Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among his characteristic attributes. Although he was not as clever as the likes of Odysseus or Nestor, Heracles used his wits on several occasions when his strength did not suffice, such as when laboring for the king Augeas of Elis, wrestling the giant Antaeus, or tricking Atlas into taking the sky back onto his shoulders. Together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the lion skin and the club. These qualities did not prevent him from being regarded as a playful figure who used games to relax from his labors and played a great deal with children. By conquering dangerous archaic forces he is said to have "made the world safe for mankind" and to be its benefactor. Heracles was an extremely passionate and emotional individual, capable of doing both great deeds for his friends (such as wrestling with Thanatos on behalf of Prince Admetus, who had regaled Heracles with his hospitality, or restoring his friend Tyndareus to the throne of Sparta after he was overthrown) and being a terrible enemy who would wreak horrible vengeance on those who crossed him, as Augeas, Neleus and Laomedon all found out to their cost.
Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles; Alexandrian poets of the Hellenistic age drew his mythology into a high poetic and tragic atmosphere. His figure, which initially drew on Near Eastern motifs such as the lion-fight, was known everywhere: his Etruscan equivalent was Hercle, a son of Tinia and Uni.
Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, no tomb was identified as his. Heracles was both hero and god, as Pindar says ''heroes theos''; at the same festival sacrifice was made to him, first as a hero, with a chthonic libation, and then as a god, upon an altar: thus he embodies the closest Greek approach to a "demi-god". The core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld.
:''And next I caught a glimpse of powerful Heracles— :''His ghost I mean: the man himself delights :''in the grand feasts of the deathless gods on high... :''Around him cries of the dead rang out like cries of birds :''scattering left and right in horror as on he came like night..."''
Ancient critics were aware of the problem of the aside that interrupts the vivid and complete description, in which Heracles recognizes Odysseus and hails him, and modern critics find very good reasons for denying that the verses beginning, in Fagles' translation ''His ghost I mean...'' were part of the original composition: "once people knew of Heracles' admission to Olympus, they would not tolerate his presence in the underworld", remarks Friedrich Solmsen, noting that the interpolated verses represent a compromise between conflicting representations of Heracles.
It is also said that when Heracles died he shed his mortal skin, which went down to the underworld and he went up to join the gods for being the greatest hero ever known.
Readers with a literalist bent, following Clement's reasoning, have asserted from this remark that, since Heracles ruled over Tiryns in Argos at the same time that Eurystheus ruled over Mycenae, and since at about this time Linus was Heracles' teacher, one can conclude, based on Jerome's date—in his universal history, his ''Chronicon''—given to Linus' notoriety in teaching Heracles in 1264 BC, that Heracles' death and deification occurred 38 years later, in approximately 1226 BC.
A major factor in the well-known tragedies surrounding Heracles is the hatred that the goddess Hera, wife of Zeus, had for him. A full account of Heracles must render it clear why Heracles was so tormented by Hera, when there were many illegitimate offspring sired by Zeus. Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, home early from war (Amphitryon did return later the same night, and Alcmene became pregnant with his son at the same time, a case of heteropaternal superfecundation, where a woman carries twins sired by different fathers). Thus, Heracles' very existence proved at least one of Zeus' many illicit affairs, and Hera often conspired against Zeus' mortal offspring as revenge for her husband's infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, father of Heracles' charioteer Iolaus.
On the night the twins Heracles and Iphicles were to be born, Hera, knowing of her husband Zeus' adultery, persuaded Zeus to swear an oath that the child born that night to a member of the House of Perseus would become High King. Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus. Once the oath was sworn, Hera hurried to Alcmene's dwelling and slowed the birth of the twins Heracles and Iphicles by forcing Ilithyia, goddess of childbirth, to sit crosslegged with her clothing tied in knots, thereby causing the twins to be trapped in the womb. Meanwhile, Hera caused Eurystheus to be born prematurely, making him High King in place of Heracles. She would have permanently delayed Heracles' birth had she not been fooled by Galanthis, Alcmene's servant, who lied to Ilithyia, saying that Alcmene had already delivered the baby. Upon hearing this, she jumped in surprise, loosing the knots and inadvertently allowing Alcmene to give birth to Heracles and Iphicles.
Fear of Hera's revenge led Alcmene to expose the infant Heracles, but he was taken up and brought to Hera by his half-sister Athena, who played an important role as protectress of heroes. Hera did not recognize Heracles and nursed him out of pity. Heracles suckled so strongly that he caused Hera pain, and she pushed him away. Her milk sprayed across the heavens and there formed the Milky Way. But with divine milk, Heracles had acquired supernatural powers. Athena brought the infant back to his mother, and he was subsequently raised by his parents.
The child was originally given the name Alcides by his parents; it was only later that he became known as Heracles. He was renamed Heracles in an unsuccessful attempt to mollify Hera. He and his twin were just eight months old when Hera sent two giant snakes into the children's chamber. Iphicles cried from fear, but his brother grabbed a snake in each hand and strangled them. He was found by his nurse playing with them on his cot as if they were toys. Astonished, Amphitryon sent for the seer Tiresias, who prophesied an unusual future for the boy, saying he would vanquish numerous monsters.
Later in Thebes, Heracles married King Creon's daughter, Megara. In a fit of madness, induced by Hera, Heracles killed his children by Megara. After his madness had been cured with hellebore by Antikyreus, the founder of Antikyra, he realized what he had done and fled to the Oracle of Delphi. Unbeknownst to him, the Oracle was guided by Hera. He was directed to serve King Eurystheus for ten years and perform any task Eurystheus required of him. Eurystheus decided to give Heracles ten labours, but after completing them, Heracles was cheated by Eurystheus when he added two more, resulting in the Twelve Labors of Heracles.
Driven mad by Hera, Heracles slew his own children. To expiate the crime, Heracles was required to carry out ten labors set by his archenemy, Eurystheus, who had become king in Heracles' place. If he succeeded, he would be purified of his sin and, as myth says, he would be granted immortality. Heracles accomplished these tasks, but Eurystheus did not accept the cleansing of the Augean stables because Heracles was going to accept pay for the labor. Neither did he accept the killing of the Lernaean Hydra as Heracles' cousin, Ioloas, had helped him burn the stumps of the heads. Eurysteus set two more tasks (fetching the Golden Apples of Hesperides and capturing Cerberus), which Heracles performed successfully, bringing the total number of tasks up to twelve.
Not all writers gave the labors in the same order. Apollodorus (2.5.1-2.5.12) gives the following order: #To kill the Nemean lion. #To destroy the Lernaean Hydra. #To capture the Ceryneian Hind. #To capture the Erymanthian Boar. #To clean the Augean Stables. #To kill the Stymphalian Birds. #To capture the Cretan Bull. #To round up the Mares of Diomedes. #To steal the Girdle of Hippolyte. #To herd the Cattle of Geryon. #To fetch the Apples of Hesperides. #To capture Cerberus.
His second wife was Omphale, the Lydian queen or princess to whom he was delivered as a slave.
His third marriage was to Deianira, for whom he had to fight the river god Achelous (upon Achelous' death, Heracles removed one of his horns and gave it to some nymphs who turned it into the cornucopia.) Soon after they wed, Heracles and Deianira had to cross a river, and a centaur named Nessus offered to help Deianira across but then attempted to rape her. Enraged, Heracles shot the centaur from the opposite shore with a poisoned arrow (tipped with the Lernaean Hydra's blood) and killed him. As he lay dying, Nessus plotted revenge, told Deianira to gather up his blood and spilled semen and, if she ever wanted to prevent Heracles from having affairs with other women, she should apply them to his vestments. Nessus knew that his blood had become tainted by the poisonous blood of the Hydra, and would burn through the skin of anyone it touched.
Later, when Deianira suspected that Heracles was fond of Iole, she soaked a shirt of his in the mixture, creating the poisoned shirt of Nessus. Heracles' servant, Lichas, brought him the shirt and he put it on. Instantly he was in agony, the cloth burning into him. As he tried to remove it, the flesh ripped from his bones. Heracles chose a voluntary death, asking that a pyre be built for him to end his suffering. After death, the gods transformed him into an immortal, or alternatively, the fire burned away the mortal part of the demigod, so that only the god remained. After his mortal parts had been incinerated, he could become a full god and join his father and the other Olympians on Mount Olympus. He then married Hebe, his fourth and last wife.
Yet another episode of his female affairs that stands out was when he carried away the oxen of Geryones, he also visited the country of the Scythians. Once while he was asleep there, his horses suddenly disappeared, and when he woke and wandered about in search of them, he came into the country of Hylaea. He there found the monster Echidna in a cave. When he asked whether she knew anything about his horses, she answered, that they were in her own possession, but that she would not give them up, unless he would consent to stay with her for a time. Heracles accepted the request, and became by her the father of Agathyrsus, Gelonus, and Scythes. The last of them became king of the Scythians, according to his father's arrangement, because he was the only one among the three brothers that was able to manage the bow which Heracles had left behind, and to use his father's girdle.
One of Heracles' male lovers, and one represented in ancient as well as modern art, is Hylas. Though it is of more recent vintage (dated to the 3rd century) than that with Iolaus, it had themes of mentoring in the ways of a warrior and help finding a wife in the end. However it should be noted that there is nothing whatever in Apollonius's account that suggests that Hylas was a sexual lover as opposed to a companion and servant.
Another reputed male lover of Heracles is Elacatas, who was honored in Sparta with a sanctuary and yearly games, Elacatea. The myth of their love is an ancient one.
Abdera's eponymous hero, Abderus, was another of Heracles' lovers. He was said to have been entrusted with—and slain by—the carnivorous mares of Thracian Diomedes. Heracles founded the city of Abdera in Thrace in his memory, where he was honored with athletic games.
Another myth is that of Iphitus.
Another story is the one of his love for Nireus, who was "the most beautiful man who came beneath Ilion" (''Iliad'', 673). But Ptolemy adds that certain authors made Nireus out to be a son of Heracles.
Pausanias makes mention of Sostratus, a youth of Dyme, Achaea, as a lover of Heracles. Sostratus was said to have died young and to have been buried by Heracles outside the city. The tomb was still there in historical times, and the inhabitants of Dyme honored Sostratus as a hero.
There is also a series of lovers who are either later inventions or purely literary conceits. Among these are Admetus, who assisted in the hunt for the Calydonian Boar; Adonis; Corythus; and Nestor, who was said to have been loved for his wisdom. His role as lover was perhaps to explain why he was the only son of Neleus to be spared by the hero.
There is also, in some versions, reference to an episode where Heracles met and impregnated a half-serpentine woman, known as Echidna; her children, known as the Dracontidae, were the ancestors of the House of Cadmus.
According to Herodotus, a line of 22 Kings of Lydia descended from Hercules and Omphale. The line was called Tylonids after his Lydian name.
This is described in Ovid's ''Metamorphoses'' Book IX. Having wrestled and defeated Achelous, god of the Acheloos river, Heracles takes Deianira as his wife. Travelling to Tiryns, a centaur, Nessus, offers to help Deianira across a fast flowing river while Heracles swims it. However, Nessus is true to the archetype of the mischievous centaur and tries to steal Deianira away while Heracles is still in the water. Angry, Heracles shoots him with his arrows dipped in the poisonous blood of the Lernaean Hydra. Thinking of revenge, Nessus gives Deianira his blood-soaked tunic before he dies, telling her it will "excite the love of her husband".
Several years later, rumor tells Deianira that she has a rival for the love of Heracles. Deianira, remembering Nessus' words, gives Heracles the bloodstained shirt. Lichas, the herald, delivers the shirt to Heracles. However, it is still covered in the Hydra's blood from Heracles' arrows, and this poisons him, tearing his skin and exposing his bones. Before he dies, Heracles throws Lichas into the sea, thinking he was the one who poisoned him (according to several versions, Lichas turns to stone, becoming a rock standing in the sea, named for him). Heracles then uproots several trees and builds a funeral pyre, which Poeas, father of Philoctetes, lights. As his body burns, only his immortal side is left. Through Zeus' apotheosis, Heracles rises to Olympus as he dies.
No one but Heracles' friend Philoctetes (Poeas in some versions) would light his funeral pyre (in an alternate version, it is Iolaus who lights the pyre). For this action, Philoctetes or Poeas received Heracles' bow and arrows, which were later needed by the Greeks to defeat Troy in the Trojan War. Philoctetes confronted Paris and shot a poisoned arrow at him. The Hydra poison would subsequently lead to the death of Paris. The Trojan War, however, would continue until the Trojan Horse was used to defeat Troy.
The gateway to the Mediterranean Sea from the Atlantic Ocean, where the southernmost tip of Spain and the northernmost of Morocco face each other, is, classically speaking, referred to as the Pillars of Hercules/Heracles, owing to the story that he set up two massive spires of stone to stabilise the area and ensure the safety of ships sailing between the two landmasses.
Heracles Category:Argonauts Category:Demigods of Classical mythology Category:Greek gods Category:Greek mythology Category:Greek mythological hero cult Category:Monomyths Category:Offspring of Zeus Category:Oracular gods Category:Savior gods Category:Greek culture heroes Category:Heroes who ventured to Hades
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Coordinates | 50°5′″N18°33′″N |
---|---|
name | Werner Herzog |
birth name | Werner Herzog Stipetić |
birth date | September 05, 1942 |
birth place | Munich, Germany |
occupation | ActorDirectorScreenwriterProducer |
years active | 1962–present |
spouse | Martje Grohmann(1967–1987)Christine Maria Ebenberger (1987–1994)Lena Herzog(1999–present) |
website | http://www.wernerherzog.com }} |
He is often considered as one of the greatest figures of the New German Cinema, along with Rainer Werner Fassbinder, Margarethe von Trotta, Volker Schlöndorff, Werner Schröter, and Wim Wenders. His films often feature heroes with impossible dreams, people with unique talents in obscure fields, or individuals who find themselves in conflict with nature. French filmmaker François Truffaut once called Herzog "the most important film director alive."
The same year, Herzog was told to sing in front of his class at school and he adamantly refused. He was almost expelled for this and until the age of 18 listened to no music, sang no songs and studied no instruments. He later said that he would easily give 10 years from his life to be able to play an instrument. At 14, he was inspired by an encyclopedia entry about filmmaking which he says provided him with "everything I needed to get myself started" as a film-maker—that, and the 35 mm camera that the young Herzog stole from the Munich Film School. In the commentary for ''Aguirre, the Wrath of God'', he states, "I don't consider it theft—it was just a necessity—I had some sort of natural right for a camera, a tool to work with." He studied at the University of Munich despite earning a scholarship to Duquesne University in Pittsburgh, Pennsylvania. While in his teens he travelled to various exotic places.
In the early 1960s, Herzog worked nightshifts as a welder in a steel factory to help fund his first films. He has spoken of how, even before leaving school, he lived for a few months, buying a house, in what was likely the Moss Side area of Manchester, relating how it was there that he learned to speak English.". In 1966 he worked shortly in television under the auspices of NASA.
Herzog has been married three times and has three children. In 1967, he married Martje Grohmann, with whom he had a son in 1973, Rudolph Amos Achmed, who is a film producer and director as well as the author of several non-fiction books. In 1980, his daughter, Hanna Mattes (now a photographer and an artist), was born to Eva Mattes. In 1987, Herzog was divorced from Grohmann; later the same year he married Christine Maria Ebenberger. Their son, Simon Herzog, who attends Columbia University, was born in 1989. Herzog and Ebenberger divorced in 1994. In 1995 Herzog moved to the United States and in 1999 married photographer Lena Pisetski, now Lena Herzog. They live in Los Angeles.
In January 2006 actor Joaquin Phoenix overturned his car on a road above Sunset Boulevard. Herzog, who lived nearby, helped him get out of it. A few days later, while Herzog was giving an interview to Mark Kermode for the BBC, an unknown individual shot Herzog with an air rifle during filming. Herzog continued the interview and showed his wound on camera but acted as if nothing out of the ordinary had happened, remarking, "It is not a significant bullet."
In 1987 he and his half-brother Lucki Stipetic won the Bavarian Film Awards for Best Producing, for the film ''Cobra Verde''. In 2002 he won the ''Dragon of Dragons Honorary Award'' during Kraków Film Festival in Kraków.
Herzog was honored at the 49th San Francisco International Film Festival, receiving the 2006 Film Society Directing Award. Four of his films have been shown at the San Francisco International Film Festival: ''Wodaabe - Herdsmen of the Sun'' in 1990, ''Bells from the Deep'' in 1993, ''Lessons of Darkness'' in 1993, and ''The Wild Blue Yonder'' in 2006. Herzog's April 2007 appearance at the Ebertfest in Champaign, Illinois earned him the Golden Thumb Award, and an engraved glockenspiel given to him by a young film maker inspired by his films. ''Grizzly Man'', directed by Herzog, won the Alfred P. Sloan Prize at the 2005 Sundance Film Festival. ''Encounters at the End of the World'' won the award for Best Documentary at the 2008 Edinburgh International Film Festival and was nominated for the Academy Award for Documentary Feature, Herzog's first nomination.
Herzog once promised to eat his shoe if Errol Morris completed the movie project on pet cemeteries that he had been working on, in order to challenge and motivate Morris, whom Herzog perceived as incapable of following up on the projects he conceived. In 1978 when the film ''Gates of Heaven'' premiered, Werner Herzog cooked and publicly ate his shoe, an event later incorporated into a short documentary ''Werner Herzog Eats His Shoe'' by Les Blank. At the event, Herzog suggested that he hoped the act would serve to encourage anyone having difficulty bringing a project to fruition.
In 2009, Herzog became the only filmmaker in recent history to enter two films in competition in the same year at the prestigious Venice Film Festival. Herzog's ''Bad Lieutenant: Port of Call New Orleans'' was entered into the festival's official competition schedule, and his ''My Son, My Son, What Have Ye Done?'' entered the competition as a "surprise film". Herzog also provided the narration for the short film ''Plastic Bag'' directed by Ramin Bahrani which was the Opening Night film in the Corto Cortissimo section of the festival.
Herzog is also a Jury Member for the digital studio Filmaka, a platform for undiscovered filmmakers to show their work to industry professionals.
Herzog was the President of the Jury at the 60th Berlin International Film Festival. He Was the Chief guest of the 15th International Film Festival of Kerala(IFFK 2010 December)
Herzog also lent his voice to the animated television program ''The Boondocks'' in the third season premiere episode It's a Black President, Huey Freeman in which he played himself filming a documentary about the series' cast of characters and their actions during the 2008 election of Barack Obama. He also played Walter Hotenhoffer (formerly known as Augustus Gloop) in the Simpsons episode The Scorpion's Tale which aired in March 2011.
Also in 2010, Herzog's documentary ''Happy People: A Year in the Taiga'', which portrays the life of an indigenous tribe from the Siberian part of the Taiga, had its premiere at the 2010 Telluride Film Festival.
As for feature films, the film adaptation of Daniel Mason's novel ''The Piano Tuner'' has been re-written by Herzog (after Peter Buchman first draft), and will be directed by Herzog as well. Focus Features will be studio helming the project, along with Mandalay Independent Pictures as production company. No cast, shooting or release dates are known yet.
Herzog has said that he would like to make a biopic about real-life traveler and explorer Gertrude Bell. Until now, it is still a proposed future project.
;Actors in a Supporting Role:
;Jörg Schmidt-Reitwein Reitwein worked with Herzog on seventeen films. Reitwein was Thomas Mauch's assistant camera during ''Even Dwarfs Started Small''. His first independent work for Herzog was ''Precautions Against Fanatics'' in 1969. He helped to create poetical atmosphere of ''Fata Morgana'', ''Heart of Glass'', ''The Enigma of Kaspar Hauser'' and ''Nosferatu''. He won the Film Award in Gold for ''Heart of Glass'' and ''Where the Green Ants Dream'' at the German Film Awards. He last collaborated with Herzog during ''Pilgrimage'' in 2001.
;Peter Zeitlinger Zeitlinger collaborated with Herzog on thirteen films, from ''Gesualdo: Death for Five Voices'' (1995) to now filming television documentary ''Death Row'' (2011), including ''Rescue Dawn'' and ''Grizzly Man''. He was nominated for Chlotrudis Award for ''Encounters at the End of the World'' in 2007 and for Independent Spirit Award for ''Bad Lieutenant. Port of Call: New Orleans'' in 2009.
;Producers ;Walter Saxer Saxer produced sixteen of Herzog's films, including ''Nosferatu'' and ''The White Diamond''. He worked as Sound Department during seven of Herzog's films, including ''The Great Ecstasy of Woodcarver Steiner'' and ''Echoes from a Somber Empire''. He co-wrote ''Scream of Stone'' which Herzog directed. Saxer appeared as himself in Herzog's ''My Best Fiend'' and in Les Blank's ''Burden of Dreams'', in which he was also subjected to the verbal abuse of Kinski.
;Lucki Stipetic Lucki is Herzog's half-brother. He also produced several Herzog films, including ''Aguirre'' and ''Invincible''. Stipetic is a head of Werner Herzog Productions. He won Bavarian Film Award in 1988 for ''Cobra Verde'' and International Documentary Association Award for ''Little Dieter Needs to Fly'' in 1998. He was also nominated for an Emmy Award in 1998.
:André Singer Singer worked either as an executive producer or producer on eight of Herzog’s documentaries starting with “Lessons of Darkness” in 1991, “The Wild Blue Yonder” – won the Internatinal Critics Award at the Venice Film Festival, 2006 and including two of the most recent “La Boheme, short”, 2009, and “Into the Abyss”/”Death Row”, 2011.
;Editors ;Beate Mainka-Jellinghaus Mainka-Jellinghaus worked with Herzog on twenty films, from ''Signs of Life'' and ''Last Words'' (both from 1968) to ''Where the Green Ants Dream'' (1984). She won Film Award in Gold during German Film Awards for ''The Enigma of Kaspar Hauser'' in 1975.
;Joe Bini Bini collaborated with Herzog on nineteen films, from ''Little Dieter Needs to Fly'' (1997) to ''Cave of Forgotten Dreams'' (2009). He was nominated by American Cinema Editors for Best Edited Documentary Film for ''Grizzly Man'' in 2005.
;Costumes designers ;Ann Poppel Poppel collaborated with Herzog on four films, including ''Nosferatu the Vampyre'' and ''Scream of Stone''.
;Gisela Storch Storch worked with Herzog on six films: ''The Enigma of Kaspar Hauser'', ''Heart of Glass'', ''Nosferatu the Vampyre'', ''Woyzeck'', ''Fitzcarraldo'' and ''Cobra Verde''. She was nominated for a Saturn Award for ''Nosferatu the Vampire'' in 1979.
;Composers ;Popol Vuh Popol Vuh was a German Krautrock band founded by pianist and keyboardist Florian Fricke. The band took its name from the Popol Vuh, a manuscript of Quiché Maya kingdom, after watching Herzog's ''Fata Morgana'' (in which Lotte Eisner reads parts of the Popol Vuh). The band composed music for eight Herzog's films: ''Aguirre, the Wrath of God'', ''The Great Ecstasy of Woodcarver Steiner'', ''Heart of Glass'', ''Nosferatu'', ''The Dark Glow of the Mountains'', ''Fitzcarraldo'', ''Cobra Verde'' and ''My Best Fiend''. Their compositions were also used by Herzog in ''Rescue Dawn''. Florian Fricke made a cameo as a pianist in ''Signs of Life'' and ''The Enigma of Kaspar Hauser''.
;Ernst Reijseger Herzog invited Reijseger to compose scores for his films four times to that date. Two of them were documentaries (''The White Diamond'' an ''Cave of Forgotten Dreams'') and two were features (''The Wild Blue Yonder'' and ''My Son, My Son What Have Ye Done''). His music was also used in ''Rescue Dawn'' and in video documentary short about recording music for ''Grizzly Man'' titled ''In the Edges: The 'Grizzly Man' Session'' directed by Erik Nelson. Reijseger also had a cameo as himself in ''My Son, My Son What Have Ye Done''.
;Others ;Henning von Gierke Gierke collaborated with Herzog on seven films and several operas. He was Production Designer during ''The Enigma of Kaspar Hauser'', ''Nosferatu the Vampyre'' and ''Fitzcarraldo''. As a Set Decorator he worked on ''Heart of Glass'' and ''Woyzeck'', as Stage Designer on operas: ''Lohengrin'' and ''Giovanna d'Arco'' and as Costume Designer on film ''The Transformation of the World Into Music''. Gierke shot additional still photographs on ''Stroszek'' 's set. He appeared twice in Herzog's film ''The Transformation of the World Into Music'' as himself and in Herzog's TV realisation of opera ''Giovanna d'Arco''. Von Gierke won Film Award in Gold for ''The Enigma of Kaspar Hauser'' during German Film Awards and Silver Bear for an outstanding single achievement for ''Nosferatu'', at the 29th Berlin International Film Festival.
Herzog has written all his films, except these which he co-wrote:
Herzog has also co-written:
Co-writer: Paul Cronin. ''Herzog on Herzog'' (London: Faber and Faber Ltd., 2002, ISBN 0-571-20708-1) (extracts)
;Screenplays: Writer:
Co-writer:
Category:1942 births Category:Living people Category:People from Munich Category:Documentary film directors Category:English-language film directors Category:German documentary filmmakers Category:German expatriates in the United States Category:German film actors Category:German film directors Category:German film producers Category:German-language film directors Category:German screenwriters Category:Opera directors Category:People from Los Angeles, California Category:American documentary filmmakers Category:American film actors Category:American film producers Category:American screenwriters Category:American people of German descent
als:Werner Herzog ar:فرنر هرتزوغ bn:ভের্নার হের্ৎসগ bar:Werner Herzog br:Werner Herzog bg:Вернер Херцог ca:Werner Herzog cs:Werner Herzog da:Werner Herzog de:Werner Herzog es:Werner Herzog fa:ورنر هرتزوگ fr:Werner Herzog gl:Werner Herzog id:Werner Herzog it:Werner Herzog he:ורנר הרצוג la:Guarnerius Herzog hu:Werner Herzog ml:വെർണർ ഹെർസോഗ് nl:Werner Herzog ja:ヴェルナー・ヘルツォーク no:Werner Herzog pl:Werner Herzog pt:Werner Herzog ru:Херцог, Вернер sl:Werner Herzog fi:Werner Herzog sv:Werner Herzog tr:Werner Herzog zh:韋納·荷索This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Panayoti Karousos is a renowned Greek-Canadian composer who brings to his music the philosophy and spiritualism of the Greek classics. He structures his works around Pythagorean mathematical forms and infuses them with modern styles such as those of Wagner, amongst others. The majestic sound of his work, The Spirit of Liberty, caused critics to acclaim it as a second national anthem of Greece. It was presented in Canada and New York with great success with the Astoria Symphony and maestro Silas Nathaniel Huff. Karousos presented his operas Prometheus, The Olympic Flame, Alexander the Great, The Holy Light of Christianity the oratorio The Song of the Nations and the symphonic poems Eternal Parthenon, Time Melody, and Democracy in Canada, which garnered him rave reviews. He did many concerts in Canada presenting his Symphonies Liberty Symphony and Olympic Symphony with the FACE Symphony Orchestra, the OSJL-L Symphony Orchestra and the Monteregie Symphony Orchestra under the direction of maestros Andre Gauthier, Theodora Stathopoulos and Luc Chaput.
The Piano Concerto for Peace was presented with pianist Nathalie Joncas under UNESCOs auspices. This piece was highlighted by the Montreal Popular Concerts series in Montreal’s Maurice Richard Arena to an audience of 5000 people.
The Piano Concerto became the soundtrack to filmmaker Jenna Constantine's movie ''If Aphrodite Had Arms''. Karousos’ works are featured in the Vassilios Chrissochos’ action-adventure-comedy film ''Attila Attacks!''
The Suite Montrealaise was commended from the City of Montreal to mark the Millennium and was successfully presented in a celebration concert on 1 October 2000.
Panayoti Karousos chamber music is different from the romanticism of his operas and symphonic works. The Piano Trios and the Violin and Cello Sonatas presented in Beverly Hills City Hall and around Montreal surprised the public with their melancholy nature and strong harmonic complexity.
As a singer and composer he collaborated with the Archbishop of Toronto Canada, Sotirios, in a 3 CD album named Greek Orthodox Catechism and performed for Ecumenical Patriarch Bartholomew. His album Grece Pays d’Amour got the award for Best Classical Recording in 2002/03 from the Toronto Radio Acropolis Awards.
The Olympic Flame was presented among other works with the Symphony Orchestra and the Choir of Gunst wat'n Kunst at Hague, Holland, with maestro Rafael Pylarinos. Panayoti Karousos Violin Concerto and Bouzouki Concerto were presented at the Concert for Religious Freedom hosted by the Federation of Hellenic Societies in New York, under the direction of maestro Grant Gilman. The World Premiere of his grandiose opera Alexander the Great presented in Montreal sung in French, with big success at the Montreal Notre Dame Basilica and represented in Chicago Illinois in English by the American Symphony Orchestra of Chicago and soloists from the opera of Chicago conducted by David Stech.
The opera Prometheus in English represented in Los Angeles with soloists from the Los Angeles opera and in New York by the Astoria Symphony and soloists and received amazing critics and reviews as a master peace work full of lyricism and melodic power.
Most recently Prometheus acclaimed as major modern opera work in Washington DC with the District of Columbia Symphony Orchestra and soloists conducted by Grant Gilman. Panayoti Karousos is a recipient of honors from the Federal Canadian Government, the Quebec Provincial Government and the City of Montreal.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Peter Sellars (born September 27, 1957) is an American theatre director, noted for his unique contemporary stagings of classical and contemporary operas and plays. Sellars is professor of World Arts and Cultures at UCLA, where he teaches ''Art as Social Action'' and ''Art as Moral Action''.
Sellars's production of ''Antony and Cleopatra'' in the swimming pool of Harvard's Adams House brought press attention well beyond campus, as did the subsequent techno-industrial production of ''King Lear'', which included a Lincoln Continental on stage and ambient musical moods by the Steel Cello Ensemble. In his senior year, he staged a production of Gogol's ''The Inspector-General'' at the American Repertory Theatre in Cambridge, Massachusetts.
This was followed during the summer of 1980 by staging of ''Don Giovanni'' performed under the aegis of the Monadnock Music Festival in Manchester, New Hampshire, which ''Opera News'' hailed as "an act of artistic vandalism". In the winter of 1980, a production of George Frideric Handel's ''Orlando'', again at the American Repertory Theatre, brought him to national attention—perhaps because of the novel conceit of setting it in outer space. Later, Sellars studied in Japan, China, and India.
Sellars served as director of the Boston Shakespeare Company for the 1983-1984 season. Among his productions were an influential ''Pericles, Prince of Tyre'' and a shattering staging of ''The Lighthouse'' by British composer Peter Maxwell Davies. In 1983 he received a MacArthur Fellowship.
In 1984, he was named director and manager of the American National Theater in Washington, D.C. at the age of 26, a post he held until 1986. During his years in Washington, Sellars staged a production of ''Count of Monte Cristo'', in a version by James O'Neill, featuring Richard Thomas, Patti Lupone, Zakes Mokae, and many other outstanding performers. The production had a set design by George Tsypin, with costumes by Dunya Ramicova, and lighting by James F. Ingalls. He also directed productions of Idiot's Delight by Robert Sherwood and Sophocles's ''Ajax'', as adapted by Robert Auletta.
He was Artistic Director of the 1990 and 1993 Los Angeles Festivals, presenting works of talented artists like the late Iranian director Reza Abdoh, and playwright Frank Ambriz.
Sellars subsequently staged a series of Mozart's operas, ''Cosi Fan Tutte'' (set in a diner on Cape Cod), ''The Marriage of Figaro'' (set in a luxury apartment in New York City's Trump Tower), and ''Don Giovanni'' (set in New York City's Spanish Harlem, cast and costumed as a blaxploitation movie), in collaboration with Emmanuel Music and its Artistic Director, Craig Smith. The productions were met with great critical acclaim, recorded in Austria by ORF in 1989, subsequently televised by PBS, and later revived at MC93 Bobigny (Paris) and the Gran Teatre del Liceu (Barcelona).
Sellars has directed one feature film, ''The Cabinet of Dr. Ramirez'', a silent color film starring Joan Cusack, Peter Gallagher, Ron Vawter, and Mikhail Baryshnikov. He was featured in Jean-Luc Godard's film of ''King Lear'', which he co-scripted.
Sellars was invited to the Salzburg and Glyndebourne Festivals, where he mounted productions of various 20th-century operas, notably Olivier Messiaen's ''Saint François d'Assise'', Paul Hindemith's ''Mathis der Maler'', György Ligeti's ''Le Grand Macabre'', and, with choreographer Mark Morris, the premiere of John Adams's and Alice Goodman's ''Nixon in China'' and ''The Death of Klinghoffer'', and the premiere of Kaija Saariaho's first opera, ''L'amour de loin''.
Other projects in which he has been involved include stagings of Handel's opera ''Giulio Cesare'' and oratorio ''Theodora'', Stravinsky's ''The Story of a Soldier'' with the Los Angeles Philharmonic conducted by Esa-Pekka Salonen, I Was Looking at the Ceiling and Then I Saw the Sky and Peony Pavilion.
He directed an important production of ''The Persians'' at the Edinburgh Festival in 1993, which articulated the play as a response to the Gulf War of 1990-1991.
In 1998, Sellars was awarded the Erasmus Prize for his work combining European and American cultural traditions in opera and theatre.
John Adams is one of Sellars's closest musical associates. Sellars directed and wrote the libretto for Adams's ''Dr. Atomic'', about Robert Oppenheimer and the development of the atomic bomb, for the San Francisco Opera (2005), De Nederlandse Opera, and the Chicago Lyric Opera (2008).
In 2005 Sellars was awarded The Dorothy and Lillian Gish Prize, one of the richest prizes in the arts, given annually to “a man or woman who has made an outstanding contribution to the beauty of the world and to mankind’s enjoyment and understanding of life.”
In 2007, Sellars delivered the "State of Cinema" address at the 50th San Francisco International Film Festival on April 29. He introduced the screenings of Mahamat Saleh Haroun's ''Daratt'' and Garin Nugroho's ''Opera Jawa'', two of the New Crowned Hope films and it also screened Jon Else's documentary, ''Wonders Are Many'', which features an account of Adams's and Sellars's creation of the first San Francisco production of ''Doctor Atomic''. An extensive commentary by Sellars is included in the 2007 DVD of Grigori Kozintsev's ''King Lear'' by Facets Video.
In early 2009, Sellars co-curated a contemporary art exhibition of work by Ethiopian artist Elias Simé at the Santa Monica Museum of Art, a kunsthalle in Santa Monica, California. His ''Othello'', starring Phillip Seymour Hoffman as Iago, showed in the Fall 2009 season at New York City's Public Theater.
In 2011, Sellars directed a production of John Adams's opera ''Nixon in China'' for New York's Metropolitan Opera. This was broadcast in many theaters around the world in HD on February 12. During a backstage interview in the first intermission, Sellars referred to the fall of President Hosni Mubarak which took place in Cairo on the previous day, comparing it to the momentous time when Richard Nixon first met with Mao Tse-Tung in Peking (as Beijing was then known in the West) opening diplomatic and trade relations between the United States and the People's Republic of China.
In 2001, Sellars briefly directed South Australia's Adelaide Festival of Arts before being replaced by Sue Nattrass. Sellars' brief directorship remains the most controversial in the festival's history. He claimed the reason behind his shock departure was that he was "impeding the forward progress of the Festival".
The Opposition Arts Spokesperson for South Australia, the Hon. Carolyn Pickles, said of the situation at the time: :"Peter Sellars asked the community to take a leap of faith for his particular Festival which was based around themes. He also rejected what he termed 'the shopping trolley' approach to Festivals. We took him on faith and embraced his dream, but soon it became apparent... that the emperor had no clothes. Critics gave the programme the thumbs down, which finally precipitated action on the part of the Festival Board."
Category:1957 births Category:Living people Category:American theatre directors Category:Harvard University alumni Category:Opera directors Category:MacArthur Fellows Category:Erasmus Prize winners Category:University of California faculty Category:People from Pittsburgh, Pennsylvania Category:Phillips Academy alumni
ca:Peter Sellars de:Peter Sellars es:Peter Sellars fr:Peter Sellars nl:Peter Sellars ja:ピーター・セラーズ (演出家)This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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