Viva Maria! is a 1965 comedy-adventure film starring Brigitte Bardot and Jeanne Moreau as two women named Maria who meet and become revolutionaries in the early 20th century. It also starred George Hamilton as Florès, a revolutionary leader. It was co-written and directed by Louis Malle, and filmed in Eastman Color. It was released in both French and an English-dubbed version.

It's 1907 in a Central American country called San Miguel. Maria II (Brigitte Bardot), the daughter of an Irish Republican anarchist, meets Maria I (Jeanne Moreau), the singer of a circus. After her father dies, Maria II hides in the circus where she sees Maria I's partner commit suicide after a failed love affair. Both Marias agree to form a theatrical team.

In her debut as a singer Maria II accidentally invents striptease, an action that lets the circus achieve great fame. Shortly afterwards the Marias meet Florès (George Hamilton), a socialist revolutionary. He invites them to join his cause, a revolution against "El Dictador" (José Ángel Espinoza). But Florès is soon shot. On his deathbed he makes Maria I promise to carry through with his cause and she agrees. Though at first reluctant to acquiesce to Florès' and Maria I's endeavor, Maria II joins the cause when she comes to the aid of her vulnerable friend.

Brigitte Anne-Marie Bardot ( /ˈbrɪdʒɨt bɑrˈdoʊ/; French: [bʁiʒit baʁdo]; born 28 September 1934) is a former French fashion model, actress, singer and animal rights activist. She was one of the best-known sex symbols of the 1960s. Starting in 1969, Bardot's features became the official face of Marianne (who had previously been anonymous) to represent the liberty of France.

Bardot was an aspiring ballet dancer in early life. She started her acting career in 1952 and, after appearing in 16 films, became world-famous due to her role in her then-husband Roger Vadim's controversial film And God Created Woman. She later starred in Jean-Luc Godard's 1963 cult film Contempt. Bardot was nominated for a BAFTA Award for Best Foreign Actress for her role in Louis Malle's 1965 film Viva Maria!. Bardot caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay, The Lolita Syndrome, which described Bardot as a "locomotive of women's history" and built upon existentialist themes to declare her the first and most liberated woman of post-war France.

Louis Malle (30 October 1932 – 23 November 1995) was an award-winning French film director, screenwriter, and producer. His film, Le Monde du silence, won the Palme d'Or and Academy Award for Best Documentary in 1956. He was also nominated multiple times for Academy Awards later in his career.

Malle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include Ascenseur pour l'échafaud (1958), Atlantic City (1981), and Au revoir, les enfants (1987).

Malle was born into a wealthy industrialist family in Thumeries, Nord, France. He initially studied political science at the Sciences-Po before turning to film studies at IDHEC instead.

He worked as the co-director and cameraman to Jacques Cousteau on the Oscar and Palme d'Or-winning (at the 1956 Academy Awards and Cannes Film Festival respectively) documentary The Silent World (1956) and assisted Robert Bresson on A Man Escaped (French title: Un condamné à mort s'est échappé ou Le vent souffle où il veut, 1956) before making his first feature, Ascenseur pour l'échafaud (released in the U.K. as Lift to the Scaffold and in the U.S. originally as Frantic, later as Elevator to the Gallows) in 1957. A taut thriller featuring an original score by Miles Davis, the film made an international film star of Jeanne Moreau, at the time a leading stage actress of the state Comédie-Française. Malle was 24 years old.

Jeanne Moreau (French pronunciation: [ʒan mɔˈʁo]; born 23 January 1928) is a French actress, singer, screenwriter and director. She is the recipient of a César Award for Best Actress, a BAFTA Award for Best Foreign Actress and a Cannes Film Festival Best Actress Award for individual performances, and several lifetime awards.

Moreau made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. She began playing small roles in films in 1949 and eventually achieved prominence as the star of Lift to the Scaffold (UK)/Elevator to the Gallows (USA) (1958), directed by Louis Malle and Jules et Jim (1962), directed by François Truffaut. Most prolific during the 1960s, Moreau continues to appear in films to the present day.

Moreau was born in Paris, the daughter of Katherine (née Buckley), a dancer who performed at the Folies Bergère, and Anatole-Désiré Moreau, a restaurateur. Moreau's father was French and her mother was English, a native of Lancashire in England and of part-Irish descent. Moreau's father was Catholic and her mother, originally a Protestant, converted to Catholicism upon marriage. When a young girl, "the family moved south to Vichy, spending vacations at the ancestral village of Mazirat, a town of 30 houses in a valley in the Allier. 'It was wonderful there,' Jeanne says. 'Every tombstone in the cemetery was for a Moreau.'" During the war, the family was split and Moreau lived with her mother in Paris. Moreau ultimately lost interest in school at age 16 and, after attending Jean Anouilh's Antigone, found her calling as an actor. She later studied at the Conservatoire de Paris. Her parents separated permanently while Moreau was at the conservatory and her mother, "after 24 difficult years in France, returned to England with Jeanne's younger^{[citation needed]} sister, Michelle."

Georges Delerue (12 March 1925 – 20 March 1992) was a French composer who composed over 350 scores for cinema and television. Delerue won numerous important film music awards, including an Academy Award for A Little Romance (1980), three César Awards (1979, 1980, 1981), two ASCAP Awards (1988, 1990), and one Gemini Award for Sword of Gideon (1987). He was also nominated for four additional Academy Awards for Anne of the Thousand Days (1969), The Day of the Dolphin (1973), Julia (1977), and Agnes of God (1985), four additional César Awards, three Golden Globe Awards, and one Genie Award for Black Robe (1991).

The French newspaper Le Figaro named him "the Mozart of cinema." Delerue was the first composer to win three consecutive César Awards for Get Out Your Handkerchiefs (1979), Love on the Run (1980), and The Last Metro (1981). Georges Delerue was named Commander of Arts and Letters, one of France's highest honours.

Georges Delerue was born 12 March 1925 in Roubaix, France to Georges Delerue and Marie Lhoest. He was raised in a musical household; his grandfather lead an amateur chorale group and his mother sang and played piano at family gatherings. By the age of fourteen he was playing clarinet at the local music conservatory. In 1940 he was forced to abandon his studies at the Turgot Institute in order to work at a factory to help support his family. He continued playing clarinet with local bands, eventually transitioning to piano under the instruction of Madame Picavet-Bacquart. He studied Bach, Mozart, Beethoven, Chopin, and Grieg, and was particularly inspired by Richard Strauss. Following a long convalescence after being diagnosed with scoliosis, Georges decided to become a composer.