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Moss Hart (October 24, 1904 – December 20, 1961) was an American playwright and theatre director, best known for his interpretations of musical theater on Broadway.

Biography[link]

Early years[link]

Hart was born in New York City and grew up at 74 East 105th Street in Manhattan, “a neighborhood not of carriages and hansom cabs, but of dray wagons, pushcarts, and immigrants.”^[1] He was also raised, in relative poverty, by his English-born Jewish immigrant parents in the Bronx, New York, and in the Seagate area of Brooklyn, near Coney Island.^[2]

Early on he had a strong relationship with his Aunt Kate, with whom he later lost contact due to a falling out between her and his parents, and her weakening mental state. She piqued his interest in the theater and took him to see performances often. Hart even went so far as to create an "alternate ending" to her life in his book Act One. He writes that she died while he was working on out-of-town tryouts for The Beloved Bandit. Later, Kate became quite eccentric, vandalizing Hart's home, writing threatening letters and setting fires backstage during rehearsals for Jubilee. But his relationship with Kate was life-forming. He understood that the theater made possible "the art of being somebody else… not a scrawny boy with bad teeth, a funny name… and a mother who was a distant drudge."^[1]

Career[link]

After working several years as a director of amateur theatrical groups and an entertainment director at summer resorts, he scored his first Broadway hit with Once in a Lifetime (1930), a farce about the arrival of the sound era in Hollywood. The play was written in collaboration with Broadway veteran George S. Kaufman, who regularly wrote with others, notably Marc Connelly and Edna Ferber. (Kaufman also performed in the play's original Broadway cast in the role of a frustrated playwright hired by Hollywood.) During the next decade, Kaufman and Hart teamed on a string of successes, including You Can't Take It With You (1936) and The Man Who Came to Dinner (1939). Though Kaufman had hits with others, Hart is generally conceded to be his most important collaborator.

You Can't Take It With You, the story of an eccentric family and how they live during the Depression, won the 1937 Pulitzer Prize for drama. It is Hart's most-revived play. When director Frank Capra and writer Robert Riskin adapted it for the screen in 1938, the film won the Best Picture Oscar and Capra won for Best Director.

The Man Who Came To Dinner is about the caustic Sheridan Whiteside who, after injuring himself slipping on ice, must stay in a Midwestern family's house. The character was based on Kaufman and Hart's friend, critic Alexander Woollcott. Other characters in the play are based on Noël Coward, Harpo Marx and Gertrude Lawrence.

After George Washington Slept Here (1940), Kaufman and Hart called it quits, although throughout the 1930s, Hart worked both with and without Kaufman on several musicals and revues, including: Face the Music (1932); As Thousands Cheer (1933), with songs by Irving Berlin; Jubilee (musical) (1935), with songs by Cole Porter; and I'd Rather Be Right (1937), with songs by Richard Rodgers and Lorenz Hart. (Lorenz Hart and Moss Hart were not related.) Hart continued to write plays after parting with Kaufman, such as Christopher Blake (1946) and Light Up the Sky (1948), as well as the book for the musical Lady In The Dark (1941), with songs by Kurt Weill and Ira Gershwin. However, he became best known during this period as a director. Among the Broadway hits he staged were Junior Miss (1941), Dear Ruth (1944) and Anniversary Waltz (1954). By far his biggest hit was the musical My Fair Lady (1956), adapted from George Bernard Shaw's Pygmalion, with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The show ran over seven years and won a Tony Award for Best Musical. Hart picked up the Tony for Best Director.^{[citation needed]}

Hart also wrote some screenplays, including Gentleman's Agreement (1947) — for which he received an Oscar nomination—Hans Christian Andersen (1952) and A Star Is Born (1954). He wrote a memoir, Act One: An Autobiography by Moss Hart, which was released in 1959. It was adapted to film in 1963, with George Hamilton portraying Hart. The last show Hart directed was the Lerner and Loewe musical Camelot (1960). During a troubled out-of-town tryout, Hart had a heart attack. The show opened before he fully recovered, but he and Lerner reworked it after the opening. That, along with huge pre-sales and a cast performance on The Ed Sullivan Show, helped ensure the expensive production was a hit.^{[citation needed]}

Personal life[link]

Hart married Kitty Carlisle on August 10, 1946; they had two biological children (the third pregnancy miscarried). Nonetheless, he was known to be gay by many of his own friends and reportedly spent much time in therapy regarding his attraction to men. He also had bipolar disorder which, along with his feelings about his sexual orientation, caused tremendous mood swings.^[3] Carlisle did ask him if he was gay before they married and his response was that he was not.^[1] Prior to his marriage, one of his lovers was Gordon Merrick, whom he met when Merrick was acting in the original Broadway production of The Man Who Came to Dinner. Author William McBrien, in his biography of Cole Porter, stated that Hart frequented the Ritz Bar in Paris, a known hangout for gays and lesbians in the 1930s.^{[citation needed]}

Death[link]

Moss Hart died of a heart attack at the age of 57 on December 20, 1961. He was interred in a crypt at Ferncliff Cemetery in Hartsdale, New York. Alan Jay Lerner gave tribute to Hart in his memoir, The Street Where I Live.

Work[link]

References[link]

Further reading[link]

• Hart, Moss (1989) [1959] (trade paperback reissue). Act One: An Autobiography. New York: St. Martin's Press. ISBN 0-312-03272-2. 

External links[link]

Biography portal

• Moss Hart at Find a Grave
• Moss Hart at the Internet Broadway Database
• Moss Hart at the Internet Off-Broadway Database
• Moss Hart at the Internet Movie Database

Julie Andrews
Julie Andrews, March 2003
Born	Julia Elizabeth Wells (1935-10-01) 1 October 1935 (age 76) Walton-on-Thames, Surrey, England
Nationality	British
Occupation	Actress, singer, author
Years active	1945–present (stage) 1949–present (screen)
Spouse	Tony Walton (m. 1959–1967) «start: (1959-05-10)–end+1: (1967-11-15)»"Marriage: Tony Walton to Julie Andrews" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Julie_Andrews) (divorced) Blake Edwards (m. 1969–2010) «start: (1969-11-12)–end+1: (2010-12-16)»"Marriage: Blake Edwards to Julie Andrews" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Julie_Andrews) (his death)
Children	5

Dame Julia Elizabeth Andrews, DBE (née Wells;^[1] born 1 October 1935)^[2] is an English film and stage actress, singer, and author. She is the recipient of Golden Globe, Emmy, Grammy, BAFTA, People's Choice Award, Theatre World Award, Screen Actors Guild and Academy Award honours.

Andrews is a former child actress and singer who made her Broadway debut in a 1954 production of The Boy Friend, and rose to prominence starring in musicals such as My Fair Lady and Camelot, both of which earned her Tony Award nominations. In 1957, she made her television debut with the title role in Cinderella, which was seen by over 100 million viewers.

Andrews made her feature film debut in Mary Poppins (1964), for which she won the Academy Award for Best Actress. She received her second Academy Award nomination for The Sound of Music (1965). Adjusted for inflation, these two films are the 25th and 3rd highest grossing films of all time, respectively.^[3] From 1964 to 1967, Andrews was the biggest film star in the world, with the additional box office successes of her films The Americanization of Emily, Hawaii, Torn Curtain, and Thoroughly Modern Millie.

In the 1970s, Andrews' film career slowed down following the commercial disappointments of Star!, Darling Lili, and The Tamarind Seed. She returned to prominence with the critical and commercial successes of 10 (1979) and Victor Victoria (1982), for which she received her third Academy Award nomination. During the remainder of the 1980s, Andrews starred in critically acclaimed but commercially unsuccessful films such as That's Life! and Duet for One, before her career went into eclipse in the 1990s.

Andrews' film career had a major revival in the 2000s with the successes of The Princess Diaries (2001), its sequel The Princess Diaries 2: Royal Engagement (2004), the Shrek animated films (2004–2010), and Despicable Me (2010). Her voice, which originally spanned four octaves, was damaged by a throat operation in 1997. In 2003 Andrews revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend at the Bay Street Theatre, Sag Harbor, New York (and later at the Goodspeed Opera House, in East Haddam, Connecticut in 2005).

Andrews is also an author of children's books, and in 2008 published an autobiography, Home: A Memoir of My Early Years.

Early life[link]

Julia Elizabeth Wells was born on 1 October 1935 in Walton-on-Thames, Surrey, England.^[4] Her mother, Barbara Ward Wells (née Morris), was married to Edward Charles "Ted" Wells, a teacher of metalwork and woodwork, but Andrews was conceived as a result of an affair her mother had with a family friend.^[5][6]

With the outbreak of World War II, Barbara and Ted Wells went their separate ways. Ted Wells assisted with evacuating children to Surrey during the Blitz, while Barbara joined Ted Andrews in entertaining the troops through the good offices of the Entertainments National Service Association (ENSA). Barbara and Ted Wells were soon divorced. They both remarried: Barbara to Ted Andrews, in 1939; and Ted Wells to a former hairstylist working a lathe at a war work factory that employed them both in Hinchley Wood, Surrey.^[7][8]

Andrews lived briefly with Ted Wells and her brother John in Surrey. In about 1940, Ted Wells sent her to live with her mother and stepfather, who, the elder Wells thought, would be better able to provide for his talented daughter's artistic training. According to her 2008 autobiography Home, while Julie had been used to calling Ted Andrews "Uncle Ted", her mother suggested it would be more appropriate to refer to her stepfather as "Pop", while her father remained "Dad" or "Daddy" to her. Julie disliked this change.

The Andrews family was "very poor and we lived in a bad slum area of London," Andrews recalled, adding, "That was a very black period in my life." In addition, according to Andrews' 2008 memoir, her stepfather was an alcoholic. Ted Andrews twice, while drunk, tried to get into bed with his stepdaughter, resulting in Andrews putting a lock on her door.^[9] But, as the stage career of Ted and Barbara Andrews improved, they were able to afford to move to better surroundings, first to Beckenham and then, as the war ended, back to the Andrews' home town of Hersham. The Andrews family took up residence at the Old Meuse, in West Grove; Hersham (now demolished) a house where Andrews' maternal grandmother happened to have served as a maid.^[8]

Andrews' stepfather sponsored lessons for her, first at the Cone-Ripman School, an independent arts educational school in London, then with the famous concert soprano and voice instructor Madame Lilian Stiles-Allen. "She had an enormous influence on me", Andrews said of Stiles-Allen, adding, "She was my third mother – I've got more mothers and fathers than anyone in the world." In her memoir Julie Andrews – My Star Pupil, Stiles-Allen records: "The range, accuracy and tone of Julie's voice amazed me ... she had possessed the rare gift of absolute pitch"^[10] (though Andrews herself refutes this in her 2008 autobiography Home).^[7][11] According to Andrews: "Madame was sure that I could do Mozart and Rossini, but, to be honest, I never was".^[12] Of her own voice, she says "I had a very pure, white, thin voice, a four-octave range – dogs would come for miles around."^[12] After Cone-Ripman School, Andrews continued her academic education at the nearby Woodbrook School, a local state school in Beckenham.^[13]

Career[link]

Early career in the United Kingdom[link]

Julie Andrews performed spontaneously and unbilled on stage with her parents for about two years beginning in 1945. "Then came the day when I was told I must go to bed in the afternoon because I was going to be allowed to sing with Mummy and Pop in the evening," Andrews explained. She would stand on a beer crate to reach the mic and sing, sometimes a solo or as a duet with her stepfather, while her mother played piano. "It must have been ghastly, but it seemed to go down all right."^[14][15]

Julie Andrews got her big break when her stepfather introduced her to Val Parnell, whose Moss Empires controlled prominent venues in London. Andrews made her professional solo debut at the London Hippodrome singing the difficult aria "Je Suis Titania" from Mignon as part of a musical revue called "Starlight Roof" on 22 October 1947. She played the Hippodrome for one year.^[7][16] Andrews recalled "Starlight Roof" saying, "There was this wonderful American person and comedian, Wally Boag, who made balloon animals. He would say, 'Is there any little girl or boy in the audience who would like one of these?' And I would rush up onstage and say, 'I'd like one, please.' And then he would chat to me and I'd tell him I sang... I was fortunate in that I absolutely stopped the show cold. I mean, the audience went crazy."^[17]

On 1 November 1948, Julie Andrews became the youngest solo performer ever to be seen in a Royal Command Variety Performance, at the London Palladium, where she performed along with Danny Kaye, the Nicholas Brothers and the comedy team George and Bert Bernard for members of King George VI's family.^[18][19]

Julie Andrews followed her parents into radio and television.^[20] She reportedly made her television debut on the BBC programme RadiOlympia Showtime on 8 October 1949.^[21] She garnered considerable fame throughout the United Kingdom for her work on the BBC radio comedy show Educating Archie; she was a cast member from 1950 to 1952.^[19]

Andrews appeared on West End theatre at the London Casino, where she played one year each as Princess Badroulbadour in Aladdin and the egg in Humpty Dumpty. She also appeared on provincial stages across United Kingdom in Jack and the Beanstalk and Little Red Riding Hood, as well as starring as the lead role in Cinderella.^[20]

In 1950 at the age of 14, Andrews was asked to sing at a party of a family friend, Katherine Norwalk, and it was then that she learned that Ted Wells was not her biological father.^[7][8]

Early career in the United States[link]

On 30 September 1954 on the eve of her 19th birthday, Julie Andrews made her Broadway debut portraying "Polly Browne" in the already highly successful London musical The Boy Friend.^[2] To the critics, Andrews was the stand-out performer in the show.^[22] Near the end of her Boy Friend contract, Andrews was asked to audition for My Fair Lady on Broadway and got the part.^[23] In November 1955 Andrews was signed to appear with Bing Crosby in what is regarded as the first made-for-television film, High Tor.^[24]

Andrews auditioned for a part in the Richard Rodgers musical Pipe Dream. Although Rodgers wanted her for Pipe Dream, he advised her to take the part in the Frederick Loewe and Alan Jay Lerner musical My Fair Lady if it were offered to her. In 1956, she appeared on stage in My Fair Lady as Eliza Doolittle to Rex Harrison's Henry Higgins. Rodgers was so impressed with Andrews' talent that concurrent with her run in My Fair Lady, she was featured in the Rodgers and Hammerstein television musical, Cinderella.^[22] Cinderella was broadcast live on CBS on 31 March 1957 under the musical direction of Alfredo Antonini and attracted an estimated 107 million viewers.^[25][26]

Andrews married set designer Tony Walton on 10 May 1959 in Weybridge, Surrey. They had first met in 1948 when Andrews was appearing at the London Casino in the show Humpty Dumpty. The couple filed for a divorce on 14 November 1967.^[19][27]

Between 1958 and 1962, Andrews appeared on such specials as CBS-TV's The Fabulous Fifties and NBC-TV's The Broadway of Lerner & Loewe. In addition to guest starring on The Ed Sullivan Show, she also appeared on The Dinah Shore Chevy Show, What's My Line?, The Jack Benny Program, The Bell Telephone Hour, and The Garry Moore Show. In June 1962 Andrews co-starred in Julie and Carol at Carnegie Hall, a CBS special with Carol Burnett.

In 1960 Lerner and Loewe again cast her in a period musical as Queen Guinevere in Camelot, with Richard Burton and newcomer Robert Goulet. However film studio head Jack Warner decided Andrews lacked sufficient name recognition for her casting in the film version of My Fair Lady; Eliza was played by the established film actress Audrey Hepburn instead. As Warner later recalled, the decision was easy, "In my business I have to know who brings people and their money to a cinema box office. Audrey Hepburn had never made a financial flop."^[28]

Andrews and her husband headed back to Britain in September 1962 to await the birth of daughter Emma Katherine Walton, who was born in London two months later.^[29]

Film superstardom[link]

In 1963, Andrews began her work in the title role of Disney's musical film Mary Poppins. Walt Disney had seen a performance of Camelot and thought Andrews would be perfect for the role of the British nanny who is "practically perfect in every way!". Andrews initially declined because of pregnancy, but Disney politely insisted, saying, "We'll wait for you."^[30]

Mary Poppins became the biggest hit in Disney history. Andrews won the 1964 Academy Award for Best Actress and the 1965 Golden Globe Award for Best Actress – Motion Picture Musical or Comedy for her performance. She and her co-stars also won the 1965 Grammy Award for Best Album for Children. As a measure of "sweet revenge," as Poppins songwriter Richard M. Sherman put it, Andrews closed her acceptance speech at the Golden Globes by saying, "And, finally, my thanks to a man who made a wonderful movie and who made all this possible in the first place, Mr. Jack Warner."^[30] Warner Bros. passed over Andrews in favour of Audrey Hepburn for the starring role of Eliza Doolittle in My Fair Lady.^[31]

Julie Andrews in the trailer for Mary Poppins (film).

In 1964, Andrews starred opposite James Garner in The Americanization of Emily (1964), which she has described as her favourite film.^[32]

In 1965, Andrews starred in The Sound of Music, which was the highest-grossing film of the year and was the biggest hit in 20th Century Fox history.^[33] As of 2012, it is the 3rd highest-grossing film of all time.^[3] For her performance as Maria Von Trapp, Andrews won her second Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and was also nominated for the Academy Award for Best Actress.

After completing The Sound Of Music, Andrews appeared as a guest star on the NBC-TV variety series The Andy Williams Show, which gained her an Emmy nomination.^[34] She followed this television appearance with an Emmy Award-winning color special, The Julie Andrews Show, which featured Gene Kelly and the New Christy Minstrels as guests. It aired on NBC-TV in November 1965.

In 1966, Andrews starred in Hawaii. It became the highest grossing film of 1966.^[35]

Also in 1966, she starred opposite Paul Newman in Torn Curtain, which was directed by Alfred Hitchcock. The following year, she played the eponymous character in Thoroughly Modern Millie (1967), for which she received a Golden Globe nomination. At the time, Thoroughly Modern Millie and Torn Curtain were the biggest and second biggest hits in Universal Pictures history, respectively.

By the end of 1967, after six hit films in a row, Andrews was the world's most successful film star.

Mid-career[link]

Julie Andrews' star on the Hollywood Walk of Fame.

Andrews next appeared in two of Hollywood's most expensive and infamous flops: Star!, a 1968 biopic of Gertrude Lawrence, and Darling Lili (1970), co-starring Rock Hudson and directed by her soon-to-be second husband, Blake Edwards (they married in 1969). The couple stayed married for 41 years until Edwards' death in 2010.^[36] She made only two other films in the 1970s, The Tamarind Seed (1974) and 10 (1979).

In the 1970s, Edwards and Andrews adopted two daughters; Amy in 1974 and Joanna in 1975.^[37][38] Edwards' children from a previous marriage, Jennifer and Geoffrey, were 3 and 5 years older than Emma, Andrews' daughter with Tony Walton.^[39]

Andrews continued working in television. In 1969, she shared the spotlight with singer Harry Belafonte for an NBC-TV special, An Evening with Julie Andrews and Harry Belafonte. In 1971 she appeared as a guest for the Grand Opening Special of Walt Disney World, and that same year she and Carol Burnett headlined a CBS special, Julie and Carol At Lincoln Center.

In 1972–73, Andrews starred in her own television variety series, The Julie Andrews Hour, on the ABC network. The show won seven Emmy Awards, but was cancelled after one season. Between 1973 and 1975, Andrews continued her association with ABC by headlining five variety specials for the network. She guest-starred on The Muppet Show in 1977, and the following year, she appeared again with the Muppets on a CBS television variety special. The programme, Julie Andrews: One Step Into Spring, aired in March 1978, to mixed reviews and mediocre ratings. In February 1980, Andrews headlined "Because We Care", a CBS-TV special with 30 major stars raising funds for Cambodian Famine victims. Later that year, she starred in the film Little Miss Marker.

In 1981, she appeared in Blake Edwards' S.O.B. (1981) in which she played Sally Miles, a character who agrees to "show my boobies" in a scene in the film-within-a-film. That was Andrews's first on-screen nude scene and got much attention as she poked fun at her own squeaky clean image.

In 1982, Andrews played a dual role of Victoria Grant and Count Victor Grezhinski in the film Victor Victoria. Her performance earned her a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, as well as a nomination for the 1982 Academy Award for Best Actress, her third Oscar nomination.^[2][40]

In 1983, Andrews was chosen as the Hasty Pudding Woman of the Year by the Harvard University Theatrical Society.^[41] That year, she co-starred with Burt Reynolds in The Man Who Loved Women. Her next two films were That's Life! and Duet for One, both of which were released in 1986 and earned her Golden Globe nominations.

In December 1987, Andrews starred in an ABC Christmas special, Julie Andrews: The Sound Of Christmas, which went on to win five Emmy Awards. Two years later, she was reunited for the third time with Carol Burnett for a variety special which aired on ABC in December 1989.

In 1991, Andrews made her television dramatic debut in the ABC made-for-TV film, Our Sons, co-starring Ann-Margret. Andrews was named a Disney Legend within the year.

In the summer of 1992 Andrews starred in her first television sitcom, Julie, which aired on ABC and co-starred James Farentino. In December 1992 she hosted the NBC holiday special, Christmas In Washington.

In 1993, she starred in a limited run at the Manhattan Theatre Club in the American premiere of Stephen Sondheim's revue, Putting It Together. Between 1994 and 1995 Andrews recorded two solo albums – the first saluted the music of Richard Rodgers and the second paid tribute to the words of Alan Jay Lerner. In 1995, she starred in the stage musical version of Victor/Victoria. It was her first appearance in a Broadway show in 35 years. Opening on Broadway on 25 October 1995 at the Marquis Theatre, it later went on the road on a world tour. When she was the only Tony Award nominee for the production, she declined the nomination saying that she could not accept because she felt the entire production was snubbed.^[42]

Andrews was forced to quit the show towards the end of the Broadway run in 1997 when she developed vocal problems. She subsequently underwent surgery to remove non-cancerous nodules from her throat and was left unable to sing.^[2] In 1999 she filed a malpractice suit against the doctors at New York's Mount Sinai Hospital, including Dr. Scott Kessler and Dr. Jeffrey Libin, who had operated on her throat. Originally, the doctors assured Andrews that she should regain her voice within six weeks, but Andrews' stepdaughter Jennifer Edwards said in 1999 "it's been two years, and it [her singing voice] still hasn't returned."^[43] The lawsuit was settled in September 2000.^[44]

Despite the loss of her singing voice, she kept busy with many projects. In 1998, she appeared in a stage production of Dr. Dolittle in London. As recounted on the Julie Andrews website, she performed the voice of Polynesia the parrot and "recorded some 700 sentences and sounds, which were placed on a computer chip that sat in the mechanical bird's mouth. In the song "Talk To The Animals," Polynesia the parrot even sings."

The next year Andrews was reunited with James Garner for the CBS made-for-TV film, One Special Night, which aired in November 1999.

In the 2000 New Year Millennium Honours List, Andrews was made a Dame Commander of the Order of the British Empire (DBE) for services to the performing arts. She also appears at No.59 on the 2002 List of "100 Greatest Britons" sponsored by the BBC and chosen by the public.^[45]

In 2001, Andrews received Kennedy Center Honors. The same year she reunited with Sound of Music co-star Christopher Plummer in a live television performance of On Golden Pond (an adaptation of the 1979 play).

Career revival[link]

In 2001, Andrews appeared in The Princess Diaries, her first Disney film since 1964's Mary Poppins. She starred as Queen Clarisse Marie Renaldi and reprised the role in a sequel, The Princess Diaries 2: Royal Engagement (2004). In The Princess Diaries 2, Andrews sang on film for the first time since having throat surgery. The song, "Your Crowning Glory" (a duet with Teen idol Raven-Symoné), was set in a limited range of an octave to accommodate her recovering voice.^[46] The film's music supervisor, Dawn Soler, recalled that Andrews, "nailed the song on the first take. I looked around and I saw grips with tears in their eyes."^[46]

Andrews continued her association with Disney when she appeared as the nanny in two 2003 made-for-television films based on the Eloise books, a series of children's books by Kay Thompson about a child who lives in the Plaza Hotel in New York City. Eloise at the Plaza premiered in April 2003, and Eloise at Christmastime was broadcast in November 2003. The same year she made her debut as a theatre director, directing a revival of The Boy Friend, the musical in which she made her 1954 Broadway debut, at the Bay Street Theatre in Sag Harbor, New York. Her production, which featured costume and scenic design by her former husband Tony Walton, was remounted at the Goodspeed Opera House in 2005 and went on a national tour in 2006.

From 2005 to 2006 Andrews served as the Official Ambassador for Disneyland's 18-month-long, 50th anniversary celebration, the "Happiest Homecoming on Earth", travelling to promote the celebration, and recording narration and appearing at several events at the park.

In 2004 Andrews performed the voice of Queen Lillian in the animated blockbuster Shrek 2 (2004), reprising the role for its sequels, Shrek the Third (2007) and Shrek Forever After (2010). Later, in 2007, she narrated Enchanted, a live-action Disney musical comedy that both poked fun and paid homage to classic Disney films such as Mary Poppins.

In 2004, she also was the host/narrator of "Broadway: The American Musical", a six part PBS documentary series about the history of Musical Theater in America.

In January 2007 Andrews was honoured with the Lifetime Achievement Award at the Screen Actors Guild's awards and stated that her goals included continuing to direct for the stage and possibly to produce her own Broadway musical.^[40] She published Home: A Memoir of My Early Years, which she characterised as "part one" of her autobiography, on 1 April 2008. Home chronicles her early years in Britain's music hall circuit and ends in 1962 with her winning the role of Mary Poppins. For a Walt Disney video release she again portrayed Mary Poppins and narrated the story of The Cat That Looked at a King in 2004.

In July through early August 2008, Andrews hosted Julie Andrews' The Gift of Music, a short tour of the United States^[47] where she sang various Rodgers and Hammerstein songs and symphonised her recently published book, Simeon's Gift. These were her first public singing performances in a dozen years, due to her failed vocal cord surgery.^[48]

On 8 May 2009, Andrews received the honorary George and Ira Gershwin Award for Lifetime Achievement in Music at the annual UCLA Spring Sing competition in Pauley Pavilion. Receiving the award she remarked, "Go Bruins. Beat SC ... strike up the band to celebrate every one of those victories."

2010–present[link]

In January 2010, Andrews was the official USA presenter of the New Year's Day Vienna concert.^[49] This was her second appearance in this role, after presenting the previous year's concert.^[50] Andrews also had a supporting role in the film Tooth Fairy, which opened to unfavourable reviews^[51] although the box office receipts were successful.^[52] On her promotion tour for the film, she also spoke of Operation USA and the aid campaign to the Haiti disaster.^[53]

On 8 May 2010, Andrews made her London comeback after a 21-year absence (her last performance there was a Christmas concert at the Royal Festival Hall in 1989). She performed at the O2 Arena, accompanied by the Royal Philharmonic Orchestra and an ensemble of five performers.^[54] Previous to it she appeared on British television (on 15 December 2009 and on many other occasions), and said that rumours that she would be singing were not true. Instead, she said she would be doing a form of "speak singing".^[55] However in the concert she actually sang two solos and several duets and ensemble pieces. The evening, though well received by the 20,000 fans present, who gave her standing ovation after standing ovation,^[56] did not convince the critics.^[57]

On 18 May 2010, Andrews' 23rd book (this one also written with her daughter Emma) was published. In June 2010 the book, entitled The Very Fairy Princess, reached number 1 on the New York Times Best Seller List for Children's Books.^[58]

On 21 May 2010, her film Shrek Forever After was released; in it Andrews reprises her role as the Queen.^[59]

On 9 July 2010, Despicable Me, an animated film in which Andrews lent her voice to Marlena, the thoughtless and soul-crushing mother of the main character Gru, voiced by Steve Carell), opened to rave reviews^[60] and strong box office.^[61]

On 28 October 2010, Andrews appeared, along with the actors who portrayed the cinematic Von Trapp family members, on Oprah to commemorate the film's 45th anniversary.^[62][63] A few days later, her 24th book, Little Bo in Italy, was published.^[64]

On 15 December 2010, Andrews' husband Blake Edwards died at the age of 88, of complications of pneumonia at the Saint John's Health Center in Santa Monica, California. Andrews was by her husband's side when he died.^[65][66]

In February 2011, Andrews received a Grammy Lifetime Achievement Award and, with her daughter Emma, a Grammy for best spoken word album for children (for A Collection of Poems, Songs and Lullabies), at the 53rd Grammy Awards ceremony.^[67][68]

Filmography[link]

Film[link]

Television[link]

Stage[link]

Honours[link]

Bibliography[link]

Andrews has published books under her name as well as the pen names Julie Andrews Edwards and Julie Edwards.

• Andrews, Julie. Home: A Memoir of My Early Years (2008) Hyperion ISBN 0-7868-6565-2
• Andrews, Julie and Emma Walton Hamilton (Authors) and Christine Davenier (Illustrator). Very Fairy Princess. Little Browne 2010. ISBN 978-0-316-04050-1.
• Andrews, Julie and Emma Walton Hamilton (Authors) and James McMullan (Illustrator). Julie Andrews' Collection of Poems, Songs, and Lullabies. Little Brown 2009. ISBN 978-0-316-04049-5.
• Edwards, Julie Andrews (Author) and Judith Gwyn Brown (Illustrator). Mandy. Harper & Row, 1971. ISBN 0-06-440296-7.
• Edwards, Julie Andrews (Author) and Johanna Westerman (Illustrator). "Mandy: 35th Anniversary Edition". HarperCollins, 2006. ISBN 0-06-113162-8.
• Edwards, Julie. The Last of the Really Great Whangdoodles. New York: Harper and Row. 1974. ISBN 0-00-184461-X.
• Edwards, Julie Andrews. Little Bo: The Story of Bonnie Boadicea. Hyperion, 1999. ISBN 0-7868-0514-5. (several others in this series.)
• Edwards, Julie Andrews and Emma Walton Hamilton. Dumpy the Dumptruck']. Hyperion, 2000. ISBN 0-7868-0609-5. (several others in the Dumpy series.)
• Edwards, Julie Andrews and Emma Walton Hamilton, (Authors). Gennady Spirin (Illustrator). Simeon's Gift. 2003. ISBN 0-06-008914-8.
• Edwards, Julie Andrews and Emma Walton Hamilton. Dragon: Hound of Honor. HarperTrophy, 2005. ISBN 0-06-057121-7.
• Edwards, Julie Andrews and Emma Walton Hamilton (Authors) and Tony Walton (Illustrator). The Great American Mousical. HarperTrophy, 2006. ISBN 0-06-057918-8.
• Edwards, Julie Andrews and Emma Walton Hamilton. Thanks to You: Wisdom from Mother and Child. Julie Andrews Collection, 2007. ISBN 0-06-124002-8.

References[link]

External links[link]

Wikimedia Commons has media related to: Julie Andrews

Wikiquote has a collection of quotations related to: Julie Andrews

• Footage of Julie Andrews, aged 13, singing for King George VI
• Julie Andrews at the Internet Movie Database
• Julie Andrews at the TCM Movie Database
• Julie Andrews at the Internet Broadway Database
• Julie Andrews at the Internet Off-Broadway Database
• Julie Andrews at AllRovi
• Julie Andrews discography at Discogs
• Julie Andrews: Prim and Improper
• The American Musical, Stars Over Broadway – Julie Andrews (PBS)
• Julie Andrews at the British Film Institute's Screenonline
• Works by or about Julie Andrews in libraries (WorldCat catalog)
• Young Julie Andrews on What's My Line?
• Julie Andrews at Emmys.com
• Official site for The Very Fairy Princess by Julie Andrews and Emma Walton Hamilton

Dame Shirley Bassey
Shirley Bassey at Wembley Arena, 2006
Background information
Birth name	Shirley Veronica Bassey
Born	(1937-01-08) 8 January 1937 (age 75) Tiger Bay, Cardiff, Wales
Genres	Popular music
Occupations	Singer
Instruments	Vocals
Years active	1953–present
Labels	Philips, Columbia, United Artists, Decca, Geffen
Website	www.dameshirleybassey.com

Dame Shirley Bassey, DBE (born 8 January 1937^[1]), is a Welsh singer. She found fame in the mid-1950s and was "one of the most popular female vocalists in Britain during the last half of the 20th century".^[2][3] In the US, in particular, she is best known for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979) and is the only artist to record more than one Bond theme song. Bassey is also a UNESCO Artist for Peace.^[2][4][5]

Birth to 1959[link]

"Born above a brothel in a docklands slum",^[6] Shirley Veronica Bassey was the sixth and last child of Eliza Jane Start^[7] and Henry Bassey in Tiger Bay, Cardiff, Wales (now called Cardiff Bay), of paternal Nigerian and maternal English descent.^[2][8][9] Bassey's mother also had four children from previous relationships, two of whom lived in the Bassey household. Eliza had married previously, to Alfred Metcalfe, and upon her marriage to Bassey, Eliza Jane Metcalfe listed Alfred Metcalfe as her father on the marriage registry. It has thus been theorized that she never divorced Alfred, and that her marriage to Bassey was bigamous.^[10] Eliza and Henry's second child died in infancy, so Shirley was born into a household of three sisters, two half-sisters, and one brother.^[11] A year later her father was arrested and charged with having sex with a minor, was tried, imprisoned for five years, then deported.^[12] After Henry's arrest, Eliza and the children moved to the nearby steelworking district of Splott.^[13]

As a preteen attending Moorland Road School, Bassey's strong voice was noticed by teachers and students alike, though without encouragement: "...everyone told me to shut up. Even in the school choir the teacher kept telling me to back off till I was singing in the corridor! [A classmate] recalled her singing 'Can't help lovin' that man of mine' from Showboat with such feeling that she made [their] teacher uncomfortable."^[14] After leaving Splott Secondary Modern School at the age of 14, Bassey first found employment packing at a local factory while singing in local public houses and clubs in the evenings and weekends.^[15]

In 1953, Bassey signed her first professional contract, to sing in a touring variety show Memories of Jolson, a musical based on the life of Al Jolson.^[16] She next took up a professional engagement in Hot from Harlem, which ran until 1954. By this time Bassey had become disenchanted with show business, and had become pregnant at 16 with her elder daughter, Sharon—the father has not been identified—^[6] so she went back to waiting tables in Cardiff.

In 1955, a chance recommendation to Michael Sullivan, a booking agent, put Bassey firmly on course for her destined career. He saw talent in Bassey, and decided he would make her a star. She toured various theatres until she was seen by Jack Hylton whose interest in her put her firmly on the road to stardom. He invited her to star in Al Read's Such Is Life at the Adelphi Theatre in London's West End. During the show's run, Philips A&R and record producer Johnny Franz spotted her on television, was impressed, and offered her a recording deal. Bassey recorded her first single, entitled "Burn My Candle", and Philips released it in February 1956, when Bassey was 19. Owing to the suggestive lyrics, the BBC banned it, but it sold well nonetheless, backed with her powerful rendition of "Stormy Weather". Further singles followed, and in February 1957, Bassey had her first hit with "The Banana Boat Song", which reached No. 8 in the UK Singles Chart.^[17] During that year, she also recorded under the direction of American producer Mitch Miller in New York for the Columbia label, producing the single "If I Had a Needle and Thread" b/w "Tonight My Heart She Is Crying". She then travelled to Las Vegas to make her American stage début at El Rancho Vegas.^[18] In mid-1958, she recorded two singles that would become classics in the Bassey catalogue. "As I Love You" was released as the B-side of another ballad, "Hands Across the Sea"; it did not sell well at first, but after a chance appearance at the London Palladium things began to pick up. In January 1959, it reached No. 1 and stayed there for four weeks. It thus became the first number 1 single by a Welsh artist.^[19] Bassey also recorded "Kiss Me, Honey Honey, Kiss Me" at this point, and while "As I Love You" raced up the charts, so too did this record, with both songs being in the top three at the same time. A few months later, Bassey signed to EMI's Columbia label, and the second phase in her recording career had begun.

1960 to 1979[link]

In the early and mid-1960s, Bassey had numerous hits on the UK charts, and five albums in the Top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached No. 2, and had a chart run of 30 weeks.^[5] On 13 November 1960, Bassey made her début performance on American television, appearing on The Ed Sullivan Show.^[20] In 1962, Bassey's collaboration with Nelson Riddle and his orchestra produced the album Let's Face the Music (No. 12) and the single "What Now My Love" (No. 5). Other Top Ten hits of the period included her second No. 1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963.^[17] During this period, Bassey appeared on the cover of Ebony magazine, and sang at a Washington gala celebrating the end of President Kennedy's second year in office.^[21]

In 1965, Bassey enjoyed her only U.S. Top 40 Billboard Hot 100 hit with the title song of the James Bond film, Goldfinger. The single peaked at No. 8, while the original soundtrack of Goldfinger hit No. 1 in the U.S. that same year. Also in 1965, she sang the title track for the spoof James Bond film The Liquidator, and had a Top 20 live album recorded during a sell-out run at London's Pigalle.

From 1964 onwards the "Goldfinger" single had a lasting impact on her career: writing for the sleeve notes of Bassey's 25th Anniversary Album, Clayton (1978) notes that: "Acceptance in America was considerably helped by the enormous popularity of ("Goldfinger")...But she had actually established herself there as early as 1961, in cabaret in New York. She was also a success in Las Vegas...'I suppose I should feel hurt that I've never been really big in America on record since "Goldfinger"...But, concertwise, I always sell out.'..."^[22] This was reflected in the fact that Bassey had only one solo LP to reach the Top 20 in a US chart (R&B, Live at Carnegie Hall), and she was technically a one-hit wonder, making only one appearance in the Top 40 of the Billboard Hot 100, "Goldfinger". But in the aftermath of "Goldfinger" her UK sales started to falter as well: only two of her singles would enter the UK Top 40 until 1970. She had signed to United Artists, and her first album on that label, 1966's I've Got a Song for You, spent one week on the chart; from there until 1970, only two albums would chart, one of those a compilation. In 1967 came the release of one of her best-known singles "Big Spender", although it charted just outside the UK Top 20.^[17]

Bassey started living as a tax exile in 1968, and was not permitted to work in Britain for almost two years.^[9][23] Also in 1968, at the Sanremo Festival in Italy, she performed "La vita", an Italian song by Bruno Canfora and Antonio Amurri, with some lyrics re-written in English by Norman Newell for her performance. Her version of the song with chorus sung in Italian became a Top 40 hit on the Italian chart, and Bassey recorded several songs in Italian, some appearing on a 1968 Italian album titled La vita.^[24] (Later, Newell would write English lyrics for the rest of "La vita", and the result was "This Is My Life".) But her UK sales continued to suffer.

Bassey performing in Germany in 1973

Bassey's UK comeback came in 1970, leading to one of the most successful periods of her career. In this year, she returned to the UK with a record breaking run of performances at the Talk of the Town nightclub. Also in that year, she released the album Something, which showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the single of the same name was more successful in the UK charts than the original Beatles recording - the only artist to have achieved this), though Bassey would never completely abandon what had been her forte, standards, show tunes, and torch songs. "Something" was also a Top 10 U.S. hit on the Adult Contemporary chart. Other singles of this period included the top ten hit "Never Never Never" (1973) – the latter reaching the Top 10 in the U.S. Adult Contemporary Chart, the UK Top 10 and and number one in Australia and South Africa. The success of "Something" (single No. 4, album No. 5) spawned a series of successful albums on the UA label, including Something Else (1971), And I Love You So (1972), I Capricorn (1972), Never Never Never (1973), Good, Bad but Beautiful (1975), Love, Life and Feelings (1976), You Take My Heart Away (1977) and Yesterdays (1978). Bernard Ighner wrote and duetted with Bassey for the track "Davy" on the Nobody Does It Like Me album (1974). Additionally, two of Bassey's earlier LPs entered the charts, 1967's And We Were Lovers (re-issued as Big Spender), and 1962's Let's Face the Music (re-issued as What Now My Love). Two compilations, The Shirley Bassey Singles Album (1975) and 25th Anniversary Album (1978) both made the UK top three: The Shirley Bassey Singles Album her highest charting album at number two and earning a gold disc, and 25th Anniversary Album going platinum.^[17][25]

Between 1970 and 1979, Bassey had 18 hit albums in the UK Albums Chart.^[5] Her 1978 album The Magic Is You featured a portrait by the photographer, Francesco Scavullo. In 1973, her sold-out concerts at New York's Carnegie Hall were recorded and released as a two-LP set, Shirley Bassey: Live at Carnegie Hall. This album and the majority of her recordings from this period have been re-mastered and released on CD by EMI and BGO Records. In 1971, she recorded the theme song for Diamonds Are Forever. The recording featured as part of Sydney, Australia's 2007 New Year's celebration.

Bassey appeared on the Morecambe and Wise Christmas Show, broadcast on Christmas Day in 1971.^[26] In 1976, Bassey starred in the six-episode The Shirley Bassey Show, the first of her television programs for the BBC, followed by a second series of six episodes in 1979. The final show of the first series was nominated for the Golden Rose of Montreux in 1977. The series featured guests including Neil Diamond, Michel Legrand, The Three Degrees and Dusty Springfield; filmed in various locations throughout the world as well as in the studio. In 1978, Bassey pleaded guilty to being drunk and disorderly "after shouting abuse in the street and pushing a policeman".^[4] Bassey closed out the decade with her third title theme for the Bond films, Moonraker (1979).

1980 to 1999[link]

Throughout most of the 1980s, Bassey focused on charitable work and performing occasional concert tours throughout Europe, Australia, and the United States, having ended her contract with EMI-United Artists and taking what she referred to as 'semi-retirement'. In 1982 Bassey recorded an album entitled All by Myself and made a TV special for Thames Television called A Special Lady with guest Robert Goulet. In 1983 she recorded a duet with Alain Delon, "Thought I'd Ring You", which became a hit single in Europe. Bassey was now recording far less often but released an album in 1984 of her most famous songs, I Am What I Am, performed with the London Symphony Orchestra conducted by Carl Davis. In 1986, she released a single and video to support the London Tourist Board, "There's No Place Like London", co-written by Lynsey de Paul and Gerard Kenny. In 1987 she recorded an album of James Bond themes, The Bond Collection, but was apparently unhappy with the results so she declined to release it. (Five years later it was released anyway, Bassey sued in court, and all unsold copies were withdrawn).^[27] Also in 1987, Bassey provided vocals for Swiss artists Yello on "The Rhythm Divine", a song co-written by Scottish singer Billy Mackenzie.^[2] In 1989, she released an album sung entirely in Spanish, La Mujer. In the latter mid-1980s Bassey had started working with a vocal coach, a former opera singer, and her 1991 album Keep the Music Playing displayed a grand, operatic pop style on several songs (perhaps also influenced by her album with the LSO seven years earlier).

In 1994 EMI released the five-CD box set Bassey – The EMI/UA Years 1959 – 1979. The accompanying booklet opened with a poem by Marc Almond. In 1996, Bassey collaborated with Chris Rea in the film La Passione, appearing in the film as herself and releasing the single "'Disco' La Passione". The remix of this single proved a major club hit throughout Europe^{[citation needed]}, though charting just outside the UK top 40.^[17] Bassey released a new recording the following year, "History Repeating", written for her by the Propellerheads and scoring a No. 1 on the UK Dance Chart, and No. 10 on the US Dance Chart.^[28] It was also a top ten hit in Italy.^[24] The liner notes of the Propellerheads' album Decksandrumsandrockandroll included the lines "We would like to extend our maximum respect to Shirley Bassey for honouring us with her performance. We are still in shock ..." Bassey celebrated her 60th birthday in 1997 with two open-air concerts, at Castle Howard and Althorp Park, and another TV special. The resulting live album The Birthday Concert received a Grammy Award nomination for Best Traditional Pop Vocal Performance.^[29] On 7 October 1998 in Egypt, Bassey performed for a benefit at an open air concert close to the Sphinx and the Great Pyramid.

In the 1998 film Little Voice, Bassey was one of three central figures along with Marilyn Monroe and Judy Garland, and Bassey's track "Goldfinger" featured in the movie. Jane Horrocks, the lead actress in the film, went on to impersonate Bassey both on record and television, as well as during a UK tour.

In 1998 Bassey was sued in a breach of contract case by her former personal assistant, who also accused Bassey of hitting her and making an ethnic slur. Bassey won the case.^[4] The episode was lampooned by Alexander Baron in his one-act play, The Trial of Shirley Bassey.

The following year, she performed the official song for the rugby World Cup, "World in Union", with Bryn Terfel at the opening ceremony at The Millennium Stadium, Cardiff, wearing a gown designed on the Welsh flag. Their single made the Top 40, and Bassey contributed two more songs to the official album Land of My Fathers, which reached No. 1 on the UK compilations chart, and went silver.^[25][30]

2000 to date[link]

In 2001, Bassey was principal artiste at the Duke of Edinburgh's 80th Birthday celebration. On 3 June 2002 Shirley Bassey was one of a prestigious line up of artists including Elton John, Paul McCartney, Queen, The Corrs, Annie Lennox, Eric Clapton, Tony Bennett, Cliff Richard, Joe Cocker, Rod Stewart, Ricky Martin, Phil Collins and Tom Jones who performed at the Queen’s 50th Jubilee Party at Buckingham Palace. Then, in 2003, Bassey celebrated 50 years in show business, releasing the CD Thank You for the Years, which was another Top 20 album. A gala charity auction of her stage costumes at Christie's, Dame Shirley Bassey: 50 Years of Glittering Gowns, raised £250,000 (US$500,000) for the Dame Shirley Bassey Scholarship at the Royal Welsh College of Music and Drama and the Noah's Ark Children's Hospital Appeal.^[31] Bassey topped the bill at the 2005 Royal Variety Performance, introducing her new song "The Living Tree".

Two popular Audiences with Shirley Bassey have aired on British television, one in 1995 that attracted more than 10 million viewers in the UK, with the most recent in 2006. Bassey returned to perform in five arenas around the UK in June the same year, culminating at Wembley. She also performed a concert in front of 10,000 people at the Bryn Terfel Faenol Festival in North Wales broadcast by BBC Wales.

Marks & Spencer signed her for their Christmas 2006 James Bond-style television advertising campaign. Bassey is seen in a glamorous Ice Palace singing a cover version of Pink's song "Get the Party Started", wearing an M&S gown.

"The Living Tree", written, produced and originally recorded by the group Never the Bride, was released as a single on 23 April 2007, marking Bassey's 50th anniversary in the UK Singles Chart – and the record for the longest span of Top 40 hits in UK chart history.^[5] Bassey performed a 45 minute set at the 2007 Glastonbury Festival wearing a pink Julien Macdonald dress, and customised Wellington boots.^[32] A new album, Get the Party Started, was subsequently released on 25 June 2007 and entered the UK Albums Chart at No. 6.^[17] The single of the title song reached No. 3 on the U.S. Dance Chart.^[33] The same year, Bassey performed "Big Spender" with Elton John at his annual White Tie and Tiara Ball to raise money for The Elton John AIDS Foundation.^[34] In 2007, Bassey performed in Fashion Rocks in aid of The Prince's Trust at the Royal Albert Hall.

From left to right: Sting, Debbie Harry, Lady Gaga, Elton John, Bassey and Bruce Springsteen at Carnegie Hall 2010

She was rushed to hospital in Monaco on 23 May 2008 to have an emergency operation on her stomach after complaining of abdominal pains. She was forced to pull out of the Nelson Mandela 90th Birthday Tribute concert because of her illness.^[35] A biography, Diamond Diva, was published in 2008. In 2009 her granddaughter appeared on The X Factor.^[36]

In 2009, Bassey recorded the album, The Performance, with James Bond composer David Arnold as co-producer (with Mike Dixon). A number of artists wrote songs expressly for Bassey, including Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Nick Hodgson of the Kaiser Chiefs, John Barry and Don Black.

Bassey headlined at the BBC Electric Proms on 23 October 2009, in her only full live set of 2009.^[4][37]

In November 2009, she performed several of the new songs from The Performance on various TV shows: The Graham Norton Show, The Paul O'Grady Show and as the guest singer on Strictly Come Dancing.

Bassey performed at the Rainforest Foundation Fund 21st Birthday concert at Carnegie Hall, New York City on 13 May 2010.

On 30 March 2011, Bassey performed at a gala celebrating the 80th birthday of Mikhail Gorbachev.^[38] She also performed at the Classical Brit Awards in 2011, singing "Goldfinger" in tribute to John Barry.^[39]

On 21 May 2011, Bassey became the godmother of P&O Cruise's latest ship Adonia at the naming ceremony in Southampton, England.

On 20 June 2011, Bassey sang "Diamonds Are Forever" and "Goldfinger", accompanied by the Royal Philharmonic Orchestra, at the John Barry Memorial Concert the Royal Albert Hall in London.

On 29 September 2011, the BBC broadcast a 70 minute drama, entitled Shirley, depicting Bassey's early life and career.^[40] Ruth Negga played the title role.

Personal life[link]

Bassey has been married twice, her husbands being:

• Kenneth Hume (died 1967), a gay film producer, whom she married in 1961.^[6][41] The couple separated in 1964 and divorced in 1965, in the wake of the singer's affair with actor Peter Finch. Bassey then announced to the press that she and Finch would not be marrying, telling the press, "It simply wouldn't work out. Just now I am not ready for marriage to anyone. I feel I have to be free".^[42] A year later, Hume sued the actor and another man, John McAuliffe, for being "indiscreet" with the singer.^[43] Both Finch and McAuliffe were cited as co-respondents in the Hume-Bassey divorce.^[44] For her part, Bassey was named as co-respondent in 1965 when Finch's wife, South African actress Yolande Turner, divorced the actor.^[45]

• Sergio Novak, the assistant manager of the Excelsior Hotel in Rome, Italy. Bassey and Novak were married from 1968 until they divorced in 1979.^[46] Novak served as Bassey's manager throughout this time. With Novak she adopted her grand-nephew, Mark.^[8][9]

The fathers of Bassey's two daughters, Sharon Bassey (aka Sharon Novak, born 1954) and Samantha Bassey (aka Samantha Novak, born 1963), are unknown.^[47][48] However, Bassey's first husband suggested that Samantha, born during the couple's marriage, was the result of an affair between Bassey and Peter Finch. In 1965, according to an article in Jet, "There is a big dispute in London over who is the father of tempestuous singer Shirley Bassey's baby. Although one-time boy friend English actor Peter Finch agreed that the child may not belong to Shirley's divorced husband, Kenneth Hume, Finch insists it does not belong to him ... "^[43][49]

In 1985, Samantha Novak, age 21, was found dead in the River Avon in Bristol, England. Bassey has always maintained that the death of her daughter was not a suicide.^[4] On 24 March 2010, Avon and Somerset Police confirmed they were undertaking fresh inquiries into the death of Novak, and specifically claims that the convicted killer Michael Moffat was involved in her death.^[50] However, in October 2010 it was reported that the investigation came to an end and concluded that there "is no evidence of any criminal act involved" in Novak's death.^[51]

Bassey's granddaughter Tatjana Novak-Kimsey, daughter of the singer's one-time estranged son, Mark Novak, was a contestant on The X Factor.^[52] (In a 2009 interview, Bassey stated that she and her son had reconciled.)^[4]

Bassey has four grandsons through her daughter, Sharon Novak.^[53]

Bassey currently resides in Monte Carlo.

Awards and achievements[link]

"For services to entertainment", Bassey was created a Dame Commander of the Order of the British Empire (DBE) on 31 December 1999 by Queen Elizabeth II.^[54] She was invited to perform in 2002 at the Party at the Palace, a public celebration of the Queen's Golden Jubilee. She was awarded France's top honour, the Legion d'Honneur, to signify her popularity and importance in the culture of France.

• 1972 (1972) – Best Female Singer – TV Times
• 1973 (1973) – Best Female Singer – TV Times
• 1974 (1974) – Best Female Entertainer – American Guild of Variety Artists
• 1976 (1976) – Best Female Singer – Music Week
• 1976 (1976) – 22-day British tour to mark twenty years as a recording artist
• 1976 (1976) – EMI Award for twenty years as a recording artist – UK
• 1977 (1977) – Best British Female Solo Artist in the previous 25 years – BRIT Award
• 1977 (1977) – Golden Rose of Montreux nomination for The Shirley Bassey Show
• 1991 (1991) – Walk of Fame, Star Boulevard – plaque unveiled in Rotterdam^[55]
• 1993 (1993) – CBE – Commander of the Order of the British Empire
• 1995 (1995) – Showbusiness Personality of the Year – Variety Club of Great Britain
• 1997 (1997) – Grammy nomination – The Birthday Concert (recorded live at Althorp Park)
• 1998 (1998) – Longest run by a solo artist (ten shows) – Royal Festival Hall, London
• 1999 (1999) – Légion d'Honneur – France
• 1999 (1999) – Madam Tussaud's waxwork unveiled in London (second model in Las Vegas)
• 2000 (2000) – DBE – Dame Commander of the Order of the British Empire
• 2000 (2000) – Most Successful British Female Singer – Guinness Book of Records^{[citation needed]}
• 2003 (2003) – Outstanding Contribution to Music – National Music Awards, UK^[56]
• 2003 (2003) – Lifetime Achievement Award (inaugural award) – Western Mail Welsh Woman of the Year Awards^[57]
• 2004 (2004) – 100 Great Black Britons, Bassey voted into the top ten
• 2004 (2004) – Artist for Peace Award – UNESCO
• 2005 (2005) – Avenue of Stars – plaque unveiled in London
• 2008 (2008) – "Goldfinger" – United Artists single (1964) inducted into the Grammy Hall of Fame^[58]

Discography[link]

Bibliography[link]

• Miss Shirley Bassey - John L. Williams (2010)
• Shirley Bassey: Diamond Diva – Peter Hogan (2008)
• Cardiff: Rebirth of a Capital (Foreword by Shirley Bassey) – Ungersma, Hurn (2005)
• Shirley Bassey: Welsh History Stories – Evans, Stokes, ap Emlyn, ap Emlyn (2003)
• Shirley Bassey: An appreciation – Muriel Burgess (1998, reprinted 1999)
• My Life on Record and in Concert – Shirley Bassey (Bloomsbury, 1998)
• The Trial of Shirley Bassey – A Play in One Act – Alexander Baron (1998)
• Shirley Bassey: This Is My Life (Piano/vocal/guitar) – Sheet music book
• Shirley Bassey: You're the Voice (Piano/vocal/guitar) – Sheet music book
• Guinness Book of British Hit Singles – 14th Edition – ISBN 0-85156-156-X
• Guinness Book of British Hit Singles – 16th Edition – ISBN 0-85112-190-X
• Guinness Book of British Hit Albums – 7th Edition – ISBN 0-85112-619-7
• The Book of Golden Discs – 2nd Edition – ISBN 0-214-20512-6
• The Guinness Book Of 500 Number One Hits – ISBN 0-85112-250-7

See also[link]

	Book: Shirley Bassey
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• List of best-selling music artists

References[link]

External links[link]

Wikimedia Commons has media related to: Shirley Bassey

• Dame Shirley Bassey — official website
• Shirley Bassey discography at Discogs
• Shirley Bassey at the Internet Movie Database
• The Bassey Blog — fansite
• Diamond Bassey — fansite
• The Songs of Shirley Bassey (archived site) — interviews with Shirley Bassey, plus an extensive discography
• The Dame Shirley Bassey Message Board — forum fansite
• Shirleybassey.nl — extensive CD discography with tracklists
• Shirley Bassey biography on BBC Wales
• Event data as RDF