Name	Trey Songz
Caption	Trey Songz performing at the 94.5 Summer Jam on June 5, 2010.
Background	solo_singer
Birth name	Tremaine Aldon Neverson
Alias
Born	November 28, 1984Petersburg, Virginia, United States
Instrument	Vocals, keyboards, sampler
Genre	R&B;, Hip-hop
Occupation	Singer–songwriter, record producer, actor
Years active	2004–present
Label	Atlantic, Songbook
Associated acts	Drake, Troy Taylor, Twista, Juvenile, Bun B, Rick Ross, Plies
Website	www.treysongz.com

Tremaine "Trey" Aldon Neverson (born November 28, 1984), better known by his stage name Trey Songz, is an American singer-songwriter, rapper, record producer and actor. His debut album, I Gotta Make It, was released in 2005, while his second album, Trey Day, was released in 2007. His third album, Ready, was released in 2009 while his fourth studio album, Passion, Pain & Pleasure, was released on September 14, 2010.

Life and career

1984–2004: Early life

Songz was born Tremaine Aldon Neverson on November 28, 1984, in Petersburg, Virginia. Raised as a military brat, Songz did not have aspirations to have a musical career as a child due to his shyness, saying "Singing wasn't a reality for me, until other people started noticing I sounded good." He recognized his vocal abilities at the age of 14 in 1998. His debut album, I Gotta Make It was released on July 26, 2005. It debuted at #20 on the Billboard 200, selling 40,000 copies in its first week of sales. It has sold 300,000 records in the US, but was never certified by the RIAA. Songz's debut single, Gotta Make It, featuring Twista, was released in March 2005 and reached #87 on the Billboard Hot 100 and #21 on the Hot R&B;/Hip-Hop Songs. It garnered success in the R&B;/urban community but failed to make a mark in mainstream music. The album's second and final single, Gotta Go, was released in July 2005 and reached #67 on the Hot 100 and #11 on the Hot R&B;/Hip-Hop Songs chart, becoming even more successful than his debut single in the R&B;/urban community and in the mainstream community. After promotion for his debut concluded, he was featured on the lead single from Twista's fifth album, The Day After. The single, "Girl Tonite", reached #14 on the Hot 100 and #3 on the Hot R&B;/Hip-Hop Songs chart, becoming a huge hit.

2007–2008: Trey Day

In mid-2006, Songz began work on a follow-up album to his debut with longtime collaborator Troy Taylor and also employed hitmakers Bryan-Michael Cox, Danja, Stargate (production team) and R. Kelly to help create the album. Trey aimed for the album to be more mainstream-oriented than his debut album. His second studio album, Trey Day, was released on October 2, 2007. The album reached #11 on the Billboard 200, selling 73,000 copies in its first week. It has since sold 400,000 records in the US, becoming his second album not to be certified by the RIAA. The album was going to be released on May 8, 2007, but was continually delayed in order for a successful single to precede the album, as the lead single failed to impact charts. His second album was preceded by the lead single, "Wonder Woman", which was released in February 2007. It reached #54 on the Hot R&B;/Hip-Hop Songs chart, but failed to impact the Hot 100. Because of the single's failure, his second album was delayed from May 2007 to October 2007. The album's second single, "Can't Help but Wait", was released in August 2007 and was released to promote his second album and the film Step Up 2 the Streets soundtrack as a single for it. The single reached #14 on the Hot 100, and #2 on the Hot R&B;/Hip-Hop Songs chart. It became Songz's first Top 20 hit on the Hot 100, and helped to boost his second album's sales. The single was also nominated for Best Male R&B; Vocal Performance at the 2008 50th Grammy Awards. The third single from the album, "Last Time", was released in January 2008 and reached #69 on the Hot 100, and #9 on the Hot R&B;/Hip-Hop Songs chart. The fourth and final single from the album, "Missin' You", was released in May 2008, but failed to chart completely. In mid-2008, Songz was nominated for a BET Award for Best Male R&B; Artist but didn't win the award.

2009–2010: Ready

In late 2008, Trey began work on his third studio album with Bryan-Michael Cox, Sean Garrett, Stargate and Troy Taylor and aimed for the record to be more mature than his first two. Before releasing his third album, Songz released a mixtape titled Anticipation in June 2009 through his blog, which featured songs from his third album. Another mixtape from Trey was released in the summer of 2009, called Genesis. Genesis was a collection of Trey Songz's first recordings when he was fifteen years old and was released to show his fans the dedication that he had to making a record when he was young. Trey released his third studio album, Ready, on August 31, 2009. The album reached #3 on the Billboard 200, selling 131,000 copies in its first week. These are his best first week sales to date and the album was his first to reach the Top 10 on the Billboard 200. The album has since sold over 800,000 records in the US, earning a Gold certification from the RIAA in February 2010, becoming his first album to be certified by the RIAA. The lead single from the album, "I Need a Girl", was released in April 2009 and reached #5 on the Hot R&B;/Hip-Hop songs chart and #59 on the Hot 100, becoming an R&B;/urban hit but not a mainstream hit. A promotional single, "Successful", featuring rapper Drake, was released in June 2009 and reached #17 on the Hot 100, becoming Songz's third Top 20 hit. The single also served as the second and final single from Drake's EP, So Far Gone. The second official single from his third album, "LOL Smiley Face", featuring Soulja Boy Tell 'Em and Gucci Mane, was released in August 2009 and reached #51 on the Hot 100 and #12 on the Hot R&B;/Hip-Hop Songs chart. The third single from the album, "I Invented Sex", featuring Drake, was released in October 2009 and reached #42 on the Hot 100 but #1 on the Hot R&B;/Hip-Hop Songs chart, becoming his first single to top that chart. Like the first two singles from the album, it achieved success in the R&B;/urban community but only some mainstream success. charted within the Billboard Hot 100, and topped the R&B; chart. The fourth single from the album, "Say Aah", featuring rapper Fabolous, was released in January 2010 and reached #9 on the Hot 100 and #3 on the Hot R&B;/Hip-Hop Songs chart. The single has become Trey's highest charting single on the Hot 100 and one of his most successful singles on the Hot R&B;/Hip-Hop Songs chart. The fifth and final single from the album, "Neighbors Know My Name", was released in February 2010 and reached #43 on the Hot 100 and #4 on the Hot R&B;/Hip-Hop Songs chart. A sixth single, "Yo Side of the Bed", was going to be released in June 2010, but its release was canceled due to unknown reasons. A music video, featuring singer Keri Hilson, was filmed and released, however. Songz was also the opening act for Jay-Z on his Jay-Z Fall Tour in late 2009. The album was nominated for Best Contemporary R&B; Album at the 52nd Grammy Awards in 2010, but lost to Beyoncé's I Am... Sasha Fierce. On April 1, 2010, he recorded an episode of MTV Unplugged, which aired on April 26, 2010. A documentary-series about Trey, Trey Songz: My Moment, began in June 2010 to positive reviews and high ratings. The 10-part series will end in August 2010 and follows Trey during his time as opening act on Jay-Z's Jay-Z Fall Tour in late 2009.

2010–2011: Passion, Pain & Pleasure

Songz's fourth studio album, Passion, Pain & Pleasure, was released on September 14, 2010. Trey began work on the album in early 2010 with Sean Garrett, Troy Taylor and Stargate and has stated that the album will be his most personal to date. The album was completed in July 2010. The album's lead single, "Bottoms Up", featuring female rapper Nicki Minaj, was released on July 27, 2010 and has reached number twenty-four on the Hot R&B;/Hip-Hop Songs chart and was shared enough on Facebook to appear as a trending video on ItsTrending. Its video was filmed on July 31, 2010 and is pending release. Trey also filmed the video for the album's second single, "Can't Be Friends", on August 1, 2010. Songz performed at BET Awards 2011 which broadcasted on June 26, 2011.

In July 2011, he was cast in The Texas Chainsaw Massacre 3D as Ryan, the male lead role.

2011-Present: Chapter 5

On August 18th, 2011, It was announced Songz will be working on his fifth studio titled Chapter 5. In a interview Trey said The album, which will act as the follow-up to ‘Passion, Pain, & Pleasure’, is said to be nearing completion. He also carried on to say "It’s my sixth year in the game so I’ve been here for a while now. You can expect the best me you’ve ever heard. I don’t have any release dates in mind right now but I’m just making music and enjoying myself in the studio and having fun. When I get to a place where I feel comfortable saying a date or all of that, people will definitely know. I have a few dream collaborations on that album that I want, but they say if you blow out your candle and make a wish you can’t tell people what you ask for or it won’t come true."

Discography

I Gotta Make It (2005)

Trey Day (2007)

Ready (2009)

Passion, Pain & Pleasure (2010)

Chapter 5 (TBA)

Filmography

{|class="wikitable" style="font-size: 95%;" !style="background:#B0C4DE;"|Year !style="background:#B0C4DE;"|Title !style="background:#B0C4DE;"|Role !style="background:#B0C4DE;"|Notes |- |2008 |Queen of Media |DJ I.V. |film |- |2009 |Lincoln Heights |Himself |Episode: "Relative Unknown" |- |2010 |Preacher's Kid (film) |small role |- |2010 |When I Was 17 |Himself |Interview-like show, about what he did when he was 17 |- |2010 |Trey Songz: My Moment |Himself |Interview-Documentary show, following him around on tour with Jay-Z. |}

Awards and nominations

{|class="wikitable" !Year !Award !Result |- |rowspan="3"|2008 |BET Award for Best Male R&B; Artist | |- |Ozone Award for Best R&B; Artist | |- |rowspan="1"|2009 |Soul Train Awards for Best Collaboration "Successful" | |- |rowspan="5"|2010 |Grammy Award for Best Contemporary R&B; Album for "Ready" | |- |BET Award for Best Male R&B; Artist | |- |BET Award for Best Collaboration for "Say Ahh" w/ Fabolous | |- |BET Award for Best Collaboration for "Successful" w/ Drake | |- |BET Award for Viewer's Choice for "Say Ahh" w/ Fabolous | |- |rowspan="2"|2011 |BET Award for Best Male R&B; Artist | |- |BET Award for Coca-Cola's Viewer's Choice for "Bottom's Up" | |}

References

External links

Official website

Category:1984 births Category:African American actors Category:African American musicians Category:African American singers Category:American actors Category:American rhythm and blues singers Category:American tenors Category:Atlantic Records artists Category:Living people Category:Military brats Category:People from Petersburg, Virginia Category:Musicians from Virginia

Name	Lupe Fiasco
Background	solo_singer
Birth name	Wasalu Muhammad Jaco
Alias	Lupe Fiasco
Born	February 16, 1982Chicago, Illinois, United States
Origin	Chicago, Illinois
Religion	Islam
Instrument	Keyboards, Piano
Genre	Hip hop
Occupation	Musician
Years active	2005 to Present Day
Label	1st & 15th, Atlantic
Associated acts	Child Rebel Soldier, Japanese Cartoon, Matthew Santos, B.o.B, All City Chess Club
Website

Wasalu Muhammad Jaco (born February 16, 1982), better known by his stage name Lupe Fiasco ( ), is an American rapper, artist, producer and CEO of 1st and 15th Entertainment. He rose to fame in 2006 following the success of his critically acclaimed debut album, Lupe Fiasco's Food & Liquor. He also performs as the frontman of post punk band Japanese Cartoon under his real name. He was raised in Chicago, Fiasco developed an interest in hip-hop after initially disliking the genre for its heavy use of profanity and vulgarity; Fiasco eventually adopted the name Lupe Fiasco beginning to record songs in his father's basement then later joining a group called "Da Pak". This group disbanded shortly after its inception and Fiasco then met the bestselling rapper Jay-Z who helped him get signed to a record deal with Atlantic Records. In 2006, Fiasco released his debut album Lupe Fiasco's Food & Liquor on the label; Fiasco's debut album became a commercial success as well being critically acclaim. In the next year, Fiasco released his second album, Lupe Fiasco's The Cool in December 2007 which the lead single is titled "Superstar"; this became a market success and later becoming a music hit, peaking at #10 on the Billboard Hot 100.

Life and career

1982–98: Early life

Fiasco was born Wasalu Muhammad Jaco on February 16, 1982 in Chicago, Illinois. Born of West African descent, he was one of nine children of Shirley, a gourmet chef, and Gregory, a engineer. His father, who was a member of the Black Panther Party, was a prolific African drummer, karate teacher, operating plant engineer, and owner of karate schools and army surplus stores. Fiasco was raised Muslim on the Westside of Chicago on Madison Terrace housing project. At the age of three, Fiasco began taking martial arts classes. His parents divorced when he was at the age of five and he went on to live with his mother throughout the rest of his life; Fiasco's father still remained prevalent in his life, "After school, my father would come and get us and take us out into the world—one day, we're listening to N.W.A, the next day we're listening to Ravi Shankar, the next day, he's teaching us how to shoot an AK-47, the next day, we're at karate class, the next day, we're in Chinatown...". In the sixth grade, he went to live with his father in Harvey, Illinois; his father lived next door to a crack house and taught Fiasco to use guns to defend himself from drug dealers. Early in his career, he went by stage names Little Lu/Lu tha Underdog. Growing up, Fiasco was given the nickname "Lu", the last part of his first name given by his mother; "Lupe" is an extension of this nickname which he borrowed from a friend from high school. "Fiasco," he says, "came from the Firm album, it had the song, 'Firm Fiasco'. I just liked the way it looked on paper." He also said more details on his name, "I simply like the way the word "looked" (Fiasco). You know how rappers always have names like MC Terrorist—like they're 'terrorizing' other rappers? I knew fiasco meant a great disaster or something like that but I didn't realize that the person named Fiasco would be the disaster, and that you should be calling other MCs fiascos—not yourself. I was moving real fast at the time and it kind of humbled me in a sense. It taught me like, 'Yo, stop rushing, or you're going to have some fiascos.' So I just kept it. It's like a scar, I guess, a reminder to not over think or overrun anything ever again." Fiasco later described the experience saying, "We had a song out about cocaine, guns, and women and I would go to a record store and look at it and think, 'What are you doing?' I felt like a hypocrite. I was acting like this rapper who would never be judged and I had to destroy that guy because what Lupe Fiasco says on this microphone is going to come back to Wasalu Jaco(speaking in third person). When the music cuts off, you have to go home and live with what you say." After turning away from gangsta rap, he developed a greater appreciation of the lyricism of the likes of Jay-Z and Nas. In the process, his mother had given him a record of The Watts Prophets, one of the first bands to use spoken words with music and would become the basis of the genre, Hip Hop.

Later, Fiasco later signed a solo deal with Arista Records but was dropped when President and CEO L. A. Reid was fired.

During his early hip hop career Fiasco remixed another one of West's songs, "Diamonds from Sierra Leone" by renaming it as "Conflict Diamonds". This caught Kanye West's attention thus resulting in him asking Fiasco to perform on the song "Touch the Sky" off his album Late Registration; tise song which sampled Curtis Mayfield's "Move On Up" became a music hit in the Billboard Hot 100 peaking at #42. When Fiasco released his first Atlantic Records single, "Kick, Push" it was released earlier than expected, the song was a love story about two lovers sharing a passion for skateboarding. It would go on to be nominated for two 2007 Grammy Awards. Fiasco's "Kick, Push" and its accompanying music video helped Fiasco get respected but not revered in the hip hop community. During this time, he had guest appearances on singles on Tha' Rayne's "Kiss Me" and "Didn't You Know" and also K Foxx's 2004 "This Life"; he also released the song "Coulda Been" on a compilation of MTV's Advance Warning.

2006–08: Lupe Fiasco's Food & Liquor and The Cool

In 2006, Jay-Z assisted him in the production of what would become his debut album Lupe Fiasco's Food & Liquor. The title of the album is a reference to 'Food and Liquor' stores common in Chicago. He explains, "the store is where everything is at, whether it be the wino hanging by the store, or us kids going back and forth to the store to buy something. The 'Food' is the good part and the Liquors is the bad part. I try to balance out both parts of me... Food to me represents growth and progression. You eat food and you get strength. You need it to live. Liquor is not a necessity; it is a want. It destroys you. It breaks you down. I can see why it's prohibited in Islam...I've always felt like liquor represents the bad, the food represents the good, and everyone is made up of a little of both." His single "Kick, Push" became very popular and was featured in the videogame NBA Live 2007. As his popularity steadily increased his anticipation for his upcoming album after Lupe Fiasco's Food & Liquor. The debut album was officially released on September 19, 2006. The album featured production from Jay-Z, Kanye West, Mike Shinoda, The Neptunes, Prolyfic, and more. Singles from the album were "Kick, Push," "I Gotcha" and "Daydreamin'" featuring Jill Scott. The critically lauded album was later nominated for three Grammy Awards including Best Rap Album. Fiasco won "Best Urban/Alternative Performance" for "Daydreamin". In the same year, he was voted by GQ magazine as the "Breakout Man of the Year." He also received four BET Hip Hop Award nominations, and it made it to No. 8 on Billboard 200 and No.2 on Billboard Top R&B;/Hip-Hop Albums chart.

In 2007, Fiasco announced his second album, Lupe Fiasco's The Cool, a concept album that expands on the story of the track of the same name on his first album. While recording this album, Fiasco's father died of type II diabetes and his business partner, Charles "Chilly" Patton, was convicted of attempting to supply heroin and was eventually sentenced to forty-four years in a correctional facility. These events greatly affected Fiasco and the subsequent themes discussed on the album; The song has also been featured in HBO's Hard Knocks TV show. The album's second single (released in the UK in April 2008) was "Paris, Tokyo" – a song based around Fiasco's experiences of touring the world between his first and second albums. Moreover, in 2007 it was revealed that Fiasco, Kanye West and Pharrell Williams had formed a group known as Child Rebel Soldier. CRS initially released one single, entitled "US Placers" and featuring a Thom Yorke sample. In October 2010, as part of Kanye West's G.O.O.D Friday's, a second song titled "Don't Stop" was released. In an interview with MTV, particularly posted on his blog, Lupe said that a full length CRS album would depend on fan demand. The three appeared on the Glow in the Dark Tour together, though under separate billing. In an interview with The Village Voice, Fiasco revealed that he was writing a novel about a window washer aptly titled Reflections of a Window Washer. In 2008, Fiasco and his band "1500 or Nothin" joined Kanye West's Glow in the Dark Tour which also featured Rihanna and N.E.R.D. The tour stopped in several cities, including his hometown of Chicago. In 2008, MTV named Fiasco the 7th Hottest MC in the Game and announced that he was remixing The Cool with French electro house act Justice. Fiasco's "Superstar" has been included in the video game Lips.

2009–present: Lasers

Fiasco announced at a Chicago concert late in 2008 that his next and most likely final album will be a three disc album called LupE.N.D. and that the first disc titled, "Everywhere" would come out in June 2009. On January 30, 2009, Lupe Fiasco originally announced that LupE.N.D. will be postponed indefinitely. In spite of the bad news that he would not release three albums Fiasco decided to plan a project titled. The Great American Rap Album. In June 2009, Fiasco would released two following albums in December 2009 and June 2010 with rumored LupE.N.D. following afterward. However, it was announced by Fiasco that his next album would instead be titled, "We Are Lasers", yet later his official Rep. from Atlantic Records announced and confirmed that it would instead be titled simply "Lasers". On June 26, 2009, Fiasco announced at the Chicago Theater that the album would be released in the 4th Quarter of 2009, particular in December. The album's first single, "Shining Down" features Matthew Santos and is produced by Soundtrakk; this single was released on July 7, 2009. On January 26, 2010, a new song called "I'm Beamin" was released and Fiasco referred to the song as a 'taste' of what is to come... There are a few snippets of songs that have been released as of August 24, 2009, unofficially titled "Army Girl," "Ladies And Gentlemen," and "2 Ways." On October 7, 2009, Lupe released a song in response to the release of MTV's 2009 "Top 10 Hottest MC's List", he was undoubtedly absent from the list; Lupe stated that the track entitled, "Fire" would prove that he belonged in the number one spot on the list.

In October 2009, Fiasco released two new freestyles, "Turnt Up" and "Say Something". Both freestyles were included on his official mixtape released on November 26, 2009. The mixtape also included beats from Diddy's "Angels", Lil Wayne's "Fireman," Slaughterhouse's The One, and Radiohead's "The National Anthem." In the likes of contributing to the hip hop community itself more, Fiasco contributed his vocals to Chris Brown's song "Girlfriend" on his 2009 album Graffiti and has provided a guest verse on the song "Past My Shades" from Atlanta rapper B.o.B's 2010 album, .

Later in 2010, Fiasco announced on Twitter that his new album is complete and is waiting for the release from Atlantic Records; the delay of the release for the album remains to be unclear thus resulted in fans later putting together an online petition demanding that Atlantic Records release Lasers. Around the 3rd or 4th Quarter of 2010, the petition garnered considerable attention on hip hop blog sites as well as attaining over five thousands signatures since its creation, it has since reached over twenty-eight thousand signatures. In response to the petition, Fiasco released a song titled "B.M.F-Building Minds Faster" as a gift for his fans; the story was featured on many sites including Cable New Networks (CNN) and MTV

In April 2010, in association with Pharrell, Fiasco formed the hip-hop group All City Chess Club which included himself as well as Asher Roth, B.o.B., The Cool Kids, Charles Hamilton, Blu, Diggy Simmons, Wale, J. Cole, & Dosage. They have so far made one song, a remix of Lupe's "I'm Beamin" which features Asher Roth, Charles Hamilton, The Cool Kids, Blu, Diggy Simmons, B.o.B & Dosage.

On July 16, 2010, Fiasco under his real name Wasalu Jaco released his post-punk band Japanese Cartoon's debut album In The Jaws Of The Lords Of Death. He created the album while waiting for Atlantic Records to release his upcoming album and stated that Japanese Cartoon was influenced by a variety of musical genres, saying, "I’ve always been a fan of all music. My favorite songs aren’t hip-hop songs, they’re songs from Queen like Somebody to Love. Hip-hop is just something I actually know how to do but I always had aspirations to participate in other forms of music. Once I got to create some hip-hop, it was like, 'Okay, what am I going to do now?' So my artistic side was like, 'Yo, let’s do some rock music.'" That snippet/song had the album titled Food & Liquor II (TGARA). This led to speculation that "Food & Liquor II: The Great American Rap Album" would be Lupe's follow-up to Lasers. Near the End of August, Fiasco released "Go to Sleep" in its entirety while eventually performing at Wake Forest University's Alumni Weekend Concert in Winston-Salem, NC in October 2010; Fiasco revealed to the crowd that the album would be finally released in March of 2011 (confirmed). As what you've read before about the protests above it wasn't until the 4th Quarter of 2010 that Fiasco's dedicated fan base protested outside the Atlantic Records Headquarters in New York City for the release of his third studio album, Lasers. After the long haul, a Representative officially confirmed an announcement of a release date while would be on March 8, 2011; the first single off of Lasers was "The Show Goes On" was played at the protest then later released to the public via Fiasco's Official Webpage. The song samples the song "Float On" by Modest Mouse. On a National Level, it was released to iTunes on November 9, 2010 and later debuted at No. 57 on the Billboard Hot 100. The entire album was released on March 8, 2011 which coincidentally was the day it was the No. 1 album on iTunes; the producers involved on the album include Alex Da Kidd, King David "The Future" and Jerry "Wonda" Duplessis. Featured artists include Skylar Grey; Trey Songz; and John Legend.

Philanthropy and business ventures

In 2001, Fiasco co-founded with Charles "Chilly" Patton 1st & 15th Entertainment (or "FNF", named after the traditional twice-monthly paycheck dates), Although Fiasco was initially to serve as vice-president, he became CEO after Patton was convicted on drug charges. Fiasco and singer Matthew Santos were two of the most recognizable signed artists. In November 2009, Fiasco announced he would get "rid of the entire First and Fifteenth Record Label. Me and Sarah Green are the only artists on the label, like I got rid of the whole label. It was just such a ‘this isn’t right for you right now. This isn’t gonna work for you right now. You need to be focused on you. Do you really want that, do you really have the capacity to do it?’

In 2005, he founded "Righteous Kung-Fu", a company that designs fashions, sneakers, toys, video games, comic books, and graphics for album covers and skateboard decks. He has also sponsored a skateboard team and has endorsements from DGK Skateboards.

In January 2006, Fiasco signed with major footwear and apparel corporation Reebok becoming part of the "O.G" marketing campaign where rap artists such as Lil Wayne and Mike Jones designed their own personal colorway of the Reebok "O.G" model. Fiasco also runs his own fashion label under the name "Trilly & Truly". Together with Le Messie of FALSE from Singapore he also runs a collaborative clothing line called "Fallacy Of Rome".

In 2009, Fiasco performed in The People Speak, a documentary feature film that employs musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's A People's History of the United States.

On January 7, 2010, Fiasco joined musician Kenna, actress Jessica Biel, and other celebrities and activists for an expedition to the top of Mt. Kilimanjaro called Summit on the Summit to raise awareness of the billions of people worldwide who lack access to sanitary drinking water.

On January 20, 2010, Fiasco released a track called "Resurrection" with Kenna in response to the 2010 Haiti earthquake. The song, part of a compilation released through the charity Music for Relief, aimed to encourage donations for immediate relief and long-term recovery following the devastating disaster.

Political views

Fiasco is known for his anti-establishment views. In an interview with Stephen Colbert on the satirical news show The Colbert Report, Fiasco stated his credo on political philosophy: "You should criticize power even if you agree with it." In another interview in June 2011 on the CBS program "What's Trending," Fiasco discussed the political content of his music while stating, "My fight against terrorism, to me, the biggest terrorist is Obama and the United States of America. I'm trying to fight the terrorism that's actually causing the other forms of terrorism. You know, the root cause of terrorism is the stuff the U.S. government allows to happen. The foreign policies that we have in place in different countries that inspire people to become terrorists." Despite his strong political opinions, Fiasco clearly states he does not vote in U.S. elections nor gets involves himself in U.S. politics which he clearly stated that it was "meaningless." Fiasco has also appeared on Fox News' Network's The O'Reilly Factor in Late June 2011 where he continues to states that the "biggest terrorist in America is Obama" and he expresses in detail on what he believes; Bill O' Reilly caught him on his views and questioned how young adults envy his music and his character. The interview was a heavy debate on foreign policy after the statements on Obama being a terrorist which Fiasco makes it clear that he believes the United States Leadership is abusing their power.

Discography

Lupe Fiasco's Food & Liquor (2006)

Lupe Fiasco's The Cool (2007)

Lasers (2011)

Food & Liquor II: The Great American Rap Album (Rumored)

See also

List of awards and nominations received by Lupe Fiasco

References

External links

Lupe Fiasco at Allmusic

Lupe Fiasco at Rolling Stone

Lupe Fiasco at Metacritic

Lupe Fiasco on Twitter

Lupe Fiasco, Word Star – Lupe Fiasco interview with Chicago

Category:1982 births Category:African American Muslims Category:African American rappers Category:American hip hop record producers Category:Atlantic Records artists Category:Rappers from Chicago, Illinois Category:Living people Category:Rappers

Name	Bob Dylan
Caption	Dylan onstage at the Azkena Rock Festival, Vitoria-Gasteiz, Spain, June 26, 2010
Background	solo_singer
Birth name	Robert Allen Zimmerman
Alias	Elston Gunnn, Blind Boy Grunt, Bob Landy, Robert Milkwood Thomas, Tedham Porterhouse, Lucky/Boo Wilbury, Jack Frost, Sergei Petrov
Origin	Hibbing, Minnesota, U.S.
Birth date	May 24, 1941
Birth place	Duluth, Minnesota, U.S.
Instrument	Vocals, guitar, harmonica, piano, keyboard, bass
Genre	Rock, folk rock, folk, blues, country, gospel, alternative country, country rock
Occupation	Musician, songwriter, producer, visual artist, poet, writer, director, screenwriter
Years active	1959–present
Label	Columbia, Asylum
Associated acts	Traveling Wilburys, The Band, Joan Baez, Grateful Dead, Tom Petty and the Heartbreakers
Website

Bob Dylan (), born Robert Allen Zimmerman, May 24, 1941, is an American singer-songwriter, musician, poet and painter. He has been a major figure in music for five decades and has had immense influence on popular music. and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan proceeded to revolutionize perceptions of the limits of popular music in 1965 with the six-minute single "Like a Rolling Stone".

His lyrics incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the songs of Woody Guthrie, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting.

Since 1994, Dylan has published three books of drawings and paintings, and his work has been exhibited in major art galleries. The Pulitzer Prize jury in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."

Life and career

Origins and musical beginnings

Robert Allen Zimmerman (Hebrew name Shabtai Zisel ben Avraham) was born in St. Mary's Hospital on May 24, 1941, in Duluth, Minnesota, and raised in Hibbing, Minnesota, on the Mesabi Iron Range west of Lake Superior. His paternal grandparents, Zigman and Anna Zimmerman, emigrated from Odessa in the Russian Empire (now Ukraine) to the United States following the anti-Semitic pogroms of 1905. His maternal grandparents, Benjamin and Lybba Edelstein, were Lithuanian Jews who arrived in the United States in 1902.

Dylan's parents, Abram Zimmerman and Beatrice "Beatty" Stone, were part of the area's small but close-knit Jewish community. Robert Zimmerman lived in Duluth until age six, when his father was stricken with polio and the family returned to his mother's home town, Hibbing, where Zimmerman spent the rest of his childhood. Robert Zimmerman spent much of his youth listening to the radio—first to blues and country stations broadcasting from Shreveport, Louisiana and, later, to early rock and roll. Their performance of Danny and the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone off. In his 1959 school yearbook, Robert Zimmerman listed as his ambition "To follow Little Richard."

Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota, where his early focus on rock and roll gave way to an interest in American folk music. In 1985, Dylan explained the attraction that folk music had exerted on him:

He soon began to perform at the 10 O'clock Scholar, a coffee house a few blocks from campus, and became actively involved in the local Dinkytown folk music circuit.

During his Dinkytown days, Zimmerman began introducing himself as "Bob Dylan". In his autobiography, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas. Explaining his change of name in a 2004 interview, Dylan remarked: "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free." who was seriously ill with Huntington's Disease in Greystone Park Psychiatric Hospital. Guthrie had been a revelation to Dylan and was the biggest influence on his early performances. Describing Guthrie's impact on him, Dylan later wrote: "The songs themselves had the infinite sweep of humanity in them ... [He] was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple." As well as visiting Guthrie in the hospital, Dylan befriended Guthrie's acolyte Ramblin' Jack Elliott. Much of Guthrie's repertoire was actually channeled through Elliott, and Dylan paid tribute to Elliott in Chronicles (2004).

From February 1961, Dylan played at various clubs around Greenwich Village. In September, he gained some public recognition when Robert Shelton wrote a positive review in The New York Times of a show at Gerde's Folk City. The same month Dylan played harmonica on folk singer Carolyn Hester's eponymous third album, which brought his talents to the attention of the album's producer John Hammond. Hammond signed Dylan to Columbia Records in October. The performances on his first Columbia album, Bob Dylan (1962), consisted of familiar folk, blues and gospel material combined with two original compositions. The album made little impact, selling only 5,000 copies in its first year, just enough to break even. Within Columbia Records, some referred to the singer as "Hammond's Folly" and suggested dropping his contract. Hammond defended Dylan vigorously. In March 1962, Dylan contributed harmonica and back-up vocals to the album Three Kings and the Queen, accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. While working for Columbia, Dylan also recorded several songs under the pseudonym Blind Boy Grunt, for Broadside Magazine, a folk music magazine and record label. Dylan used the pseudonym Bob Landy to record as a piano player on the 1964 anthology album, The Blues Project, issued by Elektra Records. Dylan subsequently said of Grossman, "He was kind of like a Colonel Tom Parker figure ... you could smell him coming."

From December 1962 to January 1963, Dylan made his first trip to the United Kingdom. He had been invited by TV director Philip Saville to appear in a drama, The Madhouse on Castle Street, which Saville was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The recording of The Madhouse on Castle Street was wiped by the BBC in 1968. and Bunjies. "Oxford Town", for example, was a sardonic account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. His most famous song at this time, "Blowin' in the Wind", partially derived its melody from the traditional slave song "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded and became an international hit for Peter, Paul and Mary, setting a precedent for many other artists who had hits with Dylan's songs. "A Hard Rain's a-Gonna Fall" was based on the tune of the folk ballad "Lord Randall". With its veiled references to nuclear apocalypse, it gained even more resonance when the Cuban missile crisis developed only a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked an important new direction in modern songwriting, blending a stream-of-consciousness, imagist lyrical attack with a traditional folk form.

While Dylan's topical songs solidified his early reputation, Freewheelin' also included a mixture of love songs and jokey, surreal talking blues. Humor was a large part of Dylan's persona, and the range of material on the album impressed many listeners, including The Beatles. George Harrison said, "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful."

The rough edge of Dylan's singing was unsettling to some early listeners but an attraction to others. Describing the impact that Dylan had on her and her husband, Joyce Carol Oates wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying." Many of his most famous early songs first reached the public through more immediately palatable versions by other performers, such as Joan Baez, who became Dylan's advocate, as well as his lover. Baez was influential in bringing Dylan to national and international prominence by recording several of his early songs and inviting him onstage during her own concerts.

Others who recorded and had hits with Dylan's songs in the early and mid-1960s included The Byrds; Sonny and Cher; The Hollies; Peter, Paul and Mary; The Association; Manfred Mann; and The Turtles. Most attempted to impart a pop feel and rhythm to the songs, while Dylan and Baez performed them mostly as sparse folk pieces. The cover versions became so ubiquitous that CBS started to promote him with the tag "Nobody Sings Dylan Like Dylan."

"Mixed Up Confusion", recorded during the Freewheelin' sessions with a backing band, was released as a single and then quickly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records."

Protest and Another Side

In May 1963, Dylan's political profile was raised when he walked out of The Ed Sullivan Show. During rehearsals, Dylan had been informed by CBS Television's "head of program practices" that the song he was planning to perform, "Talkin' John Birch Paranoid Blues", was potentially libelous to the John Birch Society. Rather than comply with the censorship, Dylan refused to appear on the program.

Dylan's next release, Nashville Skyline (1969), was virtually a mainstream country record featuring instrumental backing by Nashville musicians, a mellow-voiced Dylan, a duet with Johnny Cash, and the hit single "Lay Lady Lay." Dylan and Cash also recorded a series of duets, including Dylan's "One Too Many Mornings," but they were not used on the album.

In May 1969, Dylan appeared on the first episode of Johnny Cash's new television show, duetting with Cash on "Girl from the North Country", "I Threw It All Away" and "Living the Blues". Dylan next travelled to England to top the bill at the Isle of Wight rock festival on August 31, 1969, after rejecting overtures to appear at the Woodstock Festival far closer to his home.

1970s

In the early 1970s, critics charged that Dylan's output was of varied and unpredictable quality. Rolling Stone magazine writer and Dylan loyalist Greil Marcus notoriously asked "What is this shit?" upon first listening to 1970's Self Portrait. In general, Self Portrait, a double LP including few original songs, was poorly received. Later that year, Dylan released New Morning, which some considered a return to form. In November 1968, Dylan had co-written "I'd Have You Anytime" with George Harrison; Harrison recorded both "I'd Have You Anytime" and Dylan's "If Not For You" for his 1970 solo triple album All Things Must Pass. Dylan's surprise appearance at Harrison's 1971 Concert for Bangladesh attracted much media coverage, reflecting that Dylan's live appearances had become rare.

Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock Studios, a small studio in New York's Greenwich Village. These sessions resulted in one single, "Watching The River Flow", and a new recording of "When I Paint My Masterpiece". On November 4, 1971 Dylan recorded "George Jackson," which he released a week later. Dylan contributed piano and hamony vocals to Steve Goodman's album, Somebody Else's Troubles, under the pseudonym Robert Milkwood Thomas in September 1972.

In 1972, Dylan signed onto Sam Peckinpah's film Pat Garrett and Billy the Kid, providing songs and backing music for the movie, and playing the role of "Alias," a member of Billy's gang with some historical basis. Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" has proven its durability as one of Dylan's most extensively covered songs.

Return to touring

touring in Chicago, 1974]]

Dylan began 1973 by signing with a new record label, David Geffen's Asylum Records, when his contract with Columbia Records expired. On his next album, Planet Waves, he used The Band as backing group, while rehearsing for a major tour. The album included two versions of "Forever Young," which became one of his most popular songs. As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan", and Dylan himself commented: "I wrote it thinking about one of my boys and not wanting to be too sentimental." Biographer Howard Sounes noted that Jakob Dylan believed the song was about him. In January 1974, Dylan returned to live touring after a break of seven years; backed by The Band, he embarked on a high-profile, coast-to-coast North American tour, playing 40 concerts. A live double album of the tour, Before the Flood, was released on Asylum Records. Soon, Columbia Records sent word that they "will spare nothing to bring Dylan back into the fold". Dylan had second thoughts about Asylum, apparently miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour, Geffen had managed to sell only 700,000 copies of Planet Waves. Dylan delayed the album's release, however, and re-recorded half of the songs at Sound 80 Studios in Minneapolis with production assistance from his brother David Zimmerman.

Released in early 1975, Blood on the Tracks received mixed reviews. In the NME, Nick Kent described "the accompaniments [as] often so trashy they sound like mere practice takes." In Rolling Stone, reviewer Jon Landau wrote that "the record has been made with typical shoddiness." Novelist Rick Moody called it "the truest, most honest account of a love affair from tip to stern ever put down on magnetic tape." with Allen Ginsberg, on the Rolling Thunder Revue in 1975]]

That summer Dylan wrote a lengthy ballad championing the cause of boxer Rubin "Hurricane" Carter, who had been imprisoned for a triple murder committed in Paterson, New Jersey, in 1966. After visiting Carter in jail, Dylan wrote "Hurricane", presenting the case for Carter's innocence. Despite its 8:32 minute length, the song was released as a single, peaking at No.33 on the U.S. Billboard Chart, and performed at every 1975 date of Dylan's next tour, the Rolling Thunder Revue, named after the Shoshone medicine man, shaman, teacher, and activist Rolling Thunder. The tour was a varied evening of entertainment featuring about one hundred performers and supporters drawn from the resurgent Greenwich Village folk scene, including T-Bone Burnett, Ramblin' Jack Elliott, Joni Mitchell, David Mansfield, Roger McGuinn, Mick Ronson, Joan Baez, and violinist Scarlet Rivera, whom Dylan discovered while she was walking down the street, her violin case hanging on her back. Allen Ginsberg accompanied the troupe, staging scenes for the film Dylan was simultaneously shooting. Sam Shepard was initially hired to write the film's screenplay, but ended up accompanying the tour as informal chronicler.

Running through late 1975 and again through early 1976, the tour encompassed the release of the album Desire, with many of Dylan's new songs featuring an almost travelogue-like narrative style, showing the influence of his new collaborator, playwright Jacques Levy. The spring 1976 half of the tour was documented by a TV concert special, Hard Rain, and the LP Hard Rain; no concert album from the better-received and better-known opening half of the tour was released until 2002's .

The fall 1975 tour with the Revue also provided the backdrop to Dylan's nearly four-hour film Renaldo and Clara, a sprawling and improvised narrative, mixed with concert footage and reminiscences. Released in 1978, the movie received generally poor, sometimes scathing, reviews and had a very brief theatrical run. Later in that year, Dylan allowed a two-hour edit, dominated by the concert performances, to be more widely released.

In November 1976, Dylan appeared at The Band's "farewell" concert, along with other guests including Joni Mitchell, Muddy Waters, Van Morrison and Neil Young. Martin Scorsese's acclaimed cinematic chronicle of this show, The Last Waltz, was released in 1978 and included about half of Dylan's set. In 1976, Dylan also wrote and duetted on the song "Sign Language" for Eric Clapton's No Reason To Cry.

In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million people. For the tour, Dylan assembled an eight piece band, and was also accompanied by three backing singers. Concerts in Tokyo in February and March were recorded and released as the live double album, Bob Dylan At Budokan. Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review, while Janet Maslin defended it in Rolling Stone, writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals." When Dylan brought the tour to the US in September 1978, he was dismayed the press described the look and sound of the show as a 'Las Vegas Tour'. The 1978 tour grossed more than $20 million, and Dylan acknowledged to the Los Angeles Times that he had some debts to pay off because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California." It was described by Michael Gray as, "after Blood On The Tracks, arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life". However, it suffered from poor sound recording and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths.

Born-again period

Dylan's embrace of Christianity was unpopular with some of his fans and fellow musicians. Shortly before his murder, John Lennon recorded "Serve Yourself" in response to Dylan's "Gotta Serve Somebody". By 1981, while Dylan's Christian faith was obvious, Stephen Holden wrote in the New York Times that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament."

1980s

, Spain, 1984]] In the fall of 1980 Dylan briefly resumed touring for a series of concerts billed as "A Musical Retrospective", where he restored several of his popular 1960s songs to the repertoire. Shot of Love, recorded the next spring, featured Dylan's first secular compositions in more than two years, mixed with explicitly Christian songs; the song "Every Grain of Sand" reminded some critics of William Blake's verses.

In the 1980s the quality of Dylan's recorded work varied, from the well-regarded Infidels in 1983 to the panned Down in the Groove in 1988. Critics such as Michael Gray condemned Dylan's 1980s albums both for showing an extraordinary carelessness in the studio and for failing to release his best songs. The Infidels recording sessions, for example, produced several notable songs that Dylan left off the album. Most well regarded of these were "Blind Willie McTell", a tribute to the dead blues musician and an evocation of African American history, "Foot of Pride" and "Lord Protect My Child". These three songs were later released on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991.

Between July 1984 and March 1985, Dylan recorded his next studio album, Empire Burlesque. Arthur Baker, who had remixed hits for Bruce Springsteen and Cyndi Lauper, was asked to engineer and mix the album. Baker has said he felt he was hired to make Dylan's album sound "a little bit more contemporary". His remarks were widely criticized as inappropriate, but they did inspire Willie Nelson to organize a series of events, Farm Aid, to benefit debt-ridden American farmers.

In April 1986, Dylan made a brief foray into the world of rap music when he added vocals to the opening verse of "Street Rock", a song featured on Kurtis Blow's album Kingdom Blow. Dylan's next studio album, Knocked Out Loaded, was released in July 1986 and contained three cover songs (by Little Junior Parker, Kris Kristofferson and the traditional gospel hymn "Precious Memories"), plus three collaborations with other writers (Tom Petty, Sam Shepard and Carole Bayer Sager), and two solo compositions by Dylan. One reviewer commented that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends. By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating." It was the first Dylan album since Freewheelin' (1963) to fail to make the Top 50. Since then, some critics have called the 11-minute epic that Dylan co-wrote with Sam Shepard, 'Brownsville Girl', a work of genius.

In 1986 and 1987, Dylan toured extensively with Tom Petty and the Heartbreakers, sharing vocals with Petty on several songs each night. Dylan also toured with The Grateful Dead in 1987, resulting in a live album Dylan & The Dead. This album received some very negative reviews: Allmusic said, "Quite possibly the worst album by either Bob Dylan or the Grateful Dead." After performing with these musical permutations, Dylan initiated what came to be called The Never Ending Tour on June 7, 1988, performing with a tight back-up band featuring guitarist G. E. Smith. Dylan continued to tour with this small but constantly evolving band for the next 20 years. Dylan also contributed two original songs to the soundtrack—"Night After Night", and "I Had a Dream About You, Baby", as well as a cover of John Hiatt's "The Usual". The film was a critical and commercial flop. Dylan was inducted into the Rock and Roll Hall of Fame in January 1988, with Bruce Springsteen's introductory speech declaring, "Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual.

When Dylan released the album Down in the Groove in May 1988, it was even more unsuccessful in its sales than his previous studio album. Michael Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant." The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys. Dylan co-founded the band with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty, and in the fall of 1988 their multi-platinum Traveling Wilburys Vol. 1 reached number three on the US album chart, Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990, which they released with the unexpected title Traveling Wilburys Vol. 3.

Dylan finished the decade on a critical high note with Oh Mercy produced by Daniel Lanois. Dylan critic Michael Gray wrote that the album was: "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s." The track "Most of the Time", a lost love composition, was later prominently featured in the film High Fidelity, while "What Was It You Wanted?" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans. The religious imagery of "Ring Them Bells" struck some critics as a re-affirmation of faith.

1990s

Dylan's 1990s began with Under the Red Sky (1990), an about-face from the serious Oh Mercy. The album contained several apparently simple songs, including "Under the Red Sky" and "Wiggle Wiggle". The album was dedicated to "Gabby Goo Goo"; this was later explained as a nickname for the daughter of Dylan and Carolyn Dennis, Desiree Gabrielle Dennis-Dylan, who was four at that time. Sidemen on the album included George Harrison, Slash from Guns N' Roses, David Crosby, Bruce Hornsby, Stevie Ray Vaughan, and Elton John. Despite the stellar line-up, the record received bad reviews and sold poorly.

In 1991, Dylan was honored by the recording industry with a Grammy Lifetime Achievement Award from American actor Jack Nicholson. The event coincided with the start of the Gulf War against Saddam Hussein, and Dylan performed his song "Masters of War".

The next few years saw Dylan returning to his roots with two albums covering old folk and blues numbers: Good as I Been to You (1992) and World Gone Wrong (1993), featuring interpretations and acoustic guitar work. Many critics and fans commented on the quiet beauty of the song "Lone Pilgrim", penned by a 19th century teacher and sung by Dylan with a haunting reverence. In November 1994 Dylan recorded two live shows for MTV Unplugged. He claimed his wish to perform a set of traditional songs for the show was overruled by Sony executives who insisted on a greatest hits package. The album produced from it, MTV Unplugged, included "John Brown", an unreleased 1963 song detailing the ravages of both war and jingoism.

With a collection of songs reportedly written while snowed-in on his Minnesota ranch, Dylan booked recording time with Daniel Lanois at Miami's Criteria Studios in January 1997. The subsequent recording sessions were, by some accounts, fraught with musical tension. Late that spring, before the album's release, Dylan was hospitalized with a life-threatening heart infection, pericarditis, brought on by histoplasmosis. His scheduled European tour was cancelled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon." He was back on the road by midsummer, and in early fall performed before Pope John Paul II at the World Eucharistic Conference in Bologna, Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind".

September saw the release of the new Lanois-produced album, Time Out of Mind. With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award.

In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful."

2000s

Dylan commenced the new millennium by winning his first Oscar; his song "Things Have Changed", penned for the film Wonder Boys, won an Academy Award in March 2001. The Oscar (by some reports a facsimile) tours with him, presiding over shows perched atop an amplifier.

"Love and Theft" was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well-received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads.

In 2003, Dylan revisited the evangelical songs from his "born again" period and participated in the CD project . That year also saw the release of the film Masked & Anonymous, which Dylan co-wrote with director Larry Charles under the alias Sergei Petrov. Dylan played the central character in the film, Jack Fate, alongside a cast which included Jeff Bridges, Penelope Cruz and John Goodman. The film polarised critics: many dismissed it as an "incoherent mess"; a few treated it as a serious work of art.

In October 2004, Dylan published the first part of his autobiography, . The book confounded expectations. Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-'60s when his fame was at its height. He also devoted chapters to the albums New Morning (1970) and Oh Mercy (1989). The book reached number two on The New York Times' Hardcover Non-Fiction best seller list in December 2004 and was nominated for a National Book Award.

Martin Scorsese's acclaimed film biography No Direction Home was broadcast in September 2005. It was shown on September 26–27, 2005, on BBC Two in the UK and PBS in the US. The documentary focuses on the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with Suze Rotolo, Liam Clancy, Joan Baez, Allen Ginsberg, Pete Seeger, Mavis Staples, and Dylan himself. The film received a Peabody Award in April 2006 and a Columbia-duPont Award in January 2007. The featured unreleased songs from Dylan's early career.

Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter, 186 times versus 74 by The Beatles, who were second. Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia, both conservatives. The most widely cited lines included "you don't need a weatherman to know which way the wind blows" from "Subterranean Homesick Blues" and "when you ain't got nothing, you got nothing to lose" from "Like a Rolling Stone".

Modern Times (2006–08)

May 3, 2006, was the premiere of Dylan's DJ career, hosting a weekly radio program, Theme Time Radio Hour, for XM Satellite Radio, with song selections revolving around a chosen theme. Dylan played classic and obscure records from the 1930s to the present day, including contemporary artists as diverse as Blur, Prince, L.L. Cool J and The Streets. The show was praised by fans and critics as "great radio," as Dylan told stories and made eclectic references with his sardonic humor, while achieving a thematic beauty with his musical choices. In April 2009, Dylan broadcast the 100th show in his radio series; the theme was "Goodbye" and the final record played was Woody Guthrie's "So Long, It's Been Good To Know Yuh". This has led to speculation that Dylan's radio series may have ended.

On August 29, 2006, Dylan released his Modern Times album. Despite some coarsening of Dylan's voice (a critic for The Guardian characterised his singing on the album as "a catarrhal death rattle") most reviewers praised the album, and many described it as the final installment of a successful trilogy, embracing Time Out of Mind and "Love and Theft". Modern Times entered the U.S. charts at number one, making it Dylan's first album to reach that position since 1976's Desire.

Nominated for three Grammy Awards, Modern Times won Best Contemporary Folk/Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for "Someday Baby". Modern Times was named Album of the Year, 2006, by Rolling Stone magazine, and by Uncut in the UK. On the same day that Modern Times was released the iTunes Music Store released , a digital box set containing all of his albums (773 tracks in total), along with 42 rare and unreleased tracks.

In August 2007, the award-winning film biography of Dylan I'm Not There, written and directed by Todd Haynes, was released—bearing the tagline "inspired by the music and many lives of Bob Dylan". The movie uses six distinct characters to represent different aspects of Dylan's life, played by Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw. Dylan's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film's original soundtrack; all other tracks are covers of Dylan songs, specially recorded for the movie by a diverse range of artists, including Eddie Vedder, Mason Jennings, Stephen Malkmus, Jeff Tweedy, Karen O, Willie Nelson, Cat Power, Richie Havens, and Tom Verlaine.

On October 1, 2007, Columbia Records released the triple CD retrospective album Dylan, anthologising his entire career under the Dylan 07 logo. As part of this campaign, Mark Ronson produced a re-mix of Dylan's 1966 tune "Most Likely You Go Your Way (And I'll Go Mine)," which was released as a maxi-single. This was the first time Dylan had sanctioned a re-mix of one of his classic recordings.

The sophistication of the Dylan 07 marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This first became evidenced in 2004, when Dylan appeared in a TV advertisement for Victoria's Secret lingerie. Three years later, in October 2007, he participated in a multi-media campaign for the 2008 Cadillac Escalade. Then, in 2009, he gave the highest profile endorsement of his career, appearing with rapper Will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII. The ad, broadcast to a record audience of 98 million viewers, opened with Dylan singing the first verse of "Forever Young" followed by Will.i.am doing a hip hop version of the song's third and final verse.

In October 2008, Columbia released Volume 8 of Dylan's Bootleg Series, as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from Oh Mercy to Modern Times, as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley. The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging" from some fans and commentators. The release was widely acclaimed by critics. The plethora of alternative takes and unreleased material suggested to Uncut's reviewer: "Tell Tale Signs is awash with evidence of (Dylan's) staggering mercuriality, his evident determination even in the studio to repeat himself as little as possible."

Together Through Life, Christmas in the Heart (2009)

Bob Dylan released his album Together Through Life on April 28, 2009. In a conversation with music journalist Bill Flanagan, published on Dylan's website, Dylan explained that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie, My Own Love Song; initially only intending to record a single track, "Life Is Hard," "the record sort of took its own direction". Nine of the ten songs on the album are credited as co-written by Bob Dylan and Robert Hunter.

The album received largely favorable reviews, although several critics described it as a minor addition to Dylan's canon of work. Andy Gill wrote in The Independent that the record "features Dylan in fairly relaxed, spontaneous mood, content to grab such grooves and sentiments as flit momentarily across his radar. So while it may not contain too many landmark tracks, it's one of the most naturally enjoyable albums you'll hear all year."

, April 28, 2006]]

In its first week of release, the album reached number one in the Billboard 200 chart in the U.S., making Bob Dylan (67 years of age) the oldest artist to ever debut at number one on that chart.

On October 13, 2009, Dylan released a Christmas album, Christmas in the Heart, comprising such Christmas standards as "Little Drummer Boy", "Winter Wonderland" and "Here Comes Santa Claus". Dylan's royalties from the sale of this album will benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme.

The album received generally favorable reviews. The New Yorker commented that Dylan had welded a pre-rock musical sound to "some of his croakiest vocals in a while", and speculated that Dylan's intentions might be ironic: "Dylan has a long and highly publicized history with Christianity; to claim there's not a wink in the childish optimism of 'Here Comes Santa Claus' or 'Winter Wonderland' is to ignore a half-century of biting satire." In USA Today, Edna Gundersen pointed out that Dylan was "revisiting yuletide styles popularized by Nat King Cole, Mel Tormé, and the Ray Conniff Singers." Gundersen concluded that Dylan "couldn't sound more sentimental or sincere".

In an interview published by Street News Service, journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style, and Dylan responded: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too." The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating "universal acclaim". In the same week, Sony Legacy released Bob Dylan: The Original Mono Recordings, a box set which for the first time presented Dylan's eight earliest albums, from Bob Dylan (1962) to John Wesley Harding (1967), in their original mono mix in the CD format, accompanied by new liner notes by Dylan critic Greil Marcus.

On April 12, 2011, Legacy Recordings released Bob Dylan in Concert – Brandeis University 1963 . The recording was taped at Brandeis University on May 10, 1963, two weeks prior to the release of The Freewheelin' Bob Dylan. The tape had been discovered in the archive of music writer Ralph J. Gleason, and had previously been available as a limited edition supplement to The Bootleg Series Vol. 9. The recording carries liner notes by Dylan scholar Michael Gray. Gray writes, "(The) Dylan performance it captured, from way back when Kennedy was President and the Beatles hadn't yet reached America, wasn't even on fans' radar.... It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star."

The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organised symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians from Europe and the US to give papers on aspects of Dylan's work. Other events, including tribute bands, intellectual debates and simple singalongs, took place around the world, as reported in The Guardian: "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed "Bobcats" will gather today to celebrate the 70th birthday of a giant of popular music."

In August 2011, Dylan's label, Egyptian Records, announced that an album of previously unheard Hank Williams songs, The Lost Notebooks of Hank Williams, would be released in October. Dylan had helped to curate this project, in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists, including Dylan himself, his son Jakob Dylan, Levon Helm, Norah Jones, Jack White, and others.

Never Ending Tour

, 2006]] The Never Ending Tour commenced on June 7, 1988, and Dylan has played roughly 100 dates a year for the entirety of the 1990s and the first decade of the 21st century—a heavier schedule than most performers who started out in the 1960s. By the end of 2010, Dylan and his band had played more than 2300 shows, anchored by long-time bassist Tony Garnier, multi-instrumentalist Donnie Herron and guitarist Charlie Sexton. To the dismay of some of his audience, Dylan's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night. Critical opinion about Dylan's shows remains divided. Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material. Others have criticised his vocal style as a "one-dimensional growl with which he chews up, mangles and spits out the greatest lyrics ever written so that they are effectively unrecognisable", and his lack of interest in bonding with his audience.

Dylan's performances in China in April 2011 generated controversy. Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set-list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set-list existed.

Dylan responded to these allegations of censorship by posting a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play."

In April 2011, Dylan performed concerts in Taiwan, China, Vietnam and Australia. Dylan's website has published details of Dylan's 2011 tour of Europe, Israel and the US from June to August, commencing in Cork, Ireland, and concluding in Bangor, Maine.

Artist

Over a decade after Random House had published Drawn Blank (1994), a book of Dylan's drawings, an exhibit of his art, The Drawn Blank Series, opened in October 2007 at the Kunstsammlungen in Chemnitz, Germany. This first public exhibition of Dylan's paintings showcased more than 200 watercolors and gouaches made earlier in 2007 from the original drawings. The exhibition coincided with the publication of the book Bob Dylan: The Drawn Blank Series, which includes 170 reproductions from the series.

From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, The Brazil Series. In July 2011, a leading contemporary art gallery, Gagosian Gallery, announced their representation of Dylan's paintings. The Gagosian Gallery has announced an exhibition of Dylan's art, The Asia Series, will take place at their Madison Avenue Gallery in September-October 2011.

Discography

Awards

Personal life

Family

Dylan married Sara Lownds on November 22, 1965. Their first child, Jesse Byron Dylan, was born on January 6, 1966, and they had three more children: Anna Lea, Samuel Isaac Abraham, and Jakob Luke (born December 9, 1969). Dylan also adopted Sara's daughter from a prior marriage, Maria Lownds (later Dylan, born October 21, 1961). Maria married musician Peter Himmelman, an Orthodox Jew, in 1988. In the 1990s, Dylan's son Jakob became well known as the lead singer of the band The Wallflowers. Jesse Dylan is a film director and a successful businessman. Bob and Sara Dylan were divorced on June 29, 1977.

In June 1986, Dylan married his longtime backup singer Carolyn Dennis (often professionally known as Carol Dennis). Their daughter, Desiree Gabrielle Dennis-Dylan, was born on January 31, 1986. The couple divorced in October 1992. Their marriage and child remained a closely guarded secret until the publication of Howard Sounes' Dylan biography, Down the Highway: The Life Of Bob Dylan in 2001. Dylan now lives in Malibu, California, when not on the road.

Religious beliefs

Growing up in Hibbing, Minnesota, Dylan and his family were part of the area's small but close-knit Jewish community, and in May 1954 Dylan had his Bar Mitzvah. Around the time of his 30th birthday, in 1971, Dylan visited Israel, and also met Rabbi Meir Kahane, founder of the New York-based Jewish Defense League. Time Magazine quoted Dylan saying about Kahane, "He's a really sincere guy. He's really put it all together." Subsequently, Dylan downplayed the extent of his contact with Kahane.

For a period during the late 1970s and early 1980s, Dylan was a public convert to Christianity. From January to April 1979, he participated in Bible study classes at the Vineyard School of Discipleship in Reseda, California. Pastor Kenn Gulliksen has recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying, 'Yes he did in fact want Christ in his life.' And he prayed that day and received the Lord."

By 1984, Dylan was deliberately distancing himself from the "born-again" label. He told Kurt Loder of Rolling Stone magazine: "I've never said I'm born again. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come." In response to Loder's asking whether he belonged to any Church or synagogue, Dylan laughingly replied, "Not really. Uh, the Church of the Poison Mind." In 1997 he told David Gates of Newsweek:

In an interview published in The New York Times on September 28, 1997, journalist Jon Pareles reported that "Dylan says he now subscribes to no organized religion."

Dylan has been described, in the last 20 years, as a supporter of the Chabad Lubavitch movement and has privately participated in Jewish religious events, including the bar mitzvahs of his sons and attending Hadar Hatorah, a Chabad Lubavitch yeshiva. In September 1989 and September 1991, Dylan appeared on the Chabad telethon. Jewish news services have reported that Dylan has visited Chabad synagogues; on September 22, 2007 (Yom Kippur), he attended Congregation Beth Tefillah, in Atlanta, Georgia, where he was called to the Torah for the sixth aliyah.

Dylan has continued to perform songs from his gospel albums in concert, occasionally covering traditional religious songs. He has also made passing references to his religious faith—such as in a 2004 interview with 60 Minutes, when he told Ed Bradley that "the only person you have to think twice about lying to is either yourself or to God." He also explained his constant touring schedule as part of a bargain he made a long time ago with the "chief commander—in this earth and in the world we can't see."

In a 2009 interview with Bill Flanagan promoting his Christmas LP, Christmas in the Heart, Flanagan commented on the "heroic performance" Dylan gave of "O Little Town of Bethlehem" and that Dylan "delivered the song like a true believer". Dylan replied: "Well, I am a true believer."

Legacy

Bob Dylan is one of the most influential figures of the 20th century, musically and culturally. Dylan was included in the where he was called "master poet, caustic social critic and intrepid, guiding spirit of the counterculture generation". Biographer Howard Sounes placed him among the most exalted company when he said, "There are giant figures in art who are sublimely good—Mozart, Picasso, Frank Lloyd Wright, Shakespeare, Dickens. Dylan ranks alongside these artists."

Initially modeling his writing style on the songs of Woody Guthrie, and lessons learned from the blues of Robert Johnson, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 60s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."

When Dylan made his move from acoustic music to a rock backing, the mix became more complex. For many critics, Dylan's greatest achievement was the cultural synthesis exemplified by his mid-'60s trilogy of albums—Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. In Mike Marqusee's words: "Between late 1964 and the summer of 1966, Dylan created a body of work that remains unique. Drawing on folk, blues, country, R&B;, rock'n'roll, gospel, British beat, symbolist, modernist and Beat poetry, surrealism and Dada, advertising jargon and social commentary, Fellini and Mad magazine, he forged a coherent and original artistic voice and vision. The beauty of these albums retains the power to shock and console."

One legacy of Dylan's verbal sophistication was the increasing attention paid by literary critics to his lyrics. Professor Christopher Ricks published a 500-page analysis of Dylan's work, placing him in the context of Eliot, Keats and Tennyson, and claiming that Dylan was a poet worthy of the same close and painstaking analysis. Former British poet laureate, Andrew Motion, argued that Bob Dylan's lyrics should be studied in schools. Since 1996, academics have lobbied the Swedish Academy to award Dylan the Nobel Prize in Literature.

Dylan's voice was, in some ways, as startling as his lyrics. New York Times critic Robert Shelton described Dylan's early vocal style as "a rusty voice suggesting Guthrie's old performances, etched in gravel like Dave Van Ronk's." David Bowie, in his tribute, "Song for Bob Dylan", described Dylan's singing as "a voice like sand and glue". Dylan's voice continued to develop as he began to work with rock'n'roll backing bands; critic Michael Gray described the sound of Dylan's vocal on his hit single, "Like a Rolling Stone", as "at once young and jeeringly cynical". As Dylan's voice aged during the 1980s, for some critics, it became more expressive. Christophe Lebold writes in the journal Oral Tradition, "Dylan's more recent broken voice enables him to present a world view at the sonic surface of the songs—this voice carries us across the landscape of a broken, fallen world. The anatomy of a broken world in "Everything is Broken" (on the album Oh Mercy) is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality."

Dylan's influence has been felt in several musical genres. As Edna Gundersen stated in USA Today: "Dylan's musical DNA has informed nearly every simple twist of pop since 1962." Many musicians have testified to Dylan's influence, such as Joe Strummer, who praised Dylan as having "laid down the template for lyric, tune, seriousness, spirituality, depth of rock music." Other major musicians to have acknowledged Dylan's importance include John Lennon, Paul McCartney, Pete Townshend, Neil Young, Bruce Springsteen, Bryan Ferry, Nick Cave, Patti Smith, Syd Barrett, Cat Stevens,Joni Mitchell, and Tom Waits. More directly, both The Byrds and The Band, two 1960s contemporary groups with some measure of influence on popular music themselves, largely owed their initial success to Dylan: the Byrds with their hit of "Mr. Tambourine Man" and subsequent album; and the Band for their association with him on tour in 1966, on retreat in Woodstock, and on their debut album featuring three previously unreleased Dylan songs.

There have been dissenters. Because Dylan was widely credited with imbuing pop culture with a new seriousness, the critic Nik Cohn objected: "I can't take the vision of Dylan as seer, as teenage messiah, as everything else he's been worshipped as. The way I see him, he's a minor talent with a major gift for self-hype." Similarly, Australian critic Jack Marx credited Dylan with changing the persona of the rock star: "What cannot be disputed is that Dylan invented the arrogant, faux-cerebral posturing that has been the dominant style in rock since, with everyone from Mick Jagger to Eminem educating themselves from the Dylan handbook." Joni Mitchell described Dylan as a "plagiarist" and his voice as "fake" in a 2010 interview in the Los Angeles Times, in response to a suggestion that she and Dylan were similar since they had both changed their birthnames. Mitchell's comment led to discussions of Dylan's use of other people's material, both supporting and criticizing Dylan.

If Bob Dylan's legacy in the 1960s was seen as bringing intellectual ambition to popular music, now that he has reached the age of 70, he has been described as a figure who has greatly expanded the folk culture from which he initially emerged. As J. Hoberman wrote in The Village Voice, "Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making."

Footnotes

References

External links

BobDylan.com – Official web site, including lyrics and touring schedule

Expecting Rain – Dylan news and events, updated daily

BobLinks – Comprehensive log of concerts and set lists

Bjorner's Still on the Road – Information on recording sessions and performances

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