Desire (1936 film)

Desire is an American romantic drama film released in 1936 and directed by Frank Borzage. It was produced by Borzage and Ernst Lubitsch. The picture is a remake of the 1933 German film Happy Days in Aranjuez. The screenplay was written by Samuel Hoffenstein, Edwin Justus Mayer and Waldemar Young based on the play Die Schönen Tage von Aranjuez by Hans Székely and Robert A. Stemmle. The music score was composed by Frederick Hollander and the cinematography was shot by Charles Lang and Victor Milner. Marlene Dietrich's wardrobe was designed by Travis Banton.

The film stars Marlene Dietrich, Gary Cooper and John Halliday, William Frawley, Akim Tamiroff,and Alan Mowbray.

Plot

The film tells of Madeleine de Beaupre (Marlene Dietrich), a devious jewel thief. After stealing a string of pearls from jeweler Aristide Duval (Ernest Cossart), de Beaupre flees Paris. She leaves a trail that implicates psychiatrist Dr. Pauquet (Alan Mowbray). As she heads for the Spanish border, she nearly runs into Tom Bradley (Gary Cooper), an American auto mechanic vacationing in Europe. De Beaupre spots Bradley again at the Spanish customs. She's worried that the pearls will be found in her handbag, so she slips them into Bradley's pocket. After they make their way through inspection, de Beaupre flirts with Bradley in an attempt to get the pearls back. Bradley is too shy to respond so she gets his attention by trying to "repair" the engine of her car with a hammer. De Beaupre lures Bradley to the San Sebastian estate of her partner in crime, Carlos Margoli (John Halliday). It doesn't take long for Tom to figure out what de Beaupre and Margoli are up to. Yet, Bradley also knows that he's fallen for de Beaupre, and he's willing to go along as long as he's near her.

Desire

Desire is a sense of longing or hoping for a person, object, or outcome. The same sense is expressed by emotions such as "craving." When a person desires something or someone, their sense of longing is excited by the enjoyment or the thought of the item or person, and they want to take actions to obtain their goal. The motivational aspect of desire has long been noted by philosophers; Thomas Hobbes (1588–1679) asserted that human desire is the fundamental motivation of all human action.

While desires are often classified as emotions by laypersons, psychologists often describe desires as different from emotions; psychologists tend to argue that desires arise from bodily structures, such as the stomach's need for food, whereas emotions arise from a person's mental state. Marketing and advertising companies have used psychological research on how desire is stimulated to find more effective ways to induce consumers into buying a given product or service. While some advertising attempts to give buyers a sense of lack or wanting, other types of advertising create desire associating the product with desirable attributes, by showing either a celebrity or a model with the product.

1936 in film

The year 1936 in film involved some significant events.

Events

Top grossing films

Academy Awards

Notable films released in 1936

U.S.A. unless stated.

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Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

The process of filmmaking is both an art and an industry.

Gary Cooper

Gary Cooper (born Frank James Cooper; May 7, 1901 – May 13, 1961) was an American film actor known for his natural, authentic, and understated acting style and screen performances. His career spanned thirty-five years, from 1925 to 1960, and included leading roles in eighty-four feature films. He was a major movie star from the end of the silent film era through the end of the golden age of Classical Hollywood. His screen persona appealed strongly to both men and women, and his range of performances included roles in most major movie genres. Cooper's ability to project his own personality onto the characters he played contributed to his appearing natural and authentic on screen. The screen persona he sustained throughout his career represented the ideal American hero.

Cooper began his career as a film extra and stunt rider and soon landed acting roles. After establishing himself as a Western hero in his early silent films, Cooper became a movie star in 1929 with his first sound picture, The Virginian. In the early 1930s, he expanded his heroic image to include more cautious characters in adventure films and dramas such as A Farewell to Arms (1932) and The Lives of a Bengal Lancer (1935). During the height of his career, Cooper portrayed a new type of hero—a champion of the common man—in films such as Mr. Deeds Goes to Town (1936), Meet John Doe (1941), Sergeant York (1941), The Pride of the Yankees (1942), and For Whom the Bell Tolls (1943). In the post-war years, he portrayed more mature characters at odds with the world in films such as The Fountainhead (1949) and High Noon (1952). In his final films, Cooper played non-violent characters searching for redemption in films such as Friendly Persuasion (1956) and Man of the West (1958).