Khandwa
—  city  —
Khandwa
Coordinates: 21°50′N 76°20′E / 21.83°N 76.33°E / 21.83; 76.33Coordinates: 21°50′N 76°20′E / 21.83°N 76.33°E / 21.83; 76.33
Country	India
State	Madhya Pradesh
District	East Nimar
Government
• Mayor	Mrs. Bhavna Vijay Shah
Elevation	313 m (1,027 ft)
Population (2001)
• Total	171,976
Languages
• Official	Hindi
Time zone	IST (UTC+5:30)
PIN	450001
Telephone code	91 733
Vehicle registration	MP-12

Khandwa is a town in the Nimaad (commonly and unphonetically written as Nimar by the local people) region of Madhya Pradesh, an Administrative State in central India. It is the administrative headquarters of Khandwa District, formerly known as East Nimar District.

Khandwa is an ancient town, with many places of worship, like many other towns in India. Mostly they are Hindu and Jain temples. During the 12th century AD. it was a center of Jainism. During British rule, it passed nearby Burhanpur (now a separate district) as the main commercial centre of the Nimaad region. Khandwa is a major railway junction, where the Malwa line connecting Indore with the Deccan meets the main east-west line from Mumbai to Kolkata.

It is the birth place of famous Bollywood singer Kishore Kumar Gangopadhyay. It is also famous for being the birth place of present-day Bollywood singer Shaan (singer). Apart from these, Khandwa is also famous for its local saint known nationally Dada Dhuniwaale, who took his last breath here. Famous Hindu temples at Omkareshwar and Jain temples at Siddhawarkoot are about 60 km away in Khandwa district.

Khandwa is located on the Main Train Junction, with daily connections to Bombay, Pune, Delhi, Goa, Cochin, Kolkata, Indore, Bhopal, Patna, Allahabad, Lucknow, Jammu, Hyderabad, Bangalore. It also has an airstrip which is rarely used for occasional aircraft landings, located on Nagchun Road.

Khandwa is famous for its local crops of cotton, wheat (Khandwa2), soyabean and a variety of seasonal fruits and vegetables. Its wheat variety Khandwa2 is famous nationwide for its aroma, colour and quality.

Khandwa is also credited for inventing coloured cotton in late 90s. Dr. K. C. Mandloi (Sr. Scientist, Cotton - now Retd.) and Dr. P. P. Shastry, Plant Pathologisthis and their team from B. M. College of Agriculture successfully invented the Colored breed of cotton. For the first time in our country, the naturally colored cotton variety JCC-l (1996) has been developed, which is a unique eco-friendly gift from the nature to the textile industry and mankind.

Asia's prestigious hydro power project Indira Sagar Pariyojna is located close to Khandwa and it is a pride to district and nation. Nepa paper mills, Mansingka oil mills, and Nimar textiles are a few well known names in industry which Khandwa possesses, although all except Nepa paper mills others are defunct.

History[link]

The name of the city is derived from "Khandav Van", which literally means Khandav Forests. When Lord Ram was on his "Vanwas"his wife ask him for water to drink for the purpose he shooted arrows from his bows in four different direction thus forming four kunds in different regions.

Ancient history[link]

Recent explorations in the beds/tributaries of Narmada have revealed traces of the Paleolithic men in East Nimar district. Omkar Mandhata, a rocky island on the bank of Narmada river, about 47 miles North-West of Khandwa, is said to have been conquered by the Haihaya king Mahishmant, who had named the same as Mahishmati.

During the rise of Buddhism, the East Nimar region was included in Avanti Kingdom under Chand Pradyota Mahesana, which was later added to the growing empire of Magadha by Shishunaga. From the early 2nd century BC. to late 15th century AD, the Nimar Region (earlier a part of Khandesh) underwent the ruling of many emperors from many dynasties, which include Mauryas, Sungas, Early Satvahanas, Kardamakas, Abhiras, Vakatakas, Imperial Guptas, Kalchuris, Vardhanas (of Harsha Vardhana fame), Chalukyas, Rashtrakutas, Paramaras, Faruki Dynasty etc.

Medieval history[link]

Khandwa has no remarkable history but the nearby Burhanpur has an interesting past during Moghul-period. The historic Asirgarh fort was connected to Burhanpur by underground tunnel for obvious military reasons. In 1536 AD, the Mughal Emperor Humayun, after his conquest of Gujarat, had visited Burhanpur and Asirgarh (both are now in Burhanpur District) via Baroda, Broach (Bharuch) & Surat. Raja Ali Khan (1576-1596 AD), also known as Adil Shah, was asked to submit to Akbar, when the latter had sent an expedition to Khandesh, in the summer of 1577 AD. The former, to avoid the unequal contest with the mighty Akbar, dropped his royal title of Shah and accepted the Suzerainty of Akbar. This marked an epoch in the Deccan policy of the Mughals, for Khandesh was used as a base for the future Conquest of Deccan. Raja Ali Khan constructed many buildings like Jama Masjid in the upper portion of the fort of Asir in 1588 AD, Jama Masjid at Burhanpur in 1590 AD, Idgah at Asir, mausoleums & Serai at Burhanpur and Serai & Mosque at Zainabad (Near Burhanpur in Burhanpur District).

Bahadur Khan (1596-1600 AD) successor of Raja Ali Khan declared his independence & refused to pay homage to Akbar & his son Prince Daniyal, which enraged Akbar, who marched towards Burhanpur in 1599 and occupied the City without any opposition on 8 April 1600 AD. Akbar paid a visit to Asirgarh, so as to inspect it personally, where he stayed for 4 days before returning to his Head Quarter at Burhanpur. The very famous and ideal character of Syed Sibte Hassan Jaffri

Shahjahan's operation[link]

Prince Khurram was nominated as the Governor of the Deccan in 1617 AD, by Jahangir to succeed Prince Parviz, and was bestowed the title of Shah by Jahangir. Khurram led the Mughal army to a peaceful victory by which Jahangir was pleased with his success & conferred him the title of Shah Jahan on 12 October 1617 AD. After the death of Jahangir in 1627, Shah Jahan ascended the throne of Mughal empire. Due to troubled conditions in the Deccan,When Shah Jahan travelled to Balapur fort, Burhanpur, mother of Mirza Azam and elder daughter of Shahzada Badi uz-Zaman Mirza, alias Shah Nawaz Khan of the Safawi dynasty Dilrus Banu, wife of Auranzeb along with Mumtaz and cousin/brother Shah Beg Khan along with military personnel stayed three nights near Argaon at Hiwarkhed, before the birth of their fourteenth child.He reached Burhanpur (Deccan) on 1 March 1630, where he stayed for the following two years, conducting operations against Bijapur, Ahmadnagar, and Golkunda. On 7 June 1631, Shah Jahan lost his beloved & favourite wife Mumtaz Mahall at Burhanpur, and her body was buried at first in the Garden of Zainabad, across the river Tapti. Early in December of the same year (1631 AD), the remains of her body were sent to Agra. Later on 6 March 1632, Shah Jahan left Burhanpur for the north, after appointing Mahabat Khan as the viceroy of the Deccan.

Modern history[link]

From the mid 16th century to the early 18th century, the Nimar region (including East Nimar), was under the rule or influence of Aurangzeb, Bahadur Shah (Mughals), the Peshwas, Sindhia, Bawaniya, Holkar and Pawar (Marathas), Pindaris etc. Later from early part of the mid 18th century, the management of the Nimar region came under the British.

The East Nimar district did not remain unaffected by the Great Uprising of 1857, which swept the country, against the British rule. In connection with the so called Riots of 1857, Tatya Tope had gone through the region of East Nimar district, and Khandwa and before marching out of the district, burnt the police stations and Government buildings at Khandwa, Piplod and a number of other places and escaped again to central India by way of Khargone.

The East Nimar district was greatly affected with the beginning of freedom movement, Non-Co-operation movement, Civil Disobedience movement, Quit India Movement etc., to obtain the independence of India, from late 18th century till 15 August 1947. During this time Khandwa was visited by Swami Dayanad Saraswati of Arya Samaj fame, Swami Vivekanand, the great monk and founder of Ramkrishna Mission, Mahatma Gandhi in 1921, Lokmanya Tilak, and others.

Young Nationalists of the district, like Haridas Chatterjee, Makhanlal Chaturvedi, Thakur Laxman Singh (of Burhanpur District), Abdul Quadir Siddique attended the Calcutta Session of Congress in 1917. Tilak visited the district during his whirlwind tour of the central province in 1918. The district took part in the non-co-operation movement. Civil Disobedience Movement of 1930 has also been participated by many people of the district. The Karmavir weekly was seized and its editor, Makhanlal Chaturvedi was sentenced to two years. Editor of Swarajya S. M. Agarkar was also arrested and imprisoned. Nav Jawan Sabha was established at Khandwa in 1931. Students also participated in this movement. They removed Union Flags from high school building and hoisted the tricolor. In this connection Raichand Bhai Nagda was fined and imprisoned.

The District also has contribution in Quit India Movement. The District Political Conference was held at Harsud sometime before August, 1942 had alerted the people for impending struggle. The Students of Robertson High School, Burhanpur ( Burhanpur is now a new district but, formally part of Khandwa District) hoisted Tri-colour on the school building on the 15th August. But it was removed by the police.The students organized the processions against this act of police till their demands of hoisting tricolor and pasting of photographs of national leaders did not met. Many monuments can be seen in Khandwa which were made at the time of British era. Like local Nagar Nigam building and girls degree college.

Notable natives and residents[link]

• Makhanlal Chaturvedi
• Dadaji Dhuniwale Khandwa
• Kishore Kumar

Geography[link]

Khandwa is located at 21°50′N 76°20′E / 21.83°N 76.33°E / 21.83; 76.33.^[1] It has an average elevation of 313 metres (1026 feet).

Demographics[link]

As of 2001^[update] India census,^[2] Khandwa had a population of 171,986. Males constitute 52% of the population and females 48%. Khandwa has an average literacy rate of 71%, higher than the national average of 59.5%: male literacy is 77%, and female literacy is 66%. In Khandwa, 13% of the population is under 6 years of age.

References[link]

1. ^ Falling Rain Genomics, Inc - Khandwa
2. ^ "Census of India 2001: Data from the 2001 Census, including cities, villages and towns (Provisional)". Census Commission of India. Archived from the original on 2004-06-16. http://web.archive.org/web/20040616075334/http://www.censusindia.net/results/town.php?stad=A&state5=999. Retrieved 2008-11-01. 

• Lions Club (Non-profit-organization) in Khandwa
• Informativ web site about Khandwa in hindi

Trivia[link]

• Khandwa Airport is the only airport in the whole district.
• Khandwa is the 6th Largest city of Madhya Pradesh.
• The Hottest city in terms of temperature(Usually as high as 43'C during hot Summers).
• Khandwa is known for its great TOMAR(Punasa) & GOUR(Pandhana) ruler.
• The TOMAR ruler made a fort in PUNASA.
• The famous temple of 'Dadaji Dhuniwale' is visited by thousands every year during the time of Guru Purnima.

Kishore Kumar (4 August 1929 – 13 October 1987), born Abhas Kumar Kanjilal Ganguly was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for most number of Filmfare Awards won in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.

Early life[link]

Kishore Kumar was born into the Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh) as Abhas Kumar Ganguly.^[1] His father Kunjalal Ganguly (Gangopadhya) was a lawyer. His mother Gouri Devi came from a wealthy Bengali family. Kishore was the youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar. The composer Bappi Lahiri is also related to Kishore Kumar on his mother's side.

While Kishore was still a child, Ashok Kumar became a Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and tried to follow Saigal's singing style.

Career[link]

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Bombay regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Kishore Kumar's first film as an actor was Shikari (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave Kishore Kumar a chance to sing "Marne ki duayen kyon mangu" for the film Ziddi (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career.^[2] In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.^[3]

He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music.^[4] However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.

Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving the brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore and told him that he should develop a style of his own, instead of copying Saigal.^[3] Kishore Kumar did not have a formal training in music.^[5] He kept Burman's advice in mind and eventually developed his own style of singing, which featured the yodeling that he had heard on the gramophone records of Tex Morton and Jimmie Rodgers bought by his brother Anoop Kumar.^[6]

S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958).^[7] Asha Bhosle and Kishore Kumar performed duets composed by S. D. Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).

C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.^[4] Their collaborations include "Eena Meena Deeka" from Aasha (1957). Kishore Kumar's work includes "Nakhrewaali" from New Delhi (1956) by Shankar Jaikishan, and "C.A.T. Cat Maane Billi" and "Hum To Mohabbat Karega" from Dilli Ka Thug (1958) by Ravi.

Kishore Kumar produced, directed, and acted in Jhumroo (1961). He wrote the lyrics for the title song, "Main Hoon Jhumroo," and composed music for all the songs in the film. Later, he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the script and composed music for the film. Its based on the relationship between a father (Kishore Kumar) and his deaf and mute son (played by his real-life son, Amit Kumar). He made another two films called Door Ka Rahi (1971) and Door Waadiyon Mein Kahin (1980).

In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether.^[8] His films flopped frequently, and he landed in income tax trouble.^[3] As a singer, his work in this period includes "Zaroorat Hai Zaroorat Hai" from Manmauji (1961), "Gaata Rahe Mera Dil" from Guide (1965), and "Yeh Dil Na Hota Bechara" from Jewel Thief (1967).

In the late 1960s, Rahul Dev Burman worked together on the soundtrack of the film Padosan (1968), in which Kishore Kumar sang the songs "Mere Saamne Wali Khidki Mein" and "Kehna Hai." Padosan was a comedy film starring Kishore Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore Kumar's character in was inspired by the personality of his uncle, Dhananjay Bannerjee (a classical singer).^[2] The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood: "Ek Chatur Nar Karke Singaar."

In 1969, Shakti Samanta produced and directed the film Aradhana, for which the music was composed by S. D. Burman. Burman fell ill after recording some duet songs with Mohammed Rafi, Asha Bhosle, Lata Mangeshkar and Kishore Kumar. Afterwards, his son and assistant Rahul Dev Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs "Mere Sapno Ki Rani" and "Roop Tera Mastana". Kishore Kumar won his first Filmfare award for the song "Roop Tera Mastana." It is widely believed that this film established Kishore Kumar as a leading playback singer in Bollywood.

1970s and 1980s[link]

In 1970s and 1980s Kishore Kumar sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Sanjay Dutt, Sunny Deol, Anil Kapoor and Jackie Shroff.

S. D. Burman and Kishore Kumar continued to work together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), "Pyaar Ke Is Khel Mein" from Jugnu, "Phoolon Ke Dere Hain" from Zameer (1974}. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soon after Kishore recorded the song "Badi Sooni Sooni Hai Zindagi" for the film Mili.^[4]

R. D. Burman frequently used Kishore Kumar as the male singer and recorded several songs with him in the 1970s. Some Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Chingari Koi Bhadke" and "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote" and "Humein Tum Se Pyaar Kitna" from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986).

R. D. Burman recorded several duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).

Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) composed many songs sung by him. Some of their songs include "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag: A Poem of Love, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi, "Gaadi Bula Rahi Hai" from Dost, "Ruk Jaana Nahi" from Imtihaan, "Ek Ritu Aaye" from Gautam Govinda, "My Name Is Anthony Gonsalves" from Amar Akbar Anthony, "Bahut Khoobsurat Jawan Ek Ladki" from Dostana and "Om Shanti Om" as well as "Paisa Yeh Paisa" from Karz. Laxmikant-Pyarelal composed several Kishore-Lata duets, including "Achchha To Hum Chalte Hain" from Aan Milo Sajna, "Gore Rang Pe Na Itna" from Roti, "Main Solah Baras Ki" from Karz, and "Din Mahine Saal" from Avtaar, "Tu Kitne Baras Ki" from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, "I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987). Salil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duet "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and the duet "Tota Maina Ki Kahani" from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as "Hazar Rahein" from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several songs with Kishore Kumar including Zindagi Ka Safar and Jeevan Se Bhari Teri Aankhein, from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam.

Other composers including Rajesh Roshan, Sapan Chakravarty, Jaidev, Chitragupta (composer), Usha Khanna, Sohnik Omi, Prem Dhawan, Vanraj Bhatia and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's film Julie featured songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other songs include Yaadon Mein Woh from Swami, Chhookar mere man ko from Yaarana, Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge as well as Kahiye, Suniye (duet with Asha Bhosle) from Baaton Baaton Mein. Bappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for an Indian National Congress rally in Mumbai, but he refused.^[9] As a result, Information and broadcasting minister Vidya Charan Shukla (1975-1977) put an unofficial ban on playing Kishore Kumar songs on the All India Radio and Doordarshan from 4th May, 1976 till the end of the Emergency.^[10][11]

Later years[link]

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as Badhti Ka Naam Daadhi (1978), Zindagi (1981) and Door Wadiyon Mein Kahin (1980): His last appearance as an actor.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar became a Bollywood singer in the 1980s. Kishore Kumar also continued singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.^[8] Kishore Kumar stopped singing for Amitabh Bachchan in the mid-1980s, after Bachchan did not do a guest appearance in a film produced by him but called a truce with him by singing for him in Toofan.^[12] He also temporarily stopped singing for Mithun Chakraborty, after Yogeeta Bali divorced him and married Chakraborty.^[13] However, later Kumar sang for him in many films like Disco Dancer, Muddat, and Pyar Ka Mandir.

In the mid-1980s, Kishore Kumar sang for Anil Kapoor in Kapoor's debut film as a leading man, Woh Saat Din and also recorded Mr. India. He sang a duet with Alka Yagnik, "Tumse Badhkar Duniya Mein Na Dekha" for Kaamchor in (1986). He also recorded some songs for the film Saagar with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa.^[8]

On 13 October 1987, his brother Ashok's 76th birthday, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.

Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled "Kiss Kiss, Bang Bangalore."^[14] His songs have been featured in several films, including Such a Long Journey (1998) and Side Streets (1998).^[15] Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.

Personal life[link]

Kishore Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.

Kishore's second wife was actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958) and Jhumroo (1961). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Furthermore, at the time he was married to Ruma. After his divorce, because Kishore Kumar was Bengali Hindu and Madhubala Muslim, they had a civil wedding ceremony in 1960. His parents refused to attend. The couple also had a Hindu ceremony to please Kumar's parents, but Madhubala was never truly accepted as his wife. Within a month of her wedding she moved back to her bungalow in Bandra because of tension in the Kishore Kumar household. They remained married but under great strain for the remainder of Madhubala's life. The doctors in London told Madhubala that she would not live for long. The marriage lasted for nine years, and ended with Madhubala's death on 23 February 1969.

Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. Kishore Kumar sired two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kumar is said to have been paranoid about not being paid.^[2] During recordings, he would sing only after his secretary confirmed that the producer had made the payment.^[16] Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).^[2] On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.^[17] On another occasion, when producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore turned up at Talwar's residence one morning and started shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand"). He did this every morning until Talwar paid him.^[16]

The film Anand (1971) was originally supposed to star Kishore Kumar and Mehmood Ali in the lead.^[18] Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.^[18]

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa.^[19] On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur.^[17] Mukherjee was one of the first persons to appreciate Kishore's singing talent.^[17]

Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior.^[20][21] Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly.^[17] Kishore Kumar was a loner, and in an interview with Pritish Nandy (1985), he said that he had no friends – he preferred talking to his trees instead.^[22] Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.^[17]

According to another reported incident, once Kishore Kumar was to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.^[23]

Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut".^[17] In the 1960s, a financier named Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of Half Ticket, gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."^[17]

Filmography[link]

List of songs[link]

Awards[link]

Filmfare Awards

Winner:

Nominated:

Bengal Film Journalists' Association Awards

Winner:

• 1971 - Best Male Playback Singer for Aradhana^[24]
• 1972 - Best Male Playback Singer for Andaz^[25]
• 1973 - Best Male Playback Singer for Hare Rama Hare Krishna^[26]
• 1975 - Best Male Playback Singer for Kora Kagaz^[27]

See also[link]

• Kishore Kumar filmography
• List of songs by Kishore Kumar
• List of Indian playback singers
• Hindi songs

References[link]

Further reading[link]

• Bose, Derek (2004). Kishore Kumar: Method in Madness. New Delhi: Rupa & Co.. ISBN 978-81-291-0526-4. OCLC 57429780. 
• Valicha, Kishore (1998). Kishore Kumar: The Definitive Biography. New York/New Delhi: Penguin Books/Viking. ISBN 978-0-670-88264-9. OCLC 40164015. 
• Nerurkar, Vishwas (2004). Kishore Kumar: The Many Faces of a Genius (The Ultimate Book which includes his complete filmography, discography, unreleased material, and film posters of his films). Gayathri Publications. 

External links[link]

• Kishore Kumar at the Internet Movie Database