A hill is a landform that extends above the surrounding terrain. Hills often have a distinct summit, although in areas with scarp/dip topography a hill may refer to a particular section of flat terrain without a massive summit (e.g. Box Hill, Surrey).

The panoramic view from Connors Hill, near Swifts Creek, Victoria

Terminology[link]

A Khulan (Mongolian Wild Ass) on a hill in the Gobi of Mongolia at sunset.

The distinction between a hill and a mountain is unclear and largely subjective, but a hill is generally somewhat lower and less steep than a mountain. In the United Kingdom geographers historically regarded mountains as hills greater than 1,000 feet (300 m) above sea level, which formed the basis of the plot of the 1995 film The Englishman Who Went Up a Hill But Came Down a Mountain. In contrast, hillwalkers have tended to regard mountains as peaks 2,000 feet (610 m) above sea level: the Oxford English Dictionary also suggests a limit of 2,000 feet (610 m). This has led to Cavanal Hill in Poteau, Oklahoma, receive billing as the "World's Tallest Hill" due to its height of 1,999 feet (609 m). Mountains in Scotland are frequently referred to as "hills" no matter what their height, as reflected in names such as the Cuillin Hills and the Torridon Hills. In Wales, the distinction is more a term of land use and appearance and has nothing to do with height.

A hillock is a small hill. Other words include knoll and (in Scotland, Northern Ireland and northern England) its variant, knowe.^[1]

Artificial hills may be referred to by a variety of technical names, including mound and tumulus.

Hills of the Judean Desert.

Hills may form through a number of geomorphic phenomena: faulting, erosion of larger landforms, such as mountains and movement and deposition of sediment by glaciers (e.g. moraines and drumlins, or by erosion exposing solid rock which then weathers down into a hill. The rounded peaks of hills results from the diffusive movement of soil and regolith covering the hill, a process known as downhill creep.

Areas that would otherwise have hills do not because of glacier cover during the Ice Age. The hills that existed before the ice age were worn down by the ice (and the rocks they carry) and/or the surrounding valleys and hollows were filled in with glacial drift, therefore leaving a level topography. The contrast between the flat plains of northern Indiana, once covered by ice, and the rugged hills of southern Indiana, where the ice never reached, is a result of this. Another example is the Driftless Zone, an island of hilly country that the ice sheets missed, surrounded by glacial plains, also in the American Midwest.

There are various specific names used to describe particular types of hill, based on appearance and method of formation. Many such names originated in one geographical region to describe a type of hill formation peculiar to that region, though the names are often adopted by geologists and used in a wider geographical context. These include:

• Drumlin – an elongated whale-shaped hill formed by glacial action.
• Butte – an isolated hill with steep sides and a small flat top, formed by weathering.
• Tor – a rock formation found on a hilltop; also used to refer to the hill itself, especially in South West England.
• Puy – used especially in the Auvergne, France, to describe a conical volcanic hill.
• Pingo – a mound of earth-covered ice found in the Arctic and Antarctica.

Historical significance[link]

Clouds over hills

Hills have played an important role in history.

Many settlements were originally built on hills, either to avoid or curb floods, particularly if they were near a large body of water, or for defence, since they offer a good view of the surrounding land and require would-be attackers to fight uphill. For example, Ancient Rome was built on seven hills, protecting it from invaders.

In northern Europe, many ancient monuments are sited in heaps. Some of these are defensive structures (such as the hill-forts of the Iron Age), but others appear to have hardly any significance. In Britain, many churches at the tops of hills are thought to have been built on the sites of earlier pagan holy places. The National Cathedral in Washington, DC has followed this tradition and was built on the highest hill in that city.

Military significance[link]

The Battle of Bunker Hill

Hills provide a major advantage to an army, giving them an elevated firing position and forcing an opposing army to charge uphill to attack them. They may also conceal forces behind them, allowing a force to lay in wait on the crest of a hill, using that crest for cover, and firing on unsuspecting attackers as they broach the hilltop.

As a result, conventional military strategies often demand possession of high ground. Hills have become sites for many noted battles, such as the first recorded military conflict in Scotland known as the battle of Mons Graupius. Modern conflicts include the Battle of Bunker Hill (which was actually fought on Breed's Hill) in the American War for Independence and Cemetery Hill and Culp's Hill in the Battle of Gettysburg, the turning point of the American Civil War. The Battle of San Juan Hill in the Spanish-American War won Americans control of Santiago. The Battle of Alesia was also fought from a hilltop fort. Fighting on Mamayev Kurgan during the Battle of Stalingrad and the Umurbrogol Pocket in the Battle of Peleliu were also examples of bloody fighting for high ground. Another recent example is the Kargil War between India and Pakistan.

The Great Wall in China is also an example of an advantage provider; it is built on mountain tops, and was meant to defend against invaders from the north, and among others, Mongolians.

Sports and games[link]

Hillwalkers on Beinn Dearg, Scotland

An example of a golf course in England that has hills

Hillwalking is a British English term for a form of hiking which involves the ascent of hills. The activity is usually distinguished from mountaineering as it does not involve ropes or technically difficult rock climbing, although the terms mountain and hill are often used interchangeably in Britain. Hillwalking is popular in mountainous areas such as the English Peak District or the Scottish Highlands. Many hills are categorised according to relative height or other criteria and feature on lists named after mountaineers, such as Munros (Scotland) or Wainwrights (England). Specific locating activities such as "peak bagging" (or "Munro bagging") involve climbing hills on these lists with the aim of completing (or "compleating") the list.

In golf, the terrain on golf courses is often made more rugged and hilly to make the holes harder to play. For example, the hole may be located at the top of a hill, and the course is designed specifically to make it almost impossible to allow the golf ball to rest near the top; it would roll down, and the player would have to try again.

Cheese rolling is an annual event in the West Country of England which involves rolling a wheel of cheese down a hill. Contestants stand at the top and chase the wheel of cheese to the bottom. The winner, the one who catches the cheese, gets to keep the wheel of cheese as a prize.

Largest man-made[link]

• Blackstrap Ski Hill (45 m (148 ft))^[2]
• Silbury Hill (40 m (130 ft))
• Grizzly Peak (Disneyland Resort) (34 m (112 ft))
• Mount Manisty 100ft
• Monks Mound (30 m (98 ft))
• Mount Gushmore (27 m (89 ft))

Gallery[link]

• 

  Cerro Paranal in Chile is a privileged place for astronomical observation.^[3], and home of ESO's telescopes.

• 

  A coffee plantation on a conical hill near Orosí, Costa Rica.

• 

  Some hills can be quite small, such as this Ant-hill

See also[link]

Look up hill in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: hills

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (September 2009)

• Earth Sculpture; Or, The Origin of Land-forms
• The International Geography

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2010)

Cypress Hill
Cypress Hill performing at Bonnaroo in 2006
Background information
Also known as	DVX (Devasting Vocal Excellence)
Origin	South Gate, California, United States
Genres	Hip hop, rap rock, alternative hip hop, west coast hip hop
Years active	1988–present
Labels	Ruffhouse, Columbia, Sony Music, Priority, EMI
Associated acts	Soul Assassins, Tom Morello, Everlast, Ice Cube, Snoop Dogg, Slash, House of Pain, Xzibit, Funkdoobiest, Adil Omar, Young De, Travis Barker, Psycho Realm, La Coka Nostra, Rusko, Rage Against the Machine, Fergie, La Coka Nostra
Website	CypressHill.com
Members
B-Real DJ Muggs Sen Dog Eric Bobo
Past members
Mellow Man Ace

Cypress Hill is an American hip hop group from South Gate, California. Cypress Hill was the first Cuban-American/Latino hip hop group to have platinum and multi-platinum albums, selling over 18 million albums worldwide. It is one of the most well-known groups in West Coast rap and was critically acclaimed for their first two groundbreaking albums.^[1]

History[link]

Formation (1988)[link]

Senen Reyes (also known as Sen Dog) and Ulpiano Sergio Reyes (also known as Mellow Man Ace) are brothers who initially lived in South Gate, California. In 1971, their family had immigrated to the United States, settling in the Los Angeles neighborhood of South Gate. In 1988, the two brothers teamed up with Lawrence Muggerud (also known as DJ Muggs) and Louis Freese (also known as B-Real) to form a hip-hop group named DVX (Devastating Vocal Excellence). The band soon lost Mellow Man Ace to a solo career, and changed their name to Cypress Hill, after a street in South Gate.^[2]

Early works and mainstream success (1989–1995)[link]

After recording a demo in 1989, Cypress Hill signed a record deal with the major label, Columbia Records. Their self-titled first album was released in August 1991. The lead single was the double A-side "The Phuncky Feel One"/"How I Could Just Kill a Man" which received heavy airplay on urban and college radio. The other two singles released from the album were "Hand on the Pump" and "Latin Lingo", the latter of which combined English and Spanish lyrics. The success of these singles led to the album selling two million copies in the US alone. The group made their first appearance at Lollapalooza on the side stage in 1992.

Black Sunday, the group's second album, debuted at number one on the Billboard 200 in 1993, recording the highest Soundscan for a rap group up until that time. Also, with their debut still in the charts, they became the first rap group to have 2 albums in the top 10 of the Billboard 200 at the same time. With "Insane in the Brain" becoming a crossover hit, the album went triple platinum in the U.S. and sold about 3.25 million copies.

The band headlined the Soul Assassins tour with House of Pain and Funkdoobiest as support, then performed on a college tour with Rage Against the Machine and Seven Year Bitch. In 1993, Cypress Hill also had two tracks on the Judgment Night soundtrack, teaming up with Pearl Jam on the track "Real Thing" and Sonic Youth on "I Love You Mary Jane".

The group later played at Woodstock 94, introducing new member Eric Bobo, son of Willie Bobo and formerly a percussionist with the Beastie Boys. Rolling Stone magazine named the group as the best rap group in their music awards voted by critics and readers. Cypress Hill played at Lollapalooza for two successive years, topping the bill in 1995. They also appeared on the "Homerpalooza" episode of The Simpsons. Prior to Bobo joining the crew, Panchito "Ponch" Gomez sat in as a percussionist when not acting.

Their third album III: Temples of Boom was released in 1995, selling 1.5 million copies and reaching number 3 on the Billboard 200 on the strength of the hit single "Throw Your Set in the Air".^{[citation needed]} Cypress Hill also contributed a track "I Wanna Get High" to the High Times sponsored Hempilation album to support NORML.

Continued career (1996–2002)[link]

Sen Dog took a break from the band to form a Los Angeles based rap rock band SX-10.^[3] Meanwhile in 1996, Cypress Hill appeared on the first 'Smokin' Grooves' tour, featuring Ziggy Marley, The Fugees, Busta Rhymes and A Tribe Called Quest. The band also released a nine track EP Unreleased and Revamped with rare mixes. In 1997, band members focused on their solo careers. Muggs released Soul Assassins: Chapter 1 featuring contributions from Dr. Dre, KRS-One, Wyclef Jean and Mobb Deep. B-Real appeared with Busta Rhymes, Coolio, LL Cool J and Method Man on "Hit Em High" from the multi-platinum Space Jam Soundtrack. He also appeared with RBX, Nas and KRS-One on "East Coast Killer, West Coast Killer" off Dr. Dre's Dr. Dre Presents the Aftermath album, and contributed to an album entitled The Psycho Realm with the band of the same name. Though the focus that year was not on group efforts, the band played Smokin' Grooves with George Clinton and Erykah Badu.

Cypress Hill released IV in 1998 which went gold in the U.S., on the backs of hit singles "Tequila Sunrise" and "Dr. Greenthumb." Sen Dog also released the Get Wood sampler as part of SX-10 on the label Flip. In 1999, Cypress Hill helped with the PC crime video game Kingpin: Life of Crime. Three of their songs from the 1998 IV album were in the game ( "16 Men Till There's No Men Left", "Checkmate" and "Lightning Strikes"). B-Real also did some of the voices of the people in the game. Also in 1999, the band released a greatest-hits album in Spanish, Los grandes éxitos en español. In 2000, Cypress Hill then fused genres with their fifth album, Skull & Bones, which was a two-disc album. The first disc, "Skull" was composed of rap tracks while "Bones" explored further the group's forays into rock. The album reached the Top 5 on the Billboard 200 and number 3 in Canada. The first single was "Rock Superstar" for rock radio and "Rap Superstar" for urban radio. Following the release of the album, Cypress Hill (along with MxPx) landed a slot opening for The Offspring on the Conspiracy of One tour. The band also released Live at the Fillmore, a concert disc recorded at the Fillmore (in San Francisco) in 2000. Cypress Hill continued their experimentation with rock on the Stoned Raiders album in 2001. However, its sales were a disappointment, as the disc did not even reach the top 50 of the U.S. album charts. In 2001, the group appeared in the film How High.

[edit] Till Death Do Us Part (2003–2007)

Cypress Hill recorded "Just Another Victim" for WWE as a theme song for Tazz. At the time, WWE was using original music for almost all of the wrestlers, so this was an unusual step for the company to take, but it remains one of the more memorable songs to emerge from the wrestling organization. The band released Till Death Do Us Part on March 23, 2004. The album saw the band experiment with reggae especially on the lead single "What's Your Number". The track features Tim Armstrong of Rancid on guitar and backup vocals. It is based on the classic song "The Guns of Brixton" on The Clash's London Calling and has proven to be a success on the modern rock charts. However, the album represented a further departure from the signature sound of their first four albums. The album also features appearances by Damian Marley, son of Bob Marley, Prodigy of Mobb Deep and producers the Alchemist and Fredwreck.

In 2004, the song How I Could Just Kill A Man was included in the popular video game Grand Theft Auto: San Andreas created by Rockstar Games, playing on West Coast hip hop radio station Radio Los Santos. In December 2005 a best of compilation album titled Greatest Hits From the Bong was released including 9 hits from previous albums and 2 new tracks. The group's next album was tentatively scheduled for an early 2007 release. In the summer of 2006, B-Real appeared on Snoop Dogg's single "Vato", which was produced by Pharrell Williams.

In 2007 Cypress Hill toured with their full line up as a part of the Rock the Bells tour, held by Guerilla Union, and headlined with Public Enemy, Wu-Tang Clan, Nas, and a reunited Rage Against the Machine. Other acts included Immortal Technique, Mos Def, Talib Kweli, The Roots, EPMD, Pharoahe Monch, Jedi Mind Tricks, Erykah Badu, MF Doom, Sage Francis, Brother Ali, The Coup, Blue Print, Lucky I Am, Living Legends, Felt, Cage, Mr. Lif, Grouch & Eligh, Slightly Stoopid, and Hangar 18.

[edit] Departure from Sony and Rise Up (2008–present)

On July 25, 2008, Cypress Hill performed at a benefit concert at the House of Blues Chicago, where a majority of the proceeds went to the Chicago Alliance to End Homelessness.^[4]

In August 2009, a new song by Cypress Hill, titled "Get 'Em Up", was made available on iTunes. The song is featured on the Madden NFL 2010 video game.^[5]

In November 2009, a new version of Guns N' Roses classic "Paradise City" performed by Cypress Hill, Slash and Fergie was made available as a bonus track to Slash's single "Sahara" off Slash's solo album Slash.

Cypress Hill's eighth studio album, Rise Up, features contributions from Everlast, Tom Morello, Daron Malakian, Pitbull, Marc Anthony and Mike Shinoda.^[6] The album was released on Priority Records/EMI Entertainment, as the group was signed to the label by new Creative Chairman Snoop Dogg on January 15, 2010. The album was finally released on April 20, 2010.^[7] The album's introduction single, "It Ain't Nothin'" was released as a free download from the group's official website. The song "Rise Up" was featured at WWE's pay-per-view, Elimination Chamber, as the official theme song for that event, and was released as the third single for the album, with "Armada Latina" being fourth. The song also appeared in the trailer of the movie The Green Hornet.

Cypress Hill commenced its Rise Up tour in Philadelphia on April 10, 2010. Julio G had replaced DJ Muggs for the tour. Muggs had been absent due to working on several other projects, including separate albums with B-Real and Sen Dog. The group was supposed to stop in Tucson, Arizona but canceled the show in protest of the recent immigration legislation. At the Rock en Seine festival in Paris on August 27, 2010 they said in an interview that they would wait and see what happens with the legislation before going back there.^[8] Cypress Hill performed at the Reading and Leeds Festivals in late August 2010, on the 28th at Leeds and the 29th at Reading.

In summer 2012, Cypress Hill and Dubstep artist Rusko will be releasing a collaborative EP entitled 'Cypress X Rusko'.

Style[link]

Rapping[link]

One of the band's most striking aspects is B-Real's exaggeratedly high-pitched nasal vocals.^[2] In the book Check the Technique B-Real describes his nasal style, saying his rapping voice is "high and annoying... the nasal style I have was just something that I developed... my more natural style wasn't so pleasing to [DJ Muggs and Sen Dog's] ears"^[9] and talking about the nasal style in the book How to Rap, B-Real says, "you want to stand out from the others and just be distinct... when you got something that can separate you from everybody else, you gotta use it to your advantage."^[1] Sen Dog's voice is deeper, more violent and often shouted alongside the rapping; his vocals are often emphasized by adding an additional background/choir voice to say them. Sen Dog's style is in contrast to B-Real's, who says, "[Sen's] voice is so strong", and "it all blends together" when they are both on the same track.^[9]

Both B-Real and Sen Dog started writing lyrics in both Spanish and English and B-Real was inspired to start writing raps from watching Sen Dog and Mellow Man Ace writing their lyrics,^[9] and originally B-Real was going to just be the writer for the group rather than a rapper.^[9] Their lyrics are noted for bringing a "cartoonish" approach to violence by Peter Shapiro and Allmusic.^[2][10]

Production[link]

The sound and groove of their music, produced by Muggs, is notable for its spooky sounds and stoned aesthetic; with its bass-heavy rhythms and odd sample loops ("Insane in the Brain" is notable for having a pitched-altered horse neigh looped in its chorus), it carries a psychedelic value, which lessened in the later albums.^[2][10]

The band is also known for involving rock instruments. In their songs – this has caused the band to sometimes be classified as a rap rock group.^[2] The double album Skull & Bones consists of a pure rap album ("Skull") and an entire CD of rap/rock songs ("Bones"). Also in IV, there is "Lightning Strikes" which doesn't truly use electric guitars, but a synthesized version of it. In the live album Live at The Fillmore some of the old classics are played in a rock/metal version, with Sen Dog's band SX-10 and Eric Bobo playing the rock instrument.

The band's music is constantly subject to change: while the first album and Black Sunday follow a more minimalistic and funky sound, III (Temples of Boom) has a very dark, spooky atmosphere and heavy beats, sometimes approaching hardcore rap. IV introduced more diverse sounds on the beats while maintaining the hardcore edge. The first albums are mostly influenced by psychedelic music, but the band eventually got closer to modern rap as it is today while still experimenting with rock from time to time, like on "Skull and Bones" and "Stoned Raiders".

The band involves horns in their songs, and often have guitar and horns together in the instrumentals. "What's Your Number?", "Trouble", "Tequila Sunrise", and "(Rock) Superstar" have become some of the band's most popular songs featuring these elements.

Side and solo projects[link]

Eric Bobo is part of the group Sol Invicto with producer Richie Londres and Stephen Carpenter of the Deftones. Eric Bobo is also a main member of Cultura Londres Proyecto which is a Spanish Hip Hop group from London, England. In 2008, he released his first solo album "Meeting Of The Minds" on Nacional Records. In 2011, he joined up with Chilean DJ Latin Bitman to form the group Ritmo Machine & in November 2011 they released the album "Welcome To The Ritmo Machine" on Nacional Records with special guests Sick Jacken (Psycho Realm), Ana Tijoux, Sen-Dog, Mix Master Mike (Beastie Boys), P-Nut (311), Pato Machete & Chali 2na (Jurassic 5).

2009 saw the releases of both B-Real and Sen Dog's solo efforts Smoke N Mirrors and Diary of a Mad Dog. B-Real is also part of a super-group called Serial Killaz with both Xzibit and his protege Young De. B-Real started his own production company called Audio Hustlaz, with which he has worked and featured on tracks with Kurupt, Young De, Xzibit, Adil Omar, Snoop Dogg, Bitza and others, and has also done guest appearances for La Coka Nostra, Ill Bill, Prozak, Akrobatik, The Outlawz, Nipsey Hussle and Apathy.

Other notable side projects include B-Real's rap metal group Kush with members from Deftones and Fear Factory who are as yet to release any official material.

Sen Dog has released one album with his rap metal group SX-10.

Muggs has released collaborative albums with Sick Jacken, GZA, Planet Asia, Ill Bill and others.

Discography[link]

• Cypress Hill (1991)
• Black Sunday (1993)
• Cypress Hill III: Temples of Boom (1995)
• Unreleased and Revamped (1996)
• Cypress Hill IV (1998)
• Skull & Bones (2000)
• Stoned Raiders (2001)
• Till Death Do Us Part (2004)
• Rise Up (2010)

Awards and Nominations[link]

Grammy Awards

MTV Video Music Awards Awards

Band Members[link]

Current Members

• B-Real – lead rapping (since 1988)
• DJ Muggs – turntables, production (since 1988)
• Eric Bobo – drums, percussion (since 1993)
• Sen Dog – rapping (since 1988)

Former Members

• Mellow Man Ace - rapping (1988)

References[link]

External links[link]

• Official Website
• Cypress Hill interview by Pete Lewis, 'Blues & Soul' April 2010
• Cypress Hill interview, August 2010, Radio France Internationale
• Cypress Hill on Velvet Hammer Site
• Cypress Hill at Legacy Recordings (Sony Music)
• Eric Bobo video interview

Kate Bush
Kate Bush about to perform at Comic Relief 1986
Background information
Birth name	Catherine Bush
Born	(1958-07-30) 30 July 1958 (age 53) Bexleyheath, Southeast London, England
Genres	Art rock,[1] progressive rock,[2] alternative rock[1], baroque pop
Occupations	Musician, vocalist, songwriter, record producer
Instruments	Vocals, piano, keyboards, bass guitar, guitar, violin
Years active	1975–present
Labels	EMI Records (1975–present) Columbia Records (U.S.) (1989–2009) Legacy Recordings (2010–present) Fish People (division of EMI) 2011–
Website	Official website
Notable instruments
Fairlight CMI

Catherine "Kate" Bush (born 30 July 1958)^[1] is an English singer-songwriter, musician and record producer. Her eclectic musical style and idiosyncratic vocal style have made her one of the United Kingdom's most successful solo female performers of the past 30 years.

In 1978, at the age of 19, Bush topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first woman to have a UK number one with a self-written song.^[3] She has since released ten albums, three of which topped the UK Albums Chart, and has had 25 UK Top 40 hit singles including the Top 10 hits "Wuthering Heights", "Running Up that Hill", "King of the Mountain", "Babooshka", "The Man with the Child in His Eyes", and "Don't Give Up".

In 1987, she won a Brit Award for Best British Female Solo Artist, and in 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. During the course of her career, she has also been nominated for three Grammy Awards. After her 1979 tour – the only concert tour of her career – Bush released the 1980 album Never for Ever, which made her the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at Number 1.^[4] She is also the first (and to date only) female artist to have Top 5 albums in the UK charts in 5 successive decades.

In May 2012, Bush's latest album, 50 Words for Snow, won the South Bank Arts Award ^[5]. The album was also nominated for an Ivor Novello Award and a Brit Award that same year.

Early life[link]

Bush was born in Bexleyheath, Southeast London, to English physician Robert Bush and his Irish wife, Hannah Daly.^[6] She was raised in their farmhouse in East Wickham with her older brothers, John and Paddy.^[7] Bush came from an artistic background: her mother was a former Irish folk dancer, her father was an accomplished pianist, Paddy worked as a musical instrument maker and John was a poet and photographer. Both brothers were involved in the local folk music scene.^[8]

John was a karateka at Goldsmiths College karate club and Kate also trained there, becoming known as "Ee-ee" because of her squeaky kiai. One of the instructors, Dave Hazard, later noted in his autobiography that her dance moves seemed to owe something to karate.^[9]

Her family's musical influence inspired the young Kate to teach herself to play the piano at the age of 11. She also played the organ in a barn behind her parents' house and studied the violin.^[10] She soon began writing her own tunes and eventually added lyrics to them.^[11]

Career[link]

Bush attended St Joseph's Convent Grammar School (later the St Joseph's campus of Bexley College) and a Catholic girls' school on Woolwich Road in Abbey Wood, London, in the mid-1970s. During this time her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. David Gilmour of Pink Floyd received the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped the sixteen-year-old Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies.^[12] Three tracks in total were recorded and paid for by Gilmour. ^[13]The tape was produced by Gilmour's friend Andrew Powell, who would go on to produce Bush's first two albums,^[11] and sound engineer Geoff Emerick.^[14] The tape was sent to EMI executive Terry Slater.^[15] Slater was impressed by the tape and signed her.^[16] The British record industry was reaching a point of stagnation.^[15] Progressive rock was very popular and visually oriented rock performers were growing in popularity, thus record labels looking for the next big thing were considering experimental acts.^[15]

Bush was put on retainer for two years by Bob Mercer, managing director of EMI group-repertoire division. According to Mercer he felt Bush's material was good enough to be released but felt that if the album failed it would be demoralising and if it was successful Bush was too young to handle it.^[17] For the first two years of her contract, Bush spent more time on school work than making an album. She left school after doing her mock A-levels and having gained ten GCE O-Level qualifications.^[18] In 2005, Bush stated in an interview with Mark Radcliffe on BBC Radio 2 that she believed EMI signed her before she was ready to make an album so that no other record company could offer her a contract. After the contract signing, EMI forwarded her a sizeable advance which she used to enrol in interpretive dance classes taught by Lindsay Kemp, a former teacher of David Bowie,^[19] and mime training with Adam Darius.^[20]

Bush also wrote and made demos of close to 200 songs, a few of which today can be found on bootleg recordings and are known as the Phoenix Recordings.^[21] From March to August 1977, she fronted the KT Bush Band at public houses around London – specifically at the Rose of Lee public house (now Dirty South) in Lewisham. The other three band members were Del Palmer (bass), Brian Bath (guitar), and Vic King (drums). She began recording her first album in August 1977,^[11] although two tracks had been recorded during the summer of 1975.

[edit] The Kick Inside and Lionheart

	Kate Bush "Wuthering Heights" (1978) noicon Sample from Kate Bush's "Wuthering Heights".
Problems listening to this file? See media help.

As part of her preparation for entering the studio, Bush toured pubs with the KT Bush Band. However, for her debut album The Kick Inside (1978) she was persuaded to use established session musicians, some of whom she would retain even after she had brought her bandmates back on board.^[22] Her brother Paddy played the harmonica and mandolin, unlike on later albums where he would play more exotic instruments such as the balalaika and didgeridoo. Stuart Elliott played some of the drums and would become her main percussionist on subsequent albums.^[23]

Bush released The Kick Inside when she was 19 years old, but some of the songs had been written when she was as young as 13. EMI originally wanted the more rock-oriented track "James and the Cold Gun" to be her debut single, but Bush insisted that it should be "Wuthering Heights". Even at this early stage of her career, she had gained a reputation for her determination to have a say in decisions affecting her work.^[11] "Wuthering Heights" topped the UK and Australian charts and became an international hit.^[24] Bush became the first woman to reach number one in the UK charts with a self-penned song.^[25] A second single, "The Man with the Child in His Eyes", reached number six in the UK charts.^[26] It also made it onto the American Billboard Hot 100 where it reached number 85 in early 1979. Bob Mercer felt that Bush's relative lack of success in the United States compared to the rest of the world was due to her music being a poor fit for American radio formats and that there were no outlets for the visual presentation central to Bush's appeal.^[17] "The Man with the Child in His Eyes" went on to win her an Ivor Novello Award in 1979 for Outstanding British Lyric.^[27]

EMI capitalised on Bush's appearance by promoting the album with a poster of her in a tight pink top that emphasised her breasts. In an interview with NME magazine in 1982, Bush criticised the marketing technique, stating: "People weren't even generally aware that I wrote my own songs or played the piano. The media just promoted me as a female body. It's like I've had to prove that I'm an artist in a female body."^[11] In late 1978, EMI persuaded Bush to quickly record a follow-up album, Lionheart, to take advantage of the success of The Kick Inside. Bush has often expressed dissatisfaction with Lionheart, feeling that she had needed more time to get it right. The album was produced by Andrew Powell, assisted by Bush. While it had spawned several hit singles, most notably "Wow", it did not garner the same reception as her first album, reaching number six in the UK album charts.^[28]

Bush was displeased with being rushed into making the second album. She set up her own publishing company, Kate Bush Music, and her own management company, Novercia, to maintain complete control over her work. Bush herself, along with members of her family, comprised the company's board of directors.^[11] Following the album's release, she was required by EMI to undertake heavy promotional work and an exhausting tour, the only one of her career.^[29] The tour, named The Tour of Life, began in April 1979 and lasted six weeks. This live show was co-devised and performed on stage with magician Simon Drake.^[30] Typical of her determination to have control, she was involved in every aspect of the show's production, choreography, set design, and staff recruitment.^[11] The shows were noted for her dancing, complex lighting and her 17 costume changes per show. Because of her intention to dance as she sang, her sound engineers used a wire coat hanger and a radio microphone to fashion the first headset mic to be used by a rock performer since the Swedish group Spotnicks used a very primitive version in the early 1960s.^[1][31]

[edit] Never for Ever and The Dreaming

	Kate Bush "Babooshka" (1980) noicon Sample from Kate Bush's "Babooshka". Kate Bush "There Goes a Tenner" (1982) noicon Sample from Kate Bush's "There Goes a Tenner".
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Released in September 1980, Never for Ever saw Bush's second foray into production, co-producing with Jon Kelly. Her first time as a producer was on her Live On Stage EP, released after her tour the previous year. The first two albums had resulted in a definitive sound evident in every track, with orchestral arrangements supporting the live band sound. The range of styles on Never for Ever is much more diverse, veering from the straightforward rocker "Violin" to the wistful waltz of hit single "Army Dreamers". Never for Ever was the first Kate Bush album to feature synthesisers and drum machines, in particular the Fairlight CMI, to which she was introduced when providing backing vocals on Peter Gabriel's eponymous third album in early 1980.^[11] It was her first record to reach the top position in the UK album charts, also making her the first female British artist to achieve that status,^[18] and the first female artist ever to enter the album chart at the top.^[4] The top-selling single from the album was "Babooshka", which reached number five in the UK singles chart.^[32] In November 1980, she released the Christmas single "December Will Be Magic Again", which reached number 29 in the UK charts.

September 1982 saw the release of The Dreaming, the first album Bush produced by herself.^[33] It was also a major departure for Bush, being initially composed on the Fairlight CMI rather than piano, with songs extensively revised and rebuilt in the studio, rather than merely arranged there.^{[citation needed]} With her new-found freedom, she experimented with production techniques, creating an album that features a diverse blend of musical styles and is known for its near-exhaustive use of the Fairlight CMI. The Dreaming received a mixed critical reception in the UK at first. Many were baffled by the dense soundscapes Bush had created, and some critics accused the album of being over-produced.^{[citation needed]} In a 1993 interview with Q, Bush stated: "That was my 'She's gone mad' album."^[11] However, the album was hailed as a "masterpiece" and a "musical tour-de-force" by critics in America, and the album became her first to enter the US charts, albeit only reaching number 157.^[11] The album entered the UK album chart at number three, but is to date her lowest-selling album, garnering only a gold disc.

"Sat in Your Lap" was the first single from the album to be released. It pre-dated the album by over a year and peaked at number 11 in the UK.^[34] The album's title track, featuring the talents of Rolf Harris and Percy Edwards, stalled at number 48, while the third single, "There Goes a Tenner", failed to chart, despite promotion from EMI and Bush. The track "Suspended in Gaffa" was released as a single in Europe, but not in the UK.

Continuing in her storytelling tradition, Bush looked far outside her own personal experience for sources of inspiration. She drew on old crime films for "There Goes a Tenner", a documentary about the war in Vietnam for "Pull Out the Pin", and the plight of Indigenous Australians for "The Dreaming". "Houdini" is about the magician's death, and "Get Out Of My House" was inspired by Stephen King's novel The Shining.^[35]

[edit] Hounds of Love and The Whole Story

	Kate Bush "Running Up that Hill" (1985) noicon Sample from Kate Bush's "Running Up that Hill".
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Hounds of Love was released in 1985. Because of the high cost of hiring studio space for her previous album, she built a private studio near her home, where she could work at her own pace.^[36] Hounds of Love ultimately topped the charts in the UK, knocking Madonna's Like a Virgin from the number one position.^[37]

The album takes advantage of the vinyl format with two very different sides. The first side, Hounds of Love, contains five "accessible" pop songs, including the four singles "Running Up that Hill", "Cloudbusting", "Hounds of Love", and "The Big Sky". In August 1985, NME featured Bush in a "Where Are They Now" article. "Running Up that Hill" reached number 3 in the UK charts and also re-introduced Bush to American listeners, climbing to number 30 on the Billboard Hot 100 in November 1985. The second side of the album, The Ninth Wave, takes its name from Tennyson's poem, "Idylls of the King", about the legendary King Arthur's reign, and is one continuous piece of music.^[38] The album earned Bush nominations for Best Female Solo Artist, Best Album, Best Single, and Best Producer at the 1986 BRIT Awards. In the same year, Bush and Peter Gabriel had a UK top ten hit with "Don't Give Up" (Dolly Parton, Gabriel's original choice, turned his offer down),^[39] and EMI released her "greatest hits" album, The Whole Story. Bush provided a new lead vocal and refreshed backing track on "Wuthering Heights," and recorded a new single, "Experiment IV," for inclusion on the compilation. At the 1987 BRIT Awards, Bush won the award for Best Female Solo Artist.

[edit] The Sensual World and The Red Shoes

The increasingly personal tone of her writing continued on 1989's The Sensual World, with songs about unexpressed and unrequited love ("Love and Anger" and "Never Be Mine", respectively), and the pressures on modern relationships ("Between a Man and a Woman").^{[citation needed]} One of the quirkiest tracks on the album, touched by Bush's black humour, is "Heads We're Dancing", about a woman who dances all night with a charming stranger only to discover in the morning that he is Adolf Hitler.^[40] The title track drew its inspiration from James Joyce's novel Ulysses.^[40]

	Kate Bush "The Sensual World" (1989) noicon Sample from Kate Bush's "The Sensual World".
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The Sensual World went on to become her biggest-selling album in the US, receiving an RIAA Gold certification four years after its release for 500,000 copies sold. In the United Kingdom album charts, it reached the number two position.^[41]

In 1990, the boxed-set This Woman's Work was released and included all of her albums with their original cover art, as well as two discs of all single B sides recorded from 1978–1990. In 1991, Bush released a cover of Elton John's "Rocket Man", which reached number 12 in the UK singles chart^[42], and went as high as number two in Australia, and in 2007, was voted the greatest cover ever by readers of The Observer newspaper.^[43] She recorded "Candle in the Wind", as the single's b-side.^[44]

The Red Shoes was released in November 1993. The Red Shoes features more high-profile cameo appearances than Bush's previous efforts, including contributions from composer and conductor Michael Kamen. Comedian Lenny Henry, Prince, Eric Clapton, Gary Brooker of Procol Harum, Trevor Whittaker, and Jeff Beck also contributed to the album. Both "The Sensual World" and "The Red Shoes" featured contributions from Trio Bulgarka, a trio of women who sang on several tracks, including "You're The One" and "Rocket's Tail." The album gave Bush her highest chart position in the US, reaching number 28, although the only song from the album to make the US singles chart was "Rubberband Girl", which peaked at number 88 in January 1994. In the UK, the album reached number two, and the singles "Rubberband Girl", "The Red Shoes", "Moments of Pleasure", and "And So Is Love" all reached the top 30.^[34][45] That same year, the short film The Line, the Cross & the Curve, written and directed by Bush, and starring Bush and English actress Miranda Richardson,^[46] used six of the songs on the album.

The initial plan had been to take the songs out on the road (though a new tour did not transpire), so Bush deliberately aimed for a live-band feel, with less of the studio trickery that had typified her last three albums and that would be difficult to recreate on stage.^[47] The result alienated some of her fan base, who enjoyed the intricacy of her earlier compositions,^[48] but others found a new complexity in the lyrics and the emotions they expressed.^[49]

This was a troubled time for Bush. She had suffered a series of bereavements, including the loss of guitarist Alan Murphy, who had started working with her on The Tour Of Life in 1979, and her mother Hannah, to whom she was exceptionally close.^[18] Many of the people she lost are honoured in the ballad "Moments of Pleasure". However, Bush's mother was still alive when "Moments of Pleasure" was written and recorded. Bush describes playing the song to her mother, who thought the line where she is quoted by Bush as saying "Every old sock meets an old shoe", was hilarious and "couldn't stop laughing".^[50]

[edit] Aerial

After the release of The Red Shoes, Bush dropped out of the public eye for many years, although her name occasionally cropped up in the media with rumours of a new album release. Bush had originally intended to take one year off but despite working on material 12 years would pass before her next album release.^[51] The press often viewed her as an eccentric recluse, sometimes drawing a comparison with Miss Havisham from Charles Dickens's Great Expectations.^[52] In reality, she was trying to give her young son a normal childhood, and needed a quiet place for her creative process to function.^[51] In 1998, Bush had given birth to Albert, known as "Bertie", fathered by her guitarist and now-husband Danny McIntosh.^[18][53] After living for many years on Court Road, Eltham, southeast London, the couple and their son moved away from the city and currently have two homes: a £2.5 million house in East Portlemouth on the Devon coast^[53] and a mansion on an islet on the Kennet and Avon canal at Sulhamstead in West Berkshire.^[54]

Bush's eighth studio album, Aerial, was released on double CD and vinyl in November 2005.^[18] The first single from the album was "King of the Mountain", which was played for the first time on BBC Radio 2 on 21 September 2005.^[55]

As on Hounds of Love (1985), the album is divided into two sections, each with its own theme and mood.^[56] The first disc, subtitled A Sea of Honey, features a set of unrelated themed songs, including "King of the Mountain"; "Bertie", a Renaissance-style ode to her son; and "Joanni", based on the story of Joan of Arc. In the song "π", Bush sings the number Pi to 115 decimal places.^[56][57] The second disc, subtitled A Sky of Honey, features one continuous piece of music describing the experience of being outdoors after waking at dawn, moving through afternoon, dusk, to night, then back to the following dawn of single summer's day. All the pieces in this suite refer or allude to sky and sea in their lyrical content. Bush mixed her voice with cooing wood pigeons to repeat the phrases "A sea of honey, a sky of honey," and "You're full of beauty" throughout the piece, and uses recordings of actual birdsong throughout. A Sky of Honey features Rolf Harris playing the didgeridoo on one track, and providing vocals on "The Painter's Link".^[56] Other artists making guest appearances on the album include Peter Erskine, Eberhard Weber, Lol Creme, and Gary Brooker. Two tracks feature string arrangements by Michael Kamen, performed by the London Metropolitan Orchestra. A CD release of the single "King of the Mountain" included a cover of "Sexual Healing" by Marvin Gaye.^[58]

	Kate Bush "King of the Mountain" (2005) noicon Sample from Kate Bush's "King of the Mountain".
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"King of the Mountain" entered the UK Downloads Chart at number six on 17 October 2005,^[59] and by 30 October it had become Bush's third-highest-charting single ever in the UK, peaking at number four on the full chart. Aerial entered the UK albums chart at number 3,^[60] and the US chart at number 48.^[61] Bush herself carried out relatively little publicity for the album, only conducting a handful of magazine and radio interviews. Aerial earned Bush two nominations at the 2006 BRIT Awards, for Best British Female Solo Artist and Best British Album.^[62]

In late 2007, Bush composed and recorded a new song, "Lyra", for the soundtrack to the fantasy film The Golden Compass.^[63]