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V. Shantaram | |
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Born | Shantaram Rajaram Vankudre (1901-11-18)November 18, 1901 Kolhapur, Maharashtra, British India |
Died | October 30, 1990(1990-10-30) (aged 88) Mumbai, India |
Occupation | Film director, producer, actor, screenwriter |
Years active | 1921-1987 [1] |
Religion | Jainism |
Awards | Best Director 1957 Jhanak Jhanak Payal Baaje Best Film 1958 Do Aankhen Barah Haath Dadasaheb Phalke Award 1985 Padma Vibhushan 1992 |
Shantaram Vankudre (18 November 1901 – 30 October 1990) referred to as V. Shantaram is a renowned Indian filmmaker, film producer and actor. He is most known for his films like Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjra (1972), Chani, Iye Marathiche Nagari and Zunj.
He directed his first film, "Netaji Palkar" in 1927. In 1929, he founded the Prabhat Film Company along with Vishnupant Damle, K.R. Dhaiber, S. Fatelal and S.B. Kulkarni, which made Ayodhyecha Raja, the first Marathi language film in 1932 under his direction.[2] He left Prabhat in 1942 to form "Rajkamal Kala Mandir" in Mumbai.[3] In time, 'Rajkamal' became one of most sophisticated studios of the country.[4]
He was praised by Charlie Chaplin for his Marathi film Manoos.Charlie Chaplin reportedly liked the film very much.[citation needed]
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Shantaram was born Shantaram Rajaram Vankudre[5] on 18 November 1901 in the erstwhile princely state of Kolhapur (in present day Maharashtra) [6] into a reputed Marathi Jain family.[7] During his lifetime he was honoured with Jain Samaj Ratna award given to outstanding Jains.[8]
V. Shantaram started his film career doing odd jobs in Maharashtra Film Co. owned by Baburao Painter at Kolhapur. [9] He went on to debut as an actor in the silent film, Surekha Haran in 1921.[10]
Shantaram, fondly known as Annasaheb, had an illustrious career as a filmmaker for almost six decades. He was one of the early filmmakers to realize the efficacy of the film medium as an instrument of social change and used it successfully to advocate humanism on one hand and expose bigotry and injustice on the other. V. Shantaram had a very keen interest in music. It is said that he "ghost wrote" music for many of his music directors, and took a very active part in the creation of music. Some of his songs had to rehearsed several times before which they were approved by V. Shantaram. [11]
The Dadasaheb Phalke Award, was conferred on him in 1985.[12]He was awarded the Padma Vibhushan in 1992.[13]
His autobiography Shantarama was published in Hindi and Marathi.[12][14]
Shantaram died on 30 October 1990 in Mumbai.[5] The V. Shantaram Award was consitituted by Central Government and Maharashtra State Government. The V. Shantaram Motion Picture Scientific Research and Cultural Foundation, established in 1993, offers various awards to film makers. The award is presented annually on 18 November.[12]
Shantaram married thrice. His first marriage was to Vimla. He then married actress Jayashree, with whom he had three children-Marathi film director Kiran Chandra, actress Rajshree and Tejasri
His third wife, actress Sandhya, was his co-star in Do Aankhen Barah Haath as well the heroine of his films like Jhanak Jhanak Payal Baaje, Navrang, Jal Bin Machli Nrutya Bin Beejli, and Sehra. His other children are Prabhat Kumar, Sarojini, Charushila and Madhura, who is married to Pandit Jasraj is the mother of Durga Jasraj.[15]
He introduced Rajshree and Jeetendra in the 1964 film Geet Gaya Patharon Ne. He also introduced his niece Ranjana Deshmukh into the marathi film industry through Chandanachi Choli Ang Aang, directed by Kiran Shantaram in 1975. Ranjana dominated the Marathi silver screen in 70s and 80s.He used to live at Panhala.His son has maintained his house and converted it in a hotel Valley View.
Source: IMDB[16]
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Persondata | |
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Name | Shantaram, V. |
Alternative names | |
Short description | Film director, actor |
Date of birth | 18 November 1901 |
Place of birth | Kolhapur, Maharashtra |
Date of death | 30 October 1990 |
Place of death |
Rani Mukerji | |
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Mukerji at the Lonely Planet Awards in Mumbai, May 2012 |
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Born | Rani Mukherjee (1978-03-21) 21 March 1978 (age 34) Mumbai, Maharashtra, India |
Other names | Rani Mukherji Rani Mukerjee |
Occupation | Film actress |
Years active | 1997–present |
Rani Mukerji (born Rani Mukherjee on 21 March 1978)[1] is an Indian film actress who works in Hindi movies. Born to the Mukherjee-Samarth family, she made her acting debut with a cameo appearance in the Bengali film Biyer Phool (1996), on the insistence of her mother. The following year, Mukerji made her Hindi film debut with Raja Ki Aayegi Baraat, and subsequently had her first, and still biggest commercial success with Karan Johar's romance Kuch Kuch Hota Hai (1998), which won her a Filmfare Award for Best Supporting Actress. She later starred in several films that fared below expectations, before featuring in the critically acclaimed drama Saathiya, for which she won her first Filmfare Critics Award for Best Actress.[2]
In 2004, her performances in the hit romantic comedy Hum Tum and the critically acclaimed Yuva earned her the Best Actress and Best Supporting Actress awards, respectively, at the 50th Filmfare Awards. She later received unanimous praise for her portrayal of a blind, deaf and mute woman in Black (2005), for which she garnered two more Filmfare Awards: Best Actress and Actress - Critics.[3] She went on to play leading roles in the comedy Bunty Aur Babli (2005) and the adult drama Kabhi Alvida Naa Kehna (2006), both of which emerged as major commercial successes in India as well as overseas.[4] Mukerji thus established herself as a leading actress of Hindi cinema.[5] She then played a series of roles, a majority of which were under the Yash Raj Films banner, that stereotyped her as a weepy, sacrificing woman. None of these films performed well at the box office. However, in 2011, she earned praise for her portrayal of a headstrong, independent woman in the semi-biographic thriller No One Killed Jessica.[6]
In addition to acting in films, Mukerji has featured as a talent judge for Sony Entertainment Television's reality show Dance Premier League.[7] She is a regular stage performer and has been involved in philanthropic endeavors related to women and children. Despite constant speculation, she remains guarded about her personal life and is sometimes labelled a recluse by members of the media. Mukerji currently lives in Juhu with her parents.
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Mukerji was born in Mumbai on 21 March 1978 to a film-oriented family of Bengali origin. Her father, Ram Mukherjee, is a retired director and one of the founders of Filmalaya Studios while her mother, Krishna, was a playback singer.[8] Her brother, Raja Mukherjee, is a film producer turned director.[9] Her maternal aunt, Debashree Roy, is a Bengali film actress and her cousin, Kajol, is a popular Bollywood actress.[10] Another cousin of hers, Ayan Mukerji is the writer and director of Wake Up Sid (2009).[11] As part of a tradition, the Mukherjee family celebrates the festival of Durga Puja at Santacruz every year. Mukerji, being a religious person, takes part in the festivities with her entire family.[12][13]
Mukerji is a trained Odissi dancer and began learning the dance in the tenth grade.[14] She was schooled at Maneckji Cooper High School in Juhu, and graduated from SNDT Women's University in the field of Home Science. Despite her family background, Mukerji was never interested in becoming an actress.[15] In 1994, director Salim Khan approached her to be a part of his directorial, Aa Gale Lag Jaa. Her father was against her working in films and hence, she turned down the offer.[16] However, she finally decided to take up acting on an experimental basis, on the insistence of her mother.[17]
After doing a cameo appearance for the first time in her father's Bengali film Biyer Phool (1996), Mukerji made her Hindi film debut the following year, as the protagonist of Raja Ki Aayegi Baraat.[18] Her performance as a rape victim was well-received, but the film failed to do well at the box office. Nevertheless, she received a Special Jury recognition at the Star Screen Awards.[19] The film's commercial failure made her return to college to complete her education. However, she was inspired by her cousin Kajol, who had established herself as a successful actress in Bollywood, and thus decided to try films again.[20]
Mukerji had a successful comeback in 1998 with Vikram Bhatt's Ghulam, opposite Aamir Khan. The film did moderately well at the box office, while the song "Aati Kya Khandala" earned her public recognition.[21][22] Karan Johar's directorial debut, Kuch Kuch Hota Hai, starring Shahrukh Khan and Kajol, was her next release. She played the supporting role of Tina Malhotra, a sophisticated girl in love with Khan's character. Of her performance, Rediff.com wrote, "Rani Mukherjee is a pleasant surprise — totally comfortable, clearly having suspended all disbelief".[23] The movie was a blockbuster, with an adjusted worldwide gross of 182 crore (US$36.31 million),[24] and Mukerji went on to receive her first Filmfare Award in the Best Supporting Actress category. Due to her slightly broken voice texture, her lines were dubbed by a dubbing artist in Ghulam. However, she dubbed for her own lines in Kuch Kuch Hota Hai. She quoted, “When Karan Johar wanted my voice to be dubbed for Kuch Kuch Hota Hai, I really thought that it [my voice] was bad and very husky and rough, but slowly I worked to improve my diction, and am now quite comfortable with it."[25]
She subsequently played leading roles in the films Mehndi (1998) and Hello Brother (1999), with the latter opposite Salman Khan.[26] Both these films were critically and commercially unsuccessful.[27]
Mukerji's first release of 2000 was Raj Kanwar's action drama Badal opposite Bobby Deol. The film emerged as one of the highest-grossing films of the year,[28] but met with negative reviews from critics. She then essayed a brief role in Kamal Haasan's Hey Ram as the protagonist's first wife, Aparna Ram.[29] The controversial film, based on Mahatma Gandhi's assassination, was a critical success and was chosen as India’s official entry to the Oscars that year.[30] Mukerji next appeared in Bichhoo, an unofficial adaptation of Luc Besson's Leon, as the foul-mouthed, coarse daughter of a drug dealer.[31] The film and her performance received negative reviews from critics.[32] She also starred alongside Govinda, for the first time, in the comedy Hadh Kar Di Aapne.
Later that year, she teamed up with Salman Khan for two films, Raj Kanwar's Har Dil Jo Pyar Karega and Kahin Pyaar Na Ho Jaaye. While the former was inspired by the Sandra Bullock starrer While You Were Sleeping (1995), the later was a remake of Frank Coraci's The Wedding Singer (1998).[33][34] She was appreciated for her performance in Har Dil Jo Pyaar Karega and received her second Filmfare nomination in the Supporting Actress category.[35]
In 2001, Mukerji starred in Abbas Mustan's romantic drama Chori Chori Chupke Chupke, co-starring Salman Khan and Preity Zinta. The film was released after a one-year delay, and was one of the first Bollywood movies to handle the issue of surrogate childbirth.[36] Mukerji's role was that of Priya Malhotra, a woman who is unable to conceive after a miscarriage and thus, hires a surrogate mother. Rediff.com wrote, "Rani Mukherji is handicapped with a role that doesn't give her much scope besides weeping and sobbing. To her credit, she manages to hold her own even while playing a stereotypical sacrificing bhartiya nari [Indian woman]."[37] She next played the love-interests of Abhishek Bachchan and Anil Kapoor respectively, in two predominantly male-centric films: Bas Itna Sa Khwaab Hai and Nayak: The Real Hero. Upon release, both films under-performed at the box office.[38]
In 2002, Mukerji essayed the lead role of Pooja Sahani in Kunal Kohli's romance Mujhse Dosti Karoge!, alongside Hrithik Roshan and Kareena Kapoor. The film marked the first of her many collaborations with one of India's largest production companies: Yash Raj Films.[39] Although the movie flopped in India,[40] it performed well overseas.[41] That year, she acted opposite Govinda once again in two commercially unsuccessful films, Pyaar Diwana Hota Hai and Chalo Ishq Ladaaye.
Later that year, Mukerji starred in Shaad Ali's critically acclaimed Saathiya opposite Vivek Oberoi. Essaying the role of Suhani Sharma, a medical student who deals with the tensions and discontent of being married at a young age, she won a Filmfare Critics Award for Best Actress, and received her first Best Actress nomination at the same ceremony. BBC reviewed, "Mukerji plays the character of a middle class girl with great conviction",[42] and Udita Jhunjhunwala writing for Mid Day added, "Her expressions and acting are understated in a role that fits her like a glove."[43] The film, which earned a moderate domestic total of 18 crore (US$3.59 million), rejuvenated her fading career.[40] In an interview with Hindustan Times, she said, "[Before Saathiya] nothing that was coming my way excited me... I knew Saathiya was a special film. I felt it while making it."[44]
Mukerji's first release of 2003 was Aziz Mirza's box office hit Chalte Chalte opposite Shahrukh Khan.[45] Though the film saw her play a role similar to the one she played in Saathiya, her new "tanned" look was appreciated and her portrayal earned her a second nomination for Best Actress at the Filmfare awards.[46] She next featured as the protagonist in Milan Luthria's Chori Chori opposite Ajay Devgan, Sudhir Mishra's Calcutta Mail alongside Anil Kapoor and Manisha Koirala and J.P. Dutta's multi-starrer war film LOC Kargil.[47] All three of them were critical as well as commercial failures.[48]
In 2004, she acted in Mani Ratnam's composite film Yuva alongside Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Kareena Kapoor and Esha Deol. The film, which narrated the story of three youngsters from different stratums of society, saw Mukerji play a Bengali housewife opposite Bachchan. Though the film failed to do well at the box office,[49] the film by itself and her performance were critically acclaimed. Rediff.com, as part of a performance analysis noted, "Her inspiring work in Yuva as the devoted yet frustrated wife of a local goon came alive every time she flashed those big fire-filled eyes at her husband or broke down angrily at an unsuspecting onlooker."[50] The film fetched Mukerji her second Best Supporting Actress award at the Filmfare ceremony. She received further success by playing the leading role in Yash Raj Films' romantic comedy Hum Tum, directed by Kunal Kohli, which became one of the biggest hits of the year with a lifetime nett of 30.5 crore (US$6.08 million).[49] The film starred Mukerji along with Saif Ali Khan and followed the arcs of their characters at different stages of their lives. Mukerji's portrayal of Rhea Sharma, an independent woman, won her several Best Actress awards, including her first Filmfare Award for Best Actress. BBC observed, "Rani is fast becoming one of the more dependable and versatile actresses of her generation."[51] She eventually became the first actor to have received both the Filmfare awards for Best Actress and Best Supporting Actress in the same year.[52]
Her last release of the year was Yash Chopra's love saga Veer-Zaara, in which she co-starred alongside Shahrukh Khan and Preity Zinta. The film, which emerged as a major commercial success, grossing 94 crore (US$18.75 million) worldwide,[41][49] narrated the love story of the title characters, Veer Pratap Singh, played by Khan, and a Pakistani woman, Zaara Hayaat Khan, played by Zinta. Mukerji played the supporting role of Saamiya Siddiqui, a Pakistani lawyer who takes it upon herself to find the truth about Singh. The film, which was screened at the Berlin Film Festival met with positive reviews.[53] A review carried by Rediff.com noted, "...Rani walks away with the best lines and a performance full of grit."[54]
In 2005, Mukerji starred in four high-profile films: Sanjay Leela Bhansali's Black, Shaad Ali's Bunty Aur Babli, Amol Palekar's Paheli and Ketan Mehta's The Rising. She was primarily noted for her performance in Black. When Bhansali first offered the film to Mukerji, she turned it down[3] as she was not confident enough to play a deaf-blind person.[3] Once Bhansali reinforced his faith in her, she agreed and intensely studied sign language with professionals at the Helen Keller Institute in Mumbai.[55] Black was a major critical success, and Mukerji received unanimous acclaim for her performance. Rediff.com noted, "The performer in Rani Mukerji must have turned more than a few mental cartwheels when she got Black. It is a pure, performance-driven role, and Rani does it with a fluid maturity that is great to watch.".[56] She eventually won the Best Actress and the Best Actress - Critics at the Filmfare Awards ceremony.[57] Filmfare included her performance in their list of the "80 Most Iconic performances", while commenting,
“ | For a role that required her to be deaf, dumb and blind, Rani sure filled the silences with her stupendous presence and how. Rani has that quality of making each role her own stamping it with her instinct and force of talent. Pitted against a thespian actor like Amitabh Bachchan, Rani holds her own in her Helen Keller-esque portrayal of a young woman fighting not just her own private darkness but the one surrounding her world. Pitched with eloquence and a pathos that no one has matched in any role in coming years, Rani has left an indelible mark with this role that usually comes once in a lifetime for most.[58] | ” |
Her next release, Bunty Aur Babli, surfaced as one of the biggest hits of the year. She played the character of Vimmi "Babli" Saluja, a con woman, opposite Abhishek Bachchan. The film, which became a box office success with a gross of 77 crore (US$15.36 million), opened to mixed reviews, and so did Mukerji's performance. A review carried by Variety mentioned, "Three years ago, in Saathiya, helmer Shaad Ali managed to rediscover Mukerji's earlier vivacity, and he's done it again here in a role that the raspy-voiced diva-ette simply eats up" [59][60] Consequently, Mukerji received another nomination for the Filmfare Award for Best Actress for her work.
Her third release that year, Paheli, opposite Shahrukh Khan, was screened at the Sundance Film Festival and was chosen as India’s official entry to the Oscars for the 79th Academy Awards.[61] The film was critically acclaimed, as was Mukerji's performance, which Raja Sen called "another perfectly played part".[62] In her final release of the year, The Rising, she played a prostitute, Heera, who is the love interest of the protagonist Mangal Pandey, played by Aamir Khan.[63] Derek Elley of Variety mentioned that she made "the most of her feisty nautch-girl," inpite of having "a small role for a star of her caliber."[64]
In 2006 she starred in Karan Johar's drama Kabhi Alvida Naa Kehna, featuring Amitabh Bachchan, Shahrukh Khan, Abhishek Bachchan, Preity Zinta and Kirron Kher. The film opened to mixed reviews but emerged as a major international success with a worldwide gross of 113 crore (US$22.54 million).[41] The film told the story of two unhappily married couples in New York, which later results in an extramarital affair. Mukerji played the role of Maya Talwar, a woman layered with self-doubt and question about the relationship between her and her husband, played by Abhishek Bachchan. Her performance was well-received with Rajeev Masand from CNN-IBN concluding, "Rani looks a million bucks and she dives under the skin of her character to make that part one that we will remember for a long time."[65] She received several nominations for the role, including her fifth Filmfare Best Actress nomination, and won the IIFA Best Actress Award for the third consecutive year.
Mukerji's next release was B.R. Chopra's tearjerker Baabul alongside Amitabh Bachchan, Salman Khan and John Abraham. The movie did not do well at the box office in India,[66] but proved to be a hit overseas.[41] Her portrayal of Malvika, a young widow, met with mixed reviews from critics with Sarita Tanwar from Mid Day commenting, "Rani Mukerji breathes life into a somewhat confused character".[67]
From 2007 to 2009, Mukerji featured primarily in films produced by Yash Raj Films (with the exception of Saawariya).[68] Her first release was Siddharth Anand's melodrama Ta Ra Rum Pum, where she played Radhika Rai Banerjee, a pianist turned housewife opposite Saif Ali Khan. The film performed decently at the box office,[69] while her performance was generally well-received. Adarsh wrote, "Rani enacts the role of the mother/wife proficiently."[70] Negative reviews, however were directed towards the film itself, with Rajeev Masand writing, "neither Saif Ali Khan nor Rani is able to make much of an impression because their characters are so unidimensional and boring."[71] Her next release of the year was Pradeep Sarkar's drama Laaga Chunari Mein Daag alongside Jaya Bachchan, Abhishek Bachchan, Konkana Sen Sharma and Kunal Kapoor. The film met with mixed reviews, while Mukerji was criticised for playing stereotypical roles that required her to cry often.[72] A review carried by Indian Express noted, "Rani holds the film together, even if her part, both as the ingénue and the hooker, doesn’t have freshness."[73] Her performance nonetheless fetched her yet another Best Actress nomination at the Filmfare ceremony. Her final release of the year was Sanjay Leela Bhansali's tragedy Saawariya, where she essayed a smaller part of a sex-worker. The film, which featured debutants Ranbir Kapoor and Sonam Kapoor in lead roles, was a critical and commercial failure,[69] but Mukerji's performance earned her a fifth Filmfare Award nomination for Best Supporting Actress.
In 2008, Mukerji was paired with Saif Ali Khan again for Kunal Kohli's Thoda Pyaar Thoda Magic. This fantasy film had Mukerji play an angel who comes to Earth to help four troubled kids. The film, which flopped at the box office, met with generally positive reviews from critics.[74] The box office failure of her recent films made Mukerji lose weight and undergo a makeover in her following release, Dil Bole Hadippa (2009). The project, co-starring Shahid Kapoor, saw Mukerji portray a cricket-obsessed Punjabi village girl masquerading as a man.[75][76] The film, which premiered at the Toronto International Film Festival under performed at the Indian box office.[77] A review carried by The Economic Times noted, "Mukerji's mock sob-whine-whimper do not amuse anymore. Also after a point you dislike visualizing the charming actress as the moustached male player."[78]
Though her performances in the films during this period were generally well-received, none of them performed well commercially, leading to major setbacks in her career.[79][80][81] She was not seen in any 2010 releases. When questioned about working only under the Yash Raj Films banner, she said, "An actor is here to act and pick great roles and scripts. I was getting great roles from Yash Raj at that point, roles that any actor would give an arm to do. I stand by those films regardless of their fate".[82]
In 2011, Mukerji starred in UTV Motion Pictures' semi-biographic thriller, No One Killed Jessica, based on the Jessica Lal murder case. She played the fictional character of a foul-mouthed television journalist, Meera Gaity, deeply involved with the case. In an interview with The Calcutta Telegraph she said, "It was such a different role to portray. It wasn’t a role that was typical of a Hindi film heroine. Meera was more like a hero. It was a character that actually took the story forward.... Meera made a lot of things happen. It wasn’t something that I had ever done before. I actually had to play a man! "[83] Upon release, Mukerji's performance received mostly positive reviews. The Times of India wrote, "Rani's character being fictional and glamourized seems superficial to an extent but she packs in the punch required for her dynamic character."[84] While other critics praised her performance, with Daily News and Analysis describing it as "one of her best performances till date,"[85] several critics were less positive, including Anupama Chopra of NDTV, who called her role, "the fatal, false note in No One Killed Jessica," arguing that "The character is written superficially and Rani’s portrayal of her is equally banal. It’s all about externals. She argues a lot and proudly labels herself a bitch but her hair stays perfectly in place and in the end, she even gets to do a super-hero-like slow motion walk."[86] The film eventually earned 49 crore (US$9.78 million) and was especially noted for being a commercial success, despite the absence of any prominent male actors.[87] Consequently, Mukerji won her third Filmfare Award for Best Supporting Actress.[88]
As of March 2012, her upcoming films include Reema Kagti's suspense thriller Talaash co-starring Aamir Khan and Kareena Kapoor and Sachin Kundalkar's Aiyaa opposite Prithviraj.[89][90]
In 2009, Mukerji made her television debut as a talent judge with the reality show Dance Premier League on Sony Entertainment Television. She explained her stint with television, saying that it made her "more accessible" to the audience and helped her "gain visibility when [she was] not doing too many films."[7] In 2011, she reprised her role of Meera Gaity on the TV series C.I.D. in a guest appearance to promote her film No One Killed Jessica.[91]
Involved with several social causes, Mukerji remarked, "It's my dream that every child in India is educated because the way India is growing I don't think without education, we can see a very bright future. So if we want a bright future for our country, I think education is foremost."[92] Mukerji has stated that she feels strongly for causes that affect women, because, "it angers me to know that women are ill-treated".[18] In March 2004, Mukerji visited the desert of Rajasthan, where she spent a day at the army training base to boost the morale of the jawan troops. The visit was conducted for a NDTV show, Jai Jawan, on which entertainers and actors visit Indian troops.[93] In February 2005, Mukerji performed at the HELP! Telethon Concert to help raise money for the victims of the 2004 Indian Ocean earthquake alongside several other Bollywood stars.[94] In March 2006, Mukerji interacted with the physically challenged children of the Helen Keller Institute, during her birthday celebrations. She had previously worked with them while researching for her role in Black.[95] In November 2010, she was part of a fund raising auction for the "Because I am a Girl" charity campaign.[96]
Among her stage performances, Mukerji has participated in two world tours. Her first concert, Magnificent Five was in the year 1999 with actors Aamir Khan, Aishwarya Rai, Akshaye Khanna and Twinkle Khanna.[97] Five years later, she was a part of the Temptations 2004 concert. Mukerji performed alongside Shahrukh Khan, Saif Ali Khan, Preity Zinta, Arjun Rampal and Priyanka Chopra in nineteen stage shows across the globe.[98] Mukerji was also part of the Temptations 2005 concert in New Delhi. She helped to raise funds for the National Centre For Promotional of Employment for Disabled People (NCPEDP), a disabled rights' group, with the show which also featured Shah Rukh Khan, Fardeen Khan, Ameesha Patel and Malaika Arora Khan.[99] In 2010, Mukerji joined Shahrukh Khan, Arjun Rampal, Ishaa Koppikar, among others for a concert at the Army Stadium, Dhaka, Bangladesh to a packed audience.[100]
Rani uses the English transliteration of "Mukerji" instead of the original "Mukherjee" for her surname. She has never clarified the reason for having done so.[101] Mukerji has three homes in Mumbai, including her childhood home. She currently lives in Juhu with her parents.[102]
Mukerji is extremely guarded about her personal life, and despite constant media speculation, has never spoken about her relationships.[103] However, in an interview with Simi Garewal she claimed to have been "absolutely in love", without divulging the name of the person.[104] As opposed to most of her contemporaries, Mukerji limits her media interactions and is often termed as a recluse. However in 2011, in an interview to Screen India she clarified, "Today actors have become more open with the media. But this has posed a problem for actors like me because if I don’t do that, then I end up being called reclusive. So now I have changed myself and am easily approachable." [105] She is additionally known for her friendly image and shares a close friendship with several Bollywood stars including Shah Rukh Khan, Aamir Khan and Karan Johar.[106][107]
In June 2005, Mukerji was widely criticized following the publication of an interview with British newspaper Desi Xpress. Mukerji was asked to name her idol and she replied, "Adolf Hitler".[108] However, in an interview with Times Now a year later, she denied ever mentioning Hitler's name.[108] In November 2006, Mukerji was shooting for the film Laaga Chunari Mein Daag in Varanasi when avid fans crowded the set. Security personnel beat the crowd back.[109] A media storm followed as various groups insisted that Mukerji should have stopped the security guards. Mukerji later issued an apology.[109]
Mukerji occupied the top slot of Box Office India's Top Actresses list for two years in a row (2005–2006).[110] She was also placed number one on Rediff's Top Bollywood Female Stars Rankings for three consecutive years (2004–2006), while in 2007, she was ranked at number five.[5] In February 2006, Filmfare placed her eighth amongst the "Ten Most Powerful Names of Bollywood", an achievement she repeated from the previous year, where she was ranked at number ten, the only woman on the list.[111][112] In 2007, she was ranked at number five.[113] On Women's International Day 2007, Mukerji came in fourth on the Best Bollywood Actresses Ever listing.[114] She was placed at number 36 by the UK magazine, Eastern Eye, as one of Asia's Sexiest Women (2006).[115] Mukerji is frequently featured in various lists by Rediff.com, including, Bollywood's Most Beautiful Actresses,[116] Bollywood's Best Dressed Women[117] and Women of Many Faces.[118]
Year | Film | Role | Notes |
---|---|---|---|
1996 | Biyer Phool | Rimi | Bengali Film |
1997 | Raja Ki Aayegi Baraat | Mala | |
1998 | Ghulam | Alisha | |
1998 | Kuch Kuch Hota Hai | Tina Malhotra | Filmfare Award for Best Supporting Actress |
1998 | Mehndi | Pooja | |
1999 | Mann | Special appearance in the song "Kaali Naagin Ke" | |
1999 | Hello Brother | Rani | |
2000 | Badal | Rani | |
2000 | Hey Ram | Aparna Ram | |
2000 | Hadh Kar Di Aapne | Anjali Khanna | |
2000 | Bichhoo | Kiran Bali | |
2000 | Har Dil Jo Pyar Karega | Pooja Oberoi | Nominated—Filmfare Award for Best Supporting Actress |
2000 | Kahin Pyaar Na Ho Jaaye | Priya Sharma | |
2001 | Chori Chori Chupke Chupke | Priya Malhotra | |
2001 | Bas Itna Sa Khwaab Hai | Pooja Shrivastav | |
2001 | Nayak: The Real Hero | Manjari | |
2001 | Kabhi Khushi Kabhie Gham... | Naina Kapoor | Cameo |
2002 | Pyaar Diwana Hota Hai | Payal Khuranna | |
2002 | Mujhse Dosti Karoge! | Pooja Sahani | |
2002 | Saathiya | Dr. Suhani Sharma/Sehgal | Filmfare Critics Award for Best Actress Nominated—Filmfare Award for Best Actress |
2002 | Chalo Ishq Ladaaye | Sapna | |
2003 | Chalte Chalte | Priya Chopra | Nominated—Filmfare Award for Best Actress |
2003 | Chori Chori | Khushi Malhotra | |
2003 | Calcutta Mail | Reema/Bulbul | |
2003 | Kal Ho Naa Ho | Special appearance in the song "Mahi Ve" | |
2003 | LOC Kargil | Hema | |
2004 | Yuva | Sashi Biswas | Filmfare Award for Best Supporting Actress |
2004 | Hum Tum | Rhea Prakash | Filmfare Award for Best Actress |
2004 | Veer-Zaara | Saamiya Siddiqui | Nominated—Filmfare Award for Best Supporting Actress |
2005 | Black | Michelle McNally | Filmfare Award for Best Actress Filmfare Critics Award for Best Actress |
2005 | Bunty Aur Babli | Vimmi Saluja (Babli) | Nominated—Filmfare Award for Best Actress |
2005 | Paheli | Lachchi Bhanwarlal | |
2005 | Mangal Pandey: The Rising | Heera | |
2006 | Kabhi Alvida Naa Kehna | Maya Talwar | Nominated—Filmfare Award for Best Actress |
2006 | Baabul | Malvika "Milli" Talwar/Kapoor | |
2007 | Ta Ra Rum Pum | Radhika Shekar Rai Banerjee (Shona) |
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2007 | Laaga Chunari Mein Daag | Vibhavari Sahay (Badki)/ Natasha |
Nominated—Filmfare Award for Best Actress |
2007 | Saawariya | Gulabji | Nominated—Filmfare Award for Best Supporting Actress |
2007 | Om Shanti Om | Herself | Special appearance in the song "Deewangi Deewangi" |
2008 | Thoda Pyaar Thoda Magic | Geeta | |
2008 | Rab Ne Bana Di Jodi | Special appearance in the song "Phir Milenge Chalte Chalte" | |
2009 | Luck by Chance | Herself | |
2009 | Dil Bole Hadippa! | Veera Kaur/Veer Pratap Singh | |
2011 | No One Killed Jessica | Meera Gaity | Filmfare Award for Best Supporting Actress |
2012 | Aiyaa | Meenakshi | Post-production |
2012 | Talaash | Post-production | |
2012 | Koochie Koochie Hota Hain | Tina (voice) | Post-production |
Year | Show | Role | Channel |
---|---|---|---|
2009 | Dance Premier League | Judge | Sony TV |
2011 | CID | Guest Role: Meera Gaity | Sony TV |
Wikiquote has a collection of quotations related to: Rani Mukerji |
Wikimedia Commons has media related to: Rani Mukerji |
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Persondata | |
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Name | Mukerji, Rani |
Alternative names | |
Short description | |
Date of birth | 21 March 1978 |
Place of birth | Kolkata, West Bengal, India |
Date of death | |
Place of death |
Lata Mangeshkar | |
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Mangeshkar in 2008 |
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Background information | |
Born | (1929-09-28) September 28, 1929 (age 82) Indore, Central India Agency, British India |
Genres | Film music (playback singing) |
Occupations | Singer |
Instruments | Vocals |
Years active | 1942–present |
Lata Mangeshkar (born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India.[1][2] Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.[3]
Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.[4][5] In 2011 Guinness officially acknowledged Bhosle as the most recorded artist in music history.[6]
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Lata Mangeshkar was born in Sikh Mohalla,[7] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.
Mangeshkar took her first lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.
In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them
Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[8] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).
Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."[8] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).[8]
Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.[9]
One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.
In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.
Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.[8]
Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-E-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.
In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.
On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.[8][10]
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), and "Tu Jahan Jahan Chalega" from Mera Saaya (1966).
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. She sang for Parasmani (1963) which was their first film together.
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.
In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.
In 1972, Meena Kumari's last film, Pakeezah released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973).
Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman[citation needed]. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji-Anandji.
From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.
In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).
From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.
In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including Maine Pyar Kiya (1989) and Hum Aapke Hain Koun..! (1994).
Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge (2002) and Veer Zaara (2004).
A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa), "Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.
In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.[11]
In 1999, Mangeshkar was nominated as a member of Rajya Sabha.[12] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.[13][14] She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.[13][15]
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief.[16] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.
On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.[17]
Lata Mangeshkar records songs for Madhur Bhandarkar Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005), Daata Sun Le for Jail (2009) and, Kyun Yahan Hota Hai was recorded years ago for Corporate (2006), but is only being used in Heroine (2012).[18] [19]
Lata Mangeshkar composed music for the first time in 1955 for Marathi movie Ram Ram Pavhane. Later in 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.[20]
She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.[citation needed]
Lata Mangeshkar has produced four films:
Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997),[21] NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.
In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.[4][22] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.[23]
Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000.[24][25] However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250.[26][27][28] Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.[29] In 2011 Asha Bhosle was officially acknowledged by Guinness as the most recorded artist in music history, surpassing Mangeshkar.[6]
Wikimedia Commons has media related to: Lata Mangeshkar |
|
Persondata | |
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Name | Mangeshkar, Lata |
Alternative names | |
Short description | Playback singer |
Date of birth | 1929-09-28 |
Place of birth | Indore, Central India Agency, British India |
Date of death | |
Place of death |