A coloratura soprano is a type of operatic soprano who specializes in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Some roles may be sung by either voice. For example, Donizetti's Lucia di Lammermoor was famously done at the Metropolitan Opera for many years by Lyric Coloratura Lily Pons, whose voice was quite small and light, but more recently the same role was sung by Ruth Ann Swenson whose voice is larger. Likewise, dramatic coloraturas have been extremely successful in singing the lighter roles. Categories within a certain voice range are determined by the size, weight and color of the voice.

A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C (C4) to "high F" (F6). Such a soprano is sometimes referred to as a soprano leggero if her vocal timbre has a slightly warmer quality. The soprano leggero also typically does not go as high as other coloraturas, peaking at a "high E" (E6).Bel canto roles were typically written for this voice, and a wide variety of other composers have also written coloratura parts. Baroque music, early music and baroque opera also have many roles for this voice.

Diana Damrau (born 31 May 1971 in Günzburg, Bavaria) is a German soprano opera singer.

Diana Damrau was born in 1971 in Günzburg, Bavaria, Germany, and began her operatic studies with Carmen Hanganu at the Musikhochschule in Würzburg. After graduating from music conservatory she worked in Salzburg with Hanna Ludwig. Her first operatic engagements were in Würzburg and subsequently the National Theatre Mannheim and Oper Frankfurt. Since then, she has sung throughout the world at venues such as the Vienna State Opera, the Metropolitan Opera New York, the Royal Opera House, the Bavarian State Opera and the Salzburg Festival. She was invited to sing the title role in Antonio Salieri's Europa riconosciuta at the re-opening of La Scala, Milan in 2004, under the baton of Riccardo Muti.

The Queen of the Night from Mozart's The Magic Flute has been Damrau's most frequently performed role to date, as she has been engaged to perform it in over 15 productions at houses including Covent Garden, the Salzburg Festival, the Vienna State Opera, Oper Frankfurt and the Bavarian State Opera, Munich. Damrau made Metropolitan Opera history in the 2007/2008 season by appearing as both Pamina and Queen of the Night in the same run, but different performances. Other coloratura roles in her repertoire include Zerbinetta, Lucia, Elvira, Rosina, Gilda, Adina, Marie and Aminta. She also performs roles in the lyric repertoire including Manon, Donna Anna, Gretel and Pamina.

Anna Yuryevna Netrebko (Russian: Анна Юрьевна Нетребко, born 18 September 1971) is a Russian operatic soprano. She now holds dual Russian and Austrian citizenship and currently resides in Vienna. She has been nicknamed "La Bellissima" by fans.

Netrebko was born in Krasnodar (Russia), in a family of Kuban Cossack background. While a student at the Saint Petersburg conservatoire, Netrebko worked as a janitor at Saint Petersburg's Mariinsky Theatre. Later, she auditioned for the Mariinsky Theatre, where conductor Valery Gergiev recognized her from her prior work in the theater. He subsequently became her vocal mentor. Under Gergiev's guidance, Netrebko made her operatic stage debut at the Mariinsky at age 22, as Susanna in Le nozze di Figaro. She went on to sing many prominent roles with the Kirov Opera, including Amina in La sonnambula, Pamina in Die Zauberflöte, Rosina in Il Barbiere di Siviglia, and Lucia in Lucia di Lammermoor.

In 1994, she sang the Queen of the Night in Die Zauberflöte with the Riga Independent Opera Avangarda Akadēmija under conductor David Milnes.

Dame Joan Alston Sutherland, OM, AC, DBE (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano noted for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.

One of the most remarkable female opera singers of the 20th century, she was dubbed La Stupenda by a La Fenice audience in 1960 after a performance of the title role in Handel's Alcina. She possessed a voice of beauty and power, combining extraordinary agility, accurate intonation, "supremely" pinpoint staccatos, a splendid trill and a tremendous upper register, although music critics often complained about the imprecision of her diction. Her friend Luciano Pavarotti once called Sutherland the "Voice of the Century"; Montserrat Caballé described the Australian's voice as being like "heaven".

Joan Sutherland was born to Scottish parents in Sydney, and attended St Catherine's School in the suburb of Waverley, New South Wales. As a child, she listened to and imitated her mother's singing exercises. Her mother, a mezzo-soprano, had taken voice lessons but never considered making a career as a professional singer. Sutherland was 18 years old when she began seriously studying voice with John and Aida Dickens. She made her concert debut in Sydney, as Dido in Purcell's Dido and Aeneas, in 1947. In 1951, she made her stage debut in Eugene Goossens's Judith. In 1951, after winning Australia's most important competition, the Sun Aria, now known as the Sydney Eisteddfod McDonald's Operatic Aria in 1949. She then went to London to further her studies at the Opera School of the Royal College of Music with Clive Carey. She was engaged by the Royal Opera House, Covent Garden, as a utility soprano, and made her debut there on 28 October 1952, as the First Lady in The Magic Flute, followed in November by a few performances as Clotilde in Vincenzo Bellini's Norma, with Maria Callas as Norma.

Reinhold Glière (11 January 1875 [O.S. 30 December 1874] – 23 June 1956) was a Russian and Soviet composer of German–Polish descent.

His name has appeared in different forms:

Glière was born in Kiev, Russian Empire. He was the second son of the wind instrument maker Ernst Moritz Glier (1834–1896) from Saxony (Klingenthal), who emigrated to the Russian Empire and married Józefa (Josephine) Korczak (1849–1935), the daughter of his master, from Warsaw, Poland. His original name, as given in his baptism certificate, was Reinhold Ernest Glier. About 1900 he changed the spelling and pronunciation of his surname to Glière, which gave rise to the legend, stated by Leonid Sabaneyev for the first time (1927), of his French or Belgian descent.