A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.
Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating – or indoctrinating – citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer.
Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.
Ranbirraj "Raj" Kapoor (Hindi: राज कपूर, Punjabi: ਰਾਜ ਕਪੂਰ, Rāj Kapūr, 14 December 1924 – 2 June 1988), also known as The Show-Man, was an Indian film actor, producer and director of Hindi cinema. He was the winner of nine Filmfare Awards in India, and a two-time nominee for the Palme d'Or grand prize at the Cannes Film Festival for his films Awaara (1951) and Boot Polish (1954). His performance in Awaara was ranked as one of the top ten greatest performances of all time by Time magazine. His films were commercial successes that attracted worldwide audiences, particularly in Asia and Europe. The Government of India honoured him with the Padma Bhushan in 1971 and the Dadasaheb Phalke Award in 1987 for his contributions towards Indian cinema.
Raj Kapoor was born in Peshawar, British India (present day Pakistan), to a Khatri family of kapoor's and Ramsarni (Rama) Devi Kapoor (née Mehra). He was the eldest of six children in the family. He was the grandson of Dewan Basheshwarnath Kapoor and great-grandson of Dewan Keshavmal Kapoor, part of the famous Kapoor family. Two of Raj's brothers are actors Shashi Kapoor (a.k.a. Balbir Raj Kapoor) and the late Shammi Kapoor (aka Shamsher Raj Kapoor); the other two died in infancy. He also had a sister named Urmila Sial.
You swing your hips and then you wave me over
Your eyes are so blue
I stroke your lips, you call me casanova
Oh honey you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
We lie and listen to the raindrops falling
That's all we do
But the phone rings, and you laugh because it's your husband calling
Oh darling you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
And then you could be who you want to be
As long as you are near
What are you waiting for?
Everything you need is here
Just come and sleep with me
You must know what I mean
You've seen this film before
This is the final scene
Star in this film every single night and every single matinee
You should be here to bring it all to life
You gonna keep this up
Keep on falling, keep on falling
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Stop position, opposition ain't no competition
Stop position, opposition ain't no competition
Stop position, opposition ain't no competition
Stop pretending propositions full of contradictions
Ain't no love for you haters from the other side
Call the blind when you see in you're easing up my time
For the way that I do it, all wise no, no mind blowing
Your mind taking a stool
Fine showing that God loaded
You to a highway to new force
Dumb nigger why hate? Cause you say no to learning something
Loaded locks I can't, what you say no to learning something
Loaded locks I can't, what you say no to learning something
Putting you to the back I put a point yellow all through this back
You the killer baby know my case
No feeling put the money in the seif
Came a man honest when we posing
Bitch can't tell my I-Ge
Bullshit on the map like you won't eat
Whatever you do nigger keep rowing
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
What and listen how I'm living in my compositions
Honest missions of beloved straight above the mission
In fact you give it to the bricks that needs a touch
Wait let me get it, put you with my man Lux
Shit they prolly saying in the musty faces
Say shoot that hoe don't trust
And the club hatin we love makin with the shit you prolly won
Fuck nigger why hate? Cause you ain't known to getting money
Caught up in the gang feeling like I joined a gang and did it all for the name
Loyalty's a game but the industry's full of niggers and they all got game
Only for the cameras, only for the cameras
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
Money talk when I walk in
Broke niggers be crying
I don't drink but yeah 100 pink of that ride
Rose is for cry I'm just swinging low with my sway
Hooligans they flexing
Bad ones on my girls bad and my instagram
No taxi, and yea I'm single like a dollar bill
Curved it all and I'm trying to chill
Count a mill, hide the bill and got time to'
Niggers film me cause your girl is real
Bitches film me say your girl is thrill
Cause I'm bout that, I bounce that
This be money that mouse trap
Yeah we in there, riding round in that gatti
No murder ink when I'm killing shit
And I'm finna capture that body
So back back if I bang the boy
Cause I'm in straight for yo Benjamin
This came up with some new money
That shit ain't no coincidence
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
You know how I show you respect? By showing you nothin
Get ready, count these millions