- published: 22 Aug 2016
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August Wenzinger (1905–1996) was a prominent cellist, viol player, conductor, teacher, and music scholar from Basel, Switzerland. He was a pioneer of historically informed performance, both as a master of the viola da gamba and as a conductor of Baroque orchestral music and operas.
Wenzinger received his basic musical training at the Basel Conservatory, then went on to study cello with Paul Grümmer and music theory with Philipp Jarnach at the Hochschule für Musik in Cologne. He then took private cello lessons with Emanuel Feuermann in Berlin. Wenzinger served as first cellist in the Bremen City Orchestra (1929–1934) and the Basel Allgemeine Musikgesellschaft (1936–1970).
By 1925 Wenzinger had mastered the viola da gamba, an instrument then usually considered obsolete. He joined the Kabeler Kammermusik (Kabel Chamber Music), a circle of musicians interested in authentic Baroque performance, sponsored by paper manufacturer Hans Eberhard Hoesch in Hagen, Germany. In 1930 he and flautist Gustav Scheck also founded the Kammermusikkreis Scheck-Wenziger (Scheck-Wenzinger Chamber Music Circle), considered the leading early music ensemble until the 1950s.
Jakob Stämpfli (23 February 1820 - 15 May 1879) was a Swiss politician and member of the Swiss Federal Council (1854-1863).
He was elected to the Federal Council of Switzerland on 6 December 1854, and handed over office on 31 December 1863. He was affiliated with the Free Democratic Party of Switzerland.
During his time in office he held the following departments:
Jakob Stämpfli was also member of the international tribunal that had to decide on the Alabama Claims in 1871.
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
August Wenzinger - Bach Suite Nos.1~3 for Solo Cello cat.# 33CDR-3546 / 33DSD-3546 transferred from BARENREITER-MUSICAPHON BM 30 L 1057/8A(Germany) (Recorded September 1960 for BWV1007 & BWV1008, June 1961 for BWV1009, Studio Dr. Thienhaus, Hamburg)
GEORG PHILIPP TELEMANN (1681-1767) Three Concertos From "Tafelmusik" 1. Concerto in A major I. Largo (at 0:10) II. Allegro (at 4:34) III. Gratioso (at 14:11) IV. Allegro (at 18:01) Hans-Martin Linde (flute) Thomas Brandis (violin) 2. Concerto in F major I. Allegro (at 27:57) II. Largo (at 33:36) III. Vivace (at 38:26) Eduard Melkus, Lars Frydén, Ernst Mayer-Schierning (violins I-III) 3. Concerto in E-flat major I. Maestoso (at 41:46) II. Allegro (at 45:00) III. Grave (at 50:26) IV. Vivace (at 52:57) Erich Penzel, Umberto Baccelli (horns I-II) SCHOLA CANTORUM BASILIENSIS (Eduard Müller, harpsichord) conducted by AUGUST WENZINGER Vinyl LP - "Archiv Produktion" Label - Catalogue number 2547 013-10
August Wenzinger - Bach Suite Nos.4~6 for Solo Cello cat.# 33CDR-3547 / 33DSD-3547 transferred from BARENREITER-MUSICAPHON BM 30 L 1058B/9(Germany) (Recorded June 1961 for BWV1010, September 1960 for BWV1011 & BWV1012, Studio Dr. Thienhaus, Hamburg)
Heinrich Schütz (1585-1672) Sacred Concerto for Bass, three Trombones & Continuo "Fili mi, Absalom" Slokar Trombone Quartet Jakob Stämpfli, Bass Jörg Ewald Dähler, Orgel Hannelore Müller, Viola da Gamba August Wenzinger, Viola da Gamba http://www.claves.ch Brass category: http://www.claves.ch/categories/brass Artist(s) collection: Jakob Stämpfli: http://www.claves.ch/artists/jakob-st%C3%A4mpfli Jörg Ewald Dähler: http://www.claves.ch/artists/j%C3%B6rg-ewald-d%C3%A4hler Slokar Trombone Quartet: http://www.claves.ch/artists/slokar-trombone-quartet Branimir Slokar: http://www.claves.ch/artists/branimir-slokar Album N°: CD 50-8402 EAN: 7619931840222 _________________ Find more: http://www.claves.ch/categories/brass/albums/german-baroque-music-for-trombones Buy this album: http://www.clav...
Please click on "more" for info about this 1953 single: Johann Sebastian Bach Brandenburg concerto nr.2 BWV 1047 Konzertgruppe der Schola Cantorum Basiliensis Conducted by: August Wenzinger (1905-1996) Archiv 45 RPM single Recorded January 4th 1953 1st movement: Allegro Soloists: Adam Zeyer, Tomba (the trumpet you hear!) Gustav Schreck, Recorder Helmut Winschermann, oboe Walter Kägi, violino concertato More info on August Wenzinger can be found on the video of the 2nd and 3rd movement: http://www.youtube.com/watch?v=YGuKpQCyHZ8 I de-clicked and eq-ed the record myself. For three years I have a website, where I post "out-of-copyright" (in the Netherlands) classical lp's and 78rpm's. It is updated every Friday: http://homepages.ipact.nl/~otterhouse E...
Melchior Franck (1573-1639) Six Dance Movements Aufzug, Pavana, Galliarda, Deutscher Tanz, Courante, Aufzug Slokar Trombone Quartet Jakob Stämpfli, Bass Jörg Ewald Dähler, Orgel Hannelore Müller, Viola da Gamba August Wenzinger, Viola da Gamba http://www.claves.ch Brass category: http://www.claves.ch/categories/brass Artist(s) collection: Jakob Stämpfli: http://www.claves.ch/artists/jakob-st%C3%A4mpfli Jörg Ewald Dähler: http://www.claves.ch/artists/j%C3%B6rg-ewald-d%C3%A4hler Slokar Trombone Quartet: http://www.claves.ch/artists/slokar-trombone-quartet Branimir Slokar: http://www.claves.ch/artists/branimir-slokar Album N°: CD 50-8402 EAN: 7619931840222 _________________ Find more: http://www.claves.ch/categories/brass/albums/german-baroque-music-for-trombones Buy this album: http://...
Claudio Monteverdi l'Orfeo (fragments) Helmut Krebs, Fritz Wunderlich, Hanni Mack-Cosack, Margot Guilleaume, Hildegard Wild Hamburg State Music Academy Chorus, Hitzacker Summer Festival 1955 Orchestra Conductor: August Wenzinger
Philipp Heinrich Erlebach (1657-1714): Suite No. 3 in C Major Kammermusikkreis Scheck-Wenzinger Recorded in October, 1938, in the Electrola Studios, Berlin, on 78-rpm matrices 2EA 3307 and 3308. Issued as Electrola (and in England as HMV) EH 1221. The piece is one of Six Ouvertures originally published in 1693, and played here in an edition by Max Seiffert, for recorder and strings. It is unclear whether this instrumentation is the original, or whether it is Seiffert's doing. It appears that what is played on this recording is merely a selection of movements - specifically the first, seventh, eighth, ninth, eleventh and twelfth. These are listed below: 1. Ouverture (fast portion begins at 1:18; the slow portion again at 1:55) 7. Air: Trio (at 2:22) 8. Air: Ballet (at 3:34) 9. Air: G...
August Wenzinger - Bach Suite Nos.1~3 for Solo Cello cat.# 33CDR-3546 / 33DSD-3546 transferred from BARENREITER-MUSICAPHON BM 30 L 1057/8A(Germany) (Recorded September 1960 for BWV1007 & BWV1008, June 1961 for BWV1009, Studio Dr. Thienhaus, Hamburg)
August Wenzinger - Bach Suite Nos.4~6 for Solo Cello cat.# 33CDR-3547 / 33DSD-3547 transferred from BARENREITER-MUSICAPHON BM 30 L 1058B/9(Germany) (Recorded June 1961 for BWV1010, September 1960 for BWV1011 & BWV1012, Studio Dr. Thienhaus, Hamburg)
Edith Mathis - Teresa Zylis-Gara - Caterina Alda - Paul Esswood - Eric Tappy Alfredo Mariotti Choeur du Festival de Montreux, Schola Cantorum Basiliensis Conductor: August Wenzinger
OBERLIN BAROQUE ENSEMBLE Marilyn McDonald, violin Catharina Meints, viol James Caldwell, viol Lisa Crawford, harpsichord with Doris Ornstein, harpsichord James Weaver, harpsichord and August Wenzinger, viol Producer: ROY CHRISTENSEN POSTADO PELA ASSOCIAÇÃO CULTURAL DA CASA DO FOLCLORE
OBERLIN BAROQUE ENSEMBLE Marilyn McDonald, violin Catharina Meints, viol James Caldwell, viol Lisa Crawford, harpsichord with Doris Ornstein, harpsichord James Weaver, harpsichord and August Wenzinger, viol Producer: ROY CHRISTENSEN POSTADO PELA ASSOCIAÇÃO CULTURAL DA CASA DO FOLCLORE
OBERLIN BAROQUE ENSEMBLE Marilyn McDonald, violin Catharina Meints, viol James Caldwell, viol Lisa Crawford, harpsichord with Doris Ornstein, harpsichord James Weaver, harpsichord and August Wenzinger, viol Producer: ROY CHRISTENSEN POSTADO PELA ASSOCIAÇÃO CULTURAL DA CASA DO FOLCLORE
OBERLIN BAROQUE ENSEMBLE Marilyn McDonald, violin Catharina Meints, viol James Caldwell, viol Lisa Crawford, harpsichord with Doris Ornstein, harpsichord James Weaver, harpsichord and August Wenzinger, viol Producer: ROY CHRISTENSEN POSTADO PELA ASSOCIAÇÃO CULTURAL DA CASA DO FOLCLORE
OBERLIN BAROQUE ENSEMBLE Marilyn McDonald, violin Catharina Meints, viol James Caldwell, viol Lisa Crawford, harpsichord with Doris Ornstein, harpsichord James Weaver, harpsichord and August Wenzinger, viol Producer: ROY CHRISTENSEN POSTADO PELA ASSOCIAÇÃO CULTURAL DA CASA DO FOLCLORE
Compositor: Tartini, Giuseppe (Pirano, Eslovênia, 08/04/1692 Pádua, Itália, 26/02/1770) Compositor: Nardini, Pietro (Livorno, Itália, 12/04/1722 - Florença, Itália, 07/05/1793) Interprete: Eduard Melkus, violin; Capella Academica Wien: August Wenzinger, condutor 01. Tartini: Violin Concerto In D - 1. Allegro 4:01 02. Tartini: Violin Concerto In D - 2. Intermezzo 0:30 03. Tartini: Violin Concerto In D - 3. Andante Cantabile 5:05 04. Tartini: Violin Concerto In D - 4. Allegro Assai 4:00 05. Tartini: Violin Concerto In G - 1. [Andante] 6:35 06. Tartini: Violin Concerto In G - 2. Largo, Andante 4:45 07. Tartini: Violin Concerto In G - 3. Presto 5:03 08. Nardini: Sonata In D - 1. Adagio 6:35 09. Nardini: Sonata In D - 2. Allegro 5:41 10. Nardini: Sonata In D - 3. Allegro 2:57 11. Nardini: V...
GEORG PHILIPP TELEMANN (1681-1767) Three Concertos From "Tafelmusik" 1. Concerto in A major I. Largo (at 0:10) II. Allegro (at 4:34) III. Gratioso (at 14:11) IV. Allegro (at 18:01) Hans-Martin Linde (flute) Thomas Brandis (violin) 2. Concerto in F major I. Allegro (at 27:57) II. Largo (at 33:36) III. Vivace (at 38:26) Eduard Melkus, Lars Frydén, Ernst Mayer-Schierning (violins I-III) 3. Concerto in E-flat major I. Maestoso (at 41:46) II. Allegro (at 45:00) III. Grave (at 50:26) IV. Vivace (at 52:57) Erich Penzel, Umberto Baccelli (horns I-II) SCHOLA CANTORUM BASILIENSIS (Eduard Müller, harpsichord) conducted by AUGUST WENZINGER Vinyl LP - "Archiv Produktion" Label - Catalogue number 2547 013-10
(00:00:00 - 00:21:19) Mache dich, mein Geist, bereit (BWV 115) No.1 - Coro: Mache dich, mein Geist, bereit No.2 - Aria (A): Ach schläfrige Seele No.3 - Recitativo (B): Gott, so vor deine Seele wacht No.4 - Aria (S): Bete aber auch dabei No.5 - Recitativo (T): Er sehnet sich nach unserm Schreien No.6 - Choral: Drum so laßt uns immerdar Arleen Augér - soprano • Helen Watts - alto • Lutz-Michael Harder - tenore • Wolfgang Schöne - basso • Bernhard Schmid - Cornetto • Peter-Lukas Graf - Flauto • Günther Passin - Oboe d’amore • Kurt Etzold - Fagotto • Walter Forchert - Violino August Wenzinger - Violoncello piccolo • Gerhard Mantel - Violoncello • Thomas Lom - Contrabbasso • Hans-Joachim Erhard - Organo (00:21:21 - 00:39:14) Du Friedefürst, Herr Jesu Christ (BWV 116) No.1 - Coro: Du Friedefü...
(00:00:00 - 00:16:46) Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (BWV 179) No.1 - Coro: Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei No.2 - Recitativo (T): Das heutge Christentum ist leider schlecht bestellt No.3 - Aria (T): Falscher Heuchler Ebenbild No.4 - Recitativo (B): Wer so von innen wie von außen ist No.5 - Aria (S): Liebster Gott, erbarme dich No.6 - Choral: Ich armer Mensch, ich armer Sünder Arleen Augér – soprano • Kurt Equiluz – tenore • Wolfgang Schöne – basso • Günther Passin, Hedda Rothweiler – Oboe, Oboe da Caccia • Kurt Etzold – Fagotto • Walter Forchert – Violino • Jürgen Wolf, Helmut Veihelmann (No. 5) – Violoncello • Thomas Lom – Contrabbasso • Martha Schuster, Hans-Joachim Erhard (No. 5) – Organo, Cembalo (00:16:49 - 00:40:01) Schmücke dich, o lieb...
(00:00:00 - 00:29:19) Himmelskönig, sei willkommen (BWV 182) No.1 - Sonata No.2 - Coro: Himmelskönig, sei willkommen No.3 - Recitativo (B): Siehe, ich komme No.4 - Aria (B): Starkes Lieben No.5 - Aria (A): Leget euch dem Heiland unter No.6 - Aria (T): Jesus, laß durch Wohl und Weh No.7 - Choral: Jesu, deine Passion No.8 - Coro: So lasset uns gehen in Salem der Freuden Doris Soffel – alto • Aldo Baldin – tenore • Philippe Huttenlocher – basso • Peter Thalheimer – Flauto dolce • Albert Boesen – Violino • Jürgen Wolf – Violoncello • Manfred Gräser – Contrabbasso • Joachim Eichhorn – Organo • Martha Schuster – Cembalo (00:29:20 - 00:43:50) Sie werden euch in den Bann tun (BWV 183) No.1 - Recitativo (B): Sie werden euch in den Bann tun No.2 - Aria (T): Ich fürchte nicht des Todes Schrecken N...