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Country pop, with roots in both the countrypolitan sound and in soft rock, is a subgenre of country music that first emerged in the 1970s.^{[citation needed]} Although the term first referred to country music songs and artists that crossed over to Top 40 radio,^{[citation needed]} country pop acts are now more likely to cross over to adult contemporary.^{[citation needed]}

History[link]

Beginnings: Nashville sound[link]

The joining of country and pop began in the 1950s when studio executives Chet Atkins and Owen Bradley wanted to create a new kind of music for the young adult crowd after “rockabilly stole away much of country music's youth audience”.^[1] According to Bill Ivey, this innovative genre originated in Nashville, Tennessee and thus became known as Nashville Sound. He believes that the “Nashville Sound often produced records that sounded more pop than country” after the removal of the fiddle and banjo. Patsy Cline, Jim Reeves, and Eddy Arnold were among the most popular artists during this time.^[2] This was intended to have country singers gain more success in pop music and sell more records.^{[citation needed]} The first male artists to come out of this new genre were Jim Reeves and Eddy Arnold, who both grew to have widespread acceptance in both country and pop music.^{[citation needed]} Both Jim Reeves and Eddy Arnold had major influence on their RCA labelmate Elvis Presley, apparent not only in secular songs, but even more so in country gospel songs. The first female country singer to emerge from this new genre was Patsy Cline in the early 60s.^{[citation needed]} She created a whole new breed of female country artists,^{[citation needed]} such as Lynn Anderson, Crystal Gayle and Shania Twain, who gained prominence in later years. Even though Cline also gained widespread acceptance from country and pop audiences alike, the Nashville Sound did not maintain its popularity for long,^{[citation needed]} receiving competition first from the Bakersfield Sound and later the outlaw movement.^{[citation needed]}

Country pop in the late 70s and 80s[link]

Lynn Anderson - live in concert

Country pop found its first widespread acceptance during the 1970s.^{[citation needed]} It started with pop music singers, like Glen Campbell, John Denver, Olivia Newton-John and Anne Murray, began having hits on the country charts. Songs like Campbell's "Rhinestone Cowboy" were among one of the biggest crossover hits in country music history.^{[citation needed]} These pop-oriented singers thought that they could gain higher record sales and a larger audience if they crossed over into the country world.^{[citation needed]} Among one of the most unappreciated artists who did this was Olivia Newton-John in 1974, who emerged from Australia in the mid-70s, hoping to make it big in the United States. When her single "Let Me Be There" became a big pop-country crossover hit in 1974, it became quite controversial,^{[citation needed]} especially after Newton-John won a Grammy award for "Best Female Country Vocal Performance" for the song, and also won the CMA's most coveted award for females, "Female Vocalist of the Year" (beating out established Nashville artists Dolly Parton, Loretta Lynn and Tanya Tucker, as well as Canadian transplant Anne Murray).

A group of artists, troubled by this trend, formed the Association of Country Entertainers in 1974.^{[citation needed]} The debate raged into 1975, and reached its apex at that year's Country Music Association Awards when reigning Entertainer of the Year Charlie Rich (who himself had a series of crossover hits) presented the award to his successor, John Denver. As he read Denver's name, Rich set fire to the envelope with a cigarette lighter. The action was taken in some quarters as a protest against the increasing pop style in country music (some, including Rich himself, cited medication instead as reason for his behavior). However, the ACE would not last all that long.^{[citation needed]}

In 1977 Kenny Rogers burst onto the country charts with "Lucille" and would go on to become the most successful of the country pop performers,^{[citation needed]} topping charts all over the world and taking the genre to the zenith internationally.^{[citation needed]} After "Lucille", Rogers had a string of songs that did well on both the country and pop charts around the world, including "Daytime Friends", "The Gambler" and "Coward of the County", all of which were produced by Larry Butler. Rogers would go on to push the boundaries of pop influence in country music,^{[citation needed]} having records produced by the likes of The Bee Gees, Lionel Richie, David Foster and George Martin, all of which did well in both the pop and country markets.

Dolly Parton, who had already achieved considerable success as a mainstream country artist, wanted to expand her audience and go in new directions, so she decided to make a change in 1977,^{[citation needed]} crossing over into the pop music world with No. 1 country and No. 3 pop hit that year called "Here You Come Again". She followed it up with a number of additional crossover pop hits, including "Two Doors Down" and "Heartbreaker" (both 1978), "Baby I'm Burning" (1979), "Starting Over Again" (1980), and "9 to 5", which topped both the country and pop singles charts in early 1981. (Ironically, despite her being one of the most successful practitioners of country pop crossover during the late 1970s and 1980s, Parton, because of her upbringing and mountain roots, is regarded by most critics as one of country's most authentic performers.)^{[citation needed]})

Country pop reached an early peak immediately following the movie Urban Cowboy in the early 1980s.^{[citation needed]} Some older artists from the 1960s and 1970s converted their sound to country pop or 'countrypolitan',^{[citation needed]} such as Parton, Willie Nelson and Dottie West. Dottie West, who had been around since the '60s, completely changed her image into a more sexy and risky profile in the early '80s,^{[citation needed]} following a series of hit duets with Kenny Rogers. (Rogers also had an enormous duet hit with Parton, the Bee-Gees-penned "Islands in the Stream", which topped the country and pop singles charts in late 1983.) After the success with Rogers, West wanted to remain on top of her game, so in order to keep up with current country music, she continued to record more pop-sounding material.^{[citation needed]} Because of this, Dottie West achieved her biggest success as a country singer during this time, acquiring her first No. 1 hit as a solo artist thanks to her music in 1980 titled "A Lesson in Leaving".

Alabama, Eddie Rabbitt and Ronnie Milsap also began experiencing crossover success during the early 1980s.^{[citation needed]} Four of Alabama's most successful songs of the early 1980s — "Feels So Right", "Love in the First Degree", Take Me Down" and "The Closer You Get" — all reached the Top 40 of the Billboard Hot 100, while four of Ronnie Milsap's No. 1 songs between 1980-1982 reached the Hot 100's Top 20, the most successful of which was the No. 5 hit "(There's) No Gettin' Over Me". Rabbitt had three Top 5 pop songs in 1980-1981, and "I Love a Rainy Night" reached No. 1 on both the Hot 100 and Billboard Hot Country Singles chart.

By the mid-80s, however, fans of more traditional country music were growing restless.^{[citation needed]} For the next several years, country radio was dominated by neotraditional artists,^{[citation needed]} although some country pop artists continued to have hits, most notably Alabama, Parton, Rabbitt and Milsap.^{[citation needed]}

1990s revival[link]

Country pop enjoyed a resurgence in the 1990s, primarily because of the beginning proliferation of country music to the FM radio dial, which in turn was aided by the increase of FCC licenses for suburban and rural FM stations in the late 1980s and an increase in talk radio on the AM dial. Garth Brooks rose to fame during the 1990s with a string of several extremely successful albums and songs. Shania Twain would rival this success with her three albums The Woman in Me, Come On Over and Up!. In the last few years, country singer LeAnn Rimes has proved her ability to sing country pop songs such as the record-setting "How Do I Live", which spent 69 weeks on the Billboard Hot 100, the second longest single in the record history. This achievement came in spite of the fact that a nearly identical version of the same song by Trisha Yearwood was released at the same time and was also a hit. Rimes also had a hit with the pop songs "Can't Fight the Moonlight" and "I Need You."

Incorporating elements of pop into country music became extremely popular by the late 90s thus producing many crossover hits and artists, especially on the adult contemporary charts. Country love songs also became more popular with songs like To Make You Feel My Love, Cowboy Take Me Away, "I Love You", "Breathe", "It's Your Love", "Just to See You Smile", "This Kiss", "You're Still the One", "From This Moment On", "You've Got a Way", Valentine, etc.

Martina McBride caused some controversy in 1993 with her hit song "Independence Day" which dealt with spousal abuse. She would also go on to release similar songs about abuse and other society injustices with songs like "A Broken Wing", "Love's the Only House", and "Concrete Angel".

While supporters of country pop contend the style has brought many new fans to the genre,^{[citation needed]} others, particularly older country music artists and fans that embrace the more traditional styles, have criticized country pop music.^{[citation needed]} Their main argument is that commercial country music, especially that which has been produced since 2005, already sounds too much like mainstream pop music even without an even more pop-sounding sub-genre. Kenny Rogers responded to both sides of the debate by stating "For country music, I'm not country enough. Everywhere else I'm too country".^{[citation needed]}

In the 1990s many country artists experienced huge crossover success. These artists include Brooks, Twain, Billy Ray Cyrus, Tim McGraw, Faith Hill, The Dixie Chicks, Jo Dee Messina, Martina McBride, Reba McEntire, Lonestar, Sara Evans and Rimes.

2000s and 2010s[link]

The early 2000s also saw continued success of these artists. Lee Ann Womack scored a big hit with I Hope You Dance". The Dixie Chicks had continued success with a less mainstream country-pop sound when they released their album Home in 2002. However, by the mid-2000s there were fewer country acts having crossover success. Carrie Underwood became a crossover success in 2006 and 2007 though, with her hit single Before He Cheats. Taylor Swift has also had crossover success in the late 2000's.

In the 2010s, Taylor Swift, Carly Rae Jepsen and Lady Antebellum have achieved success recently, with Taylor and Antebellum winning nine Grammy Awards between the two (Swift's song "White Horse" - 2 awards, and album "Fearless" - 2 awards; Lady Antebellum's "Need You Now" - 5 awards). Uncle Kracker also achieved success when his No. 3 peaking adult contemporary hit "Smile" also became a No. 6 country hit. Lady Antebellum scored another crossover hit in the summer of 2011 with the song "Just A Kiss", and also during this past summer The Band Perry song "If I Die Young" crossed over to pop radio. The disco/country/pop song song "Call Me Maybe" has hit #1 in several countries and #4 in the United States.

Swift is the youngest ever to win the Grammy for Album of the Year and the first country solo artist to win that award.

On October 25, 2010, Swift released her third album Speak Now and it sold more than 1 million copies the first week, she is the third female in history to sell more than 1 million copies in a week.

On February 12th, 2012, Swift won the Grammys for the "Best Country Song" and "Best Country Solo Performance" for her song "Mean"; and Lady Antebellum won the Grammy for "Best Country Album" for "Own the Night", bringing the total amount of Grammy wins between the two act to thirteen (Swift - 6 awards; Lady Antebellum - 7 awards).

Country pop artists/groups[link]

See also[link]

Country music portal

• "Murder on Music Row"
• "Long Time Gone"

Notes[link]

v t e Country music genres Alternative country Australian country Bakersfield sound Bluegrass Country folk Country pop Country rap Country rock Cowpunk Country soul Honky tonk Lubbock sound Nashville sound Neotraditional country Outlaw country Progressive country Red Dirt music Rockabilly Texas country music Western swing Country music portal

Lee Ann Womack
Lee Ann Womack signing an autograph.
Background information
Birth name	Lee Ann Womack
Born	(1966-08-19) August 19, 1966 (age 45)
Origin	Jacksonville, Texas, US
Genres	Country, Country Pop
Occupations	singer-songwriter
Instruments	Vocals, Guitar
Years active	1992–present
Labels	Decca Nashville MCA Nashville Mercury Nashville
Associated acts	Cross Canadian Ragweed, Willie Nelson, Jason Sellers, George Strait, Frank Liddell
Website	Official Website

Lee Ann Womack (born August 19, 1966 in Jacksonville, Texas, United States) is an American country music singer and songwriter, who is best known for her old fashioned-styled country music songs that often discuss subjects such as cheating and lost love.^[1] Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching #1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song.^[2]

Although Lee Ann Womack emerged as a contemporary country artist in 1997 with the release of her first album, her material closely resembled that of Dolly Parton and Tammy Wynette,^[3] mixing Womack's music with an old fashioned style, as well as contemporary elements, making her different from her counterparts. Her 2000 release I Hope You Dance, however, was an entirely different sound, using pop music elements instead of traditional country, helping to establish Womack as a pop crossover artist. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music.

Presently, Womack has released a total of six studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the RIAA. Additionally, she has received five Academy of Country Music Awards, five Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide.*[1]

Early life[link]

Womack was born and raised in Jacksonville, Texas, United States. At an early age, she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air.^[4] Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984.^[1] After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan.^[4] A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial ways of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation.^[1]

Womack spent a few years raising her children before reentering the music business in the mid 90s.^[2] In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishings, who signed her after listening to one of original demo recordings.^[4] Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996.^[1]

Music career[link]

Country music stardom: 1997 — 1999[link]

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White.^[4] With the original release of the album, there was worry that the album wouldn't sell because some people wouldn't be able to differentiate between her and LeAnn Rimes, who was also a successful artist at that time. However, Womack decided to keep her given name.^[2] The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association.^[1] Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year.^[5]

In 1998, Womack released her second studio album, Some Things I Know,^[1] which was also produced by Mark Wright.^[3] The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to #2 on the Billboard Country Chart.^[5] Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after.

That year, she also won Favorite Country New Artist from the American Music Awards.^[2] Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999.^[3]

Pop crossover success & career decline: 2000 — 2004[link]

She released her third studio album in 2000 entitled, I Hope You Dance, which was met with major success.^[1] The title track (which was released as the lead single), reached #1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching #14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at #40. Both of Womack's daughters appeared in the song's video that year. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards.^[5] With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards.^[1] The album of the same name has sold 3 million copies in the United States to date.^[5] The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at #4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15.

On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. This song was also featured in the 2008 Tyler Perry film entitled "The Family that Preys."

In 2002 Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002.^[5] In early 2003, she got a small recurring role on the popular CBS drama, The District.^[4]

In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin.^[6] She also collaborated with Texas Music band, Cross Canadian Ragweed on their hit, "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go."

[edit] There's More Where That Came From & hiatus: 2005 — 2007

In 2005, she released her fifth studio album aimed at traditional country music entitled, There's More Where That Came From.^[5] Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.^[7] Womack took inspiration from the records of the 60s and 70s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 70s. They also called it one of her best records.^[8] The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year.^[5] Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD.

Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things.^[9] Womack has also appeared on specials on the CMT network, including their, "100 Greatest Duets", which featured Womack singing the duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show, being West had died in a serious car accident in September 1991. Womack's other honors includes being listed at #17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music.

In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at #46 on the Billboard Country Chart.^[10] The single later peaked at #37 and was re-scheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury.^[11]

Return to music: 2008 — present[link]

In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008.

Call Me Crazy was issued as a vinyl LP at the time of its release, as well as CD.

Call Me Crazy, produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-make of the George Strait classic, "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban.^[12]

In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which she has said she is unsure of the release date. The song debuted at #60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at #32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't".^[13]

In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts.

Lee Ann Womack also performs the theme song for The Berenstain Bears animated television show.

Personal life[link]

At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990. Together they had a daughter Aubrie Lee Sellers, born 1991, before divorcing in 1996.^[14] In January 1999 daughter Anna Lise Liddell was born after Womack married record producer Frank Liddell.

Discography[link]

Studio album

• 1997: Lee Ann Womack
• 1998; Some Things I Know
• 2000: I Hope You Dance
• 2002: Something Worth Leaving Behind
• 2005: There's More Where That Came From
• 2008: Call Me Crazy

Compilation albums

• 2004: Greatest Hits
• 2011: Icon

Holiday albums

• 2002: The Season for Romance

Awards[link]

References[link]

External links[link]

• Lee Ann Womack's Official Website
• Lee Ann Womack Unofficial Site
• Lee Ann Womack at the Internet Movie Database

Wikimedia Commons has media related to: Lee Ann Womack

Patricia Welch (born September 20, 1954) is an American singer and actress.

Biography[link]

She was born Patricia Ann Carpico in Steubenville, OH and grew up in the small town of Colliers, WV. She attended West Virginia University in Morgantown, WV where she majored in music and drama. In 1972 her vocal training was with American classical soprano opera singer Frances Yeend who was internationally known and appeared regularly with the New York City Opera and the Metropolitan Opera.^[1]

1980-1985[link]

In 1980 she was cast as Tuptim in the national touring company of the King and I musical. She went on to perform the 1985 revival of the King and I at the Broadway Theatre in New York City.^[2] The production was directed by Mitch Leigh and was nominated for two Tony Awards. The show ran for 191 performances and Brynner received a Tony Special Award honoring his 4,525 performances in The King and I. Welch was the last Tuptim to perform on Broadway with Yul Brynner prior to his death on October 10, 1985.

1990-Present[link]

Welch performed at many concerts and events as a featured soloist with various orchestras across the United States, including The LA Pops Orchestra, The Orange County Symphony, The Pacific Palisades Orchestra, The San Juan Capistrano Symphony, and The Jonathan Pops Orchestra.

She recorded the singing voice in two of HBO's animated Happily Ever After: Fairy Tales for Every Child series in 2000 for the character Vanna in season three number thirty-five of Rip Van Winkle, who's featured voice was Calista Flockhart, and Season three number thirty-two Henny Penny, who's featured voice was Sharon Stone. She recorded the singing voice for the character Holly Lovell, which was performed by the actress Lindsey Haun, as well as the singing voice for Angela, which was performed by actress Barbara Mamabolo, in Brave New Girl, a 2004 TV movie adapted for television from the novel A Mother's Gift by Britney and Lynne Spears.^[3]

She went on to tour as a featured soloist with Robert Goulet in his show The Man and His Music in 2004. She also recorded a duet with Robert Goulet for a 2007 PBS special. In 2005 and 2006 Welch was a guest soloist in The Wayne Newton Show.

Personal life[link]

Patricia Welch lives with her husband, (Author) A. P. DuBarry in La Quinta, California.

Discography[link]

• Stream of Love (1990)
• If We Hold On Together (1991)
• Broadway's Best by Patricia (1995)

References[link]

External links[link]

• Patricia Welch's Official Website
• Patricia Welch's facebook Page
• Patricia Welch's Myspace Page
• Patricia Welch at the Internet Movie Database
• Patricia Welch at the Internet Broadway Database
• Patricia Welch at Allmusic