Chase likes to travel, see what people are doing in the movie industry, and is adamant about producing movies that are universal. An amateur in the movie business, Chase spent time in New York to network and gain information. “I didn’t know the mechanics of how things worked. So I read books, went to seminars, met with anybody who’d meet with me just to information,” said in an interview with George Alexander (490) With some luck and perseverance, Chase was able to meet with the general counsel at Columbia Pictures through a good friend’s sister. Later, she was in touch with the chairman, Frank Price to talk about the projects at Price Entertainment. After a few months of working together, Price brought her up as his executive assistant. Chase worked with Price for a year, as his troubleshooter. She gained invaluable experience while working for him because he brought her to every meeting. A year after, Sony brought Mark Canton in for the top job, and Frank put Chase on the creative staff, before leaving the company.(Alexander, George)
The legal skills she obtained in law school have helped with being a problem solver as a producer. She has the authority to dismiss a writer if their script does fit well with the movie. In her position, Chase is responsible to keep the movie making process smooth and establish order on set. She stays grounded with the help of her friends and family. For Chase, making movies allow people to be transported out of reality to a different world. Her favorite producers are Samuel Goldwyn and David O. Selznick. The two directors that she respects are Carl Franklin, Steven Soderbergh, and Scorsese. With kids watching more TV than ever, Martin Chase believes it is important to contribute work that not only entertains but also delivers a positive message. "It's immensely rewarding to know that you are having a huge impact on the self-image, values and life perspective of kids," she contends. In an interview with George Alexander, Chase offers advice for aspiring producers, encouraging those who want to further career to seek out as much experience as possible. She also states that there are people in the business for the wrong reasons, and Hollywood is not all glamour and glitz as people think it is.
In 1981, Chase took an entry-level associate job with a law firm in Houston. She realized that law was not the career that she wanted. "I hated every minute practicing law," she admitted to Essence in 2003. In the 80’s, she worked as a legal consulatant, a freelance writer, and for the 1988 presidential campaign of Democratic Party nominee Michael Dukakis. In the late 1980s, Chase became involved with the film business and left Houston for Columbia Pictures in Los Angeles, California. She was selected a spot in its executive-training program. Chase was later promoted to become an executive assistant to the top executive with the studio.
After working up the courage to speak to Denzel Washington at Columbia studios, he suggested the set up a meeting. Later, Washington hired Chase to run his production company, Mundy Lane Entertainment.Her work with Washington as executive producers of Hank Aaron: Chasing the Dream, a two-hour documentary on the baseball legend, which aired on the TBS Superstation in April 1995, was nominated for an Academy Award and an Emmy. It won a Peabody Award, the Crytal Heart Award from the Heartland Film Festival and was voted Best Documentary by the National Association of Minorities in Cable.
Chase’s experience on the creative board consisted of reading scripts and book. She was also given the opportunity to input her opinion. Her role on the board lasted only a six months. Chase met Denzel Washington at a movie lot where she scored a meeting that would change her career. Washington offered Chase a job at his production company and she took it. Both Chase and Washington had a mutual friend and to her, “it was just a good fit.” (Alexander, 492) The first company project with Denzel Washington’s production was Devil in a Blue Dress, based on a book by Walter Mosely. Chase and Denzel also produced a documentary on Hank Aaron for PBS in 1995 with Mike Tollin and Brian Robbins. It was nominated for an Emmy and an Oscar, and won a Peabody Award. Chase was submerged in the Hollywood business world, realizing that agents and screen writers were trying to bribe her to help them. Chase also pitched an idea for Washington for The Preacher’s Wife. Her work with Washington as executive producers of Hank Aaron: Chasing the Dream, a two-hour documentary on the baseball legend, which aired on the TBS Superstation in April 1995, was nominated for an Academy Award and an Emmy. It won a Peabody Award, the Crystal Heart Award from the Heartland Film Festival and was voted Best Documentary by the National Association of Minorities in Cable.
Overseeing production of new movies, she finally directed a movie hit in 2001 with The Princess Diaries. Starring Julie Andrews and Anne Hathaway, the movie grossed over $109 million in domestic box office receipts and sold over 17 million video and DVD units. She also produced The Princess Diaries 2: Royal Engagement. In an interview with Essence 1997, she said "I'm the kid who was in the movie theater every Saturday," she told journalist Audrey Edwards. "I've been a movie fanatic since I was a child, and my images of the world were shaped by what I saw on the screen. I want to do my part to see that Blacks are not only represented in film but also enhance it." Her work with Princess Diaries was made to make, “Every girl, and the girl in every woman, [wish] that she would wake up one day and find out that she’s a princess.” (Alexander,497) Chase inspires young girls to be reminded that they have the power to do what they want to do. She sold it do Disney and wanted Julie Andrews to play one of the lead roles. The movie was based on a book by Meg Cabot. Her company, Martin Chase Productions, has been affiliated with the Walt Disney Company for over seven years. Producer of three very successful movie franchises; The Princess Diaries, The Sisterhood of the Traveling Pants and The Cheetah Girls, Chase is often referred to as the “Queen of Tweens.”
In the summer of 2005, Chase produced a movie for Alcon Entertainment and Warner Bros. titled The Sisterhood of the Traveling Pants, based on a book by Ann Brashares, starring America Ferrera, Blake Lively, Amber Tamblyn, and Alexis Bledel. Her company, Martin Chase Productions, has been an affiliate of the Walt Disney Company for over ten years. Chase was the executive producer of The Cheetah Girls, a movie and musc franchise on Disney Channel. Based on a best selling book by Deborah Gregory, it stars Raven-Symone, Sabrina Bryan, Adrienne Bailon, Kiely Williams and Lynn Whitfield. A second installment of the movie, The Cheetah Girls 2,was shot in Barcelona, Spain. It premiered in August 2006 was the most watched movie of the Disney network. The third installment debuted on The Disney Channel was The Cheetah Girls: One World, shot entirely in Udaipur, India premiered in August, 2008. The soundtrack for the first movie wne double platinum.
Chase was one of the executive producers of Rodgers & Hammerstein’s Cinderella which aired in November 1997 on ABC’s The Wonderful World of Disney and stars Brandy, Whitney Houston and Whoopi Goldberg. The television musical became a gigantic hit with 60 million viewers. It was nominated for seven Emmys and won the Emmy in the category of Art Production. Chase has also executive produced two multi-platinum soundtracks with a third soon to be released.
Chase was interviewed by George Alexander in 2003.
On top of all that, she co-created and produced, BYOU, a teen workout DVD that is a dance fitness program for girls, combining pop and hip-hop movement. Starring Sabrina Bryan from The Cheetah Girls franchise, the DVD is geared toward young girls. More than a quarter million DVD’s were sold.
Later this year(2011), she is set to produce Fast Girls, a movie about a girls' track team. She also is producing, along with Queen Latifah and Shakim Compere, Just Wright, a romantic comedy that will also feature Queen Latifah in the lead rote. Martin Chase Productions is now located at Disney, where she produced the hugely successful The Princess Diaries, a film that grossed more than $100 million in the United States alone. Chase volunteers for a number of organizations and is currently a "producing mentor" for the University of Southern California.
''Brown House Productions'':
''Mundy Lane Entertainment'':
Brashares, Ann. The Sisterhood of the Traveling Pants. Dell Books. May 23, 2006
Cabot, Meg (2001). The Princess Diaries. New York, New York. HarperTrophy. ISBN 0-380-81402-1.
George, Alexander. Why We Make Moves: Black Filmmakers Talk About the Magic of Cinema. Harlem Moon. 2003
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Martin Chase |
---|---|
Position | Defensive tackle |
Number | 92, 78 |
Birth date | December 19, 1974 Lawton, Oklahoma |
Debutyear | 1999 |
Finalyear | 2005 |
Draftyear | 1998 |
Draftround | 5 |
Draftpick | 124 |
College | Oklahoma |
Teams | |
Stat1label | Tackles |
Stat1value | 60 |
Stat2label | Sacks |
Stat2value | 1 |
Stat3label | Interceptions |
Stat3value | 0 |
Nfl | CHA690038 }} |
Category:1974 births Category:Living people Category:People from Lawton, Oklahoma Category:American football defensive tackles Category:Oklahoma Sooners football players Category:Baltimore Ravens players Category:New Orleans Saints players Category:New York Giants players Category:Washington Redskins players Category:Jacksonville Jaguars players
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
birth name | Whitney Elizabeth Houston |
---|---|
background | solo_singer |
birth date | August 09, 1963 |
birth place | |
death date | February 11, 2012 |
death place | |
instrument | Vocals, piano |
genre | R&B;, soul, pop, dance, gospel |
occupation | Singer, actress, model, film producer, record producer, songwriter |
years active | 1977–2012 |
label | Arista, RCA |
associated acts | Cissy Houston, Dionne Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown |
website | 130pxWhitney Houston's Autograph }} |
Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African-American female artists to follow in her footsteps.
Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.
Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.
On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. News of her death, the day before and after the 2012 Grammy Awards, featured prominently in American and international media.
At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.
In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.
Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.
Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.
In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.
By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.
At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". At the same award show, she performed that Grammy-winning hit, that performance later winning her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.
Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.
At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.
Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.
In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.
At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".
The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.
In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.
With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.
Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.
Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.
With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.
Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.
The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.
The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.
Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.
In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".
The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.
In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.
Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".
In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.
Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.
From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.
The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.
In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.
Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.
In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.
In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.
Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.
In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.
On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."
In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.
In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.
Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."
Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".
The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.
Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.
In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.
Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".
In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston will have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah - originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.
On February 11, 2012, Houston was found dead in a suite at the Beverly Hilton Hotel, in Beverly Hills, California, submerged in the bathtub. The cause of death was not immediately known. Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 4:00 p.m. PST. Local police said there were "no obvious signs of criminal intent."
Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You") were among those who performed at the funeral, interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service due to illness. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.
Tony Bennett, who had a drug addiction problem in the 1970s, spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston", tying it into his public stance in favor of legalizing drugs. Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"
However, many people were shocked at Davis' decision to continue on the party despite the fact that a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne, on February 15 episode of ''The Talk'', also condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."
Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."
Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a still photo in silent reverence of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.
Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".
Ken Ehrlich, executive producer of the 54th Grammy Awards announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 including Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You". New Jersey Governor Chris Christie said that all New Jersey state flags will be flown at half-staff on Tuesday, February 21 to honor Houston.
Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".
Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".
Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."
Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."
Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:
Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.
Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:
She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.
''The Independant''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".
Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".
A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk,Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."
Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."
Alicia Keys, in an interview about her album ''The Element of Freedom'' with ''Billboard'' magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.
In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.
Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.
Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.
She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.
+ Film roles | |||
! Year | ! Title | ! Role | Notes and awards |
1992 | ''The Bodyguard'' | Rachel Marron | Nominated – 1993 MTV Movie Award for Best Female PerformanceNominated – 1993 MTV Movie Award for Best Breakthrough PerformanceNominated – 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin CostnerNominated – 1992 Golden Raspberry Award for Worst Actress |
1995 | ''Waiting to Exhale'' | Savannah Jackson | Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture |
1996 | ''The Preacher's Wife'' | Julia Biggs | |
1997 | Fairy Godmother | Made-for-television film, part of a revival of the ''Wonderful World of Disney''.Nominated – 1998 Emmy Award for Outstanding Variety, Music Or Comedy SpecialNominated – 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series | |
2012 | Emma | Posthumous release |
+ Television roles | ! Year | ! Title | ! Network | ! Role | Notes |
1984 | ''Gimme a Break!'' | NBC | Rita | "Katie's College" (Season 3, Episode 20) | |
1985 | ''Silver Spoons'' | NBC | Herself | "Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words. | |
2002 | ''Boston Public'' | Fox | Herself | She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''. |
+ Commercials | |||||||
! Year | ! Company | ! Promoting | ! Country | Notes | |||
Dr Pepper/Seven Up | Canada Dry(soft drink beverage) | United States | * Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale. | ||||
Coca-Cola | Diet Coke(soft drink beverage) | United States | * Houston sang the Diet Coke theme song, "Just for the taste of it". | ||||
Coca-Cola | Diet Coke(soft drink beverage) | United States | * Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it". | * Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music. | 1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them. | ||
Electronics(the stereo, TV) | Japan | Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''. | |||||
AT&T; | Telephone services | United States | * Houston sang its theme song, "True Voice". |
+ Production | |||
! Year | ! Title | ! Director | Notes and awards |
1997 | Robert Iscove | Executive producerNominated – 50th Primetime Emmy Awards | |
2001 | [[Garry Marshall | ProducerWon – 2002 Young Artist Award for Best Family Feature Film – ComedyNominated – 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action) Nominated – 2002 Phoenix Film Critics Society Award for Best Family FilmNominated – 2002 Teen Choice Award for Film – Choice Movie, Comedy | |
2003 | Oz Scott | Producer | |
2004 | ''The Princess Diaries 2: Royal Engagement'' | Garry Marshall | Producer |
2006 | Kenny Ortega | Co-executive producer |
;World tours
;Regional tours
;Televised concerts
Category:1963 births Category:2012 deaths Category:American people of Dutch descent Category:American people of Native American descent Category:Actors from New Jersey Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Articles with inconsistent citation formats Category:Baptists from the United States Category:Death in California Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:People from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers
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name | Jordin Sparks |
---|---|
background | solo_singer |
birth name | Jordin Brianna Sparks |
birth date | December 22, 1989 |
birth place | Phoenix, Arizona |
genre | R&B;, pop, pop rock, dance-pop |
origin | Glendale, Arizona, |
instrument | Vocals, guitar |
occupation | Singer-songwriter, actress, model |
years active | 2007–present |
label | Jive, 19 |
website | }} |
Sparks' second album ''Battlefield'' was released in July 2009 worldwide and debuted at #7 in the U.S., three spots higher than her first album. The album's lead single, also titled "Battlefield", peaked in the top 10 on the Billboard Hot 100, making it her third top 10 single and fifth consecutive top 20 single. Sparks is the only Idol contestant to have their first five singles reach the top 20 on the Billboard Hot 100. "Battlefield" has sold almost 2 million copies worldwide. Sparks has sold over 9 million singles worldwide to date, making her one of the most successful idol winners. ''Battlefield's'' second single, "S.O.S. (Let the Music Play)", was her first song to top the U.S. Billboard Hot Dance Club Play making it her first U.S. number one single. Sparks followed her success in 2010 by making her debut on Broadway. Sparks starred as Nina Rosario in the Tony Award winning broadway musical, ''In The Heights''.
Before appearing on ''American Idol'', Sparks participated in and won such talent competitions as Coca-Cola's Rising Star, the Gospel Music Association Academy's Overall Spotlight Award, ''America's Most Talented Kids'', Colgate Country Showdown, and the ''2006 Drug Free AZ Superstar Search''. Prior to ''Idol'', Sparks frequently performed the national anthem at various local sporting events, notably for the Phoenix Suns, Arizona Cardinals, and Arizona Diamondbacks. Sparks also appeared with Alice Cooper in his 2004 Christmas show and toured with Christian contemporary singer Michael W. Smith in 2006. In 2006, Sparks was one of six winners of the Phoenix Torrid search for the "Next Plus Size Model". She was flown to California, where she was used in a number of Torrid ads and promotional pieces. A full-page ad for Torrid featuring Sparks ran in the December 2006 issue of ''Seventeen'' magazine.
On June 15, 2011, Sparks had her first-ever bikini shoot for the cover of People Magazine's Most Amazing Bodies issue. When speaking about her weight loss and diet to Access Hollywood, Sparks said, "My diet has pretty much remained the same, like if I want a piece of bread, I’m gonna have a piece of bread, but I’m making healthier decisions like instead of a bag of chips for a snack, I’ll see if I can find an apple. I’ve also upped my intake of vegetables and I’m drinking a lot more water."
Since her win in 2007, Sparks has returned to Idol five times. She performed twice on the seventh season of ''American Idol'', once on the Idol Gives Back results show singing "No Air" with Chris Brown and again with "One Step at a Time" on May 21, 2008 for the finale. She performed "Battlefield" on the May 13, 2009 episode of ''American Idol''. The following year, Sparks took part in a tribute to Simon Cowell with other former contestants at the Season 9 finale on May 26, 2010. Most recently, during Season 10, Sparks performed her new song "I Am Woman" on the Top 4 results show.
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Sparks released her self-titled debut studio album on November 20, 2007, which debuted at number ten on the ''Billboard'' 200. To date, it has sold over a million copies in the U.S and was certified platinum by the RIAA. "No Air", a duet with Chris Brown, was released as the second single from the album in February 2008. In the United States, the song peaked at number three on the ''Billboard'' Hot 100 becoming Sparks' best-charting single to date. It was also her first song to appear on the Hot R&B;/Hip-Hop Songs chart, where it reached number four. To date, the song has sold over three million copies in the U.S, making Sparks the first ''American Idol'' contestant to reach the three million mark. It also became Brown's first song to hit three million. "No Air" also charted in Australia and New Zealand, where it reached number one, receiving platinum certifications in both countries.
On February 3, 2008, Sparks sang the National Anthem at Super Bowl XLII. She performed in a tribute to Aretha at the NAACP Awards in February, as well. She had previously performed in a tribute to Diana Ross in December 2007.
In support of the album, Sparks opened for Alicia Keys on the North America leg of her As I Am Tour, starting on April 19, 2008. Before the tour, a career-threatening throat injury forced Sparks to cancel a few weeks of the shows. Officials revealed she was suffering an acute vocal cord hemorrhage and was ordered strict vocal rest until the condition improved. Sparks was back on the road by April 30, 2008 and remained on the tour until June 18, 2008. Sparks later joined Keys for the tour leg in Australia and New Zealand in December 2008.
The album's third single, "One Step at a Time", was released in June 2008. It peaked at number seventeen on the ''Billboard'' Hot 100, giving Sparks her fourth top twenty hit on the chart. This makes Sparks the only ''American Idol'' contestant to have her first four singles reach the top twenty of the Hot 100. It also charted in the top twenty in Australia, Canada, and the United Kingdom. In New Zealand, the song reached number two and was certified gold by the RIANZ. In August 2008, Sparks co-headlined the Jesse & Jordin LIVE Tour with Jesse McCartney in the United States.
Sparks received two MTV Video Music Award nominations for Best Female Video for "No Air" and Best New Artist at the 2008 MTV Video Music Awards. While at the awards show, Sparks caused controversy by responding to a joke made by host Russell Brand during his opening monologue, in which he held up a silver ring, claiming to have relieved one of the Jonas Brothers of their virginity, saying he would "take them more seriously if they wore it (the ring) around their genitals". Sparks who also wears a promise ring, began her introduction of T.I. and Rihanna by saying "It's not bad to wear a promise ring because not everybody, guy or girl, wants to be a slut." In response to the controversy over her "slut" remark, Sparks told ''Entertainment Weekly'' that she doesn't regret the remark, commenting that "I wish I would've worded it differently – that somebody who doesn't wear a promise ring isn't necessarily a slut – but I can't take it back now." At the 2008 American Music Awards, Sparks won the award for Favorite Artist in the Adult Contemporary Category.
In support of the album, Sparks opened for The Jonas Brothers on the North America leg of the Jonas Brothers World Tour 2009, starting on June 20, 2009. She also opened for Britney Spears on the second leg of her Circus Tour in North America, beginning on August 24, 2009. Sparks served as a replacement for Ciara.
"S.O.S. (Let the Music Play)", was released as the second single from ''Battlefield'' on September 15, 2009. The song topped the U.S Hot Dance Club Songs chart, becoming Sparks' first number one on the chart and peaked in the top fifteen in the United Kingdom. During this time, she recorded the duet, "Art of Love", with Australian artist Guy Sebastian for his fifth studio album, ''Like It Like That''. The song reached the top ten in Australia and New Zealand and was certified platinum by the Australian Recording Industry Association. The third single from ''Battlefield'', "Don't Let It Go to Your Head", was released in the United Kingdom on January 8, 2010. The song reached a peak of #16 on the UK Singles Chart despite no physical release.
In May 2010, Sparks embarked on her first headlining tour in the United States, the Battlefield Tour. It began on May 1, 2010 and ended on July 18, 2010, stopping in over 35 major cities in the United States. In support of the DVD/Blu-Ray re-release of the Disney animated film, ''Beauty and the Beast'', Sparks recorded a cover of the film's title track for the soundtrack. A music video for the song was released on October 18, 2010.
In 2008, Sparks supported Dosomething.org's Do Something 101 campaign by filming a public service announcement explaining the nationwide school supplies drive project. She further supported the campaign by helping out at the Do Something 101 School Supply Volunteer Event held at the Staples Center in Los Angeles.
On May 20, 2009, Sparks became an endorser for the Got Milk? campaign, an American advertising campaign encouraging the consumption of cow's milk. On September 17, 2009, Sparks took part in the VH1 Divas special, a concert created to support the channel's Save The Music Foundation. The concert was held at the Brooklyn Academy of Music in New York where Sparks performed the second single from her Battlefield album, S.O.S. (Let the Music Play), as well as "A Broken Wing" with Martina McBride. In February 2010, Sparks was one of the many artists who contributed to "We Are the World 25 for Haiti", a charity single for the victims of the 2010 Haiti earthquake. Sparks teamed up with Pennyroyal Silver creator and designer, Tim Foster, to create her very own necklace design for the company's signature collection. Proceeds of the necklace funded medical units in Haiti.
On February 3, 2010, Sparks and David Archuleta performed at the "X the TXT" event, held at the Eden Roc Renaissance Hotel in Miami Beach, Florida. All proceeds raised by the event went to a number of charities, including the Miami Children’s Hospital Foundation. The following day both Sparks and Archuleta delivered teddy bears to children at the hospital. In June 2010, the "Thumbs Up to X the TXT" pledge campaign, established by "The Allstate Corporation", made its way to Sparks' Battlefield Tour, presented by Mike & Ike to encourage teens and their families not to text while driving. Fans at Sparks' concerts made a pledge not to text and drive by adding their thumbprint to a traveling banner at each of her shows. The campaign began at Sparks' Battlefield Tour on June 3, 2010 and ended on July 18, 2010. Sparks is the main spokesperson for the "I’m M.A.D., Are You?" campaign. She also supports Alex’s Lemonade Stand Foundation, which helps to raise money for children with cancer. Sparks traveled to Louisiana in June 2010 to visit the Gulf Coast oil spill with the Audubon Society to view the effects of the oil spill on the wildlife and marshes. Sparks is also is a member of the National Youth Leadership Committee for the Ronald Reagan Centennial Celebration, along with Nick Jonas, Genvieve Ryan, and Brodi Conover.
On July 28, 2011, Sparks performed a live surprise concert in Times Square. Sparks was named the "VH1 Save The Music Foundation Ambassador" in 2011.
; Studio albums
Joint tours
!Year | !Award | !Category | !Result |
2007 | Teen Choice Awards | Choice Female Reality/Variety Star | |
NAACP Image Awards | Outstanding New Artist | ||
BET Pre-Awards | Best Heartbreak Video ("No Air") | ||
Viewers Choice ("No Air") | |||
Beautiful Face Award | |||
Choice Hook-Up ("No Air") | |||
Choice Love Song ("No Air") | |||
Choice Breakout Artist | |||
Best Female Video ("No Air") | |||
Best New Artist | |||
American Music Awards | Favorite Adult Contemporary Artist | ||
rowspan="2" | Favorite Pop Song ("No Air") | ||
Favorite Combined Forces ("No Air") | |||
MTV Australia Awards | Best Collaboration ("No Air") | ||
2010 |
!Year | !Title | !Role | !Notes | |
2009 | ''The Suite Life On Deck'' | Herself | ||
''Big Time Rush'' | Herself | List of Big Time Rush episodes>Big Time Sparks" | ||
''When I Was 17'' | Herself | Episode: 16 | ||
rowspan="3" | 2011 | ''BrainSurge'' | Herself | |
''Team Umizoomi'' | Blue Mermaid | |||
''Majors & Minors'' | Herself |
Category:1989 births Category:Living people Category:African American female singer-songwriters Category:African American guitarists Category:African American singers Category:American child singers Category:American evangelicals Category:American female guitarists Category:American female models Category:American female singers Category:American guitarists Category:American Idol winners Category:American pop singers Category:American rhythm and blues singers Category:Jive Records artists Category:Musicians from Arizona Category:People from Glendale, Arizona Category:People from Phoenix, Arizona
af:Jordin Sparks ca:Jordin Sparks cs:Jordin Sparks da:Jordin Sparks de:Jordin Sparks et:Jordin Sparks es:Jordin Sparks fa:جردین اسپارکس fr:Jordin Sparks id:Jordin Sparks it:Jordin Sparks he:ג'ורדן ספארקס lv:Džordina Sperksa lt:Jordin Sparks hu:Jordin Sparks nl:Jordin Sparks ja:ジョーダン・スパークス no:Jordin Sparks pl:Jordin Sparks pt:Jordin Sparks ro:Jordin Sparks ru:Спаркс, Джордин simple:Jordin Sparks fi:Jordin Sparks sv:Jordin Sparks tl:Jordin Sparks th:จอร์ดิน สปาร์กส tr:Jordin Sparks vi:Jordin Sparks zh:喬丁·斯帕克斯This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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