Diez may refer to:

• Diez (Honduras), a newspaper in Honduras
• Diez or X, an album by Intocable
• 10 (number) in Spanish.
• Diez, Germany, a town in Rhineland-Palatinate

People with the name[link]

• Eduardo Díez de Medina, Bolivian politician
• Fabio Díez, Argentinian-Spanish beach volleyball player
• Federico Díez de Medina, Bolivian politician
• Friedrich Christian Diez, German philologist (1794–1876)
• Fritz Diez, East German actor and theater director.
• Javier Díez Canseco, Peruvian politician
• Emiliano Díez, Cuban actor
• Juan Martín Díez (1775–1825), Spanish guerrilla leader
• Nicolás Diez, Argentine footballer
• Ricardo Gómez Diez, Argentine politician
• Stefan Diez, German designer
• Thomas Diez, Professor of International Relations

See also[link]

• Dietz

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Silvio Rodríguez
Background information
Birth name	Silvio Rodríguez Domínguez
Born	(1946-11-29) November 29, 1946 (age 65)
Origin	San Antonio de los Baños, Havana Province, Cuba
Genres	Nueva trova
Occupations	Singer-songwriter
Instruments	Guitar, vocals
Years active	1967–present
Website	www.silviorodriguez.org

Silvio Rodríguez Domínguez (born November 29, 1946 in San Antonio de los Baños) is a Cuban musician, and a leader of the nueva trova movement.

He is considered Cuba's best known folk singer and known for his highly eloquent and symbolic lyrics. Many of his songs have become classics in Latin American music, such as Ojalá, Playa Girón, Unicornio and La maza. He has released nearly 20 albums.

Rodríguez, musically and politically, is a symbol of the Latin American left wing. His lyrics are notably introspective. His songs combine romanticism, love (even eroticism), revolutionary politics, and idealism.

Biography[link]

Rodríguez was born on November 29, 1946 in San Antonio de los Baños, a fertile valley in Havana Province known for its tobacco crop. He was raised in a family of poor farmers. His father, Víctor Dagoberto Rodríguez Ortega, was a farmer and amateur poet who supported socialist causes. His mother, Argelia Domínguez León, was a house wife. On many occasions Rodríguez has spoken how his love of music was developed by his mother, who would pass time singing boleros and songs from Santiago. Although Rodríguez had an uncle who played the bass, his mother had a far greater influence. Later, she also collaborated with him on a few musical works.

When the Revolution led by Fidel Castro triumphed in January 1959, Rodríguez was only 13 years old, and, like most Cubans of his generation, became involved in the new Revolutionary enthusiasm. He participated in the Literacy Campaign held in 1961, and then started working as a comics designer in a magazine. During this period a friend of his, Lázaro Fundora, taught him how to play the guitar.

Guitar playing took a major role in his life while he was doing his military service in the army, during 1964, but it wasn't until 1967, with his first television experience, that he started to become well known and influential among Cuban revolutionary youth. With pro-revolution yet very independent lyrics (together with his very informal dress code), Rodríguez soon attracted the animosity of some members of the new Culture Ministry, which was devoted to the eradication of the United States' influence in Cuban culture. In this context, a very important role was played by the cultural institution Casa de las Américas and its then director Haydée Santamaría, the former a respected revolutionary who participated in the Moncada barracks assault of 1953 and sister of Abel Santamaría, who was tortured and killed after the failure of the assault. Haydée Santamaría became a protective mother-figure of the young composers and of several of his colleagues at the time. Casa de las Américas became the home not only for the new Cuban trovadores but also for many other Latin Americans on the left. It was in this institution that Rodríguez met Pablo Milanés, and Noel Nicola, who along with Rodriguez would become the most famous nueva trova singers and composers.

In 1969, for almost five months, he worked as part of the crew on the fishing boat Playa Girón, and during this fertile episode he wrote 62 songs, among which are the famous "Ojalá" and "Playa Girón." The lyrics and music of these songs became a book named Canciones del Mar. In 1976, he decided to join Cuban troops in Angola, playing for the soldiers.

After more than 40 years of artistic work, Rodríguez has now written a vast number of songs and poems (said to be between 500 and more than one thousand), many of which have never been set to music and probably never will be. Although his musical knowledge has been continuously increasing (counting among his teachers the famous Cuban composer Leo Brouwer), he is more widely praised for the poetry in his songs than for the accompanying music. His lyrics are a staple of leftist culture throughout the whole Spanish-speaking world, and he has been banned from the media during several of the dictatorial regimes that ruled Latin America in the late 1970s and early 1980s.

His debut album was Dias y Flores, launched in 1975. Al Final de Este Viaje and Cuando Digo Futuro feature songs he composed before Dias y Flores. He reached international popularity in the early 1980s with Rabo de Nube and, in particular, Unicornio. In the early part of his career his work displayed a fair amount of revolutionary optimism. Mujeres, released in 1979, is in contrast a romantic and highly intimist album. In the middle of his career, Silvio Rodriguez experimented with sounds and rhythms departing from his trademark acoustic guitar, accompanied by the group Afrocuba (e.g. in Causas y Azares). At maturity, Silvio Rodriguez thoroughly purified his sound through a return to acoustic guitar, great care and sophistication in the voice, and exclusive control of the production process from beginning to end. His lyrics became more introspective, at times even self-absorbed or self-justifying, expressing melancholic longings about the shortcomings of real-life socialism in Cuba while vindicating idealism and revolutionary hope amongst the youth. The trilogy, called Silvio, Rodriguez, and Dominguez (his first name, his father's last name, his mother's last name) displays sound artistic talent. The doubts, absent in the early part of his career, also correspond to the fall of communism worldwide and the so-called Special Period in Cuba. An unnoticed recurrent theme in the lyrics of the early part of his career is that of death, particularly although not only as associated with guerrilla warfare. In contrast to the explicitness of his early songs and political positions, there was a displacement of emphasis in his later years toward fantasy and dreams. Both, however, are about an alternative that is not present but is called for, or what Laclau would call a longing for a "missing fullness". This is true politically, romantically, and existentially. In a similar way, the unusual confessional tone of many of his songs allows for an unorthodox combination of transgression, eroticism, longing, and at times (probably accurate) self-deprecation in many of his lyrics.

The entire work of Silvio Rodriguez offers an intimate and introspective window into the life cycle of the artist. If the lyrics of the early part of his career are about revolutionary enthusiasm, love encounters and disappointments, as well as sensual desire, and if the middle-aged Silvio is more self-questioning, often looking backward; his most recent albums, such as Cita Con Angeles, talk in part about his life as a grandfather and has a certain focus on children, while Erase Que Se Era is the release (with all the means that come with being an established artist) of songs written early in his youth but never previously recorded. Mariposas also featured two classics composed in his youth.

Silvio Rodriguez stands out in the Spanish-speaking world for the intimacy and subtlety of his lyrics, as well as for his acoustic melodies and "chord picking." He is particularly popular amongst intellectual circles of the left in Latin America and Spain. He has also often served as Cuban cultural emissary in events of solidarity, whether in Chile (Silvio Rodriguez in Chile, 1991) or Argentina (En Vivo en Argentina, recorded in 1984), both massive concerts given shortly after the fall of the right-wing dictatorships. Cuban flags are always conspicuous in the crowd during his concerts.

In 2007, he received a doctorate honoris causa from Universidad Nacional Mayor de San Marcos in Peru.^[1] (Lima, Peru).

Rodriguez has been a major influence on many folk artists, including the Swedish artist José González.^[2]

U.S. Appearance[link]

Silvio Rodríguez has been denied a U.S. visa several times, and it was particularly controversial in 2009 when he was invited to celebrate the 90th birthday of Pete Seeger. However in 2010, he obtained a U.S. visa and performed at venues in Puerto Rico (May 30), New York (June 4 and 10), San Francisco (Oakland, June 12), Los Angeles (June 17), Washington, D.C. (June 19), and Orlando (June 23). These were his first appearances in the U.S. in 30 years.^[3][4]

Discography[link]

• 1975 - Días y Flores
• 1978 - Al Final de Este Viaje...
• 1979 - Mujeres
• 1979 - Rabo de Nube
• 1982 - Unicornio
• 1984 - Tríptico: Volumes I, II & III
• 1986 - Causas y Azares
• 1988 - Oh, Melancolía
• 1991 - Silvio en Chile (Live Concert with Irakere)
• 1992 - Silvio
• 1992 - Mano a mano (Silvio Rodríguez y Luis Eduardo Aute)
• 1994 - Rodríguez
• 1996 - Domínguez
• 1998 - Descartes
• 1999 - Mariposas
• 2001 - En Vivo en Argentina (Live Concert with Pablo Milanés)
• 2002 - Expedición
• 2003 - Cita con Ángeles
• 2006 - Érase Que Se Era
• 2010 - Segunda Cita

References[link]

External links[link]

Wikimedia Commons has media related to: Silvio Rodríguez

• Official Silvio Rodriguez's website Songs, pictures, writings (in Spanish)
• Official Silvio Rodriguez's blog - More than 5800 followers (in Spanish)
• Analysis of Silvio Rodriguez Songs Meaning of lyrics (in Spanish)
• Che, Guía y Ejemplo: - Songs of Silvio Rodriguez dedicated to Che Guevara
• Hasta Siempre Commandante - performed live by Silvio Rodriguez
• TRANS Analysis of the harmonies of Silvio's songs, socio-cultural background
• Brief reviews of Silvio's albums
• Silvio's page in Patria Grande
• Cuban Singer Complains that U.S. Didn’t Give Him Visa by the Latin American Herald Tribune
• Cuba's Silvio Rodriguez Dedicates Song to 'Che' AP, July 23, 2009
• Cuban Folk Singer Plays Rare US Show June 5, 2010
• Silvio Rodriguez Concert in USA Photo Feature by Bill Hackwell, Havana Times, June 17, 2010

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Rosa Díez
Member of Basque Parliament
In office 1986–1999
Member of European Parliament
In office 1999–2007
Leader of UPyD
Incumbent
Assumed office 26 September 2007
Member of the Congress of Deputies
Incumbent
Assumed office 1 April 2008
Constituency	Madrid
Personal details
Born	(1952-05-27) 27 May 1952 (age 60) Güeñes, Basque Country,  Spain
Political party	UPyD
Spouse(s)	José Ignacio Fernández de Ochoa
Children	2
Religion	None

Rosa Díez González (born May 27, 1952 in Güeñes, Biscay, Spain) is a Spanish politician. She is a former Member of the European Parliament for the PSOE ("Partido Socialista Obrero Español" or Spanish Socialist Workers' Party), integrated in the Party of European Socialists.

In 2007 she gave up her seat and left the PSOE due to strong disagreement on what she perceived to be the Socialists' drift on individual liberties, ETA, and more. Subsequently she founded a new political party, UPyD ("Unión, Progreso y Democracia" or Union, Progress and Democracy), based on an already existing movement of basque citizens against terrorism of ETA. In 2008 and 2011, she was elected to the Congress of Deputies (Spain) representing Madrid district. In the last Spanish General Elections of 2011, she was re-elected, and her party was the fourth most voted party in Spain.

References[link]

• UPyD Website (in Spanish).
• UPyD Manifesto (in Spanish).

Rosa Díez

Wayne Dyer
Wayne Dyer in 2009
Born	(1940-05-10) May 10, 1940 (age 72) Detroit, Michigan USA
Residence	Maui, Hawaii
Occupation	teacher, author
Spouse	Divorced

Wayne Walter Dyer (born May 10, 1940) is an American self-help author and motivational speaker.

Early life and education[link]

Dyer was born in Detroit, Michigan, to Melvin Lyle (deceased) and Hazel Irene Dyer and spent much of his adolescence in an orphanage on the east side of Detroit.^[1] After graduation from Denby High School Dyer served in the United States Navy from 1958 to 1962. He received his D.Ed. degree in counseling from Wayne State University.^{[citation needed]}

Career[link]

Dyer worked as a high school guidance counselor in Detroit and as a professor of counselor education at St. John's University in New York City.^[1] He pursued an academic career, published in journals and established a private therapy practice. His lectures at St. John's, which focused on positive thinking and motivational speaking techniques, attracted many students. A literary agent persuaded Dyer to document his theories in his first book called Your Erroneous Zones. Although initial sales were thin, Dyer quit his teaching job and began a publicity tour of the United States of America, doggedly pursuing bookstore appearances and media interviews ("out of the back of his station wagon", according to Michael Korda, making the best-seller lists "before book publishers even noticed what was happening"^[2]), which eventually led to national television talk show appearances including Merv Griffin, The Tonight Show, and Phil Donahue.^[1]

Dyer proceeded to build on his success with lecture tours, a series of audiotapes, and regular publication of new books. Dyer's message resonated with many in the New Thought Movement and beyond. He often recounted anecdotes from his family life, and repeatedly used his own life experience as an example. His self-made man success story was a part of his appeal.^[1] Dyer told readers to pursue self actualization, calling reliance on the self as a guide to "religious" experience, and suggested that readers emulate Jesus Christ, whom he termed both an example of a self-actualized person, and a "preacher of self-reliance".^[3] Dyer criticized societal focus on guilt, which he saw as an unhealthy immobilization in the present due to actions taken in the past. He advocated readers to see how parents, institutions, and even they, themselves, have imposed guilt trips upon themselves.^[4]

Although Dyer initially resisted the spiritual tag, by the 1990s he had altered his message to include more components of spirituality when he wrote the book Real Magic, and discussed higher consciousness, in the book Your Sacred Self.^[1][5]

Reception[link]

Dyer has been criticized for his appearances on PBS during their pledge drives and his teachings have been characterized as superficial platitudes that lack rigor and have limited practical or intellectual value.^[6]

In May 2010, author Stephen Mitchell, husband of New Age author Byron Katie, filed a suit against Dyer for plagiarism, accusing him of taking 200 lines of his interpretation of the Tao Te Ching for his books Living the Wisdom of the Tao and Change Your Thoughts -- Change Your Life.^[7]

Personal life[link]

Dyer has been married three times. He has a daughter from his first wife, Judy and none with his second wife, Susan Casselman. He had 5 children with his third wife, Marcelene, who had two children from a prior marriage. Their marriage ended in 2003 after twenty years.^{[citation needed]}

"My belief is that the truth is a truth until you organize it, and then becomes a lie. I don't think that Jesus was teaching Christianity, Jesus was teaching kindness, love, concern, and peace. What I tell people is don't be Christian, be Christ-like. Don't be Buddhist, be Buddha-like."^[8] "Religion is orthodoxy, rules and historical scriptures maintained by people over long periods of time. Generally people are raised to obey the customs and practices of that religion without question. These are customs and expectations from outside the person and do not fit my definition of spiritual."^[9]

Films[link]