It possesses a distinctive Buddhist culture similar to that found in the nearby Tibet Autonomous Region and the Ladakh region of India. The valley and surrounding region is one of the least populated regions in India and is the gateway to the northernmost reaches of the nation. Along the northern route from Manali, Himachal Pradesh or Keylong via the Rohtang Pass or Kunzum Pass respectively, the valley lies in the North East of the Indian hill state of Himachal Pradesh, and forms part of the Lahaul and Spiti district. The sub-divisional headquarters (capital) is Kaza, Himachal Pradesh which is situated along the Spiti River at an elevation of about above mean sea level.

Lahaul and Spiti is surrounded by high mountain ranges. The Rohtang Pass, at , separates Lahul and Spiti from the Kulu Valley. Lahul and Spiti are cut off from each other by the higher Kunzum Pass, at ..

It was the location of the spectacular scenery and cinematography in the Indian films Paap and Milarepa , a biographical adventure tale about one of Buddhism's most famous Tibetan saints. The Buddhist monastery in the valley served as the locus of the set and some of the monks appeared in the film.

The Pin Valley of Spiti is home to the few surviving Buchen Lamas of the Nyingmapa sect of Buddhism.

The small town of Manali was the beginning of an ancient trade route to Ladakh and, from there, over the Karakoram Pass on to Yarkand and Khotan in the Tarim Basin.

How to reach

Footnotes

References

Category:Valleys of India Category:Lahaul and Spiti

Biography

In the summer of 1969, Karras made a brief appearance at the club "Prosfygas" in Evosmos, Thessaloniki and made an immediate impact. Even though he was only 16 years old, he became a favourite in the city suburbs due to his distinctive then raspy voice. The club owners allowed Vasilis to sing on many more occasions, and thus a legend was born. The audience in his home city took a particular liking in his style.

In the 1970s, Karras cemented his reputation as a young upstart on the Greek 'laika' (folk songs) stage singing throughout Northern Greece and towards the end of the decade had begun to develop his own repertoire, working with song writers and also creating his own work.

In 1980, his first album 'Alismonites Ores' was released which set Karras on the long path towards fame and recognition. It was also at this time that Vasilis decided to devote his life and career to folk music and sing professionally.

By the 1990s, his unique style and appeal to the Greek public catapulted Karras to national stardom. Partnerships with Michalis Rakintzis, Zafeiris Melas and Konstantina also furthered his reputation in Greece. In 1996, Karras contacted acclaimed songwriter Phoebus with the prospect of creating an album based on his songs. Phoebus responded positively and enthusiastically went to work creating songs that fit Vasilis' unique style and complemented his singing abilities. The result was the hit album "Tilefonise Mou" which went 4 time platinum and is Karras' all time best-seller. This album also started a new era for Vasilis: the introduction of a modern, western upbeat style to his music, which complemented his bouzouki-based folk/dance songs. It would become a style that Vasilis would perfect for many years to come and adopt prominently in his discography from then on.

Vasilis and Phoebus also partnered for the 1999 hit album "Epistrefo", a perennial mainstay in his club repertoire, with many hit singles.

Around this time, Karras also worked with many young Greek talents in efforts to help their career. In particular, after spotting Despina Malea (now known as Despina Vandi), he offered her the chance to sing at his night club for the whole summer season, thus kick-starting her career. Vasilis and Despina would have the chance to work together later on in 2005 in a few duets from the music of common friend Phoebus.

Nowadays, Vasilis Karras is regarded as a legend of folk music in Greece. Apart from continuing his discography, he also continues to sing at nightclubs in Athens and Thessaloniki and also travels around the globe to centres of the Greek diaspora, including the United States, Germany, Australia and Canada. The audiences abroad have also taken a particular liking to his music, and Vasilis has many loyal fans outside of Greece.

Recently he has partnered with other mainstays of the Greek music scene such as Tolis Voskopoulos, Dantis, Eirini Mercouri, Kostas Karafotis, Despina Vandi and others, writing and performing many duets in their respective albums.

His latest album was released in early 2009, titled 'Opos Pallia'.

Vasilis Karras' widespread appeal and numerous decades on the Greek music scene have cemented his legend as one of the top Greek folk singers ever, but it his laid back and accessible personality that has endeared him to others throughout the music industry and to the fans through the country and abroad. Vasilis is credited as the last singing survivors of the 'Kapsourika' style of songs in Greece, namely love songs about lost loves and reminiscing. Throughout his career he emphasized his love for his hometown and has written and sung many songs about Thessaloniki reminiscing about his childhood and early loves including 'Den Pao Pouthena', 'Nychta Kselogiastra', 'Erhomai' and 'Gia Afto Stasou'. His 1987 album 'Apo ti Thessaloniki me agapi' and his 1988 work 'Mia bradia sti Thessaloniki' are examples of the special place the city has in his heart.

Personal life

Discography

External links

Category:1953 births Category:Living people Category:People from Kavala Prefecture Category:Greek laïko singers Category:Greek male singers Category:Pop folk singers Category:Minos EMI artists Category:Modern Greek-language singers