- published: 06 Aug 2009
- views: 31345
- author: dcaligari
2:49
Don Juan Seduction
"Don Juan," starring John Barrymore premiered in New York on August 6, 1926 - Warner Broth...
published: 06 Aug 2009
author: dcaligari
Don Juan Seduction
"Don Juan," starring John Barrymore premiered in New York on August 6, 1926 - Warner Brothers premiered its Vitaphone system. (The film was the first feature-length film with synchronized Vitaphone sound effects and musical soundtrack, though it has no spoken dialogue.)
- published: 06 Aug 2009
- views: 31345
- author: dcaligari
7:02
DON JUAN (1926)
Más información: www.cinefania.com John Barrymore no era Douglas Fairbanks, pero vean como...
published: 05 Aug 2010
author: cinefania
DON JUAN (1926)
Más información: www.cinefania.com John Barrymore no era Douglas Fairbanks, pero vean como se defiende con el florete en esta emocionante pelea del film DON JUAN, hito del cine sonoro un año antes de que Asa Yoelson cantara a su madre... (Warner Brothers)
- published: 05 Aug 2010
- views: 11455
- author: cinefania
2:57
DON JUAN (Preview Clip)
Journey back in time to the star-studded (John Barrymore, Mary Astor, Myrna Loy, Warner Ol...
published: 05 Mar 2011
author: warnerarchive
DON JUAN (Preview Clip)
Journey back in time to the star-studded (John Barrymore, Mary Astor, Myrna Loy, Warner Oland) premiere of the historical romance DON JUAN and re-live the exact program as seen on opening night! Not only does this one-of-a-kind disc have the full feature with the same Vitaphone synchronized sound effects and music as it was seen in 1926, but includes all the original shorts shown that night to introduce the brand-new Vitaphone process! This includes an introductory speech by Will B. Hays followed by performances featuring the New York Philharmonic, Mischa Elman, Roy Smeck, Marion Talley, Efrem Zimbalist & Harold Bauer, Giovanni Martinelli, and Anna Case.
- published: 05 Mar 2011
- views: 2176
- author: warnerarchive
3:44
Mary Astor on the rack in Don Juan
Here's a golden oldie for you...one of movie history's earliest known torture rack sequenc...
published: 05 Dec 2011
author: ralphus44
Mary Astor on the rack in Don Juan
Here's a golden oldie for you...one of movie history's earliest known torture rack sequences from the 1926 silent film Don Juan. Yes, the theme of damsels in distress has been around a long time. Mary Astor was only 20 years old when this was made. From the Torture Rack Scenes Database at ralphus.net
- published: 05 Dec 2011
- views: 9479
- author: ralphus44
1:48
Serenade opera Don JUAN WA Mozart VTS 01 1
Serenade opera Don JUAN WA Mozart Joseph Schwarz - baryton Recording from Book FONOGRAFIA....
published: 25 Aug 2009
author: adam , jan Mańczak
Serenade opera Don JUAN WA Mozart VTS 01 1
Serenade opera Don JUAN WA Mozart Joseph Schwarz - baryton Recording from Book FONOGRAFIA....Author Adam Mańczak No. EAN 9788392347903 Joseph Schwarz born RIGA ,Latvia / 1880 -1926 /
- published: 25 Aug 2009
- views: 1077
- author: adam , jan Mańczak
3:31
ANTHONY NEWLEY - "Me Without You" 1972
This beautiful song, written by Anthony Newley, was released on his album "Ain't It Funny ...
published: 01 Apr 2012
author: polyesterpootang
ANTHONY NEWLEY - "Me Without You" 1972
This beautiful song, written by Anthony Newley, was released on his album "Ain't It Funny " 1972, and shows again his marvelous ability to invent magic melodies AND lyrics! Biographers and contemporary witnesses tell, that Anthony Newley was a huge fan of women, very much attracted by them ! And women loved him too! You can feel his affinity to and for women in his whole work, also his permanent longing for true love and his fear of loneliness, imbedded in a tendency of self-destruction! That all was a main source of his inspiration! He was a master of writing the most beautiful and intimate love songs ever. "....I am lost without you - and love..." In my opinion he was a driven, torn man. A Don Juan of his days, haunted by his own ghosts. In his autobiographical, x-rated movie "Can Heironymus Merkin ever forget Mercy Humppe and find true happiness ?" (1969) he worked out his problematic addiction to (young) women. Therefore I framed my video with clips from "Don Juan" (1926, Alan Crosland), starring the wonderful John Barrymore (also one of my favorite actors !) and a bit "Merkin". Don Juan - "Lust is the only swindle I wish permanence!" This restless lust for life, selfdefined by having permanently (love) affairs, has its origin in helplessness against decay & death. Don Juan escapes - from women, responsibility, true feelings, death and from himself ! Don Juan (in myth and psychology) is a very complex, interesting character, like Anthony Newley. Other famous real life ...
- published: 01 Apr 2012
- views: 651
- author: polyesterpootang
4:31
Don Juan with John Barrymore
Young Don sees his mother run off, his father murdered....
published: 14 Dec 2010
author: Edward Boensnes
Don Juan with John Barrymore
Young Don sees his mother run off, his father murdered.
- published: 14 Dec 2010
- views: 1298
- author: Edward Boensnes
1:56
DON JUAN TENORIO.mp4
FRAGMENTOS DE LA PELÍCULA ESPAÑOLA "DON JUAN TENORIO" (1926) DIRECCIÓN: RICARDO DE BAÑOS A...
published: 12 Dec 2011
author: VILLALBAFILMS
DON JUAN TENORIO.mp4
FRAGMENTOS DE LA PELÍCULA ESPAÑOLA "DON JUAN TENORIO" (1926) DIRECCIÓN: RICARDO DE BAÑOS ACTORES PRINCIPALES:INOCENCIA ALCUBIERRE Y FORTUNIO BONANOVA
- published: 12 Dec 2011
- views: 2025
- author: VILLALBAFILMS
3:00
The Wisdom of John Barrymore
John Sidney Blyth Barrymore (February 15, 1882 -- May 29, 1942) was an American actor. He ...
published: 13 Jun 2010
author: wileystudios
The Wisdom of John Barrymore
John Sidney Blyth Barrymore (February 15, 1882 -- May 29, 1942) was an American actor. He first gained fame as a stage actor in light comedy, then high drama and culminating in groundbreaking portrayals in Shakespearean plays Hamlet and Richard III. His success continued with motion pictures in various genres in both the silent and sound eras. Barrymore's personal life has been the subject of much writing before and since his passing in 1942. Today John Barrymore is mostly known for his roles in movies like Grand Hotel (1932), Dinner at Eight (1933), Twentieth Century (1934), and Don Juan (1926), the first ever movie to use a Vitaphone soundtrack.
- published: 13 Jun 2010
- views: 1934
- author: wileystudios
14:58
Bruno Walter "Don Juan" Richard Strauss
Don Juan, op. 20 Tone-poem after Nikolaus Lenau by Richard Strauss (1864-1949) Royal Philh...
published: 01 Feb 2011
author: Addiobelpassato
Bruno Walter "Don Juan" Richard Strauss
Don Juan, op. 20 Tone-poem after Nikolaus Lenau by Richard Strauss (1864-1949) Royal Philharmonic Orchestra Bruno Walter, conductor London 1926
- published: 01 Feb 2011
- views: 809
- author: Addiobelpassato
4:40
don juan, departe de todos.
...
published: 01 Dec 2011
author: carranzamarina1
don juan, departe de todos.
- published: 01 Dec 2011
- views: 15
- author: carranzamarina1
14:36
Great Pianists' Technique: Double Notes
A collection of some memorable moments in double-notes playing. Of course the collection d...
published: 04 Aug 2011
author: StockhausenIsMyCat
Great Pianists' Technique: Double Notes
A collection of some memorable moments in double-notes playing. Of course the collection does not strive for completeness. 1) Saint-Saens Etude en forme de Valse op.52-6, Cortot (1919) 2) Chopin Berceuse, Hofmann (1918) 00:38; 3) Chopin-Hofmann Waltz op.64 No.1, Hofmann (1938 Casimir Hall Live) 01:19; The picture is actually Rosenthal's study in double thirds on the same waltz...just to give an idea. 4) Henselt Si oiseau j'etais, Rachmaninov (1923) 01:57; 5) Liszt Feux-Follets, Richter (Moscow 1958 Live) 02:33; 6) Carl Maria von Weber Sonata No.3 Finale, Richter (Moscow 1954 Live) 03:39; 7) Chopin Ballade No.2, Richter (Moscow 1950 Live) 04:01; (Richter's fury in pressing the pedal is as impressive as his double-note technique here!) 8) Chopin Ballade No.4, Richter (Prague 1960 Live) 04:41; 9) Liszt-Busoni Figaro fantasy, Gilels (1935) 05:17; 10) Brahms Paganini Vars 1&2 from book 1, Michelangeli (1949) 06:28; 11) Brahms Paganini Vars 1 from book 2, Michelangeli (1949) 07:22; 12) Schumann Toccata, Barere (1936) 07:52; 13) Chopin Etude op.10 No.7, Friedman (1926) 08:35; 14) Chopin Etude op.25 No.6, Lhevinne (1934) 09:20; 15) Bizet/Horowitz Carmen Variations (1947) 10:05; 16) Brahms Handel Var. XIV, Petri (1940) 10:40; 17) Brahms Sonata No.1 Finale, Katchen (1964) 11:16; 18) Brahms Sonata No.1 Finale, Zimerman (1980) 12:23; And to conclude the most terrifying of all double notes... the chromatic thirds from the Don Juan: 19) Liszt Reminiscences de Don Juan, Barere (1936) 13 ...
- published: 04 Aug 2011
- views: 20569
- author: StockhausenIsMyCat
Vimeo results:
0:33
AXN Time Out
Once again our friends from AXN LatinAmerica called us to do a piece to promote their Sund...
published: 27 Jul 2012
author: Plenty
AXN Time Out
Once again our friends from AXN LatinAmerica called us to do a piece to promote their Sunday maraton featuring a different primetime shows each week. Under the name of "Time Out", the main idea was to warn the viewers to supply with provisions and get ready to sit in the livingroom and watch 4 hours their favorite tv show! Now that you know this, press play to the video and prepare yourself! Don't miss the project making of!
Directed by: Plenty
Art Director: Pablo Alfieri
Animation Director: Mariano Farias
---
Graphic Design: Pablo Alfieri
Illustration: Elda Broglio
Storyboard: Elda Broglio & Mariano Farias
2D Transitions: Yesica Pogorzelsky
3D Modeling & textures:Daniel Bel & Leandro Giorni
3D Rendering & Lighting: Daniel Bel
3D Animation: Daniel Bel & Leandro Giorni
2D Animation: Hernán Estevez
Compositing & Postproduction: Sebastian Curi & Pablo Alfieri
Montage & Edition: Mariano Farias
Audio: Juan Tortarolo
SFX:Luciano "Cacha" Perez
Production: Inés Palmas
Year: 2012
Client: Sony Pictures Television Latin America
Production Manager: Sergio Moreno
Creative Producer: Marisabel Torres
3:10
Grow up!
Algunos momentos, al final del día, en el WP.
Music:
"I Don't Wanna Grow Up" - Ramones...
published: 16 Jun 2010
author: Juan Rayos
Grow up!
Algunos momentos, al final del día, en el WP.
Music:
"I Don't Wanna Grow Up" - Ramones
1:14
Absolute Body Control
Epopoeia of the Food and Drink of the United States (A Dream in Hell)
1
Beautiful like a ...
published: 08 Sep 2010
author: soonaspossible
Absolute Body Control
Epopoeia of the Food and Drink of the United States (A Dream in Hell)
1
Beautiful like a baby calf is the song of chicken fried with batter,
the long red and white picnic tablecloth is finer than the finest lady’s legs, the finest thing there is to embark upon a heaping bowl of coleslaw,
shrimp from the gulf coast are delicious, gushing with wine as if feeling,
like honey mussels, in Redmond or Olympia, harvested by fishwives, in the seaweed,
and the glory of banjos in Baton Rouge, their juices course through them like
ageless autumn lemons,
like mom's fragrant pot pie, chocked full of juicy stew, widens the gullet,
and, baked, cries out blooming peach tree blossoms.
2
What would you say to some barbecue ribs, burning hot
grilled on a charcoal fire in June on the banks of a man made lake,
pines or cedar trees that sum up the dramatic atmosphere of a
damp sunset at Lake Lanier or Stone Mountain,
or to a clam chowder, whose name is inextricably related to Manhattan or
Rhode Island or New England?
No, you hunt quail and you grill it, just like you hear honky-tonk or stars and stripes
at the feet of Mount Rushmore, and fried catfish along the Chattahoochee
where it leaps into the sacred sizzling skillet, superbly fine
river fish, makes fishing boats rich while the sisters Lee,
as if in pain, sweat what's human and divine on the grand antique family fiddle.
3
Tremendous turkeys that smell like summer, almost human, autumn shades of
walnut or chestnut, I eat them everywhere, and in D.C. I kiss them,
like the vats where barley sighs like the prettiest girl in Jersey
raising her skirt underneath the lights of the big apple, same
as the roof off of a block party with streamers and flags where we drink in red plastic cups
a substantial whiskey and beer,
or the love mattress, upon which we set sail and sighing face each other and
the night’s tremendous oceans, into whose horrible darkness,
black and tenacious flows the bloody calla lily,
or the teardrop that falls in our moths as we joyfully sing.
4
Napa Valley wine is enormous and dark in the California sunset, and when
it's in your blood, nostalgia
and the apology to heroism sing in the wheels of spurs to
the beast’s hide, dancing to the fundamental tune of backwater rapids
against the frothy red glare.
5
Nicely aged bourbon bellows in its cellars like a great sacred cow,
and St. Louis will be golden, like a rib-eye on the grill, all over
the bloodied paths towards Oklahoma, autumn's
guitar will weep like a soldier's widow,
and we'll remember everything we didn’t do and could have and
should have and wanted to, like a madman
staring down a town's abandoned well,
watching, ear shattering, the engines of youth rev down dawn's
wide gust
crumbling like memories in the abyss.
6
The saddle glows all across the Midwest, mountain range to mountain range, booming like a great combine with its 20 foot span, booming
like a cow auctioneer or a righteous pastor or tornado season,
lasso raised up against the sky
on top of a guffaw, a hyuck or a yeehaw, splashed with sun and hard work, where manure perfumes dung heaps like a domestic god, with tremendous balls like a widow.
7
A mighty log cabin with its open yard, apple trees, front porch
scented with remote antiquity,
where the bootlegger and his still would sing, drop by drop, a sense of eternity into
the water, recalling old ancestors with its tremulous pendulum,
exists, same as in Madison as in Franklin or Fairview or Springfield,
although it’s the little town of Hodgenville Kentucky that most proudly proclaims the wooden troughs or pig iron pots, wide open spaces, the Appalachians, the original wild west, civil war and emancipation, in little log cabins,
from Tennessee to Ohio, who express it proudly in tremendous language, eating ears of pigs eating ears of corn.
8
Because, if it's necessary to stuff yourself with hot dogs in a Detroit Coney before dying,
on a rainy day, blessed with a strawberry milkshake from fresh upstate dairy, and smoke, bathing in conversation, friends and the munchies, launching yourself into terrible leaps and bounds, blubbering, savoring the booming chili in spoonfuls and fries,
it's also necessary to get your meat from the Kansas City stockyards in March, when the pigs
look like televangelists and the televangelists look like swine or hippopotamus,
and wash the food down with some fiery sips from a short glass,
yes... in Dallas or Fort Worth the corn tortillas look like the local ladies: wide white waists and sleepy half moon eyes, since, ticklish and cuddly,
they turn their faces, and let themselves be kissed, unendingly on either end.
9
And the chit'lins, swimming and searing in broth and tabasco, and the cornbread that moaned in broiling bacon fat, is blessed where thunder rolls in wide whips, along the Mississippi,between one drink and the next,
but it never surpasses a gamy partridge, savored in the dry underbrush of July,
in t
1:32
San Salvador (1947)
La ciudad de San Salvador es la capital de la República de El Salvador. Es, además, la cab...
published: 04 Mar 2010
author: MEMORIA DE CUBA de Jorge Molina
San Salvador (1947)
La ciudad de San Salvador es la capital de la República de El Salvador. Es, además, la cabecera del departamento y municipio homónimos. Como capital de la nación, la ciudad alberga las sedes del Gobierno y la Consejo de Ministros de El Salvador, Asamblea Legislativa, Corte Suprema de Justicia y demás instituciones y organismos del Estado, así como la residencia oficial del Presidente de la República. Es la mayor ciudad del país desde el punto de vista económico, asiento de las principales industrias y empresas de servicios de El Salvador. Es también la sede del Arzobispado católico.
Después de las victorias sobre las huestes pipiles en las batallas de Acajutla y Tacuzcalco, el conquistador Pedro de Alvarado intentó someter a los nativos de la capital del Señorío de Cuzcatlán a su arribo el 18 de junio de 1524. Los cuscatlecos, sin embargo, huyeron a las montañas vecinas y el extremeño tuvo que replegarse hacia la zona de la actual Guatemala. La primera villa de San Salvador se fundó a menos de un año de esta expedición, por una misión no documentada al mando de Gonzalo de Alvarado.La primera mención que existe acerca de este asentamiento es una carta del mismo Pedro de Alvarado en Guatemala el 6 de mayo de 1525 haciendo notar que no se podía celebrar un cabildo por la ausencia de Diego de Holguin quien había partido a tomar el puesto de Alcalde ordinario de la villa de San Salvador.
Debido a las frecuentes rebeliones en el sitio por parte de los nativos, se estableció una nueva villa en el lugar conocido actualmente como Ciudad Vieja, al sur de la actual localidad de Suchitoto (1 de abril de 1528). Su trazado original tardó quince días y llegó a ser poblada por un número de 50 a 60 viviendas,teniendo por alcaldes a Antonio de Salazar y Juan de Aguilar.
Después de la pacificación de la región, la pequeña localidad fue abandonada a poco a poco y el nuevo asentamiento se ubicó, el año de 1545, en el valle de Zalcuatitán renombrado como “Valle de las Hamacas”. Se estima que tal acampamiento estuvo en la llamada cuesta del Palo Verde, y que fue conocida como “la Aldea”. Al norte de ese emplazamiento se comenzó a trazar la Plaza Mayor, donde se ubica actualmente la Plaza Libertad; al Este, se erigió la Iglesia consagrada al Santísimo Salvador del Mundo. El 27 de septiembre de 1546, mediante trámites de los procuradores Alonso de Oliveros y Hernán Méndez de Sotomayor, y por petición del Secretario de la Real Corona Juan de Samano ante el infante don Felipe por la ausencia del emperador Carlos V de Alemania y I de España, se elevó la villa a la categoría de ciudad por Real Provisión.
Durante la época colonial la ciudad fue parte de la Alcaldía Mayor de San Salvador, y estaba bajo la autoridad principal de la región: la Capitanía General de Guatemala. En el siglo XVII, la actividad principal de esta región fue el añil, para su exportación a Europa. En la segunda mitad del siglo XVIII, debido a las Reformas borbónicas, que tenían como objetivo mejorar el cobro de impuestos y crear monopolios estatales, se creó la Intendencia de San Salvador en 1785; la propia ciudad fue cabecera de su partido.
San Salvador tuvo un destacado rol en los años previos a la independencia de Centroamérica. Fue allí donde se dio la primera rebelión en 1811 en contra de las autoridades de la Capitanía, y una más en 1814, ambas sin éxito. Con la declaración del Plan de Iguala por Agustín de Iturbide, las entonces provincias de la Capitanía declararon su emancipación el 15 de septiembre de 1821. Las noticias de este suceso llegaron a San Salvador el 21 de septiembre.
A partir de entonces las antiguas intendencias fueron gobernadas independientemente. De hecho en San Salvador regía un Jefe Político. Pero, en definitiva, todas estaban aún bajo la dirección de una Junta Provisional Consultiva con sede en Guatemala. Meses después llegó desde México una invitación de Iturbide para que las provincias se unieran al nuevo Imperio. La Junta decidió su anexión el 5 de enero de 1822; solo dos ayuntamientos, de los 170 que conformaban la región, se negaron: San Salvador y San Vicente.En los siguientes dos años la ciudad enfrentó dos invasiones desde Guatemala, que las fuerzas defensoras pudieron repeler. Sin embargo, en febrero de 1823, Vicente Filísola asedió a la ciudad y la ocupó; su estadía acabó debido al retiro del poder de Iturbide.
Con el nacimiento de la República Federal de Centroamérica en 1824, la ciudad se vio envuelta en los turbulentos años que enfrentaron a liberales y conservadores. Para separarse de la influencia de poder que ejercía la ciudad de Guatemala, Francisco Morazán decidió crear un distrito federal en San Salvador en 1834. La situación caótica de la región creó un estado de pobreza general. Tal condición provocó, además, una epidemia de cólera en 1836.
La economía del país cambió gradualmente en la segunda mitad del
Youtube results:
13:09
Silent Movies the Birth of Sound Pt 2
Part 2 of a video I put together from material found on You Tube that explores the develop...
published: 09 Nov 2010
author: magiorey
Silent Movies the Birth of Sound Pt 2
Part 2 of a video I put together from material found on You Tube that explores the development of Talkies, from Silent Movies, to the first Vitaphone productions, with a final consideration about the importance of musicals in the process. I don't own any of the original material, no copyright infringement is intended. All material was freely available on You Tube and is being used for educational purposes.
- published: 09 Nov 2010
- views: 1836
- author: magiorey
15:30
AT&T; Archives: Listen to This
A short, but serious history-documentary about how all of the technological developments a...
published: 09 Jan 2012
author: ATTTechChannel
AT&T; Archives: Listen to This
A short, but serious history-documentary about how all of the technological developments and inventions within in the Bell System made film sound possible. Among the milestone inventions included, and profiled: The audion tube amplifier The condenser microphone The Vitaphone film sound system The film consists mostly of older clips and stills, including rare snippets of the first feature sound film shown in public, Don Juan, starring John Barrymore, from 1926. And no, it wasn't the The Jazz Singer, though they examine that film a bit later. But Don Juan's soundtrack was entirely added in post-production; The Jazz Singer included synchronized sound, recorded live. The same original movie bill featured synched opera and musical shorts — more clips of which are shown here. Film sound technologies are still developing — and enveloping — in leaps and bounds, especially in the 3-D direction — "5.1" surround-sound systems, which use 5 speakers arranged around a room, are common. Less common is anything with more speakers, including the "10.2", state-of-the-art system, which uses a whopping 18. Only one film has ever/yet been shot and mixed in that format. Footage courtesy of AT&T; Archives and History Center, Warren, NJ To see more from the AT&T; Archives, visit techchannel.att.com
- published: 09 Jan 2012
- views: 526
- author: ATTTechChannel
1:29
the Seduction - Nori Bucci
Short piece from my cd "Tales of a Dream". I originally wrote this piece to go with a film...
published: 27 Jun 2009
author: norilyn8
the Seduction - Nori Bucci
Short piece from my cd "Tales of a Dream". I originally wrote this piece to go with a film clip from the 1926 silent movie "Don Juan", to be entered it in a 'Turner Classic Movies' film music contest. The still shots you see here are from the film. Didn't win the contest, but I hope you'll enjoy the music anyways :) Thanks for listening!
- published: 27 Jun 2009
- views: 2183
- author: norilyn8
15:23
Great Pianists' Technique: Leaps
A collection of some memorable leaps/jumps; There is probably nothing as risky and unpredi...
published: 30 Aug 2011
author: StockhausenIsMyCat
Great Pianists' Technique: Leaps
A collection of some memorable leaps/jumps; There is probably nothing as risky and unpredictable for the pianist than this type of technique. As usual this is not meant to be a comprehensive catalogue. 1) Liszt Rhap. No.2 Tom Cat Live (1946); 2) Rosenthal Carnaval de Vienne, Rosenthal (1930) 00:09; (parnassian elegance...it is a great regret that Moritz did not record Liszt's Don Juan for which he was famous! If neutrinos are confirmed travelling faster than light we should rectify this situation by traveling back in time.) Complete performance: www.youtube.com 3) Rosenthal Carnaval de Vienne, Fialkowska (1998) 00:27; 4) Schumann Carnaval, Michelangeli live (1957) 00:47; 5) Schumann Carnaval, Rachmaninov live (1929) 01:25; (for Sergei's gigantic hands (according to Cyril Smith his right hand could play a wide chord like C4-E4-G4-C5-E5 with the monstrous fingering 2-3-4-5-1 !!! And his left hand could manage a chord like CE-flat-GCG...) leaps like these must have been easy...) 6) Chopin Sonata No.2, Rachmaninov (1930) 2:02; 7) Schumann Fantasy op.17 (2nd mov) Arrau live (1959) 2:16; (these are perhaps the most treacherous leaps in standard repertoire; and very rarely have I heard a live performance which had the required fire and precision. Nightmare live performances of famous pianists abound. Arrau, though not quite note perfect, is splendid.) 8) Chopin Etude op.25 No.4 Sokolov live (1995) 2:52; 9) Chopin Var. op.2 Gilels live (1963) 3:24; 10) Liszt Reminiscences de Don ...
- published: 30 Aug 2011
- views: 27264
- author: StockhausenIsMyCat
