- published: 27 Apr 2011
- views: 1927
- author: CityEdmonton
3:16

City of Edmonton Jobs: Labourers
Help Us Maintain Edmonton as a Monument of Success Here is your chance to have a major imp...
published: 27 Apr 2011
author: CityEdmonton
City of Edmonton Jobs: Labourers
Help Us Maintain Edmonton as a Monument of Success Here is your chance to have a major impact upon how our City looks and how well it works. As a City of Edm...
- published: 27 Apr 2011
- views: 1927
- author: CityEdmonton
0:48

Labourer Falls Down A Hole
A labourers so called mates play a trick on him....
published: 17 Jan 2007
author: scottishjay21
Labourer Falls Down A Hole
A labourers so called mates play a trick on him.
- published: 17 Jan 2007
- views: 104697
- author: scottishjay21
6:31

Labour 2009 avec un JOHN DEERE 8400 et une charrue KUHN de 12 fers
http://www.avagri.fr présente : Labour 2009 dans les Ardennes avec un JOHN DEERE 8400 et u...
published: 30 Dec 2009
author: ardennesvideoagri
Labour 2009 avec un JOHN DEERE 8400 et une charrue KUHN de 12 fers
http://www.avagri.fr présente : Labour 2009 dans les Ardennes avec un JOHN DEERE 8400 et une charrue hors raie de 12 fers KUHN...
- published: 30 Dec 2009
- views: 1066346
- author: ardennesvideoagri
2:11

Maison du Tracteur : Labourer DFAM
Labourer avec un tracteur Dong Feng de 25cv, avec des pneus gazon. Plowing with a DF-254 D...
published: 17 Oct 2010
author: navar26
Maison du Tracteur : Labourer DFAM
Labourer avec un tracteur Dong Feng de 25cv, avec des pneus gazon. Plowing with a DF-254 DongFeng tractor, equiped with turf tires. www.maisondutracteur.com.
- published: 17 Oct 2010
- author: navar26
0:44

Video of the week - Brickie's labourer
HOW high do you think this pile of bricks will get? No, higher! See this amazing workman i...
published: 21 Dec 2008
author: nesundaysun
Video of the week - Brickie's labourer
HOW high do you think this pile of bricks will get? No, higher! See this amazing workman in action.
- published: 21 Dec 2008
- views: 19553
- author: nesundaysun
1:06

funny labourer prank
young labourer gets it....
published: 17 Oct 2012
author: andysavage1086
funny labourer prank
young labourer gets it.
- published: 17 Oct 2012
- views: 416
- author: andysavage1086
0:48

Brickies Labourer carrying 22 bricks, Bangladesh
This brickies labourer from Bangladesh is carrying 22 bricks on his head ! What a skill !...
published: 03 Dec 2008
author: pilslajt
Brickies Labourer carrying 22 bricks, Bangladesh
This brickies labourer from Bangladesh is carrying 22 bricks on his head ! What a skill !
- published: 03 Dec 2008
- views: 103794
- author: pilslajt
1:39

funny prank on dumb labourer
our labourer thought we was being serious when we said we didnt believe that anyone could ...
published: 01 Nov 2011
author: liam jones
funny prank on dumb labourer
our labourer thought we was being serious when we said we didnt believe that anyone could hold a bag of cement above there head for a minute WATCH AFTER 1 MI...
- published: 01 Nov 2011
- views: 10827
- author: liam jones
3:26

A labourer and electrician tell all about working in Qatar
International unions, the ITUC and BWI, have issued a formal complaint to the Internationa...
published: 27 Sep 2012
A labourer and electrician tell all about working in Qatar
International unions, the ITUC and BWI, have issued a formal complaint to the International Labour Organisation, presenting evidence that Qatar is breaching ...
- published: 27 Sep 2012
- views: 4315
- author: International Trade Union Confederation (ITUC)
5:46

Unskilled Labourer
I had to upload this again because the other one was stuttering....
published: 14 Feb 2011
author: freshhaircut
Unskilled Labourer
I had to upload this again because the other one was stuttering.
- published: 14 Feb 2011
- author: freshhaircut
1:46

From labourer to Script Writer - Story of a Poor Gulf Malayali
From Laborer to Script Writer - A labourer working in Dubai turns Malayalam Film Script Wr...
published: 12 Nov 2012
author: asianetnews
From labourer to Script Writer - Story of a Poor Gulf Malayali
From Laborer to Script Writer - A labourer working in Dubai turns Malayalam Film Script Writer - Asianet Entertainment News.
- published: 12 Nov 2012
- views: 1462
- author: asianetnews
4:06

Cultiver sans labourer - Fatou et Yeya
Ce film a été réalisé en une semaine (!) avec les élèves de CE2 d'Agnès Séguy à L'Ile d'Ol...
published: 29 Jan 2013
author: MrReveillonsnous
Cultiver sans labourer - Fatou et Yeya
Ce film a été réalisé en une semaine (!) avec les élèves de CE2 d'Agnès Séguy à L'Ile d'Oleron. Les personnages de Fatou et Yeya vous font découvrir le Semis...
- published: 29 Jan 2013
- views: 94
- author: MrReveillonsnous
1:58

AP: Village labourer cracks IIT entrance
With hard effort and single-minded devotion, you can make possible what seems impossible. ...
published: 07 Jun 2008
author: NDTV
AP: Village labourer cracks IIT entrance
With hard effort and single-minded devotion, you can make possible what seems impossible. That is what an 18-year-old has shown in Khammam district of Andhra...
- published: 07 Jun 2008
- views: 187586
- author: NDTV
0:36

Lazy Labourer gets a bullet up his arse!!!
Rob Ryan an Charlie BB ambush Tell! with what felt like 10000 bullets!...
published: 18 Sep 2011
author: tell2k
Lazy Labourer gets a bullet up his arse!!!
Rob Ryan an Charlie BB ambush Tell! with what felt like 10000 bullets!
- published: 18 Sep 2011
- views: 241
- author: tell2k
Vimeo results:
6:22

OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22

Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
3:00

FITC Amsterdam 2012 Opening Titles
We started with the theme of personality in social media at first. After narrowing it down...
published: 28 Feb 2012
author: Soulbase
FITC Amsterdam 2012 Opening Titles
We started with the theme of personality in social media at first. After narrowing it down and let it match with FITC we took it into the direction of the creation process. We wanted the viewer to be sucked into the mind of a creative. Show his roller coaster of emotions in his process. We contacted creative writer Tifene Huchet to write the story. She shaped Sam, a man that dreamed about discovering the universe since he was a little boy and is driven by it till this day.
After creating a moving storyboard and treatment a lot of people became enthusiastic and joined us to fight the deadline (2 1/2 weeks from there on). With guys working from Sweden & Los Angeles, Skype was a real invention! We divided scenes, so everybody could do his own bit. With rendering and compositing done at our studio we could match the final look and created it as a whole. We aimed on creating a film noir look with its typical lighting and be very subtle with adding color.
Studio Takt did an amazing job (again!). He finished it in only 4 days. We're surprised how he achieved to glue all scenes together smoothly.
Thank you guys, we think it was a labour of love!
-------------------------------------------------------------------------------------
Direction & Design: Floris Vos (Soulbase) & Menno Fokma
Creative Writer: Tifene Huchet
Music & Sounddesign: Joris Van Grunsven (Studio Takt)
Narrator: Terry Mann / Boy: Mick Lefevre
Animators/Designers:
Fredrik Ekholm / Heerko Groefsema / Kevin Megens / Sander Van Dijk /
Ton Mikkers / Wouter Kroese / Marius Denisse / Johannes Matsson
Soulbase FB: facebook.com/SoulbaseMotionDesign
Menno Fokma Studio FB: facebook.com/mennofokmastudio
2:39

Endless
Endless.
One plastic string, made out of old refrigerators, crafted by a robot, into a c...
published: 01 Dec 2010
author: Dirk Vander Kooij
Endless
Endless.
One plastic string, made out of old refrigerators, crafted by a robot, into a chair.
When the first plastic chairs were made, they began with fairly simple tools and moulds to form the plastic. The simple tools were easy to adjust and this gave the designer the chance to evaluate the final product and adjust the tools almost endlessly.
As labour grew more and more expensive, it was filtered out of the process with automated and complicated tools.
These automated processes have been very inflexible until now. High investments in complicated moulds made it almost impossible for a designer to evaluate and refine his final object. The designer is no longer involved in the production process and the design stage is completely shifted to a pre production phase.
As Dirk van der Kooij considered this a lost chance he made a pact with the devil, because he found a solution, not in labour but in computerization.
By combining different techniques, he was able to design an automated but very flexible process. He taught a robot his new craft, drawing furniture out of one endlessly long plastic string.
This opened the possibility for Dirk van der Kooij to design in the good old-fashioned way, making a chair, evaluating, refining, making a chair, evaluating, refining and making a chair. Or developing an infinitely large collection of variations. Endless.
Youtube results:
1:47

labourer mining jobs
http://www.workontherigs.com/4freetips - labourer mining jobs are hard to find. Get 4 free...
published: 10 Jun 2011
author: workontherigs
labourer mining jobs
http://www.workontherigs.com/4freetips - labourer mining jobs are hard to find. Get 4 free tips that will show you where to find entry level labourer jobs th...
- published: 10 Jun 2011
- views: 1650
- author: workontherigs
5:58

CN Recruitment (1/6) -- Track Maintainer Labourer
CN recruitment video describing a CN job and what it entails. 2/6: http://www.youtube.com/...
published: 09 Jun 2010
author: JayJr2007
CN Recruitment (1/6) -- Track Maintainer Labourer
CN recruitment video describing a CN job and what it entails. 2/6: http://www.youtube.com/watch?v=kBiqFHKqK7o.
- published: 09 Jun 2010
- views: 8586
- author: JayJr2007
0:57

Brickies Labourer in Bangladesh
Just watch......
published: 27 Jan 2009
author: lilcutie82195
Brickies Labourer in Bangladesh
Just watch...
- published: 27 Jan 2009
- views: 2048
- author: lilcutie82195
5:23

Lali Al Labourer
...
published: 20 May 2012
author: Gabor Talabao
Lali Al Labourer
- published: 20 May 2012
- author: Gabor Talabao