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Born | (1925-11-19) November 19, 1925 (age 86) Poznań, Poland |
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Era | 20th / 21st-century philosophy |
Region | Western Philosophy |
School | Continental philosophy · Marxism · Postmodernism |
Main interests | Ethics · Political philosophy · Sociology |
Notable ideas | Modernity's struggle with ambiguity, resulting in the Holocaust, postmodern ethics, "liquid" modernity |
Influenced by
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Zygmunt Bauman (born 19 November 1925 in Poznań) is a Polish sociologist. Since 1971, he has resided in England after being driven out of Poland by an anti-Semitic campaign, engineered by the Communist government which he had previously supported. Professor of sociology at the University of Leeds (and since 1990 emeritus professor), Bauman has become best known for his analyses of the links between modernity and the Holocaust, and of postmodern consumerism.
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Zygmunt Bauman was born to non-practising Polish-Jewish parents in Poznań, Poland, in 1925. When Poland was invaded by the Nazis in 1939 his family escaped eastwards into the Soviet Union. Bauman went on to serve in the Soviet-controlled Polish First Army, working as a political education instructor. He took part in the battles of Kolberg (now Kołobrzeg) and Berlin. In May 1945 he was awarded the Military Cross of Valour.
According to semi-official statements of a historian with the Polish Institute of National Remembrance made in the conservative magazine Ozon in May 2006, from 1945 to 1953 Bauman held a similar function in the Internal Security Corps (KBW), a military unit formed to combat Ukrainian nationalist insurgents and part of the remnants of the Polish Home Army.
Bauman, the magazine states, distinguished himself as the leader of a unit that captured a large number of underground combatants. Further, the author cites evidence that Bauman worked as an informer for the Military Intelligence from 1945 to 1948. However, the nature and extent of his collaboration remain unknown, as well as the exact circumstances under which it was terminated.[1]
In an interview in The Guardian, Bauman confirmed that he had been a committed communist during and after World War II and had never made a secret of it. He admitted, however, that joining the military intelligence service at age 19 was a mistake even though he had a "dull" desk-job and did not remember informing on anyone.[2]
While serving in the KBW, Bauman first studied sociology at the Warsaw Academy of Social Sciences. He went on to study philosophy at the University of Warsaw — sociology had temporarily been cancelled from the Polish curriculum as a "bourgeois" discipline — and his teachers at Warsaw included Stanisław Ossowski and Julian Hochfeld.
In the KBW, Bauman had risen to the rank of major when he was suddenly dishonourably discharged in 1953, after his father approached the Israeli embassy in Warsaw with a view to emigrating to Israel. As Bauman did not share his father's Zionist tendencies and was indeed strongly anti-Zionist, his dismissal caused a severe, though temporary estrangement from his father. During the period of unemployment that followed, he completed his M.A. and in 1954 became a lecturer at the University of Warsaw, where he remained until 1968.
During a stay at the London School of Economics, where his supervisor was Robert McKenzie, he prepared a comprehensive study on the British socialist movement, his first major book. Published in Polish in 1959, a translated and revised edition appeared in English in 1972.
Bauman went on to publish other books, including Socjologia na co dzień ("Sociology for everyday life", 1964), which reached a large popular audience in Poland and later formed the foundation for the English-language text-book Thinking Sociologically (1990).
Initially, Bauman remained close to orthodox Marxist doctrine, but influenced by Antonio Gramsci and Georg Simmel, he became increasingly critical of Poland's communist government. Because of this he was never awarded a professorship even after he completed his habilitation but, after his former teacher Julian Hochfeld was made vice-director of UNESCO's Department for Social Sciences in Paris in 1962, Bauman de facto inherited Hochfeld's chair.
Faced with increasing political pressure and the anti-Semitic campaign led by Mieczysław Moczar, the Chief of the Polish Communist Secret Police, Bauman renounced his membership in the governing Polish United Workers' Party in January 1968. With the March 1968 events, the anti-Semitic campaign culminated in a purge, which drove most remaining Poles of Jewish descent out of the country, including many intellectuals who had fallen from grace with the communist government. Bauman, who had lost his chair at the University of Warsaw, was among them. Having had to give up Polish citizenship to be allowed to leave the country, he first went to Israel to teach at Tel Aviv University, before accepting a chair in sociology at the University of Leeds, where he intermittently also served as head of department. Since then, he has published almost exclusively in English, his third language, and his repute has grown exponentially. Indeed, from the late 1990s, Bauman exerted a considerable influence on the anti- or alter-globalization movement.
In a 2011 interview in the important Polish weekly "Polityka" Bauman criticized Zionism and Israel, saying Israel was not interested in peace and that it was "taking advantage of the Holocaust to legitimize unconscionable acts." He compared the Israeli West Bank barrier to the walls of the Warsaw Ghetto where hundreds of thousands of Jews died in the Holocaust. Israeli ambassador to Warsaw, Zvi Bar, called Bauman's comments "half truths" and "groundless generalizations."[3]
Bauman was married to writer Janina Lewinson (she died on 29 December 2009 in Leeds[4]) and has three daughters, painter Lydia Bauman, architect Irena Bauman, and Professor of mathematics education Anna Sfard. The noted Israeli civil rights lawyer Michael Sfard is his grandson.
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Bauman's published work extends to 57 books and well over a hundred articles.[5] Most of these address a number of common themes, among which are globalization, modernity and postmodernity, consumerism, and morality.
Bauman's earliest publication in English is a study of the British labour movement and its relationship to class and social stratification, originally published in Poland in 1960.[6] He continued to publish on the subject of class and social conflict until the early 1980s, with his last book on the subject being Memories of Class.[7] Whilst his later books do not address issues of class directly, he continues to describe himself as a socialist, and he has never rejected Marxism entirely [8] The Marxist theorist Antonio Gramsci in particular remains one of his most profound influences.
In the late 1980s and early 1990s Bauman published a number of books that dealt with the relationship between modernity, bureaucracy, rationality and social exclusion.[9] Bauman, following Freud, came to view European modernity as a trade off; European society, he argued, had agreed to forego a level of freedom in order to receive the benefits of increased individual security. Bauman argued that modernity, in what he later came to term its 'solid' form, involved removing unknowns and uncertainties; it involved control over nature, hierarchical bureaucracy, rules and regulations, control and categorisation — all of which attempted to gradually remove personal insecurities, making the chaotic aspects of human life appear well-ordered and familiar. However, Bauman over a number of books began to develop the position that such order-making efforts never manage to achieve the desired results. When life becomes organised into familiar and manageable categories, he argued, there are always social groups who cannot be administered, who cannot be separated out and controlled. In his book Modernity and Ambivalence Bauman began to theorise such indeterminate persons by introducing the allegorical figure of 'the stranger.' Drawing upon the sociology of Georg Simmel and the philosophy of Jacques Derrida, Bauman came to write of the stranger as the person who is present yet unfamiliar, society's undecidable.
In Modernity and Ambivalence Bauman attempted to give an account of the different approaches modern society adopts toward the stranger. He argued that, on the one hand, in a consumer-oriented economy the strange and the unfamiliar is always enticing; in different styles of food, different fashions and in tourism it is possible to experience the allure of what is unfamiliar. Yet this strange-ness also has a more negative side. The stranger, because he cannot be controlled and ordered, is always the object of fear; he is the potential mugger, the person outside of society's borders who is constantly threatening. Bauman's most famous book, Modernity and the Holocaust, is an attempt to give a full account of the dangers of these kinds of fears. Drawing upon Hannah Arendt and Theodor Adorno's books on totalitarianism and the Enlightenment, Bauman developed the argument that the Holocaust should not simply be considered to be an event in Jewish history, nor a regression to pre-modern barbarism. Rather, he argued, the Holocaust should be seen as deeply connected to modernity and its order-making efforts. Procedural rationality, the division of labour into smaller and smaller tasks, the taxonomic categorisation of different species, and the tendency to view rule-following as morally good all played their role in the Holocaust coming to pass. And he argued that for this reason modern societies have not fully taken on board the lessons of the Holocaust; it is generally viewed - to use Bauman's metaphor - like a picture hanging on a wall, offering few lessons. In Bauman's analysis the Jews became 'strangers' par excellence in Europe;[10] the Final Solution was pictured by him as an extreme example of the attempts made by societies to excise the uncomfortable and indeterminate elements existing within them. Bauman, like the philosopher Giorgio Agamben, contended that the same processes of exclusion that were at work in the Holocaust could, and to an extent do, still come into play today.
In the mid and late 1990s Bauman's books[11] began to look at two different but interrelated subjects: postmodernity and consumerism. Bauman began to develop the position that a shift had taken place in modern society in the latter half of the 20th century - it had altered from being a society of producers to a society of consumers. This switch, Bauman argued, reversed Freud's 'modern' trade-off: this time security was given up in order to enjoy increased freedom, freedom to purchase, to consume, and to enjoy life. In his books in the 1990s Bauman wrote of this shift as being a shift from 'modernity' to 'post-modernity'. Since the turn of the millennium, his books have tried to avoid the confusion surrounding the term 'postmodernity' by using the metaphors of 'liquid' and 'solid' modernity. In his books on modern consumerism Bauman still writes of the same uncertainties that he portrayed in his writings on 'solid' modernity; but in these books he writes of these fears being more diffuse and harder to pin down. Indeed they are, to use the title of one of his books, 'liquid fears' - fears about paedophilia, for instance, which are amorphous and which have no easily identifiable referent.[12]
Bauman was awarded the European Amalfi Prize for Sociology and Social Sciences in 1992 and the Theodor W. Adorno Award of the city of Frankfurt in 1998. He has been awarded in 2010, jointly with Alain Touraine, the Príncipe de Asturias Prize for Communication and the Humanities.[13]
The University of Leeds launched the The Bauman Institute within its School of Sociology and Social Policy in Bauman's honour in September 2010.[14]
Wikiquote has a collection of quotations related to: Zygmunt Bauman |
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Name | Bauman, Zygmunt |
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Date of birth | 1925-11-19 |
Place of birth | Poznań, Poland |
Date of death | |
Place of death |
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2007) |
10 Years | |
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10 Years performing at The Pearl Room in Mokena, IL. 10 Years performing at The Pearl Room in Mokena, IL. |
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Background information | |
Origin | Knoxville, Tennessee, USA |
Genres | Alternative metal, post-grunge |
Years active | 1999–present |
Labels | Universal Records, Palehorse Records/ILG (Warner Music Group) |
Website | www.10yearsmusic.com |
Members | |
Jesse Hasek Ryan "Tater" Johnson Lewis "Big Lew" Cosby Brian Vodinh Matt Brown |
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Past members | |
Mike Underdown Andy Parks Matt Wantland |
10 Years is an American alternative metal band, formed in Knoxville, Tennessee in 1999.
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10 Years was initially formed in Knoxville, Tennessee in 1999 with singer Mike Underdown, drummer Brian Vodinh, bassist Lewis Cosby, and guitarists Ryan "Tater" Johnson (also of The American Plague) and Matt Wantland. In 2001, Cosby left and the band recruited Andy Parks on bass. They independently recorded Into the Half Moon the same year.
Lead vocalist Mike Underdown left the band to pursue a career in acting and start up a new band 'Courage, You Bastards' in Los Angeles, Ca. 10 Years soon recruited current vocalist Jesse Hasek from another local band. In 2002, Parks decided to leave the band and Cosby returned. The band then released their independent album Killing All That Holds You in 2004.
10 Years was then signed to Universal Records in 2005 and released their major label debut, The Autumn Effect on August 16, 2005 with the songs "Wasteland" and "Through the Iris" picking up regional radio play. Their first single, "Wasteland" spent over 12 months on the rock charts, finally reaching #1 at active rock radio in December 2005.
That same summer, the band toured with Disturbed and Ill Niño. In the fall of 2005, they toured with Breaking Benjamin and Smile Empty Soul, then followed up with the Masters of Horror tour with Mudvayne and Sevendust. They opened for Korn and Mudvayne on Korn's See You on the Other Side tour. They also toured with Korn and Deftones on the Family Values Tour, which started in late July 2006.
In mid February 2006, "Wasteland" reached #1 on the Billboard Alternative Songs chart. "Wasteland" has been certified Gold by the RIAA.
In mid-2006, the band toured Australia in a lineup which included Hatebreed, Disturbed and Korn.
Their first music video, "Wasteland", addresses the social problem of human rights as well as addiction around the world. The video received a nomination for Best Direction and Best Art Direction at the 2006 MTV Video Music Awards, but did not win either.
On March 27, 2006, an EP was released on iTunes containing acoustic versions of "Wasteland" and other tracks from The Autumn Effect.
On November 19, 2006, 10 Years unveiled and confirmed the title Division for their second album.[1] The band would begin recording Division in late June 2007 after spending the better part of a year writing.
Lewis told in an interview that the album is "so different from the first one [The Autumn Effect], but it's still 10 Years," and, "It just sounds like [the songs] would be from a totally different album, which was, you know, the goal."[2] It was also revealed that the track titled "Focus" was co-written with Stone Temple Pilots and former Army of Anyone guitarist Dean DeLeo.[1]
On May 21, 2007 a demo song titled "All Your Lies" from Division was released onto their MySpace along with a post stating the band had chosen producer Rick Parasher to produce the new album.[3] On September 7, the band announced on their MySpace that the album was finished and would be released in 2008, following a tour with Dir En Grey, Sevendust, Operator, Thousand Foot Krutch and Chevelle.
On January 29, 2008, "Beautiful," the new single from Division, was released to iTunes and a snippet was also posted on the band's MySpace page. Division was released on May 13, 2008 after being pushed back due to finalization of the album's artwork.[4]
10 Years was featured on the Revolution Stage of Linkin Park's Summer Projekt Revolution 2008 tour with Atreyu, Hawthorne Heights and Armor For Sleep.
They went on tour with Mudvayne until mid December 2008.
10 Years announced that their upcoming third major label album would be entitled Feeding the Wolves. The album was produced by Grammy-nominated producer Howard Benson and mixed by Chris "Lord" Alge. The band has mentioned the album is of their heaviest material to date and "very similar to some of their early songs."
Throughout the first half of 2010, the band went back and forth between putting on live shows and working in the studio. Before the album was released, the band debuted new songs at live performances such as "Dead in the Water", "Now is the Time", and the new album's first single ""Shoot It Out" ". [5][6]
On June 12, 2010, ""Shoot It Out" " was featured on Sirius/XM Radio. The track was released to radio later that month,[7] and was made available for download on iTunes July 6.[8] Feeding the Wolves was released on August 31, 2010.
To promote the album's release, the band opened Shinedown's 2010 Carnival of Madness summer tour alongside Chevelle, Puddle of Mudd, and Sevendust.[9] In the fall they joined Sevendust again on the Hard Drive Live tour with support from Since October and Anew Revolution.
In December, the band went on a mini-headline tour,[10] where they played some older songs that they had not played in some time. February 2011, their new single "Fix Me" releases to radio while they headline a spring tour with Hollywood Undead.
On June 17 and 18 the band shot a music video for "Fix Me" in Columbus, Ohio with production company Thunder Down Country.[11] The video was released via YouTube on August 9, 2011.[12]
On twitter the band has shown pictures of Brian Vodinh's home basement turned studio for future workings on their next album.
On April 2nd, 2012, the band announced on Facebook that their upcoming record, Minus The Machine, is to be released on July 30th on their own independent label, Palehorse Records, which the band stated is a part of Warner Music Group's Independent Label Group. They also announced a 4-week headlining tour to support the record, which begins on June 27th in New Orleans.
On May 11th, the band unveiled the cover art of the album and it was announced that the album's release has been pushed back to July 31st.[citation needed] 10 Years will release their first single "Backlash" on radio and iTunes on June 21st.
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Live
Former
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</timeline>
Year | Album details | Peak chart positions | |||
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US [13] |
US Alt. [13][14] |
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2001 | Into the Half Moon
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— | — | ||
2004 | Killing All That Holds You
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— | — | ||
2005 | The Autumn Effect
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72 | — | ||
2008 | Division
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12 | 2 | ||
2010 | Feeding the Wolves
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17 | 3 | ||
2012 | Minus the Machine
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"—" denotes a release that did not chart. |
Year | Song | Peak chart positions | Album | ||
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US [15] |
US Alt. [16] |
US Main. |
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2005 | "Wasteland" | 94 | 1 | 2 [17] |
The Autumn Effect |
2006 | "Through the Iris" | — | 35 | 20 [17] |
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"Waking Up" | — | — | 32 [17] |
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2008 | "Beautiful" | — | 14 | 6 [18] |
Division |
"So Long, Good-Bye" | — | — | 31 [18] |
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2009 | "Actions & Motives" | — | — | 36 [18] |
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2010 | "Shoot It Out" | — | 21 | 6 | Feeding the Wolves |
2011 | "Fix Me" | — | 30 | 10 | |
"Now Is the Time (Ravenous)" | — | — | — | ||
2012 | "Backlash" | — | — | — | Minus the Machine |
"—" denotes a release that did not chart. |
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