Korean poetry is poetry performed or written in the Korean language or by Korean people. Traditional Korean poetry is often sung in performance. Until the 20th century, much of Korean poetry was written in Hanja and later Hangul.

History[link]

The performance of oral songs in the religious life of the ancient Korean people is vivildy recorded in Chinese dynastic histories. At state assemblies the chief ritualist would tell the story of the divine origin of the founder, as evinced by foundation myths, and his extraordinary deeds in war and peace. Recited narrative was interspersed with primal songs (norae) that not only welcomed, entertained, and sent off gods and spirits. Thus orality and performance were significant features of vernacular poetry in ancient Korea.^[1]

A famous surviving example dates to 17 BC, Yuri's Song of Yellow Birds (Hwangjoga, 황조가/黃鳥歌). Some later Korean poetry followed the style of Tang lyric poetry such as the shi poetry form. Notable Korean poetry began to flourish during the Goryeo period (starting in 935). Collections were rarely printed.

Sijo, Korea's favorite poetic genre, is often traced to seonbi scholars of the 11th century, but its roots, too, are in those earlier forms. The earliest surviving poem of the sijo genre is from the 4th century. Its greatest flowering occurred in the 16th and 17th centuries under the Joseon Dynasty.

Hyangga[link]

Hyangga poetry refers to vernacular Korean poetry which transcribed Korean sounds using Hanja (similar to the idu system, the hyangga style of transcription is called hyangch'al) and is characteristic of the literature of Unified Silla. It is one of the first uniquely Korean forms of poetry. The Goryeo period Samguk Yusa contains 14 poems that have been preserved to the present day. These are thought to have been taken by Ilyon (compiler of Samguk Yusa) from an anthology called the Samdaemok(삼대목/三代目) which was completed during the Shilla period, in 888 (according to Samguk Sagi), but is no longer extant today. This lost anthology is thought to have contained approximately 1,000 hyangga. Eleven poems from the later Goryeo Dynasty Gyunyeojeon (균여전/均如傳), characterized by the same style, have also been preserved.

Hyangga are characterized by a number of formal rules. The poems may consist of four, eight or ten lines. The ten-line poems are the most developed, structured into three sections with four, four, and two lines respectively. Many of the five-line poems were written by Buddhist monks. The extent of the Shilla hwarang's role in the development and flourishing of the hyangga genre is a subject of much scholarly interest.

Goryeo songs[link]

The Goryeo period was marked by a growing use of Hanja. Hyangga largely disappeared as a form of Korean literature, and "Goryeo songs" (Goryeo gayo) became more popular. Most of the Goryeo songs were transmitted orally and many survived into the Joseon period, when some of them were written down using hangul.

The poetic form of the Goryeo songs is known as byeolgok. There are two distinct forms: dallyeonche (단련체) and yeonjanche (연잔체). The former is a short form, whereas the latter is a more extended form. The Goryeo songs are characterized by their lack of clear form, and by their increased length. Most are direct in their nature, and cover aspects of common life.

Sijo[link]

During the Joseon dynasty,a three-line poetry, called sijo, became more popular and reached its apex in the late 18th century. Sijo is a modern term for what was then called dan-ga (literally, "short song").

The sijo having a strong foundation in nature in a short profound structure. Bucolic, metaphysical and astronomical themes are often explored. The lines average 14-16 syllables, for a total of 44-46. There is a pause in the middle of each line, so in English they are sometimes printed in six lines instead of three. Most poets follow these guidelines very closely although there are longer examples. The most famous example is possibly this piece by Yun Seondo:

You ask how many friends I have? Water and stone, bamboo and pine.

The moon rising over the eastern hill is a joyful comrade.

Besides these five companions, what other pleasure should I ask?

Yun Seondo (1587–1671) also wrote a famous collection of forty sijo of the changing seasons through the eyes of a fisherman.

Either narrative or thematic, this lyric verse introduces a situation or problem in line 1, development (called a turn) in line 2, and a strong conclusion beginning with a surprise (a twist) in line 3, which resolves tensions or questions raised by the other lines and provides a memorable ending.

Sijo is, first and foremost, a song. This lyric pattern gained popularity in royal courts amongst the yangban as a vehicle for religious or philosophical expression, but a parallel tradition arose among the commoners. Sijo were sung or chanted with musical accompaniment, and this tradition survives. The word originally referred only to the music, but it has come to be identified with the lyrics.

Gasa[link]

Gasa is a form of verse, although its content can include more than the expression of individual sentiment, such as moral admonitions. Gasa is a simple form of verse, with twinned feet of three or four syllables each. Some regard gasa a form of essay. Common themes in gasa were nature, the virtues of gentlemen, or love between man and woman.

The form had first emerged during the Goryeo period., and was popular during the Joseon Dynasty. They were commonly sung, and were popular among yangban women. Jeong Cheol, a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two.

Modern poetry[link]

See also South Korean literature, and List of Korean language poets (mainly 20th Century)

There were attempts at introducing imagist and modern poetry methods particularly in translations of early American moderns such as Ezra Pound and T. S. Eliot in the early 20th century. In the early Republic period (starting in 1953 after the Korean War), patriotic works were very successful.

Lyrical poetry dominated from the 1970s onwards. Poetry is quite popular in 21st century Korea, both in terms of number of works published and lay writing.

A corpus of modern Korean poetry is being compiled. The work provides linguistic information on 10,300 original Korean poems.^[2]

See also[link]

Poetry portal

• List of Korea-related topics
• Korean culture
• Korean literature
• List of Korean language poets

References[link]

1. ^ The Columbia anthology of traditional Korean poetry By Peter H. Lee
2. ^ Kim Byong-sun, 2002, "The Present Conditions and Tasks in Constructing the Database of Korean Literary Materials Centering on the Korean Poetry Corpus," The Review of Korean Studies 8 (4):105-140. http://review.aks.ac.kr/AttachedFiles/02기획논문_4김병선.pdf

External links[link]

• An outline history of Korean poetry
• Korean poems in English translations

Dave Chappelle
Dave Chappelle, 2007
Birth name	David Khari Webber Chappelle
Born	(1973-08-24) August 24, 1973 (age 38) Washington, D.C., U.S.[1]
Medium	Stand-up, television, film
Nationality	American
Years active	1987–present
Genres	Satire/political satire, improvisational comedy, observational comedy, surreal humor, sketch comedy, black comedy, blue comedy
Subject(s)	Racism, race relations, American politics, African American culture, pop culture, recreational drug use, human sexuality, morality
Influences	Richard Pryor,[2] Eddie Murphy,[2] Mel Blanc,[2] Chris Rock[3]
Spouse	Elaine Chappelle (2001–present) 3 children
Notable works and roles	Himself and Various in Chappelle's Show Himself in Dave Chappelle's Block Party Achoo in Robin Hood: Men in Tights Thurgood Jenkins in Half Baked
Signature

David Khari Webber "Dave" Chappelle^[4] (/ʃəˈpɛl/; born August 24, 1973)^[1] is an American comedian, screenwriter, television/film producer, actor, and artist. Chappelle began his film career in the film Robin Hood: Men in Tights in 1993 and continued to star in minor roles in the films The Nutty Professor, Con Air, and Blue Streak. His first lead role in a film was in Half Baked in 1998. In 2003, he became widely known for his popular sketch comedy television series, Chappelle's Show, which ran until his abrupt retirement from the show in 2005. Chappelle is ranked forty-third in Comedy Central Presents: 100 Greatest Stand-Ups of All Time.^[5]

Early life[link]

Chappelle was born David Khari Webber Chappelle in Washington, D.C. on August 24, 1973.^[1][2] His father, William David Chappelle III, was a professor at Antioch College in Yellow Springs, Ohio.^[2] His mother, Yvonne (née Reed), was a professor at Howard University, Prince George's Community College, and the University of Maryland and is also a Unitarian Universalist minister.^[6][7][8] Chappelle grew up in Silver Spring, Maryland and attended Woodlin Elementary School.^[2] During young Chappelle's formative years, his comic inspiration came from various comedians, particularly Eddie Murphy and Richard Pryor.^[2]

After his parents separated, Chappelle stayed in Washington with his mother while spending summers with his father in Ohio. In 1991, he graduated from Washington's Duke Ellington School of the Arts where he studied theatre arts.^[2]

Chappelle moved to New York City to pursue a career as a comedian. He gathered the courage to perform at Harlem's famed Apollo Theater in front of the infamous "Amateur Night" audience. The performance resulted in him being booed off the stage. Chappelle has described the experience as the moment that gave him the courage to continue his show business aspirations.^[2] He quickly made a name for himself in the New York comedy circuit, even performing in the city's parks. At the age of 19, Chappelle made his film debut as "Ahchoo" in Mel Brooks' Robin Hood: Men in Tights. In the same year, Chappelle was offered the role of Benjamin Buford "Bubba" Blue in Forrest Gump. Concerned about what seemed to be a racially demeaning character, he turned down the part; the film would go on to win Academy Award for Best Picture that year. He has since admitted to regretting the decision.^[9] Chappelle played another supporting movie role in 1994's little-seen Getting In.

He attracted the attention of TV network executives and developed numerous pilots but none of them were picked up for series.^[2][10] In 1995, he made a guest appearance in an episode of ABC's highly rated sitcom Home Improvement. The storyline had Chappelle and real-life friend comedian Jim Breuer ask Tim Taylor for advice on their girlfriends. The characters' single outing in the episode proved so popular that ABC decided to give them their own spin-off sitcom titled Buddies. However, after taping a pilot episode, Jim Breuer was fired and replaced with actor Christopher Gartin. Buddies premiered in March 1996 to disappointing ratings. The show was cancelled after only four episodes out of thirteen that were produced. Nine years later, in May 2005, ten of the episodes were released on a single-disc DVD to capitalize on Chappelle's new-found fame.

After the failure of Buddies, Chappelle starred in another pilot. According to Chappelle, the network was uncomfortable with the African-American cast and wanted white actors added. Chappelle resisted and subsequently accused the network of racism. Shortly after this incident, Chappelle's father died. Chappelle returned to Ohio and considered leaving the entertainment business.^[2][10]

He later appeared as a nightclub comedian in the 1996 comedy The Nutty Professor starring Eddie Murphy, one of his major comedic influences. He also had a minor role in 1997's Con Air. He and Neal Brennan co-wrote the 1998 cult stoner film Half Baked, Chappelle's first starring role, about a group of marijuana-smoking friends trying to get their friend out of jail. That same year, he appeared in "Pilots and Pens Lost", a 1998 episode of The Larry Sanders Show's sixth season, in which he and the executives of the show's nameless television network satirized the treatment to which scriptwriters and show creators were subjected, as well as the executives' knee-jerk tendencies toward racial stereotypes. In December of that year Chappelle appeared as Tom Hanks' friend and confidant in You've Got Mail. In 1999, he appeared in the Martin Lawrence film Blue Streak.

In 2000, Chappelle recorded his first HBO special, Dave Chappelle: Killin' Them Softly, in Washington, DC.^[11] He followed this up with an appearance as "Conspiracy Brother" in the 2002 racial satire Undercover Brother.

[edit] 2003–2006: Standup and Chappelle's Show

In 2003, Chappelle debuted his own weekly sketch comedy show on Comedy Central called Chappelle's Show. The show parodied many aspects of American culture including racial stereotypes, politics and pop culture. Along with comedy skits, the show also featured musical performances by mostly hip-hop and soul artists.

Chappelle's pointed social and political commentary quickly helped the show garner critical and commercial success as well as controversy.^[10][12] Richard Pryor, one of Chappelle's comedic influences, was a fan of the show and stated that he had "passed the torch" to Chappelle.^[10] Chappelle received two Emmy nominations for the show.^[13] Additionally, the DVD set became the best-selling DVD of a television show to date, overtaking the previous best-selling, The Simpsons first season DVD. It had sold over 3 million copies.^[14] Due to the show's popularity, Comedy Central's parent company Viacom reportedly offered Chappelle a $55 million contract (giving Chappelle a share of DVD sales) to continue production of Chappelle's Show for two more years while allowing him to do side projects. Chappelle had stated that sketches are not his favorite form of comedy, and that the characteristics of the show's format were somewhat like short films.

In June 2004, based on the popularity of the "Rick James" sketch, it was announced that Chappelle was in talks to portray Rick James in a biopic from Paramount Pictures (also owned by Viacom).^[15] James's estate disagreed with the proposed comical tone of the film and put a halt to the talks.^[16]

In 2004, Chappelle recorded his second comedy special, this time airing on Showtime - Dave Chappelle: For What It's Worth, at San Francisco's Fillmore Auditorium.^[17]

Season three turbulence[link]

In a June 2004 stand-up performance in Sacramento, California, Chappelle walked off the stage after berating his audience for constantly shouting "I'm Rick James, bitch!," which became a catchphrase from the popular "Rick James" sketch. After a few minutes, Chappelle returned and continued by saying, "The show is ruining my life." He stated that he disliked working "20 hours a day" and that the popularity of the show was making it difficult for him to continue his stand-up career, which was "the most important thing" to him. He also told the audience:

You know why my show is good? Because the network officials say you're not smart enough to get what I'm doing, and every day I fight for you. I tell them how smart you are. Turns out, I was wrong. You people are stupid.^[18]

Season 3 was scheduled to air on May 31, 2005, but in that month, Chappelle stunned fans and the entertainment industry when he abruptly left during production of the third season of Chappelle's Show and took a trip to South Africa. Chappelle has since stated that he was unhappy with the direction the show had taken.

Coming here I don't have the distractions of fame. It quiets the ego down. I'm interested in the kind of person I've got to become. I want to be well rounded and the industry is a place of extremes. I want to be well balanced. I've got to check my intentions, man.^[19]

Return[link]

In June 2005, Chappelle performed impromptu stand-up shows in Los Angeles.^[20][21][22] He then went on a tour that began in Newport, Kentucky, not far from his Ohio home.^[23] He also made a surprise appearance on HBO's Def Poetry where he performed two poems, titled Fuck Ashton Kutcher and How I Got the Lead on "Jeopardy!."^[24] He was interviewed for Inside the Actors Studio on December 18, 2005 at Pace University's Michael Schimmel Center for the Arts. The show premiered on February 12, 2006.^[25] Chappelle stated that the death of his father in 1998 had an impact on his decision to go to South Africa. By throwing himself into his work, he had not taken a chance to mourn his father's death. He also said the rumors that he was in drug or psychiatric treatment only persuaded him to stay in South Africa.^[2]

He continued:

I would go to work on the show and I felt awful every day, that's not the way it was. ... I felt like some kind of prostitute or something. If I feel so bad, why keep on showing up to this place? I'm going to Africa. The hardest thing to do is to be true to yourself, especially when everybody is watching.

Chappelle also said that he felt some of his sketches were "socially irresponsible."^[26][27] He singled out the "pixie sketch" in which pixies appear to people and encourage them to reinforce stereotypes of their races. In the sketch, Chappelle is wearing blackface and is dressed as a character in a minstrel show.^[28] According to Chappelle, during the filming of the sketch, a crew member was laughing in a way that made him feel uncomfortable and made him rethink the show.^[26][27] Chappelle said, "it was the first time I felt that someone was not laughing with me but laughing at me."^[26]

During these interviews, Chappelle did not rule out returning to Chappelle's Show to "finish what we started," but promised that he would not return without changes to the production, such as a better working environment. He also stated he would like to donate half of the DVD sales to charity.^[29] Chappelle expressed disdain at the possibility of his material from the unfinished third season being aired, saying that to do so would be "a bully move," and that he would not return to the show if Comedy Central were to air the unfinished material.^[27] On July 9, 2006, Comedy Central aired the first episode of Chappelle's Show: The Lost Episodes. An uncensored DVD release of the episodes was made available on July 25.

The show still plays in syndication on several television networks despite the relatively small number of episodes compared to most American syndicated television programs.^{[citation needed]}

[edit] Dave Chappelle's Block Party

The site of Dave Chappelle's Block Party in Brooklyn.

Chappelle was the star and producer of the Michel Gondry-directed documentary Dave Chappelle's Block Party, which chronicles a Chappelle-hosted concert in the Clinton Hill neighborhood of Brooklyn on September 18, 2004. Several musical artists, including Kanye West, The Roots, Erykah Badu, Mos Def, Dead Prez and Jill Scott are featured in the movie both performing in the concert and in conversation off-stage. The most surprising highlight of the event was the "last minute" reunion of popular 1990s hip hop group The Fugees. Chappelle toured several cities in February and March 2006 to promote the film under the moniker "Block Party All-Stars featuring Dave Chappelle". Universal Pictures' genre division Rogue Pictures released the film in the United States on March 3, 2006.

2007–present[link]

In April 2007, Chappelle set a stand-up endurance record at the Laugh Factory Sunset Strip comedy club, beating comedian Dane Cook's record of 3 hours and 50 minutes. In December of the same year, Chappelle broke his own record with a time of 6 hours and 12 minutes. Cook reclaimed the record in January 2008, with a time of 7 hours.^[30] On November 19, 2009 Chappelle performed at the Laugh Factory in Los Angeles, where it was speculated that he would aim to take back the record. However, he was disqualified according to the club owner, after he left the stage, five hours into his routine.^[31]

Chappelle again appeared on Inside the Actors Studio and in celebration of the show's 200th episode, he humorously interviewed the show's usual host, James Lipton. The episode aired on November 11, 2008.

Personal life[link]

Chappelle lives with his wife Elaine, two sons,^[28] Sulayman^[32] and Ibrahim,^[33] and daughter Sonal, on a 65-acre (260,000 m²) farm,^[2][10] just outside Yellow Springs, Ohio.^[23] He also owns several houses in Xenia, Ohio. Regarding his home in Yellow Springs, Ohio, Chappelle says, "Turns out you don't need $50 million to live around these parts, just a nice smile and a kind way about you. You guys are the best neighbors ever," he stated at a blues and jazz festival in the town in mid-September 2006. "That's why I came back and that's why I'm staying."^[34]

Chappelle is a Muslim, having converted to Islam in 1998. He told Time Magazine in a May 2005 interview, "I don’t normally talk about my religion publicly because I don’t want people to associate me and my flaws with this beautiful thing. And I believe it is beautiful if you learn it the right way."^[35]

Filmography[link]

This section requires expansion.

Discography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Dave Chappelle

Wikiquote has a collection of quotations related to: Dave Chappelle

• Dave Chappelle at the Internet Movie Database
• Video of Anderson Cooper 360 Interview
• Fresh Air Interview in 2004

Ko Un
Ko Un in Krakow, Poland, 23 October 2009
Korean name
Hangul	고은
Hanja	高銀
Revised Romanization	Go Eun
McCune–Reischauer	Ko Ǔn
Birth name
Hangul	고은태
Hanja	高銀泰
Revised Romanization	Go Eun-tae
McCune–Reischauer	Ko Ŭnt'ae

Ko Un (born on 1 August or 11 April 1933) is a South Korean poet. His works have been translated and published in more than 15 countries and he has been imprisoned many times.^[1] Un is often considered a likely winner of the Nobel Prize in Literature,^[2] so much so that reporters have camped outside his house ahead of the annual announcement.^[1][3]

Life[link]

Ko was born Ko Untae in Gunsan, North Jeolla Province in 1933. He was at Gunsan Middle School when war broke out.

The Korean War emotionally and physically traumatized Ko and caused the death of many of his relatives and friends. Ko's hearing suffered from acid that he poured into his ears during an acute crisis in this time and it was further harmed by a police beating in 1979. In 1952, before the war had ended, Ko became a Buddhist monk. After a decade of monastic life, he chose to return to the active, secular world in 1962 to become a devoted poet. From 1963 to 1966 he lived on Jejudo, where he set up a charity school, and then moved back to Seoul. His life was not calm in the outer world, and he wound up attempting suicide (a second time) in 1970.

Around the time the South Korean government attempted to curb democracy by putting forward the Yusin Constitution in late 1972, Ko became very active in the democracy movement and led efforts to improve the political situation in South Korea, while still writing prolifically and being sent to prison four times (1974, 1979, 1980 and 1989). In May 1980, during the coup d'etat led by Chun Doo-hwan, Ko was accused of treason and sentenced to 20 years' imprisonment. He was released in August 1982 as part of a general pardon.

After his release, his life became calmer; however, he startled his large following by revising many of his previously published poems. Ko married Sang-Wha Lee on May 5, 1983, and moved to Anseong, Gyeonggi-do, where he still lives. He resumed writing and began to travel, his many visits providing fabric for the tapestry of his poems. Since 2007, he is a visiting scholar in Seoul National University, and teaches poetics and literature.

Publications[link]

Ko began publishing in 1958.^[4] He has published approximately 135 volumes, including many volumes of poetry, several works of fiction (especially Buddhist fiction), autobiography, drama, essays, translations from classical Chinese, travel books, etc.

Translations[link]

Portions of his work have been translated into English (The Sound of My Waves (Selected Poems 1960-1990, Cornell EAS, 1991); "Morning Dew" (Selected Poems, Sidney: Paper Bark Press, Australia, 1996); Beyond Self (Parallax Press, 1996, now out of print, to be republished by Parallax in 2007 as Zen Poems); Little Pilgrim (Parallax Press, 2005, a novel); Ten Thousand Lives with an introduction by Robert Hass (Green Integer, 2005); The Three Way Tavern (Selected Poems, UC Press, 2006)); Flowers of a Moment, 185 brief poems (BOA Editions, 2006); Abiding Places, Korea North & South(Tupelo, 2006); Songs for Tomorrow: A Collection of Poems 1961-2001 (Green Integer, 2009); Himalaya (Green Integer, 2010), as well as into Spanish (4-5 volumes) Italian, French, German, Japanese, Chinese, Vietnamese, Czech, Bulgarian, Swedish and Danish. The complete list is available on Ko Un's personal homepage.

Literary Awards[link]

• Korean Literature Prize (1974, 1987)^[5]
• Manhae Literary Prize (1989)^[6]
• Joongang Literary Prize (1991)^[7]
• Daesan Literary Prize (1994)^[8]
• Bjørnson Prize Order for Literature(2005)
• Cikada Prize (Swedish literary prize for East Asian poets) (2006)
• Griffin Poetry Prize Lifetime Recognition Award (2008)

See also[link]

Wikimedia Commons has media related to: Ko Un

• Korean literature
• Korean poetry
• List of Korean language poets
• Korea Literature Translation Institute (LTI Korea)

References[link]

External links[link]

All of the following links lead to English language pages.

• Gimm-Young Publishers' extensive Ko Un website (requires Flash)
• [1] [2] Numerous links woven by his English-language co-translator Brother Anthony ]
• The iconic news photograph (Ko Un is in between Kim Dae-jung and Kim Jong-il) at unification summit)
• Ko Un's place in modern Korean poetry by Choi Won-shik
• Short overview of Ko and his style
• Writers from the Other Asia by John Feffer, from The Nation
• Brief introduction from a publisher
• Pointing Beyond Words, a biographical survey, by Gary Gach, from BuddhaDharma
• Microreview of Ten Thousand Lives (Maninbo) by Katie Peterson, from Boston Review
• Several poems from Ten Thousand Lives on Sogang University website
• Three more poems from Ten Thousand Lives plus a short bio, at Words Without Borders
• Griffin Poetry Prize Lifetime Recognition tribute, including audio and video clips