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A short film is any film not long enough to be considered a feature film. No consensus exists as to where that boundary is drawn: the Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits".^[1] The term featurette originally applied to a film longer than a short subject, but shorter than a standard feature film.

The increasingly rare term short subject means approximately the same thing. An industry term, it carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short is an abbreviation for either term. Short films can be professional or amateur productions. Short films are often screened at local, national, or international film festivals. Short films are often made by independent filmmakers for non profit, either with a low budget, no budget at all, and in rare cases big budgets. Short films are usually funded by film grants, non profit organizations, sponsor, or out of pocket funds. These films are used by indy filmmakers to prove their talent in order to gain funding for future films from private investors, entertainment companies, or film studios. Short films do qualify for Academy Awards if screened in Los Angeles.

History[link]

William Garwood starred in numerous short films, many of which were only 20 minutes in length

Longer films and shorter films coexisted with similar popularity throughout the early days of film. However, comedy short films were produced in large numbers compared to lengthy features such as D.W. Griffith's, "Birth of Nation" . By the 1920s, a ticket purchased a varied program including a feature and several supporting works from categories such as second feature, short comedy, 5–10 minute cartoon, and newsreel.

Short comedies were especially popular, and typically came in a serial or series (such as the Our Gang movies, or the many outings of Charlie Chaplin's Little Tramp character). Even though there was often no set release schedule, these series could be considered somewhat like a modern TV sitcom – lower in status than feature films but nevertheless very popular (comedians such as Laurel and Hardy, Charlie Chaplin and Buster Keaton all 'graduated' from shorts to features).

Animated cartoons came principally as short subjects, as did newsreels. Virtually all major film production companies had units assigned to develop and produce shorts, and many companies, especially in the silent and very early sound era, produced mostly or only short subjects.

In the 1930s, the distribution system changed in many countries owing to the Great Depression. Instead of the cinema owner assembling a program of their own choice, the studios sold a package centered on a main and supporting feature, a cartoon and little else. With the rise of the double feature as a cinema programming format, 2-reel shorts went into decline as a commercial category. Hal Roach, for example, moved Laurel and Hardy full-time into feature films after 1935, and halved his popular Our Gang films to one reel. By the 1940s, he'd moved out of short films altogether (though MGM continued the Our Gang shorts until 1944).

Later shorts include George O'Hanlon's Joe McDoakes movies, and the animated work of studios such as Walt Disney Productions, Leon Schlesinger Productions/Warner Bros. Cartoons, Walter Lantz and Fleischer / Famous Studios. By the mid 1950s, with the rise of television, the commercial live-action short was virtually dead, The Three Stooges being the last major series of 2-reelers, ending in 1959. Short films had become a medium for student, independent and specialty work.

Cartoon shorts had a longer life, due in part to the implementation of lower-cost limited animation techniques, but also declined in this period. Warner Bros., one of the most prolific of the golden era, shut down its studio permanently in 1969. Woody Woodpecker was the last of the "golden era" cartoons to end, shutting down in 1972. The Pink Panther was the last regular theatrical cartoon short series, having begun in 1964 (and thus having spent its entire existence in the limited animation era) and ended in 1980. By the 1960s, the market for animated shorts had largely shifted to television, and even the existing theatrical shorts were being secondarily syndicated to television stations.

Modern era[link]

A few animated shorts continue within mainstream commercial distribution. For instance, Pixar has screened a short along each of its feature films during its initial theatrical run since 1995 (producing shorts permanently since 2001).^[2] Since Disney acquired Pixar in 2005, Disney has also produced animated shorts since 2007 with the Goofy short How to Hook Up Your Home Theater and produced a series of live action ones featuring The Muppets for viewing on YouTube as viral videos to promote the 2011 movie of the same name.

Dreamworks Animation often produces a short sequel to include in the special edition video releases of major features, and are typically of a sufficient length to be broadcast as a TV special. Warner Brothers often includes old animated shorts from its considerable library, connected only thematically, on the DVD releases of classic WB movies.

Shorts International and Magnolia Pictures organize an annual release of Academy Award nominated short films in theatres across the US, UK, Canada and Mexico throughout February / March.

Shorts are occasionally broadcast as filler when a feature film or other work doesn't fit the standard broadcast schedule. ShortsTV was the first television channel dedicated to short films.

However, short films generally rely on festival exhibition to reach an audience. Such movies can also be distributed via the Internet. Certain websites which encourage the submission of user-created short films, such as YouTube and Vimeo^[3] have attracted large communities of artists and viewers. Sites like FILMSshort and the BBC Film Network focus on showcasing curated shorts.

Short films are a typical first stage for new professional filmmakers. But professional actors and crews still choose to create short films as alternative form of expression. Short film making is growing in popularity as equipment becomes cheaper and more amateurs are making movies. "Prosumer" or semi-professional cameras now cost under USD$3,000, and free or low-cost software is widely available that is capable of video editing, post-production work and DVD authoring.

Tropfest is the world's largest short film festival and is generally regarded as one of the most prestigious. Tropfests now take place in Australia (its birthplace), Arabia, the US and elsewhere. Originating in 1993, Tropfest is often credited as being at least partially responsible for the recent popularity of short films internationally.

Short shorts[link]

Short short films are sometimes considered as a category of their own. The International Festival of Very Shorts is a festival based in Paris, which shows only movies less than three minutes long. Filminute, the international one-minute film festival, has presented and promoted a collection of one-minute films across multiple media since September 2006.

See also[link]

• List of animated short series
• List of independent short films
• List of short live-action films
• List of short subjects by Hollywood studio
• Movieola: The Short Film Channel
• The Journal of Short Film
• Tropfest

References[link]

External links[link]

• VideoGp.Net | The Video Graphics Portal
• pabarabanum.com
• FILMSshort.com | The Greatest Short Films
• Platform for media students to produce their own short-films, documentaries
• Short Films at the Open Directory Project
• British Film Institute: "Writing Short Films" by Phil Parker screenonline, website of the British Film Institute

Dan Trachtenberg
On location, shooting The Totally Rad Show
Born	(1981-05-11) May 11, 1981 (age 31)
Occupation	Podcast host, director, writer
Website
http://dantrachtenberg.com/

Dan Trachtenberg is a filmmaker and video podcast host from the Philadelphia suburbs who currently resides in the Los Angeles metro area. He is one of the three hosts of The Totally Rad Show and a former co-host of Geekdrome. Both programs are hosted at Revision3. In addition to working on Internet shows, Trachtenberg is the writer/director of the 2003 short film Kickin' and the director of various television commercials and public service announcements.

Directing[link]

Trachtenberg has directed commercials for Lexus, Nike, and Coca Cola. In April, 2008, he joined Tight Films,^[1] for which he collaborated with Matt Wolf on an alternate reality game for Hellboy II: The Golden Army."

He directed the internet show, "Ctrl+Alt+Chicken."

On August 23, 2011, Trachtenberg released the short film, Portal: No Escape.^[2] Based on the video game, Portal, the film drew more than one million views within its first day on YouTube.^{[citation needed]} Within two months, the number of viewers surpassed six million.^{[citation needed]}

On October 13, 2011, slashfilm.com announced that Trachtenberg would be directing a science fiction action heist film for Universal Pictures and writer Chris Morgan (Wanted, Fast Five, 47 Ronin).^[3]

References[link]

External links[link]

• Official website
• Dan Trachtenberg at the Internet Movie Database

This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (May 2010)

Ien Chi (Born June 1, 1991) is a Korean American filmmaker. He is the director of the short film "Tick Tock" which won the Best Picture and Best Director awards at Campus MovieFest 2011 - the world's largest student film festival.^[1] It is currently the most viewed and highest rated film of Campus MovieFest of all time.^[2] The film went viral and collectively has approximately 1.7 million views online and has been featured on Gizmodo and The Guardian among other places.^[3][4] He is the winner of the 2010 Emory Arts Competition and of several film festivals.^[5] In 2010, his film "Wake" won Best Drama at the Emory division Campus MovieFest festival and screened at the Southern Regional Grand Finale.^[6] His 2009 film "Crippled" won the Trinity Grammar School International Film Competition and competed in the Korean American Film Festival New York alongside an Academy Award winning short documentary "The Last Mermaids." ^[7][8] He is also the winner of the George Lindsey UNA Film Festival Young Filmmaker Golden Lion Award, George Lindsey UNA Film Festival Best Story Jury Honor, and Crossroads Film Festival Adam Forth Youth Filmmaking Award.^[9][10]

References[link]

External links[link]

• official website
• imdb page
• youtube channel
• "Crippled" film
• "Tick Tock" film

This article's factual accuracy may be compromised due to out-of-date information. Please help improve the article by updating it. There may be additional information on the talk page. (March 2012)

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Guillermo del Toro
Guillermo del Toro in September 2011.
Born	Guillermo del Toro (1964-10-09) October 9, 1964 (age 47) Guadalajara, Jalisco, Mexico
Residence	Agoura Hills, California, United States
Nationality	Mexican
Occupation	Director, producer, screenwriter
Years active	1984–present
Spouse	Lorenza Newton (?-present)

Guillermo del Toro (Spanish pronunciation: [ɡiˈʎermo ðel ˈtoɾo]; born October 9, 1964) is a Mexican director, producer, screenwriter, novelist and designer. He is mostly known for his acclaimed films, Blade II, Pan's Labyrinth and the Hellboy film franchise. He is a frequent collaborator with Ron Perlman, Federico Luppi and Doug Jones. His films draw heavily on sources as diverse as weird fiction, fantasy and war.

Early life[link]

Del Toro was born in Guadalajara, Jalisco, Mexico. He was raised in a strict Catholic household.^[1] Del Toro studied at the Centro de Investigación y Estudios Cinematográficos, in Guadalajara.^[2] He first got involved in filmmaking when he was about eight years old and studied special effects and make-up with SFX artist Dick Smith.^[3] Del Toro participated in the cult series La Hora Marcada with other renowned Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.

He spent ten years as a special effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later on in his directing career, he formed his own production company, the Tequila Gang.

In 1998, at the age of 34, Guillermo was given a $30 million budget from Miramax studios to shoot his second film, Mimic. During this time, his father, automotive entrepreneur Federico del Toro, was kidnapped in Guadalajara, Mexico. Although Federico was eventually released safely, there was intense economic pressure from his captors, to the point that del Toro's family had to pay twice the amount originally asked. The event prompted Del Toro, his parents and his siblings to move abroad. In an interview with Time magazine, he said this about the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile [from my country]."^[4][5]

Career[link]

Guillermo del Toro has directed a wide variety of films, from action hero comic book adaptations (Blade II, Hellboy and Hellboy II: The Golden Army) to historical fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, El Espinazo Del Diablo (The Devil's Backbone) and El Laberinto Del Fauno (Pan's Labyrinth), are among his most critically acclaimed works. They share similar settings, protagonists (young children), and themes (including the relationship between fantasy/horror and the struggle to live under authoritarian or dictatorial rule) with the 1973 Spanish film The Spirit of the Beehive, widely considered to be the finest Spanish film of the 1970s.^[6]

Del Toro views the horror genre as inherently political, explaining, "Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don't wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment."^[5]

He is close friends with two other prominent and critically praised Mexican filmmakers, Alfonso Cuarón and Alejandro González Iñárritu.^[7] The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth. After Blade II, Del Toro turned down many directing jobs for other films to do some of his other projects, he turned down directing jobs for Blade: Trinity and Resident Evil: Apocalypse to write/direct Hellboy. He also turned down The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe to do Pan's Labyrinth, for which he also received a Nebula Award for Best Script. He also turned down Resident Evil: Extinction, Harry Potter and the Order of the Phoenix, and Halo to do Hellboy II: The Golden Army. ^[8]

Del Toro has also contributed to the web series Trailers From Hell.^[9]

On December 9, 2010, Guillermo del Toro launched Mirada with partners Guillermo Navarro (his long-time cinematographer), director Mathew Cullen and Executive Producer Javier Jimenez. Mirada was formed in Los Angeles, CA to be a collaborative space where they and other filmmakers can work with Mirada’s artists to create and produce projects that span digital production and content for film, television, advertising, interactive and other media. Mirada launched as a sister company to production company Motion Theory.^[10]

Future projects[link]

In April 2008, Del Toro was hired to direct the live action film adaptation of The Hobbit. On May 30, 2010, Del Toro stepped down from the project due to an extended delay brought on by MGM's financial troubles. Although he removed himself from directing the film, he continued co-writing the screenplays.^[11]

Del Toro is scheduled to direct four films for Universal; Frankenstein; a remake of Slaughterhouse-Five; and Drood, an adaptation of a Dan Simmons novel published in February 2009.^[12] Drood was expected to be his first project after the two films set in Middle-earth. These projects would have filled up his schedule until 2017.^[13] Part of the Universal deal entails continuing research and development for the creatures in At the Mountains of Madness.^[14] In June 2009, Del Toro said he would only direct Frankenstein .^[15] Del Toro is also in the early stages of development of Saturn and the End of Days.^[16]

Del Toro said his Frankenstein would be a faithful "Miltonian tragedy", citing Frank Darabont's "near perfect" script, which evolved into Kenneth Branagh's Frankenstein.^[17] Del Toro said of his vision, "What I’m trying to do is take the myth and do something with it, but combining elements of Frankenstein and Bride of Frankenstein without making it just a classical myth of the monster. The best moments in my mind of Frankenstein, of the novel, are yet to be filmed [...] The only guy that has ever nailed for me the emptiness, not the tragic, not the Miltonian dimension of the monster, but the emptiness is Christopher Lee in the Hammer films, where he really looks like something obscenely alive. Boris Karloff has the tragedy element nailed down but there are so many versions, including that great screenplay by Frank Darabont that was ultimately not really filmed."^[18] He has also cited Bernie Wrightson's illustrations as inspiration, and said the film will not focus on the monster's creation, but be an adventure film featuring the character.^[19] Del Toro said he would like Wrightson to design his version of the creature. The film will also focus on the religious aspects of Shelley's tale.^[20] Del Toro has stated that production on Frankenstein most likely will not begin for at least four years.^[21] Despite this, he has already cast frequent collaborator Doug Jones in the role of Frankenstein's monster. In an interview with Sci Fi Wire, Jones stated that he learned of the news the same day as everybody else; that "Guillermo did say to the press that he’s already cast me as his monster, but we’ve yet to talk about it. But in his mind, if that’s what he’s decided, then it's done ... It would be a dream come true."^[22] The film will be a period piece.^[23]

He has also expressed interest in video games after the Hobbit project, and hopes to be able to create a "Citizen Kane of games."^[24] In an MTV News interview in late July 2010, he further clarified that his video game ambitions were a reality, stating that: "One of the things we're announcing in the next few weeks is a big deal with a big company. We're going to do games that are going to be technically and narratively very interesting. It's not a development deal. We're going to do it. We're doing them. And we're going to announce it soon enough."^[25]

As of September 11, 2009 it has been made known that Guillermo del Toro has signed on with The Walt Disney Company to create a new label known as Disney Double Dare You. This new label will seek to create family friendly, all-ages animated projects that still manage to thrill and frighten.^[26] But as of 2012 it is not known if he's still involved with Disney as he currently moved on to DreamWorks Animation since 2010.

In June 2010 news came that Del Toro would be writing and producing a brand new take on the story of Van Helsing. There is no word yet on if he will direct or not.^[27]

At Comic Con 2010, del Toro made the surprise announcement that he will co-write, produce, and likely direct a 3D remake of The Haunted Mansion for Disney. Del Toro says the film will stray away from the comedic nature of the 2003 film and will revolve around the Hatbox Ghost from the ride.^[28]

On 28 July 2010 it was announced that he would direct At the Mountains of Madness by H. P. Lovecraft for Universal Pictures, with James Cameron as producer. The movie was originally set up as a project at DreamWorks in 2004.^[29] Just a month earlier, del Toro said that the Lovecraft adaptation probably wouldn't happen at all; "It doesn't look like I can do it. It's very difficult for the studios to take the step of doing a period-set, R-rated, tentpole movie with a tough ending and no love story. Lovecraft has a readership as big as any best-seller, but it's tough to quantify because his works are in the public domain." Not long after, he was approached by Cameron who asked him if he still wanted to do the movie. When del Toro confirmed he did, Cameron said “Let’s do it.” Both of them put forward the idea for Universal, which then greenlighted it.^[30] Earlier the same year, del Toro also asked S. T. Joshi if he wanted to be a consultant if and when the movie got into motion.^[31] It was rumored that del Toro was approached to direct the new Godzilla movie produced by Legendary Pictures, which he later denied.

Mountains of Madness did not receive the greenlight by Universal Studios, so del Toro's next directorial effort will be the giant monster film Pacific Rim, based on a screenplay by Travis Beacham, which was mistakenly rumored to be the basis for Legendary Pictures' Godzilla reboot, which del Toro was rumored to have been was approached to direct but later denied. Del Toro described the monsters in the film to be "Huge". The film involves giant monsters traveling through a vortex in the pacific rim where they attack major cities and humans must battle them by using mecha suits called Jaegers. He comments,"This is my most un-modest film, this has everything. The scale is enormous and I'm just a big kid having fun."^[32]

Guillermo del Toro has also acquired the rights to produce the movie adaption of David Moody's novel "Hater"

On 18th August 2011 it was announced del Toro is going to be developing a new film version of Beauty and the Beast, with Emma Watson in mind to star. Crazy, Stupid, Love producer Denise Di Novi confirmed the filmmaker’s involvement, and said that she would be co-producing the movie with him.^[33]

On June 2, 2009 Del Toro released his debut novel, The Strain, which he co-authored with Chuck Hogan. It is the first part of a vampire trilogy. The second part, The Fall, was released on Sept. 21, 2010, co-authored by Chuck Hogan as well. October of 2011 the last novel of the trilogy was released, Night Eternal with a possible future series release or movie for the trilogy.

At the 2010 Spike Video Game Awards, Del Toro announced that he is working on his first video game titled Insane, which is planned for release in 2013.

Del Toro also wants to direct a segment for an upcoming Heavy Metal 3.

On 21st September 2010, del Toro announced that he wanted to direct new adaptations of the Stephen King novels It and Pet Sematary, but stated that he is very busy and unlikely to be able to make the films any time soon.^[34]

Personal life[link]

Guillermo del Toro is married to his high school sweetheart Lorenza Newton, cousin of Mexican singer Guadalupe Pineda. He fell in love with Lorenza when both were studying at the Guadalajara School of Sciences. He currently lives in Agoura Hills, California with his wife and two daughters, Mariana and Marisa.^[4] In addition to home in which he lives with his family, he owns a separate house exclusively to house his books, posters artwork and other belongings pertaining to his work, explaining, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7."^[5]

In a 2007 interview, del Toro described his political position as "a little too liberal". He pointed out that the villains in most of his films, such as the industrialist in Cronos, the Nazis in Hellboy, and the Francoists in Pan's Labyrinth, are united by the common attribute of authoritarianism. "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalised social, religious, or economic holding."^[35]

In 2009, in an interview with Charlie Rose, del Toro described his Roman Catholic upbringing as excessively "morbid," saying "I mercifully lapsed as a Catholic, I say, but as Buñuel used to say, "I'm an atheist, thank God." Though insisting he's spiritually "not with Buñuel" and that "once a Catholic, always a Catholic, in a way," he followed by saying, "I believe in man. I believe in mankind, as the worst and the best that has happened to this world."^[36] He has also responded to the observation that he views his art as his religion by saying, "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously."^[5]

In a Q&A, del Toro said that he was a fan of first-person shooter video games, citing games like Half-Life, Call of Duty and BioShock and stating that "video games are the comic books of our time... It's a medium that gains no respect among the intelligentsia".^[37] However, del Toro has stated that there are only two games he considers to be true masterpieces: Ico and Shadow of the Colossus.^[38]

Filmography[link]

Awards and nominations[link]

See also[link]

• Cha Cha Cha Films

References[link]

External links[link]

Wikimedia Commons has media related to: Guillermo del Toro

Wikiquote has a collection of quotations related to: Guillermo del Toro

• DelToroFilms.com – Guillermo del Toro's official message board
• Guillermo del Toro at the Internet Movie Database
• Guillermo del Toro at AllRovi
• Del Toro Webcast on BAFTA.org
• Premiere Magazine: Inside Del Toro's Sketchbook

Flying Lotus
Background information
Also known as	Flying Lotus FlyLo Juno Leed
Born	(1983-10-07) October 7, 1983 (age 28)
Origin	Los Angeles, California United States
Genres	Electronic, experimental
Occupations	Musician Record Producer Filmmaker Record Label Owner
Instruments	Computer, Turntables, Sampler, Drum Machine, Synthesizer, Keyboards, Multi-instrumentalist
Years active	2000–present
Labels	Warp, Brainfeeder, Plug Research
Associated acts	Thundercat FLYamSAM Alice Coltrane Ravi Coltrane Thom Yorke Laura Darlington Gonjasufi
Website	flying-lotus.com, brainfeedersite.com
Notable instruments
Reason Ableton Live

Flying Lotus (born Steven Ellison) is an experimental multi-genre music producer from Winnetka, California. His debut album, 1983, was released on Plug Research Records in 2006.^[1] He produced much of the bumper music on Cartoon Network's Adult Swim programming block,^[2] for which he is uncredited, and he also contributed remixes for fellow Plug Research artists including Mia Doi Todd. He is often referred to as FlyLo by fans and critics. His grandmother was songwriter Marilyn McLeod. He is the great-nephew of the late Alice Coltrane, whose husband was John Coltrane. He is also the cousin of musician Ravi Coltrane.^[3]

Music career[link]

In 2007, he announced that he signed with Warp Records.^[4] Following his Warp debut, the six-track Reset EP, he quickly became one of the label’s cornerstone artists and released his second album, titled Los Angeles, on June 10, 2008. In 2008, Flying Lotus also remixed "Reckoner" from Radiohead's album In Rainbows.^[5] His third album, Cosmogramma, was released on May 3, 2010, in the UK and May 4, 2010, in the US.^[6] In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards.^[7]

Recently, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic.^[8] In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curates in December 2011 in Minehead, England.^[9]

In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category.^[10] Flying Lotus will be collaborating with R&B singer Erykah Badu on new material for her next album.^[11] In August 2011, Flying Lotus announced a multimedia project with filmmaker Miwa Matreyek, which is to be titled The Mapping of Countries Yet to Come.^[12] It is currently rumored that Flying Lotus plans to remix one of Radiohead's songs from The King of Limbs.^[13]

Discography[link]

Demos[link]

• 2005: July Heat

Note: Various unofficial Flying Lotus demos leaked by fans are sometimes mistaken as official Flying Lotus releases, such as "Raw Cartoons."^[14]

Albums[link]