Anti-mimesis is a philosophical position that holds the direct opposite of mimesis. Its most notable proponent is Oscar Wilde, who held in his 1889 essay The Decay of Lying that "Life imitates Art far more than Art imitates Life". In the essay, written as a Platonic dialogue, Wilde holds that such anti-mimesis "results not merely from Life's imitative instinct, but from the fact that the self-conscious aim of Life is to find expression, and that Art offers it certain beautiful forms through which it may realise that energy.".^[1][2]

Wilde's antimimetic philosophy has had influence on later writers, including Brian Friel. McGrath places it in a tradition of Irish writing, including Wilde and writers such as Synge and Joyce that "elevate[s] blarney (in the form of linguistic idealism) to aesthetic and philosophical distinction", noting that Terry Eagleton observes an even longer tradition that stretches "as far back in Irish thought as the ninth-century theology of John Scottus Eriugena" and "the fantastic hyperbole of the ancient sagas". Wilde's antimimetic idealism, specifically, McGrath describes to be part of the late nineteenth century debate between Romanticism and Realism.^[1]

Antimimesis, as set out by Wilde in Decay of Lying is the reverse of the Aristotelian principle of mimesis. Far from art imitating life, as mimesis would hold, Wilde holds that art sets the aesthetic principles by which people perceive life. What is found in life and nature is not what is really there, but is that which artists have taught people to find there, through art. Wilde presents the fogs of London as an example, arguing that although "there may have been fogs for centuries in London", people have only "seen" the "wonderful brown fogs that come creeping down our streets, blurring the gas lamps and turning houses into shadows" because "poets and painters have taught [people] the loveliness of such effects". "They did not exist", asserts Wilde, "till Art had invented them.".^[1]

Halliwell asserts that "far from constituting the ne plus ultra of antimimeticism", the notion that life imitates art actually derives from classical notions that can be traced as far back as the writings of Aristophanes of Byzantium, and does not negate mimesis but rather "displace[s] its purpose onto the artlike fashioning of life itself". Halliwell draws a parallel between Wilde's philosophy and Aristophanes' famous question about the comedies written by Menander: "O Menander and Life! Which of you took the other as your model?", noting, however, that Aristophanes was a pre-cursor to Wilde, and not necessarily espousing the positions that Wilde was later to propound.^[3]

George Bernard Shaw agreed with Wilde. In his preface to Three Plays he wrote "I have noticed that when a certain type of feature appears in painting and is admired as beautiful, it presently becomes common in nature; so that the Beatrices and Francescas in the picture galleries of one generation come to life as the parlor-maids and waitresses of the next.". He stated that he created the aristocratic characters in Cashel Byron's Profession as more priggish than real aristocrats because at the time of writing he had yet to discover that "what [he] supposed to be the real world does not exist, and that men and women are made by their own fancies in the image of the imaginary creatures in [his] youthful fictions, only much stupider". Shaw, however, disagreed with Wilde on some points. He considered most attempts by life to imitate art to be reprehensible, in part because the art that people generally chose to imitate was idealistic and romanticized.^[4]

References[link]

1. ^ ^{a b c} Francis Charles McGrath (1999). Brian Friel's (post)colonial drama: language, illusion, and politics. University Press. pp. 19–21. ISBN 0-8156-2813-7. 
2. ^ Oscar Wilde. The Decay of Lying. 
3. ^ Stephen Halliwell (2002). The aesthetics of mimesis: ancient texts and modern problems. Princeton University Press. pp. 287–288,369. ISBN 0-691-09258-3. 
4. ^ Elsie Bonita Adams (1971). "Art and Reality". Bernard Shaw and the aesthetes. Ohio State University Press. pp. 76–77. ISBN 0-8142-0155-5. 

Further reading[link]

• Terry Eagleton (1996). "Oscar and George". Heathcliff and the Great Hunger: Studies in Irish Culture. Verso. ISBN 1-85984-027-2. 

The Jaguar is a fictional character, a comic book superheroine created by artist Laura Molina and published under her privately-owned Insurgent Comix imprint. The character, created in response to California's 1994 passage of proposition 187, made her first appearance in Cihualyaomiquiz, The Jaguar #1 (1996).^[1][2]

The Jaguar's secret identity is that of Linda Rivera, an East Los Angeles law student. Linda lives in an alternate timeline in which proposition 187 has transformed California in to a police state ruled by right-wing fundamendalist groups, which enact the removal of equal employment and affirmative action policies. People of color are consistently denied civil rights while racist hate groups are allowed to proliferate throughout the state. Tired of seeing her people persecuted, Rivera dons the mantle of Cihualyaomiquiz, a term from the Aztec language translated as "Woman ready to die in battle" and becomes a vigilante known as The Jaguar. She is assisted by local activists groups and makes use of her fighting ability, detective skills and knowledge of the law in her pursuit of social justice.

Publication history[link]

Molina first conceived The Jaguar as a response to California's proposition 187 which was designed to deny illegal immigrants social services, health care, and public education. The proposition would later pass with 58.8% of the vote before being overturned by the United States federal court.^[3] Molina viewed the proposition as a license to discriminate and a direct attack on human rights, as explained in her 1996 introduction to the character:

The Jaguar made her first published appearance in Cihualyaomiquiz, The Jaguar #1 written and illustrated by Laura Molina in 1996 with Tomás Benitez assisting in additional story editing and dialogue.^[4] The series is currently on hiatus, but Molina promises new installments in the near future.

Fictional character history[link]

Shortly after the passing of proposition 187, the rightwing backlash brings a new attack on civil rights, equal employment and affirminative action. Soon politicians are pushing for a national proposition 187. The right wing becomes corrupted by corporate media conglomerates and super rich while racist hate groups begin to grow more vocal and violent. The dignity of minority groups is assaulted on a daily basis with increasing violence against Chicano activist groups.

After witnessing the racist authority of California firsthand, Linda Rivera reclaims her heritage by reuniting with her native history. Adopting the mantle of Cihualyaomiquiz, dedicates her vigilante activities to Huitzilopochtli, the Aztec god of war. Every night she performs an ancient ritual in which copal is lit and calls upon her nahual (spirit guide) to transform into her alter ego as The Jaguar. During one of her first adventures, she is shown to have received important information from an unnamed activist group in order to steal some important legal documents. Along the way she encountered two neo-nazis in a back alley doing drugs. They attempted to overpower her, but she easily dispatches of the two of them. Before leaving she concludes the altercation by congratulating them for being so lucky, because "...after all, my ancestors used to eat their enemies."

Literary analysis[link]

Since the character's debut, The Jaguar has been interpreted and discussed in other forms. One notable example appears in Laura E. Pérez' Chicana Art: The Politics of Spiritual and Aesthetic Altarities,^[5] in which the comic book was compared to Art Spiegelman's Maus:

Notes[link]

• Pérez, Laura E. (2007). Chicana Art: The Politics of Spiritual and Aesthetic Altarities. ISBN 0-8223-3868-8.  ISBN 978-0-8223-3868-0
• Frederick Luis Aldama (2009): Your Brain on Latino Comics, University of Texas Press, SBN: 978-0-292-71973-6

References[link]

External links[link]

• Official site
• Official MySpace

Alanis Morissette
Alanis Morissette signing autographs for fans after concert
Background information
Birth name	Alanis Nadine Morissette
Born	(1974-06-01) June 1, 1974 (age 38)
Origin	Ottawa, Ontario, Canada
Genres	Alternative rock, pop rock, electronica, post-grunge
Occupations	Singer, songwriter, actress, record producer
Instruments	Piano, guitar, flute, harmonica, bass, vocals
Years active	1987–present
Labels	MCA Canada, Maverick, Warner Bros., Epiphany Music
Associated acts	Tim Thorney
Website	alanis.com

Alanis Nadine Morissette (born June 1, 1974) is a Canadian^[1] singer-songwriter, guitarist, record producer, and actress. She has won 16 Juno Awards and seven Grammy Awards, was nominated for two Golden Globe Awards and also shortlisted for an Academy Award nomination. Morissette began her career in Canada, and as a teenager recorded two dance-pop albums, Alanis and Now Is the Time, under MCA Records Canada.

Her first international album was the rock-influenced Jagged Little Pill, released in 1995. Jagged has sold more than 33 million units globally.^[2][3][4] Her following album, Supposed Former Infatuation Junkie, was released in 1998 and was a success as well. Morissette took up producing duties for her subsequent albums, which include Under Rug Swept, So-Called Chaos and Flavors of Entanglement. Morissette has sold more than 60 million albums worldwide.^[5][6][7] Morissette is also known for her powerful and emotive mezzo-soprano voice.^[8]

Morissette acquired United States citizenship in 2005.^[9]

Early life[link]

Morissette was born June 1, 1974 in Ottawa, Ontario, Canada,^[10] the daughter of Georgia Mary Ann (née Feuerstein), a teacher of Hungarian descent,^[11][12] and Alan Richard Morissette, a French-Canadian high school principal.^[13] She has a twin brother, Wade Morissette, (also a musician) who was born 12 minutes after her.^[14] Morissette was raised Catholic.^[15] She attended Glebe Collegiate Institute (Ottawa, Canada) for high school.

Music career[link]

1987: First Demo[link]

Alanis recorded her first demo called "Fate Stay With Me" at Marigold Studios in Toronto, engineered by Rich Dodson of Canadian classic rock band, The Stampeders. ^[16]

1990–92: Early career[link]

In 1991 MCA Records Canada released Morissette's debut album, Alanis, in Canada only. Morissette co-wrote every track on the album with its producer, Leslie Howe. By the time it was released, she had dropped her stage name and was credited simply as Alanis. The dance-pop album went platinum,^[17] and its first single, "Too Hot", reached the top twenty on the RPM singles chart. Subsequent singles "Walk Away" and "Feel Your Love" reached the top 40. Morissette's popularity, style of music and appearance, particularly that of her hair, led her to become known as the Debbie Gibson of Canada;^[18] comparisons to Tiffany were also common. During the same period, she was a concert opening act for rapper Vanilla Ice.^[19] Morissette was nominated for three 1992 Juno Awards: Most Promising Female Vocalist of the Year (which she won), Single of the Year and Best Dance Recording (both for "Too Hot").^[20]

In 1992, she released her second album, Now Is the Time, a ballad-driven record that featured less glitzy production than Alanis and contained more thoughtful lyrics.^[18] Morissette wrote the songs with the album's producer, Leslie Howe, and Serge Côté. She said of the album, "people could go, 'Boo, hiss, hiss, this girl's like another Tiffany or whatever.' But the way I look at it ... people will like your next album if it's a suck-ass one."^[19] As with Alanis, Now Is the Time was released only in Canada and produced three top 40 singles—"An Emotion Away", the minor adult contemporary hit "No Apologies" and "(Change Is) Never a Waste of Time". It was a commercial failure, however, selling only a little more than half the copies of her first album.^[18][21] With her two-album deal with MCA Records Canada complete, Morissette was left without a major label contract.

[edit] 1993–97: Move to Los Angeles and Jagged Little Pill

In 1993 Morissette's publisher Leeds Levy at MCA Music Publishing introduced her to manager Scott Welch.^[22] Welch told HitQuarters he was impressed by her "spectacular voice", her character and her lyrics. At the time she was still living at home with her parents. Together they decided it would be best for her career to move to Toronto and start writing with other people.^[22] After graduating from high school, Morissette moved from Ottawa to Toronto.^[18] Her publisher funded part of her development and when she met producer and songwriter Glen Ballard, he believed in her talent enough to let her use his studio.^[18][22] The two wrote and recorded Morissette's first internationally released album, Jagged Little Pill, and by the spring of 1995, she had signed a deal with Maverick Records. According to manager Welch every label they had approached had passed on Morissette apart from Maverick.^[22]

	"Ironic" (1996) noicon The two-time Grammy Award-nominated song is considered one of Morissette's signature tunes.
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Maverick Records released Jagged Little Pill internationally in 1995. The album was expected only to sell enough for Morissette to make a follow-up, but the situation changed quickly when KROQ-FM, an influential Los Angeles modern rock radio station, began playing "You Oughta Know", the album's first single.^[23] The song instantly garnered attention for its scathing, explicit lyrics,^[18] and a subsequent music video went into heavy rotation on MTV and MuchMusic.

After the success of "You Oughta Know", the album's other hit singles helped send Jagged Little Pill to the top of the charts. "All I Really Want" and "Hand In My Pocket" followed, but the fourth U.S. single, "Ironic", became Morissette's biggest hit. "You Learn" and "Head over Feet", the fifth and sixth singles, respectively, kept Jagged Little Pill in the top twenty on the Billboard 200 albums chart for more than a year. According to the RIAA, Jagged Little Pill sold more than 16 million copies in the U.S.; it sold 33 million worldwide,^[24] making it the second biggest selling album by a female artist (behind Shania Twain's Come On Over).^[25][26] Morissette's popularity grew significantly in Canada, where the album was certified twelve times platinum^[17] and produced four RPM chart-toppers: "Hand In My Pocket", "Ironic", "You Learn", and "Head over Feet". The album was also a bestseller in Australia and the United Kingdom.^[27][28]

Morissette's success with Jagged Little Pill was credited with leading to the introduction of female singers such as Shakira, Tracy Bonham, Meredith Brooks, Patti Rothberg and, in the early 2000s, Pink and fellow Canadian Avril Lavigne.^[29] She was criticized for collaborating with producer and supposed image-maker Ballard, and her previous albums also proved a hindrance for her respectability.^[18][30] Morissette and the album won six Juno Awards in 1996: Album of the Year, Single of the Year ("You Oughta Know"), Female Vocalist of the Year, Songwriter of the Year and Best Rock Album.^[31] At the 1996 Grammy Awards, she won Best Female Rock Vocal Performance, Best Rock Song (both for "You Oughta Know"), Best Rock Album and Album of the Year.^[32]

Later in 1996, Morissette embarked on an 18-month world tour in support of Jagged Little Pill, beginning in small clubs and ending in large venues. Taylor Hawkins, who later joined the Foo Fighters, was the tour's drummer. "Ironic" was nominated for two 1997 Grammy Awards—Record of the Year and Best Music Video, Short Form^[33]—and won Single of the Year at the 1997 Juno Awards, where Morissette also won Songwriter of the Year and the International Achievement Award.^[34] The video Jagged Little Pill, Live, which was co-directed by Morissette and chronicled the bulk of her tour, won a 1998 Grammy Award for Best Music Video, Long Form.^[35]

Following the stressful tour, Morissette started practicing Iyengar Yoga for balancing, and after the last December 1996 show, she headed to India for six weeks, accompanied by her mother, two aunts and two female friends.^[36]

[edit] 1998–2000: Supposed Former Infatuation Junkie and Alanis Unplugged

	"Thank U" (1998) noicon The most successful single from 1998's Supposed Former Infatuation Junkie was written after a trip to India. "That I Would Be Good" (1998) noicon A live version of this ballad was released to promote 1999's Alanis Unplugged.
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Morissette was featured as a guest vocalist on Ringo Starr's cover of "Drift Away" on his 1998 album, Vertical Man, and on the songs "Don't Drink the Water" and "Spoon" on the Dave Matthews Band album Before These Crowded Streets. She recorded the song "Uninvited" for the soundtrack to the 1998 film City of Angels. Although the track was never commercially released as a single, it received widespread radio airplay in the U.S. At the 1999 Grammy Awards, it won in the categories of Best Rock Song and Best Female Rock Vocal Performance, and was nominated for Best Song Written for a Motion Picture, Television or Other Visual Media.^[37] Later in 1998, Morissette released her fourth album, Supposed Former Infatuation Junkie, which she wrote and produced with Glen Ballard.

Privately, the label hoped to sell a million copies of the album on initial release;^[38] instead, it debuted at number one on the Billboard 200 chart with first-week sales of 469,000 copies—a record, at the time, for the highest first-week sales of an album by a female artist.^[39] The wordy, personal lyrics on Supposed Former Infatuation Junkie alienated many fans, and after the album sold considerably less than Jagged Little Pill, many labelled it an example of the sophomore jinx.^[18][40] However, it received positive reviews, including a four-star review from Rolling Stone.^[41] In Canada, it won the Juno Award for Best Album and was certified four times platinum.^[17][42] "Thank U", the album's only major international hit single, was nominated for the 2000 Grammy Award for Best Female Pop Vocal Performance; the music video, which featured Morissette nude, generated mild controversy.^[38][43] Morissette herself directed the videos for "Unsent" and "So Pure", which won, respectively, the MuchMusic Video Award for Best Director and the Juno Award for Video of the Year.^[42][44] The "So Pure" video features actor Dash Mihok, with whom Morissette was in a relationship at the time.^[38]

Morissette contributed vocals to "Mercy", "Hope", "Innocence", and "Faith", four tracks on Jonathan Elias's project The Prayer Cycle, which was released in 1999. The same year, she released the live acoustic album Alanis Unplugged, which was recorded during her appearance on the television show MTV Unplugged. It featured tracks from her previous two albums alongside four new songs, including "King of Pain" (a cover of The Police song) and "No Pressure over Cappuccino", which Morissette wrote with her main guitar player, Nick Lashley. The recording of the Supposed Former Infatuation Junkie track "That I Would Be Good", released as a single, became a minor hit on hot adult contemporary radio in America. Also in 1999, Morissette released a live version of her song "Are You Still Mad" on the charity album Live in the X Lounge II. For her live rendition of "So Pure" at Woodstock '99, she was nominated for Best Female Rock Vocal Performance at the 2001 Grammy Awards.^[45] During summer 1999, Alanis toured with singer/songwriter Tori Amos on the 5 And A Half Weeks Tour in support of Amos' album To Venus And Back.

[edit] 2001–03: Under Rug Swept and Feast on Scraps

In 2001, Morissette was featured with Stephanie McKay on the Tricky song "Excess", which is on his album Blowback. Morissette released her fifth studio album, Under Rug Swept, in February 2002. For the first time in her career, she took on the role of sole writer and producer of an album. Her band, comprising Joel Shearer, Nick Lashley, Chris Chaney, and Gary Novak, played the majority of the instruments; additional contributions came from Eric Avery, Dean DeLeo, Flea, and Meshell Ndegeocello.

Under Rug Swept debuted at number one on the Billboard 200 chart, eventually going platinum in Canada and selling one million copies in the U.S.^[17][46] It produced the hit single "Hands Clean", which topped the Canadian Singles Chart and received substantial radio play; for her work on "Hands Clean" and "So Unsexy", Morissette won a Juno Award for Producer of the Year.^[47] A second single, "Precious Illusions", was released, but it did not garner significant success outside Canada or U.S. hot AC radio.

Later in 2002, Morissette released the combination package Feast on Scraps, which includes a DVD of live concert and backstage documentary footage directed by her and a CD containing eight previously unreleased songs from the Under Rug Swept recording sessions. Preceded by the single "Simple Together", it sold roughly 70,000 copies in the U.S. and was nominated for a Juno Award for Music DVD of the Year.^[46][48]

[edit] 2004–05: So-Called Chaos, Jagged Little Pill Acoustic and The Collection

Alanis Morissette, 2004

	"Everything" (2004) noicon The first single from So Called Chaos showcased a more relaxed and self-evaluating Morissette and was a moderate success.
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Morissette hosted the Juno Awards of 2004 dressed in a bathrobe, which she took off to reveal a flesh-colored bodysuit, a response to the era of censorship in the U.S. caused by Janet Jackson's breast-reveal incident during the Super Bowl XXXVIII halftime show.^[49] Morissette released her sixth studio album, So-Called Chaos, in May 2004. She wrote the songs on her own again, and co-produced the album with Tim Thorney and pop music producer John Shanks. The album debuted at number five on the Billboard 200 chart to generally mixed critical reviews, and it became Morissette's lowest seller in the U.S.^[46] The lead single, "Everything", achieved major success on adult top 40 radio in America and was moderately popular elsewhere, particularly in Canada, although it failed to reach the top 40 on the U.S. Hot 100. Because the first line of the song includes the word asshole, American radio stations refused to play it, and the single version was changed to include the word nightmare instead.^[49] Two other singles, "Out Is Through" and "Eight Easy Steps", fared considerably worse commercially than "Everything", although a dance mix of "Eight Easy Steps" was a U.S. club hit.

Morissette embarked on a U.S. summer tour with long-time friends and fellow Canadians Barenaked Ladies, working with the non-profit environmental organization Reverb.^[50]

To commemorate the tenth anniversary of Jagged Little Pill, Morissette released a studio acoustic version, Jagged Little Pill Acoustic, in June 2005. The album was released exclusively through Starbucks' Hear Music retail concept through their coffee shops for a six-week run. The limited availability led to a dispute between Maverick Records and HMV North America, who retaliated by removing Morissette's other albums from sale for the duration of Starbucks's exclusive six-week sale.^[51][52] As of November 2010, Jagged Little Pill Acoustic had sold 372,000 copies in the U.S.,^[53] and a video for "Hand in My Pocket" received rotation on VH1 in America. The accompanying tour ran for two months in mid 2005, with Morissette playing small theatre venues. During the same period, Morissette was inducted into Canada's Walk of Fame.^[54]

Morissette opened for The Rolling Stones for a few dates of their A Bigger Bang Tour in the autumn of 2005.

Morissette released the greatest hits album Alanis Morissette: The Collection in late 2005. The lead single and only new track, a cover of Seal's "Crazy", was a U.S. adult top 40 and dance hit, but it achieved only minimal chart success elsewhere. A limited edition of The Collection features a DVD including a documentary with videos of two unreleased songs from Morissette's 1996 Can't Not Tour: "King of Intimidation" and "Can't Not". (A reworked version of "Can't Not" had also appeared on Supposed Former Infatuation Junkie.) The DVD also includes a ninety-second clip of the unreleased video for the single "Joining You". As of November 2010, The Collection had sold 373,000 copies in the U.S., according to Soundscan.^[53]

Morissette contributed the song "Wunderkind" to the soundtrack of the film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, and it was nominated for a Golden Globe Award for Best Original Song.^[55]

Alanis performed two songs with Avril Lavigne: Morissette's "Ironic" and Lavigne's "Losing Grip".

[edit] 2006–10: Flavors of Entanglement and leaving Maverick Records

Alanis during a live concert in Barcelona, June 2008

2006 marked the first year in Morissette's musical career without a single concert appearance showcasing her own songs, with the exception of an appearance on The Tonight Show with Jay Leno in January when she performed "Wunderkind".

On April 1, 2007, Morissette released a tongue-in-cheek cover of The Black Eyed Peas's selection "My Humps", which she recorded in a slow, mournful voice, accompanied only by a piano. The accompanying YouTube-hosted video, in which she dances provocatively with a group of men and hits the ones who attempt to touch her "lady lumps", had received 16,465,653 views on February 15, 2009.^[56] Morissette did not take any interviews for a time to explain the song, and it was theorized that she did it as an April Fools' Day joke.^[57] Black Eyed Peas vocalist Stacy "Fergie" Ferguson responded by sending Morissette a buttocks-shaped cake with an approving note.^[58] On the verge of the release of her latest album, she finally elaborated on how the video came to be, citing that she became very much emotionally loaded while recording her new songs one after the other and one day she wished she could do a simple song like "My Humps" in a conversation with Guy Sigsworth and the joke just took a life of its own when they started working on it.^[56]

Morissette performed at a gig for The Nightwatchman, a.k.a. Tom Morello of Rage Against the Machine and Audioslave fame, at the Hotel Café in Los Angeles in April 2007. The following June, she performed "The Star-Spangled Banner" and "O Canada", the American and Canadian national anthems, in Game 4 of the Stanley Cup Finals between the Ottawa Senators and the Anaheim Ducks in Ottawa, Ontario.^[59] (The NHL requires arenas to perform both the American and Canadian national anthems at games involving teams from both countries.) In early 2008, Morissette participated in a tour with Matchbox Twenty and Mutemath as a special guest.

Morissette's seventh studio album, Flavors of Entanglement, which was produced by Guy Sigsworth, was released in mid 2008. She has stated that in late 2008, she would embark on a North American headlining tour, but in the meantime she would be promoting the album internationally by performing at shows and festivals and making television and radio appearances. The album's first single was "Underneath", a video for which was submitted to the 2007 Elevate Film Festival, the purpose of which festival was to create documentaries, music videos, narratives and shorts regarding subjects to raise the level of human consciousness on the earth.^[60] On October 3, 2008, Morissette released the video for her latest single, "Not as We".^[61]

Recently, Morissette has contributed to 1 Giant Leap, performing "Arrival" with Zap Mama and she has released an acoustic version of her song "Still" as part of a compilation from Music for Relief in support of the 2010 Haiti earthquake crisis. Morissette has also recorded a cover of the 1984 Willie Nelson and Julio Iglesias hit, "To All the Girls I've Loved Before", re-written as "To All the Boys I've Loved Before".^[62] Nelson played rhythm guitar on the recording.^[62]

In April 2010, Morissette released the song "I Remain", which she wrote for the Prince of Persia: The Sands of Time soundtrack.

On May 26, 2010, the season finale of American Idol, Morissette performed a duet of her song "You Oughta Know" with Runner Up Crystal Bowersox.^[63]

Morissette left Maverick Records after all promotion for Flavors was completed.

[edit] 2011–present: Havoc and Bright Lights and upcoming 2012 tour

On October 11, 2011, Morissette posted a picture of herself in a recording studio to her Facebook page. The picture included the message "back in the studio saddle....the songs have come in droves...!", indicating that Morissette had begun work on her next album. However, it was unknown if she would be still associated with Maverick Records, after the completion of her last album Flavors of Entanglement.^[64]

On November 20, 2011, Morissette appeared at the American Music Awards. When asked about the new album during a short interview, she said she had recorded thirty-one songs, and that the album would "likely be out next year, probably [in] summertime".^[65]

On December 21, 2011, Morissette performed a duet of "Uninvited" with finalist Josh Krajcik during the performance finale of the X-Factor.

Morissette is embarking on a European tour for the Summer of 2012, according to Alanis.com. In early May 2012, a new song called "Magical Child" appeared on a Starbucks compilation called Every Mother Counts.^[66]

Rolling Stone Magazine initially reported that Morissette's new album would be released in June 2012 and revealed the titles of four album tracks: "Spiral," "Guardian," "Celebrity," and "Havoc." "Spiral" and "Guardian" were performed at Guitar Center sessions.^[67] "Havoc" is a ballad, while "Celebrity" is described to be "a scathing takedown of America's obsession with fame."^[68]

On May 2, 2012, Morissette revealed through her Facebook account that her eighth studio album, entitled Havoc and Bright Lights, would be released in August 2012, on new label "Collective Sound", distributed by Sony's RED Distribution.^[69] On the same day, Billboard precised the date as August 28 and revealed the album would contain twelve tracks. The album's lead single, "Guardian", is due for release on iTunes on May 15, 2012, and will hit the radio airwaves four days prior to this.^[70]

Acting career[link]

In 1986, Morissette had her first stint as an actor: five episodes of the children's television show You Can't Do That on Television. She appeared on stage with the Orpheus Musical Theatre Society in 1985 and 1988.^[71]

In 1993, she appeared in the film Just One of the Girls starring Corey Haim, which she described as "horrible".^{[clarification needed][citation needed]}

In 1999, Morissette delved into acting again, for the first time since 1993, appearing as God in the Kevin Smith comedy Dogma and contributing the song "Still" to its soundtrack. Morissette reprised her role as God for a post-credits scene in Smith's next film, Jay and Silent Bob Strike Back, to literally close the book on the View Askewniverse. She also appeared in the hit HBO comedies Sex and the City and Curb Your Enthusiasm, appeared in the play The Vagina Monologues, and had a brief role in the Brazilian hit soap opera "Celebridade" (Celebrity).

In late 2003, Morissette appeared in the Off-Broadway play The Exonerated as Sunny Jacobs, a death row inmate freed after proof surfaced that she was innocent. In April 2006, MTV News reported that Morissette would reprise her role in The Exonerated in London from May 23 until May 28.^[72]

She expanded her acting credentials with the July 2004 release of the Cole Porter biographical film De-Lovely, in which she performed the song "Let's Do It (Let's Fall in Love)" and had a brief role as an anonymous stage performer. In February 2005, she made a guest appearance on the Canadian television show Degrassi: The Next Generation with Dogma co-star Jason Mewes and director Kevin Smith.

In 2006, she guest starred in an episode of Lifetime's Lovespring International as a homeless woman named Lucinda, three episodes of FX's Nip/Tuck, playing a lesbian named Poppy, and the mockumentary/documentary Pittsburgh as herself.

Morissette has appeared in eight episodes of Weeds, playing Dr. Audra Kitson, a "no-nonsense obstetrician" who treats pregnant main character Nancy Botwin.^[73] Her first episode aired in July 2009.

In early 2010 Morissette returned to the stage, performing a one night engagement in An Oak Tree, an experimental play in Los Angeles. The performance was a sell out. In April 2010 Morissette was confirmed in the cast of Weeds season six, performing again her role as Dr. Audra Kitson.^[74]

Morissette also starred in a film adaptation of Philip K. Dick's novel Radio Free Albemuth. Morissette plays Sylvia, an ordinary woman in unexpected remission from lymphoma. Morissette stated that she is "...a big fan of Philip K. Dick's poetic and expansively imaginative books" and that she "feel[s] blessed to portray Sylvia, and to be part of this story being told in film".^[75]

She appeared as Ava Alexander's Maya Rudolph former Sound LLC bandmate, Amanda in one episode of NBC's "Up All Night" ^[76] on February 16, 2012. Rudolph officiated as minister for Morissette's wedding with both performing the explicit version of their hit hip-hop song, "Back It Up (Beep Beep)".

Personal life[link]

Morissette dated actor and comedian Dave Coulier for a short time in the early 1990s.^[77] In a 2008 interview with the Calgary Herald, Coulier claimed to be the ex-boyfriend who inspired Morissette's song "You Oughta Know".^[78] Morissette, however, has maintained her silence on the subject of the song.^[79]

Morissette met Canadian actor Ryan Reynolds at Drew Barrymore's birthday party in 2002, and the couple began dating soon after.^[80] They announced their engagement in June 2004.^[78] In February 2007, representatives for Morissette and Reynolds announced they had mutually decided to end their engagement.^[81] Morissette has stated that her album Flavors of Entanglement was created out of her grief after the break-up, saying that "it was cathartic".^[82]

Morissette became an American citizen in 2005, while maintaining her Canadian citizenship.^[9]

On May 22, 2010, Morissette married rapper Mario “MC Souleye” Treadway (born May 3, 1980 in Boston, Massachusetts) in a private ceremony at their Los Angeles home.^[83] Their first child, Ever Imre Morissette-Treadway, was born on December 25, 2010.^[84]

Morissette is also a vegan, and an active environmentalist.^[85]

Discography[link]

• Alanis (1991)
• Now Is the Time (1992)
• Jagged Little Pill (1995)
• Supposed Former Infatuation Junkie (1998)
• Under Rug Swept (2002)
• So-Called Chaos (2004)
• Flavors of Entanglement (2008)
• Havoc and Bright Lights (2012)

Filmography[link]

Tours[link]

• 1991: Vanilla Ice tour (opening act)
• 1995: Jagged Little Pill/Intellectual Intercourse Tour
• 1996: Can't Not Tour
• 1998: Club Tour (Alanis Morissette tour)
• 1999: Junkie Tour
• 1999: Junkie Tour Australian Leg (with Garbage)
• 1999: 5 ½ Weeks Tour (with Tori Amos)
• 2000: One Tour
• 2001: Under Rug Swept Tour
• 2002: Toward Our Union Mended Tour
• 2003: All I Really Want/Feast on Scraps Tour
• 2004: So-Called Chaos/Au Naturale Tour (with Barenaked Ladies)
• 2005: Diamond Wink Tour
• 2008: Exile in America (with Matchbox Twenty and Mutemath)
• 2008: Flavors of Entanglement Tour
• 2009: Flavors of Entanglement South American Tour

Awards and nominations[link]

See also[link]

	Book: Alanis Morissette
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Canadian rock
• Music of Canada
• Best selling music artists
• List of diamond-certified albums in Canada
• List of best-selling albums worldwide
• List of best-selling music artists

References[link]

Further reading[link]

External links[link]

Find more about Alanis Morissette on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote

• Official website
• Alanis Morissette discography at Discogs
• Alanis Morissette at the Internet Movie Database
• Alanis Morissette's Jagged Little Pill Review at Spectrum FM

v t e Alanis Morissette Discography Awards and nominations Studio albums Alanis Now Is the Time Jagged Little Pill Supposed Former Infatuation Junkie Under Rug Swept So-Called Chaos Flavors of Entanglement Havoc and Bright Lights Live albums MTV Unplugged Compilation albums Feast on Scraps iTunes Originals Jagged Little Pill Acoustic The Collection Other releases Space Cakes The Singles Box Alanis Morissette: Original Album Series The Prayer Cycle Video albums Jagged Little Pill, Live Live in the Navajo Nation Feast on Scraps Concert tours Jagged Little Pill Tour Club Tour Junkie/Junkie Australian Tour Under Rug Swept Tour Feast on Scraps Tour So-Called Chaos Tour Flavors of Entanglement Tour Flavors of Entanglement South American Tour Films Fuck Dogma Radio Free Albemuth As Cool As I Am Related articles Wade Morissette Maverick Records Ryan Reynolds Glen Ballard Book:Alanis Morissette

Jay Simpson

Simpson with Arsenal
Personal information
Full name	Jay-Alistaire Frederick Simpson[1]
Date of birth	(1988-12-01) 1 December 1988 (age 23)[2]
Place of birth	Enfield, London, England
Height	1.80 m (5 ft 11 in)
Playing position	Striker
Club information
Current club	Hull City
Number	11
Youth career
1998–1999	Norwich City
1999–2007	Arsenal
Senior career*
Years	Team	Apps†	(Gls)†
2007–2010	Arsenal	0	(0)
2007–2008	→ Millwall (loan)	41	(7)
2009	→ West Bromwich Albion (loan)	13	(1)
2009–2010	→ Queens Park Rangers (loan)	39	(12)
2010–	Hull City	35	(6)
2011–2012	→ Millwall (loan)	16	(4)
National team‡
2004–2005	England U17	9	(4)
2005–2006	England U18	11	(3)
2007–2008	England U19	17	(6)
2008–	England U21	4	(1)
* Senior club appearances and goals counted for the domestic league only and correct as of 21:37, 27 March 2012 (UTC). † Appearances (Goals). ‡ National team caps and goals correct as of 23:57, 30 December 2009 (UTC)

Jay-Alistaire Frederick "Jay" Simpson (born 1 December 1988) is an English footballer who plays for Hull City as a striker or winger. He is a product of the Arsenal Academy.

Club career[link]

Arsenal[link]

Born in, Enfield, London, Simpson was with Norwich City before he joined Arsenal at the age of nine,^[3][4] and played in an under-18s game at just 13 years of age. He featured prominently for Arsenal's reserve team whilst at school at Islington Arts and Media School, and was on the bench for the first team's League Cup match against West Bromwich Albion on 24 October 2006, but did not play. On 19 February 2007, he made history by becoming the first player ever to score a hat-trick at the Emirates Stadium, for Arsenal's under-18 side in an FA Youth Cup match against Cardiff City, in a 3–2 win.^[5]

Millwall loan[link]

In August 2007 he was loaned from Arsenal to Millwall, for whom he made his first team debut as a substitute in a League One match on 1 September 2007, a 2–1 defeat to Huddersfield Town. He scored his first goal in a 3–2 loss to Swansea City in the first round of the Southern Section of the Football League Trophy on 4 September 2007, and his first league goal in a 2–1 defeat to Swindon Town on 29 September 2007. His loan was due to expire on 1 January 2008, but was later extended to the end of the season.^[6] Simpson scored eight goals in 44 appearances for Millwall and won the PFA Fans' League One player of the year award for 2008.^[7]

Simpson thanked Millwall for giving him the chance to improve his game, stating "Going to Millwall was the best decision I have ever made. Playing regularly in the first team really developed my game. It helped me grow as a player and I made a lot of good friends. It did me the world of good. The Millwall fans were really good to me – and I appreciated their support."^[8] Arsenal manager Arsène Wenger stated that he believed Simpson had a future at Arsenal by stating "At the moment it is too early to say if he [Jay Simpson] has a future, but I think so yes. He has done extremely well and has scored goals. I always thought Jay was a very good player and the fact he can get good experience at Millwall makes us all happy, because he is not only a good player but a very nice boy."^[9]

Return to Arsenal[link]

Simpson made his Arsenal first team debut in a 6–0 win over Sheffield United in the League Cup, coming on as a substitute for Nicklas Bendtner in the 71st minute.^[10] He scored his first two senior Arsenal goals in the League Cup home match against Wigan Athletic on 11 November 2008, in what was his first senior start for the club.^[4]

West Bromwich Albion loan[link]

He signed a new contract with Arsenal on 29 December 2008, but was then loaned out to West Bromwich Albion for the remainder of the 2008–09 season.^[11] He made his Albion debut on 3 January 2009, coming on as a half-time substitute for Robert Koren in a 1–1 draw with Peterborough United in the FA Cup third round.^[12] He scored his first goal for West Bromwich Albion on 13 January 2009, in the FA Cup third round replay against Peterborough.^[13] His first Premier League goal was scored on 31 January 2009 in the 2–2 draw against Hull City.^[14]

Queens Park Rangers loan[link]

In August 2009 he joined Queens Park Rangers on a season-long loan, making his debut in a 1–0 away win at Scunthorpe United. His third game for QPR was against Cardiff City, at the Cardiff City Stadium, and he went on to score a first-half brace.^[15] He scored his third QPR goal in a 5–2 win over Barnsley on 26 September 2009.^[16]

Hull City[link]

Simpson playing for Hull City in 2011

On 19 August 2010, Simpson signed a three-year contract with Championship team Hull City.^[17] He made his debut after starting in a 0–0 with Watford on 21 August.^[18] His first goals for the club came on 18 December 2010 where he scored both goals against Bristol City which resulted in a 2–0 win for Hull.^[19] He was also named Man of the Match. After spending over a month as an unused sub, he made his return coming on as a replacement for Tijani Belaid, and scoring his 5th goal of the season in the 1–1 away draw at Ipswich Town.^[20]

Return to Millwall on loan[link]

Simpson signed again for Millwall on loan, on transfer deadline day, 31 August 2011.^[21] playing for The Lions until January 2012.

International career[link]

He has been capped for the England under-17, England under-18, England under-19 and England under-21.^[22]