For other albums of the same name (Eric Dolphy, Pete Townshend,...), see Iron Man (disambiguation)

Ironman is the solo debut album by American hip hop artist and Wu-Tang Clan member Ghostface Killah, released October 29, 1996, on Epic Records. Though mainly produced by fellow group member RZA, the LP is slightly different to that of other first generation solo Wu-Tang albums, owing much of its thematic scope, mythology and samples from classic 1960s and 1970s blaxploitation films, as well as a wider range of soul samples. It is also notable for being considerably more open in its references to the Nation of Gods and Earths and the group's beliefs.

Upon its release, Ironman debuted at number two on the Billboard 200 chart, and number one on the Top R&B/Hip-Hop Albums chart, selling 156,000 copies in its first week.^[1] On January 8, 1997, the album was certified gold in sales by the Recording Industry Association of America (RIAA), and on February 9, 2004, it was certified platinum after sales of one million copies in the United States.^[2] Many music critics have praised the album for Ghostface Killah's imaginative lyricism and RZA's production style, with some revering it as one of the greatest Wu-Tang solo albums of all time.^[3]

Background and recording[link]

"After the Smoke Is Clear" noicon The song features crooning vocals by the Delfonics and raw lyricism by Ghostface Killah and Raekwon.[4] Problems listening to this file? See media help.

Although a solo album, Ironman features many Wu-Tang collaborations and only four tracks feature Ghostface performing as the sole rapper. The two most prominently featured artists are Raekwon and Cappadonna, who both accompany Ghost and have their names on the album's cover. Raekwon appears on 13 of the 17 tracks, with "The Faster Blade" featuring him performing solo.

Contrary to earlier Wu-Tang solo projects, in which the performers involved were believed to be infallible, Ghostface is somewhat vulnerable on several of the album's songs. This is perhaps best illustrated on the single, "All That I Got Is You", which is essentially a tribute to his mother. However, the rest of the album contains many street oriented, and organized crime topics, similar to Only Built 4 Cuban Linx..., in which Ghostface was heavily involved. Ironman contains more of Ghostface Killah's highly praised unique uptempo, stream-of-consciousness rhyming style, which he would go on to further utilize on his highly acclaimed second studio album Supreme Clientele. The album also features a substantial amount of story-telling rap, such as the song "260." Producer RZA combines his dark keyboard tones and early-1970s soul samples, heavily used on Only Built for Cuban Linx... and Liquid Swords respectively, to engender a soulful and melodic, yet dark and harsh feel that later influenced many other Wu-Tang releases, such as Wu-Tang Forever and Uncontrolled Substance, as well as numerous other East Coast artists.

In his book The Tao of Wu, producer RZA points out that Ghostface's voice sounds noticeably different on Ironman than previous Wu-Tang releases. This is because Ironman was released following a flood that destroyed the basement studio in which those recordings were made. RZA had set up individual microphone preamps and compressors for each member, which were destroyed in the flood. Thus, the vocals on Ironman had to be recorded in a different studio with different equipment and settings, which slightly altered their sound.^[5]

Reception[link]

Initial reaction[link]

Professional ratings
Review scores
Source	Rating
Allmusic	[6]
The A.V. Club	A−[3]
Robert Christgau	(A)[7]
Entertainment Weekly	B+[8]
The New York Times	(favorable)[9]
Richmond Times	[10]
Rolling Stone	[11]
The Source	[12]
Spin	(7/10) [13]
Vibe	(favorable)[4]

Upon its release, Ironman received positive reviews from music critics. Vibe columnist The Blackspot gave it a favorable review, stating "Considering the success of the five previous Wu-Tang projects, it might seem hard for the sixth to still make noise, but Ghostface screams. Ironman is proof of his matured lyrics and delivery and the Wu's strong family stand. If Only Built 4 Cuban Linx... had you open, prepare for another gaping wound."^[4] Jon Pareles from The New York Times wrote a favorable review as well, commenting "Anger is just a stimulant for Ghostface Killah. On Ironman he raps about male bonding, the mating game and the violent ups and downs of the drug trade, in a voice raised just above the tone of conversation."^[9] In his review for Spin, Chris Norris gave the album a 7/10 rating, and stated "Ghostface wreaks havoc with meaning and narrator reliability, flitting from gangster-film intrigue to grimly prosaic reality." Norris also praised RZA's production, stating "As usual, the Wu's sonic auteur provide awesomely dark and eccentric backdrops for the MC's dark maneuvers, mixing soul horns with horror-film keyboards."^[13] In his review for Entertainment Weekly, Ken Tucker gave the album a B+ rating, and stated "The latest from the Wu Tang Clan, Ironman finds Ghostface Killah talking vehemently about sex, politics, and sexual politics. The samples rely heavily upon prime '70s Willie Mitchell productions, most effectively on "260," which uses the intro to Al Green's "You Oughta Be With Me" as an aching ironic counterpoint to a killer tale of brutal street justice."^[8] The Source gave the album 4 out of 5 mics, and described it as "Introspective lyrics, haunting melodies and intense emotional moments." The Source also commented on RZA's production, stating "The RZA does another masterful job, topping himself in terms of sonic diversity."^[12]

Retrospect[link]

In a retrospective review, Stephen Thomas Erlewine from Allmusic gave the album a 4½ out of 5 star rating and stated, "The mood of the album can switch tones at the drop of the hat. The record is filled with inventive production and rhymes, and ranks as another solid entry in the Wu-Tang legacy."^[6] Stephen Thompson from The A.V. Club gave Ironman an A- rating, and praised RZA's production, stating "Just as Terminator X was Public Enemy's secret weapon, The RZA is The Wu-Tang Clan's. Producer RZA, quietly working behind the scenes, has been the force behind Wu-Tang's raw, all over the map, Bruce Lee-meets-Gladys Knight sound. RZA has done it again on Ghostface Killah's Ironman." Thompson further stated "Attacking from all angles, Ironman is classic Wu-Tang, piecing together something unpredictable and vital-sounding."^[3]

Track listing[link]

• "The Soul Controller" was removed from later pressings of the album, due to sample rights not being cleared.

Personnel[link]

Charts[link]

Accolades[link]

• The information regarding accolades is adapted from acclaimedmusic.net,^[15]except for lists with additional sources.
• (*) signifies unordered lists

See also[link]

• List of number-one R&B albums of 1996 (U.S.)

References[link]

External links[link]

• Ironman at Discogs
• Ironman at MusicBrainz
• Ironman accolades at acclaimedmusic.net

Look up ironman or ironmen in Wiktionary, the free dictionary.

Iron Man is a Marvel comic book superhero.

Iron Man, Ironman or Ironmen may also refer to:

Sports[link]

• Ironman Triathlon, a long-distance triathlon
  • Ironman World Championship
  • Timex Ironman, a digital wristwatch marketed in conjunction with the Ironman Triathlon
  • Ironman Datalink, another Timex wristwatch introduced in 1997
• Ironman football, an American football system where player substitutions were limited
  • 1926 Brown Bears football team or "the Iron Men", which used player substitutions sparingly
  • 1939 Iowa Hawkeyes football team, nicknamed the Ironmen because a number of Hawkeyes played 60-minute games
• Ironman (surf lifesaving), a multi-disciplinary surf lifesaving event
• Iron Man match, a type of a professional wrestling match
• Seattle Ironmen, a 1944–1952 ice hockey franchise in the Pacific Coast Hockey League
• Ironmen, the sports teams at Normal Community High School

Film and television[link]

• A Man of Iron a low budget lost 1925 silent film starring Lionel Barrymore; whose alternate title is The Iron Man
• Iron Man 2 (film), 2010 American film
• Iron Man (film), a 2008 American film based on the Marvel Comics character
• Iron Man (video game), a 2008 video game based on the film
• Iron Man (1931 film), a 1931 film directed by Tod Browning
• Iron Man (TV series), a 1994 animated series
• Iron Man (anime), a 2011 television series
• The Invincible Iron Man (film), a 2007 animated film based on the Marvel Comics character
• Tetsuo: The Iron Man, a 1989 Japanese film
• The Iron Man (serial), a 1924 film serial
• "The Invincible Iron Man", a segment of the 1960s TV series The Marvel Superheroes Show
• Iron Man: Armored Adventures, a children's TV animated series
• Iron Man Carmichael, alter ego of Lucille Carmichael on The Lucy Show

Music[link]

• "Iron Man" (song), a song by Black Sabbath
• Ironman (album), an album by Ghostface Killah
• Iron Man (Eric Dolphy album) (1963)
• Iron Man (band), an American doom metal band
• The Iron Man: A Musical, an album by Pete Townshend
• Iron Man (soundtrack), a 2008 soundtrack album

Publishing[link]

• Iron Man (magazine), a bodybuilding and weight-training magazine
• The Iron Man (novel), a 1968 novel by Ted Hughes
• Ironman (novel), a 1995 novel by Chris Crutcher
• Iron Man, a 1930 novel by William R. Burnett
• "The Iron Man", a short story in The Iron Man & Other Tales of the Ring by Robert E. Howard
• Iron Man, a pioneering Canadian comics character

People[link]

• Sardar Vallabhbhai Patel or the Iron Man of India (1875–1950), Indian independence activist
• Travis Fulton or "The Ironman" (born 1977), American mixed martial arts fighter
• Brett Favre or "Iron Man" (born 1969), American football quarterback
• Cal Ripken, Jr. or Iron Man (born 1960)
• Billy Williams (left fielder) or Iron Man (born 1938)
• Ivan Stewart or "Ironman", off-road racing driver
• Kārlis Skrastiņš or "Ironman" (1974–2011), NHL player

Other uses[link]

• Iron Man (statue), a statue in Chisholm, Minnesota
• Iron: Man, a 1993 sculpture by Antony Gormley, in Birmingham, England
• Ironman (ironing), fast ironing of shirts appliance
• Iron Man (pinball), a pinball machine produced by Stern
• Transmission tower or Ironman, a structure used to support an overhead power line
• The Ironman, the mascot of the Danville Area School District in Pennsylvania
• "Iron Manning", a practice in video gaming where death is considered a permanent "game over" and the gamer must restart from the very beginning.

See also[link]

• Alternative versions of Iron Man
  • Iron Man 2020, a Marvel comic book villain
  • Ultimate Iron Man, a comic book miniseries
• Iron Man 2, a 2010 film, sequel to the 2008 film Iron Man
• Ironman 70.3, a triathlon race of half the distance of the Ironman Triathlon, and similarly licensed
• "Ironman One", the fictional spacecraft from the 1969 film Marooned
• Man of Iron, a 1981 Polish film directed by Andrzej Wajda
• Eiserne Mann, an iron pillar in Germany from the late Middle Ages
• Gunnar Graps or "Raudmees" (1951–2004), Estonian hard rock pioneer
• The Iron Lady (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2010)

This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (July 2010)

Early record albums were packages of 78 RPM records in book form

An album may be understood as a collection of recordings, released as a single package on gramophone record, cassette, compact disc, or via digital distribution, however the concept is found in printed music dating into the early nineteenth century in works by composers such as Schumann and Mendelssohn.^[1] The word derives from the Latin word for list.^[2]

Today, with the vinyl record no longer being used as the primary form of distribution, the term "album" can still be applied to any sound recording collection, such as those on compact disc, MiniDisc, Compact audio cassette, and digital or MP3 albums.^[3] Cover art is also considered an integral part of the album. Many albums also come with liner notes and inserts giving background information or analysis of the recording, reprinted lyrics, images of the performers, or additional artwork and text.^[4] These are now often found in the form of CD booklets.^[5]

History and Formats[link]

Vinyl records[link]

Two vinyl records with inner and outer album sleeves

Vinyl LP records have two sides, each comprising one half of the album. If a pop or rock album contained tracks released separately as commercial singles, these were often traditionally placed in particular positions on the album.^[3] A common configuration was to have the album led off by the second and third singles, followed by a ballad. The first single would lead off side 2. In the past many singles (such as the Beatles' "Hey Jude" and Bob Dylan's "Positively 4th Street") did not appear on albums, but others (such as the Beatles' "Come Together" and Dylan's "Like a Rolling Stone") were part of an album released concurrently. Today, many commercial albums of music tracks feature one or more singles, which are released separately to radio, TV or the Internet as a way of promoting the album. ^[6]Albums have also been issued that are compilations of older tracks not originally released together, such as singles not originally found on albums, b-sides of singles, or unfinished "demo" recordings.^[3]

Album sets of the past were arranged "in sequence" for phonographs equipped with record changers. In the case of a two-record set, for example, sides 1 and 4 would be printed on one record, and sides 2 and 3 on the other. The consumer would then stack the two records onto a spindle equipped with an automatic record changer by stacking the record with side 1 on the bottom and the record with side 2 directly on top of it. The record containing side 1 would then automatically drop onto the turntable, and the tone arm containing the stylus needle would automatically play the album's side 1. When that side was finished, the tone arm would swing back to allow the record containing side 2 to drop down on top of the record containing side 1 and automatically begin to play. When that was done, the consumer would pick up the stack of records that have already played, flip them over (as a stack, without rearranging), and put them back on the spindle. Sides 3 and 4 would play in sequence without further intervention from the consumer.^[3]Record changers persisted throughout the LP era, but were discontinued after it was discovered that the stacking up of records had the potential to warp them.^[3]

Compact cassette[link]

A blank compact cassette tape and case

The Compact Cassette was a popular medium for distributing pre-recorded music in the late 1970's through to the 1990's. The very first "Compact Cassette" was introduced by Philips in August of 1963 in the form of a prototype.^[7] Compact cassettes became especially popular during the 1980's after the advent of the Sony Walkman, which allowed the person to personally control what they listen to.^[8][7] The Walkman was convenient because of its size, the device could fit in most pockets and often came equipped with a clip for belts or pants.^[7] The compact cassette used doubled-sided magnetic tape to distribute music for commercial sale.^[7][9] The music is recorded on both the "A" and "B" side of the tape, with cassette being "turned" to play the other side of the album.^[7]

Compact disc[link]

A compact disc within an open 'Jewel Case'

The Compact Disc's format effectively replaced both the vinyl record and the cassette, to become the standard for the commercial mass-market distribution of music albums.^[10] The CD is a digital data storage device which permits digital recording technology to be used to record and play-back the recorded music.^[9][10]

Length[link]

According to the rules of the UK Charts, a recording counts as an "album" if either it has more than four tracks or lasts more than 25 minutes.^[11] Sometimes shorter albums are referred to as "mini-albums" or EPs.^[12] Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yes's Close to the Edge, include fewer than four tracks. Other artists such as Pinhead Gunpowder refer to their own releases under 30 minutes to bake as "albums" despite the normal distinction.

If an album becomes too long to fit a single vinyl record or CD, a recording artist may make the decision to release a double album where two vinyl LPs or compact discs are packaged together in a single case, or a triple album containing three LPs or compact discs.

Recording artists who have an extensive back catalog will often re-release several CDs in one single box with a unified design, often containing one or more albums, or a compilation of previously unreleased recordings. These are known as box sets. Some musical artists have also released more than three compact discs or LP records of new recordings at once, in the form of boxed sets, although in that case the work is still usually considered to be an album.

See also[link]

Look up album in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Music albums

• Album cover
• Concept album
• Compact Disc
• Extended play
• Liner notes
• List of albums
• Long play
• Release (music)
• Single (music)

References[link]

Ghostface Killah
Background information
Birth name	Dennis Coles
Also known as	Tony Starks, Ghostdeini, Ironman
Born	(1970-05-09) May 9, 1970 (age 42)
Origin	Staten Island, New York, United States
Genres	East Coast hip hop, mafioso rap, hardcore hip hop
Years active	1992–present
Labels	Razor Sharp, Epic, Starks Enterprises, Def Jam
Associated acts	Wu-Tang Clan, Theodore Unit, MF DOOM, Rakim, Sheek Louch
Website	ghostfacekillah.com

Dennis Coles (born May 9, 1970),^[1] better known by his stage name Ghostface Killah, and formerly Little Jimmy Ice, is an American rapper and prominent member of the Wu-Tang Clan.^[2] After the group achieved breakthrough success in the aftermath of Enter the Wu-Tang (36 Chambers), the members went on to pursue solo careers to varying levels of success. Ghostface Killah debuted his solo-career with Ironman in 1996, which was well received by music critics. He has continued his success over the following years with critically acclaimed albums such as Supreme Clientele (2000) and Fishscale (2006). His stage name was taken from one of the characters in the 1979 kung fu film Mystery of Chessboxing.^[3]

Ghostface Killah is critically acclaimed^[4][5] for his loud, fast-paced flow,^[3] and his emotional stream-of-consciousness narratives containing cryptic slang and non-sequiturs.^[3][6] In 2006, MTV included him on their honorable mention list of The Greatest MCs of All Time,^[7] while the editors of About.com placed him on their list of the Top 50 MCs of Our Time (1987–2007), praising him as "one of the most imaginative storytellers of our time."^[8] Ghostface's storytelling abilities have widely been praised, with Q magazine calling him "rap's finest storyteller."^[9]

Career[link]

A roommate of Wu-Tang founder The RZA, Ghostface helped bring together the other seven members, and would function as executive producer on all the Wu-Tang Clan releases, including various solo projects.

In 1995, Ghostface guest-starred extensively on fellow Clan member Raekwon's debut album, Only Built 4 Cuban Linx..., appearing on almost every song. He also contributed songs to the Sunset Park and Don't Be A Menace To South Central While Drinking Your Juice In The Hood soundtracks, which would be included on his first solo LP, Ironman, in 1996. The album, which debuted at #2 on the Billboard 200, had a more pronounced soul influence (particularly 1970s soul) than previous Wu-Tang releases, and Ghostface's future albums would continue to feature this stylistic trait.

Ghostface became well known for both his up-tempo, stream-of-consciousness rap and, later in his career, for his emotionally charged raps and smooth constant flow. In 1996, he discovered that he was diabetic, a condition that would weaken his health. According to "Trials of Life", a 2007 song with fellow New York rapper Prodigy (himself a sickle-cell anaemic), Ghostface assumed he had been stricken by a sexually transmitted disease until he received the diabetes diagnosis.

Ghostface was incarcerated for attempted robbery in 1999, a situation that was never publicly commented on by the Wu-Tang Clan or Ghostface (the charge dated from 1995). It would lead to a delay in his next album in 2000 with his follow-up to Ironman, Supreme Clientele. The album was well-received by critics and was placed #2 on Hip Hop Connection's list of "The 100 Greatest Rap Albums 1995-2005". It included "Apollo Kids", a popular single which featured Raekwon and had a sample of "Cool Breeze" by Solomon Burke. "Cherchez LaGhost", another single off the album, became a minor club hit. The album also notably included the sentimental "Child's Play" which brought numerous comparisons to Slick Rick. Supreme Clientele would be a turning point in RZA's influence on his sound, as only six songs are produced by the RZA, compared to Iron Man, its predecessor where every song but one is produced by him. Though he contributed fewer beats to the project, RZA personally oversaw the mixing and production of the album as a whole, contributing to Supreme Clientele's unified sound

Ghostface wasted little time in recording his next album, the heavily R&B-influenced Bulletproof Wallets, released a year after Supreme Clientele. Its feature single, Never Be the Same Again, featured Carl Thomas and Raekwon. He had another minor club hit with Flowers, which featured guest vocals from fellow Wu-Tang members Method Man and Raekwon, and a popular single Ghost Showers which featured Madame Majestic, who also sung on the popular Wu-Tang track Gravel Pit. It was well received, but never really matched its predecessor in popularity or renown.

Def Jam[link]

In 2003, Ghostface signed with Def Jam Records. After temporarily dropping "Killah" from his stage name, Ghostface released The Pretty Toney Album in April 2004. The album, while containing two RZA productions, featured none of the Clan; instead, it featured collaborations with Missy Elliott, D-Block and Jacki-O. The singles "Tush" and "Run", the collaborations with Missy and Jadakiss respectively, achieved moderate success in the clubs and charts, and the album was featured on numerous "best of the year" lists, including number nine on Pitchfork Media's.^[10] Ghostface also appeared on the track "On My Knees" by UK R&B group The 411, which became a hit in the UK and Australia, and released an album titled 718 (after the Staten Island area code) with a group of his protégés, the Theodore Unit. Ghostface also appeared on "He Comes" by De La Soul, on The Grind Date. In November 2005, Ghostface and Theodore Unit's breakout star Trife Da God released a joint project, Put It On The Line.

Ghost at the Virgin Festival in 2007.

Ghostface's son, Sun God, debuted and began regularly recording with his father as part of the unit.

In 2006, Ghostface teamed up with underground artist MF Doom for a still unreleased album entitled Swift & Changeable. MF Doom also produced several songs for Ghostface's 2006 album Fishscale, which was once again attributed to "Ghostface Killah". The album debuted strongly, in the #4 position on the U.S. Billboard 200 and at #2 on the R&B charts,^[11] the rapper's most auspicious chart showing since the heyday of the Wu-Tang Clan and the release of his solo debut. The album also nearly unanimously received positive reviews. Ghostface embarked on a limited-date tour of US venues in support of the album, performing several of his concerts together with most members of the Wu-Tang Clan.

He has worked with 4Cast to produce his own action figure.^[12] In December 2007 Ghostface appeared on Spinner.com's comedy show The DL^[13] to do a holiday commercial for his action figure.^[14]

On December 4, 2007, Ghostface released his seventh solo studio album, The Big Doe Rehab.

In a May 2008 interview, Ghostface Killah stated that he would make an R&B-inspired album in the vein of tracks he had done before with artists such as Ne-Yo and Jodeci.^[15][16] That album would become his eighth studio album Ghostdini: Wizard of Poetry in Emerald City to good reviews. It featured singles such as "Baby" and "Do Over". In March 2009, Ghostface also recorded a song called "Message from Ghostface" dedicated to women who were abused in relationships after the Rihanna/ Chris Brown controversy.

Raekwon, in a May 2009 interview with Rolling Stone indicated that Ghostface Killah is preparing to release a new album. In response to a question asking if the Wu-Tang Clan are going to release a follow up to 8 Diagrams, Raekwon stated "Everybody's doing different things right now — you got Meth [Method Man] coming out with an album, you got Ghostface coming out with an album, some guys working on their projects, some guys getting into the film world, everybody is multi-tasking right now."^[17] Ghostface appeared on a total of 8 songs on Raekwon's highly anticipated release of Only Built 4 Cuban Linx... Pt. II.

Shortly after the release of Only Built 4 Cuban Linx... Pt. II, Def Jam contracted Raekwon to work with their label artists Method Man and Ghostface Killah on an album later titled Wu-Massacre. Production began in November 2009. Wu-Massacre was released March 30, 2010 to generally positive reviews from most music critics with some mixed criticism due to the album's rushed feel clocking in at a mere 30 minutes of music. With heavy promotion, it sold 37,900 units in its first week. It has sold 64,000 units as of May 12, 2010. It features production from Scram Jones, Mathematics, and the RZA who produced the album's lead single, "Our Dreams". Recently he confirmed that he will be releasing 3 studio albums with the first one out near December called Apollo Kids, the second called Blue & Cream and finally he will be releasing a sequel to his 2000 album Supreme Clientele.^[18] He recently confirmed a collabo album with D-Block member Sheek Louch as well called Wu-Block.^[19] In 2011, Ghostface Killah featured on UK artist Josh Osho's debut single 'Redemption Days'.

Controversy[link]

In July 2011, Coles was sued by Jack Urbont for copyright violation, stemming from the improper use of Urbont's 1960's Iron Man theme song. Urbont has also taken issue with Coles' appropriation of the Iron Man brand name.^[20]

In August 2011, Coles filed a lawsuit against Universal Music for unpaid royalties.^[21]

Aliases[link]

Ghostface Killah, like most members of the Wu-Tang clan, rapped under several personae, each with their own name, mythology and influences. Some recurring aliases:

• Ghostface Killah (occasionally spelled Ghostface Killer, Ghost Face Killah, or abbreviated GFK)

• Ghostface

His shortened stage name during The Pretty Toney Album era.^[22][23]

• Ghost Deini^[24] alternately Ghostdini

• Ironman, Tony Starks, or just Starks

Ghostface has frequently assumed the names of both Ironman and Tony Starks, a reference to the Marvel Comics character Iron Man and his true identity, billionaire industrialist Tony Stark (note the variant spellings). He released a 1996 album titled Ironman. His song, "Slept On Tony With Dirt," appears in the 2008 film, and he even appears in a deleted scene on the DVD.^[25]

• Starky Love^[26]
• Pretty Toney, P Tone^[27]

• The Wally Champ, The Wallabee Kingpin^[28]

Discography[link]