Rye whiskey can refer to either of two types of whiskey: 1) American rye whiskey, which must be distilled from at least 51 percent rye; 2) Canadian whisky, which is often referred to (and labelled as) rye whisky for historical reasons, although it may or may not actually include any rye in its production process.

In the United States, "rye whiskey" is, by law, made from a mash of at least 51 percent rye. (The other ingredients of the mash are usually corn and malted barley.) It is distilled to no more than 160 (U.S.) proof (80% abv), and aged in charred, new oak barrels. The whiskey must be put into such barrels at not more than 125 (U.S.) proof (62.5% abv). Rye whiskey that has been so aged for at least two years may be further designated as "straight", as in "straight rye whiskey".

Rye whiskey was the prevalent whiskey of the northeastern states, especially Pennsylvania and Maryland, but largely disappeared after Prohibition. A few brands, such as Old Overholt, survived it. Today Heaven Hill, Four Roses, Jim Beam and Catoctin Creek (among others) also produce rye whiskeys, as does a distillery at Mount Vernon, the home of George Washington, which sells a version of the rye Washington made. Rye is currently undergoing a small but growing revival in the United States.

Peter "Pete" Seeger (born May 3, 1919) is an American folk singer and an iconic figure in the mid-20th-century American folk music revival. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of The Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of The Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, and environmental causes.

As a song writer, he is best known as the author or co-author of "Where Have All the Flowers Gone?", "If I Had a Hammer (The Hammer Song)", (composed with Lee Hays of The Weavers), and "Turn, Turn, Turn!", which have been recorded by many artists both in and outside the folk revival movement and are still sung throughout the world. "Flowers" was a hit recording for The Kingston Trio (1962); Marlene Dietrich, who recorded it in English, German and French (1962); and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while The Byrds popularized "Turn, Turn, Turn!" in the mid-1960s, as did Judy Collins in 1964, and The Seekers in 1966. Seeger was one of the folksingers most responsible for popularizing the spiritual "We Shall Overcome" (also recorded by Joan Baez and many other singer-activists) that became the acknowledged anthem of the 1960s American Civil Rights Movement, soon after folk singer and activist Guy Carawan introduced it at the founding meeting of the Student Nonviolent Coordinating Committee (SNCC) in 1960. In the PBS "American Masters" episode Pete Seeger: The Power of Song, Seeger states it was he who changed the lyric from the traditional "We will overcome" to the more singable "We shall overcome".

David John "Dave" Matthews (born January 9, 1967) is a South African-American musician and actor, best known as the lead vocalist, songwriter, and guitarist for the Dave Matthews Band. He performs mainly with acoustic guitar and favors rhythm rather than solos in his playing.

David John Matthews was born in Johannesburg, South Africa, the third of four children of parents John and Valerie Matthews. At two years old, Matthews' family moved to Yorktown Heights in Westchester County, New York, where his father, a physicist, started working for IBM.

In 1974, the family moved to Cambridge, England, for a year before returning to New York, where his father died from lung cancer in 1977. Biographer Nevin Martell argues that Dave's father's death may be an impetus for his "carpe diem" lyrics. At some point while residing in New York, Matthews attended his first concert, when his mother took him to a performance by Pete Seeger. The family moved back to Johannesburg, South Africa, in 1977.

Upon Matthews' graduation from St Stithians College high school in 1985, he was faced with conscription into the South African military just as civil disobedience to the practice was becoming widespread. A Quaker (and consequently pacifist), Matthews left South Africa to avoid service.

Woodward Maurice Ritter (January 12, 1905 – January 2, 1974), better known as Tex Ritter, was an American country music singer and movie actor popular from the mid-1930s into the 1960s, and the patriarch of the Ritter family in acting (son John and grandson Jason). He is a member of the Country Music Hall of Fame.

Ritter was born in Murvaul, Texas, the son of Martha Elizabeth (née Matthews) and James Everett Ritter. He grew up on his family's farm in Panola County and attended grade school in Carthage. He attended South Park High School in Beaumont. After graduating with honors, he entered the University of Texas at Austin; he studied pre-law, majoring in government, political science and economics.

An early pioneer of country music, Ritter soon became interested in show business. In 1928, he sang on KPRC-AM in Houston, a 30-minute show featuring cowboy songs. That same year, he moved to New York City and landed a job in the men's chorus of the Broadway show The New Moon (1928). He appeared as cowboy Cord Elam in the Broadway production Green Grow the Lilacs (1930), the basis for the musical Oklahoma!. He also played the part of Sagebrush Charlie in The Round Up (1932) and Mother Lode (1934).

John Wilde (1919–2006, pronounced "WILL-dee") was a painter, draughtsman and printmaker of fantastic imagery. Born near Milwaukee, Wilde lived most of his life in Wisconsin, save for service in the U.S. Army during World War II. He received bachelor and master degrees in art from the University of Wisconsin–Madison, where he taught for some 35 years. Wilde was associated with the Magic Realism movement and Surrealism in the United States. His darkly humorous figurative imagery often included self-portraits through which he interacted with the people, animals and surreal objects that populate his fantasy world.