''

She won Maharashtra State Government's Best Music Director Award for the film ''Sadhi Manase''. The song "Airanichya Deva Tula" from the same film received best song award.

Production

Lata Mangeshkar has produced four films:

1953 - ''Vaadal'' (Marathi)

1953 - ''Jhaanjhar'' (Hindi), co-produced with C. Ramchandra

1955 - ''Kanchan'' (Hindi)

1990 - ''Lekin'' (Hindi)

Awards and recognitions

Lata Mangeshkar has won several awards and honors, including Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997), NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.

In 1984, the State Government of Madhya Pradesh instituted the ''Lata Mangeshkar Award'' in honuor of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.

In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs. After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.

Although the entry has not been printed in Guinness editions since 1991, reputable sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000. However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by other sources, who stated that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250. Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.

See also

Playback singer

Asha Bhosle

List of Indian playback singers

Bollywood songs

References

Further reading

. A collection of articles written by Lata Mangeshkar since 1952. . . A collection of articles written by Lata Mangeshkar since 1952.

External links

Category:1929 births Category:Indian female singers Category:Indian film singers Category:Recipients of the Bharat Ratna Category:Recipients of the Padma Vibhushan Category:Recipients of the Padma Bhushan Category:Living people Category:Bollywood playback singers Category:Marathi people Category:Kollywood playback singers Category:People from Indore Category:Marathi playback singers Category:Telugu playback singers Category:Kannada playback singers Category:Hindi-language singers Category:Marathi-language singers Category:Bengali-language singers Category:Gujarati-language singers Category:Tamil-language singers Category:English-language singers Category:Dadasaheb Phalke Award recipients Category:Recipients of the Maharashtra Bhushan Award Category:Malayalam playback singers

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Coordinates	33°51′35.9″N151°12′40″N
name	Hridayanath Mangeshkar
background	solo_singer
birth date	October 26, 1937
origin	India
genre	PopFolkIndian classical music
years active	1950–present
notable instruments	}}

Hridaynath Mangeshkar () (born October 26, 1937) is a composer/singer from India known for his eclectic compositions and a well-respected body of work. He is the younger brother of Indian music icons Lata Mangeshkar and Asha Bhosle. He is popularly known as ''Balasaheb'' in the music and film industry.

Biography

Hridaynath Mangeshkar is the only son of Deenanath Mangeshkar, who belongs to Gomantak Maratha Samaj. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar. He is the younger brother of Indian music icons Lata Mangeshkar, Usha Mangeshkar, Mrs. Meena Khadikar and Asha Bhosle. He is married to Bharati Malvankar Mangeshkar, daughter of famous Marathi comedy actor Damuanna Malvankar. They have two sons Aadinath and Vaijnath, and a daughter Radha.

Hridaynath debuted his music career in 1955 with the Marathi film ''Akash Ganga''. Since then he has composed for Marathi films such as ''Sansar, Jait Re Jait, Umbartha, Nivdung'' and a few Hindi films, the most notable among them being ''Lekin'' and ''Maya Memsaab.''

Career

Despite being very selective, Hridayanath Mangeshkar has composed many songs in Marathi and Hindi. He is known for his penchant for selecting beautiful poems for his compositions. His compositions tend to be truly faithful to the emotions in the poems he composes. His songs tend to have complex meters and require singers of range and depth for enjoyable renditions. His composition of Veer Savarkar‘s poem ''Saagara Pran Talamalala'' is a case in point. His 1982 album ''Dnyaneshwar Mauli'' featured compositions from Sant Dnyaneshwar perhaps the most gifted poet in Marathi literature, virtually sets the standard for modern devotional music in Marathi.

Hridayanath has also composed some memorable folk songs. Staying true to the spirit, his ''Koli Geets'' (fishermen songs) reflect the traditional rhythms of the fishermen of Konkan. His music to the critically acclaimed movie ''Jait Re Jait'' is another example of his prowess in this genre. One of his most popular works is the composition for the Marathi movie ''Nivdung''.

At one point Hridaynath was a student of Amir Khan; however, he feels that his guru is not as timeless as his sister Lata.

He has been the recipient of several awards throughout his glorious career, such as the prestigious National Award at the hands of the President of India, the Lata Mangeshkar Award of Maharashtra state, and seven Maharashtra State Awards for best vocalist and Music Director/Composer.

He was awarded the title ''Pandit'' by the people of Maharashtra at the hands of Pt.Bhimsen Joshi and Pandit Jasraj. The Shankaracharya has conferred upon him the title ''BhaavGandharva''.

He was awarded Padmashri by Government of India in 2009.

Some of his most memorable Hindi film scores are ''Lekin'', ''Maya Memsaab'', ''Lal Salaam'', Yash Chopra's ''Mashaal'', ''Dhanwaan'' and ''Chaani'', to name a few.

He is also the first Indian composer to compose and release two entire albums featuring the poems and songs of the poet-saint Sant Meerabai, titled ''Chala Vahi Des'' and ''Meera Bhajans''. He has recently also composed and released an album titled ''Meera Soor Kabeera'', featuring the works of Meerabai, Kabir and Surdas.

He produced an album featuring the ghazals of Mirza Ghalib, titled ''Ghalib'' and sung by Lata Mangeshkar.

References

External links

Category:1937 births Category:Indian film singers Category:People from Maharashtra Category:Living people Category:Marathi-language singers Category:Marathi playback singers Category:Marathi Music * Category:Civil awards and decorations of India

mr:हृदयनाथ मंगेशकर