The University of Oxford

Academia is the community of students and scholars engaged in higher education and research.

Etymology[link]

The word comes from the akademeia in ancient Greece, which derives from the Athenian hero, Akademos. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe."

In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BCE, established what is known today as the Old Academy.

By extension Academia has come to mean the cultural accumulation of knowledge, its development and transmission across generations and its practitioners and transmitters. In the 17th century, British and French scholars used the term to describe types of institutions of higher learning.

History[link]

Ancient Greece[link]

In ancient Greece, after the establishment of the original Academy, Plato's colleagues and pupils developed spin-offs of his method. Arcesilaus, a Greek student of Plato established the Middle Academy. Carneades, another student, established the New Academy. In 335 BC, Aristotle refined the method with his own theories and established the Lyceum in another gymnasium.

Africa[link]

The library of Alexandria in Egypt was counted as one of the wonders of the ancient world. Intellectuals from Africa, Europe and Asia studied various aspects of philosophy, language and mathematics.

The University of Timbuktu was a medieval university in Timbuktu, present-day Mali, which comprised three schools: the Mosque of Djinguereber, the Mosque of Sidi Yahya, and the Mosque of Sankore. During its zenith, the university had an average attendance of around 25,000 students within a city of around 100,000 people.

China[link]

In China a higher education institution Shang Xiang was founded by Shun in the Youyu era before the 21st century BCE. The Imperial Central Academy at Nanjing, founded in 258, was a result of the evolution of Shang Xiang and it became the first comprehensive institution combining education and research and was divided into five faculties in 470, which later became Nanjing University.

In the 8th century another kind of institution of learning emerged, named Shuyuan, which were generally privately owned. There were thousands of Shuyuan recorded in ancient times. The degrees from them varied from one to another and those advanced Shuyuan such as Bailudong Shuyuan and Yuelu Shuyuan can be classified as higher institutions of learning.

India/Pakistan[link]

The first universities founded in ancient sub continent IndoPak were Taxila (Takshashila University) in the 7th century BCE and Nalanda (Nalanda University) in the 5th century BCE, followed by Byzantium in the 5th century (in Constantinopolis and Athens).

Islamic world[link]

The first universities in the Islamic world were founded in Fes (University of Al-Karaouine) in the 9th century and Cairo (Al-Azhar University) in the 10th century.

The university of Timbukutu was also Islamic in nature.^{[citation needed]}

Western Europe[link]

In western Europe, universities were founded in the 12th and 13th centuries, and the European institution of Academia took shape. Monks and priests moved out of monasteries to cathedral cities and other towns where they opened the first schools dedicated to advanced study.

The most notable of these schools were in Bologna, Paris, Oxford and Cambridge, while others were opened throughout Europe.

The seven liberal arts — the Trivium (Grammar, Rhetoric, and Logic), and the Quadrivium (Arithmetic, Geometry, Music, and Astronomy) — had been codified in late antiquity. This was the basis of the curriculum in western Europe until newly available Arabic texts and the works of Aristotle became available in Western Europe in the 12th century. It remained in place even after the new scholasticism of the School of Chartres and the encyclopedic work of Thomas Aquinas, until the humanism of the 15th and 16th centuries opened new studies of arts and sciences.

Academic societies[link]

Academic societies or learned societies began as groups of academics who worked together or presented their work to each other. These informal groups later became organized and in many cases state-approved. Membership was restricted, usually requiring approval of the current members and often total membership was limited to a specific number. The Royal Society founded in 1660 was the first such academy. The American Academy of Arts and Sciences was begun in 1780 by many of the same people prominent in the American Revolution. Academic societies served both as a forum to present and publish academic work, the role now served by academic publishing, and as a means to sponsor research and support academics, a role they still serve. Membership in academic societies is still a matter of prestige in modern academia.

Eighteenth and nineteenth centuries[link]

The examples and perspective in this section deal primarily with the United States and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)

Academia began to splinter from its Christian roots in 18th-century colonial America. In 1753, Benjamin Franklin established the Academy and Charitable School of the Province of Pennsylvania. In 1755, it was renamed the College and Academy and Charitable School of Philadelphia. Today, it is known as the University of Pennsylvania. For the first time, academia was established as a secular institution. For the most part, church-based dogmatic points of view were no longer thrust upon students in the examination of their subjects of study. Points of view became more varied as students were free to wander in thought without having to add religious dimensions to their conclusions.

In 1819, Thomas Jefferson founded the University of Virginia and developed the standards used today in organizing colleges and universities across the globe. The curriculum was taken from the traditional liberal arts, classical humanism and the values introduced with the Protestant Reformation. Jefferson offered his students something new: the freedom to chart their own courses of study rather than mandate a fixed curriculum for all students. Religious colleges and universities followed suit.

The Academy movement in the U.S. in the early 19th century arose from a public sense that education in the classic disciplines needed to be extended into the new territories and states that were being formed in the Old Northwest, in western New York State, Pennsylvania, Ohio, Michigan, Indiana and Illinois. Dozens of academies were founded in the area, supported by private donations.

During the Age of Enlightenment in 18th-century Europe, the academy started to change in Europe. In the beginning of the 19th century Wilhelm von Humboldt not only published his philosophical paper On the Limits of State Action, but also directed the educational system in Prussia for a short time. He introduced an academic system that was much more accessible to the lower classes. Humboldt's Ideal was an education based on individuality, creativity, wholeness, and versatility. Many continental European universities are still rooted in these ideas (or at least pay lip-service to them). They are, however, in contradiction to today's massive trend of specialization in academia.

Academic personnel[link]

An academic is a person who works as a teacher and researcher at a university or other higher education institution.

Academic administrators such as university presidents are not typically included in this use of the term academic, although many administrators hold advanced degrees and pursue scholarly research and writing while also tending to their administrative duties.

Qualifications[link]

An academic usually holds an advanced degree.

United States[link]

In the United States, the term academic is approximately synonymous with that of the job title professor although in recent decades a growing number of institutions include librarians in the category of "academic staff."

United Kingdom[link]

In the United Kingdom, various titles are used, typically fellow, lecturer, reader, and professor (see also academic rank), though the loose term don is often popularly substituted. The term scholar is sometimes used with equivalent meaning to that of "academic" and describes in general those who attain mastery in a research discipline. It has wider application, with it also being used to describe those whose occupation was researched prior to organized higher education.

Structure[link]

Academia is usually conceived of as divided into disciplines or fields of study. These have their roots in the subjects of the medieval trivium and quadrivium, which provided the model for scholastic thought in the first universities in medieval Europe.

The disciplines have been much revised, and many new disciplines have become more specialized, researching smaller and smaller areas. Because of this, interdisciplinary research is often prized in today's academy, though it can also be made difficult both by practical matters of administration and funding and by differing research methods of different disciplines. In fact, many new fields of study have initially been conceived as interdisciplinary, and later become specialized disciplines in their own right - a recent example is cognitive science.

Most academic institutions reflect the divide of the disciplines in their administrative structure, being divided internally into departments or programs in various fields of study. Each department is typically administered and funded separately by the academic institution, though there may be some overlap and faculty members, research and administrative staff may in some cases be shared among departments. In addition, academic institutions generally have an overall administrative structure (usually including a president and several deans) which is controlled by no single department, discipline, or field of thought. Also, the tenure system, a major component of academic employment and research, serves to ensure that academia is relatively protected from political and financial pressures on thought.

Qualifications[link]

The degree awarded for completed study is the primary academic qualification. Typically these are, in order of completion, associate's degree, bachelor's degree (awarded for completion of undergraduate study), master's degree, and doctorate (awarded after graduate or postgraduate study). These are only currently being standardized in Europe as part of the Bologna process, as many different degrees and standards of time to reach each are currently awarded in different countries in Europe. In most fields the majority of academic researchers and teachers have doctorates or other terminal degrees, though in some professional and creative fields it is common for scholars and teachers to have only master's degrees.

Academic conferences[link]

Closely related to academic publishing is the practice of bringing a number of intellectuals in a field to give talks on their research at an academic conference, often allowing for a wider audience to be exposed to their ideas.

Conflicting goals[link]

Within academia, diverse constituent groups have diverse, and sometimes conflicting, goals. In the contemporary academy several of these conflicts are widely distributed and common. A salient example of conflict is that between the goal to improve teaching quality and the goal to reduce costs. The conflicting goals of professional education programs and general education advocates currently are playing out in the negotiation over accreditation standards.

Practice and theory[link]

Putting theory into practice can result in a gap between what is learned in academic settings and how that learning is manifested in practical settings. This is addressed in a number of professional schools such as education and social work, which require students to participate in practica for credit. Students are taught to bridge the gap between theory and practice.

Not everyone agrees on the value of theory as opposed to practice. Academics are sometimes criticized as lacking practical experience and thus too insulated from the 'real world.' Academic insularity is colloquially criticized as being "ivory tower"; when used pejoratively, this term is criticized as anti-intellectualism.

To address this split, there is a growing body of practice research, such as the practice-based research network (PBRN) within clinical medical research. Arts and humanities departments debate how to define this emerging research phenomenon. There are a variety of contested models of practice research (practice-as-research, practice-based and practice through research), for example, screen media practice research.

Town and gown[link]

Universities are often culturally distinct from the towns or cities where they reside. In some cases this leads to discomfort or outright conflict between local residents and members of the university over political, economic, or other issues. Some localities in the Northeastern United States, for instance, have tried to block students from registering to vote as local residents—instead encouraging them to vote by absentee ballot at their primary residence—in order to retain control of local politics.^{[citation needed]} Other issues can include deep cultural and class divisions between local residents and university students. The film Breaking Away dramatizes such a conflict.

Commerce and scholarship[link]

The goals of research for profit and for the sake of knowledge often conflict to some degree.^{[citation needed]}

Academic publishing[link]

History of academic journals[link]

Among the earliest research journals were the Proceedings of meetings of the Royal Society in the 17th century. At that time, the act of publishing academic inquiry was controversial, and widely ridiculed. It was not at all unusual for a new discovery to be announced as an anagram, reserving priority for the discoverer, but indecipherable for anyone not in on the secret: both Isaac Newton and Leibniz used this approach. However, this method did not work well. Robert K. Merton, a sociologist, found that 92 percent of cases of simultaneous discovery in the 17th century ended in dispute. The number of disputes dropped to 72 percent in the 18th century, 59 percent by the latter half of the 19th century, and 33 percent by the first half of the 20th century. The decline in contested claims for priority in research discoveries can be credited to the increasing acceptance of the publication of papers in modern academic journals.

The Royal Society was steadfast in its unpopular belief that science could only move forward through a transparent and open exchange of ideas backed by experimental evidence. Many of the experiments were ones that we would not recognize as scientific today — nor were the questions they answered. For example, when the Duke of Buckingham was admitted as a Fellow of the Royal Society on June 5, 1661, he presented the Society with a vial of powdered "unicorn horn". It was a well-accepted 'fact' that a circle of unicorn's horn would act as an invisible cage for any spider. Robert Hooke, the chief experimenter of the Royal Society, emptied the Duke's vial into a circle on a table and dropped a spider in the centre of the circle. The spider promptly walked out of the circle and off the table. In its day, this was cutting-edge research.

Current status and development[link]

Research journals have been so successful that the number of journals and of papers has proliferated over the past few decades, and the credo of the modern academic has become "publish or perish". Except for generalist journals such as Science or Nature, the topics covered in any single journal have tended to be narrow, and readership and citation have declined. A variety of methods for reviewing submissions exist. The most common involves initial approval by the journal, peer review by two or three researchers working in similar or closely related subjects who recommend approval or rejection as well as request error correction, clarification or additions before publishing. Controversial topics may receive additional levels of review. Journals have developed a hierarchy, partly based on reputation but also on the strictness of the review policy. More prestigious journals are more likely to receive and publish more important work. Submitters try to submit their work to the most prestigious journal likely to publish it to bolster their reputation and curriculum vitae.

Andrew Odlyzko, an academician with a large number of published research papers, has argued that research journals will evolve into something akin to Internet forums over the coming decade, by extending the interactivity of current Internet preprints. This change may open them up to a wider range of ideas, some more developed than others. Whether this will be a positive evolution remains to be seen. Some claim that forums, like markets, tend to thrive or fail based on their ability to attract talent. Some believe that highly restrictive and tightly monitored forums may be the least likely to thrive.

Academic dress[link]

Gowns have been associated with academia since the birth of the university in the 14th and 15th centuries, perhaps because most early scholars were priests or church officials. Over time, the gowns worn by degree-holders have become standardized to some extent, although traditions in individual countries and even institutions have established a diverse range of gown styles, and some have ended the custom entirely, even for graduation ceremonies.

At some universities, such as the Universities of Oxford and Cambridge, undergraduates may be required to wear gowns on formal occasions and on graduation. Undergraduate gowns are usually a shortened version of a bachelor's gown. At other universities, for example, outside the UK or U.S., the custom is entirely absent. Students at the University of Trinity College at the University of Toronto wear gowns to formal dinner, debates, to student government, and to many other places.

In general, in the U.S. and UK recipients of a bachelor's degree are entitled to wear a simple full-length robe without adornment and a mortarboard cap with a tassel. In addition, holders of a bachelor's degree may be entitled to wear a ceremonial hood at some schools. In the U.S., bachelor's hoods are rarely seen. Bachelor's hoods are generally smaller versions of those worn by recipients of master's and doctoral degrees.

Recipients of a master's degree in the U.S. or UK wear a similar cap and gown but closed sleeves with slits, and usually receive a ceremonial hood that hangs down the back of the gown. In the U.S. the hood is traditionally edged with a silk or velvet strip displaying the disciplinary color, and is lined with the university's colors.

According to The American Council on Education “six-year specialist degrees (Ed.S., etc.) and other degrees that are intermediate between the master's and the doctor's degree may have hoods specially designed (1) intermediate in length between the master's and doctor's hood, (2) with a four-inch velvet border (also intermediate between the widths of the borders of master's and doctor's hoods), and (3) with color distributed in the usual fashion and according to the usual rules. Cap tassels should be uniformly black.”^[1]

Recipients of a doctoral degree tend to have the most elaborate academic dress, and hence there is the greatest diversity at this level. In the U.S., doctoral gowns are similar to the gowns worn by master's graduates, with the addition of velvet stripes across the sleeves and running down the front of the gown which may be tinted with the disciplinary color for the degree received. Holders of a doctoral degree may be entitled or obliged to wear scarlet (a special gown in scarlet) on high days and special occasions. While some doctoral graduates wear the mortarboard cap traditional to the lower degree levels, most wear a cap or Tudor bonnet that resembles a tam o'shanter, from which a colored tassel is suspended.

In modern times in the U.S. and UK, gowns are normally only worn at graduation ceremonies, although some colleges still demand the wearing of academic dress on formal occasions (official banquets and other similar affairs). In the 19th and early 20th centuries, it was more common to see the dress worn in the classroom, a practice which has now all but disappeared. Two notable exceptions are Oxford and a society at Sewanee, where students are required to wear formal academic dress in the examination room.

See also[link]

Bibliography[link]

• A. Leight DeNeef and Craufurd D. Goodwin, eds. The Academic's Handbook. 2nd ed. Durham and London: Duke University Press, 1995.
• Christopher J. Lucas and John W. Murry, Jr. New Faculty A practical Guide for Academic Beginners. New York: Modern Language Association, 1992.
• John A. Goldsmith, John Komlosk and Penny Schine Gold. The Chicago Guide to Your Academic Career. Chicago: University of Chicago Press, 2002.
• William Germano. Getting it Published: A Guide for Scholars (And Anyone Else)Serious about Serious Books. Chicago: University of Chicago Press, 2001.

References[link]

2.^ a b c Gerald Bechtle, Bryn Mawr Classical Review of Rainer Thiel, Simplikios und das Ende der neuplatonischen Schule in Athen. Stuttgart, 1999 (in English). 3.^ a b Richard Sorabji, (2005), The Philosophy of the Commentators, 200–600 AD: Psychology (with Ethics and Religion), page 11. Cornell University Press

External links[link]

Find more about Academia on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

• Academia.edu - Online community of academic scholars
• Academia and web 2.0
• An Academic costume code and an Academic ceremony guide
• Bibliography on the history of the university [1], provided by Palinurus: The Academy and the Corporation, a web site from the University of California, Santa Barbara
• 'Magistri et Scholares' - Academic News and Resources

Christina Aguilera
Aguilera attending the launch of the Montblanc John Lennon edition in September 2010.
Background information
Birth name	Christina María Aguilera
Born	(1980-12-18) December 18, 1980 (age 31) Staten Island, New York, U.S.
Origin	Wexford, Pennsylvania, U.S.
Genres	Pop, R&B, soul, dance-pop[1]
Occupations	Singer-songwriter,[2][3][4] record producer, dancer, television personality,[5] actress
Instruments	Vocals
Years active	1993–present
Labels	RCA
Website	christinaaguilera.com

Christina María Aguilera (born December 18, 1980) is an American recording artist and actress. Aguilera first appeared on national television in 1990 as a contestant on the Star Search program, and went on to star in Disney Channel's television series The Mickey Mouse Club from 1993 to 1994. Aguilera signed to RCA Records after recording "Reflection",^[6] the theme song for the animated film Mulan (1998).

In 1999, Aguilera came to prominence following her debut album Christina Aguilera, which was a commercial success spawning three number one singles on the Billboard Hot 100—"Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby (All I Want Is You)."^[7] Her sophomore and her debut Latin-pop album, Mi Reflejo (2000), a Christmas third studio album, My Kind of Christmas (2000), and several collaborations followed which garnered Aguilera worldwide success, though she was displeased with her lack of input in her music and image.^[8] After parting from her management, Aguilera took creative control over her fourth studio album, Stripped (2002).^[9] The album's second single, "Beautiful", was a commercial success and helped the album's commercial performance amidst controversy over Aguilera's image.^[10][11][12] Aguilera followed up Stripped with the soul, jazz and blues inspired, Back to Basics (2006), released to positive critical acclaim.^[13] The album produced three singles "Ain't No Other Man", "Hurt" and "Candyman". Four years later Aguilera released her sixth studio album, Bionic (2010), which incorporated aspects of R&B, electropop, and synthpop and was met with mixed reviews and low sales.^{[14][15][16][17]} Aguilera's seventh studio album is set to be released in 2012.

Aside from being known for her vocal ability, music videos and image, musically, she includes themes of dealing with public scrutiny, her childhood, and female empowerment in her music.^[18] Apart from her work in music, she has also dedicated much of her time as a philanthropist for charities, human rights and world issues which include her work as a UN ambassador for the World Food Programme.^[19][20] She made her feature film debut in the musical Burlesque (2010), earning Aguilera a Golden Globe nomination for Best Original Song. Aguilera's work has earned her numerous awards and accolades, including a star on the Hollywood Walk of Fame, four Grammy Awards and one Latin Grammy Award, amongst seventeen and three nominations respectively. Rolling Stone ranked her number fifty-eight on their list of the 100 Greatest Singers of All Time, ranking as the youngest and only artist on the list under the age of thirty.^[21] She was ranked the 20th Artist of the 2000–09 decade by Billboard^[22] and is the second top selling single artist of the 2000s behind Madonna.^[23] Aguilera's albums sales are estimated at over 50 million units worldwide, making her one of the best-selling music artists of all time.^[24][25] Aguilera is currently a coach and judge on The Voice.

Life and career[link]

1980–98: Early life and career beginnings[link]

Aguilera was born in Staten Island, New York, to Fausto Wagner Xavier Aguilera, a sergeant in the US Army at the time, and Shelly Loraine (née Fidler), a Spanish teacher. Aguilera's father was born in Guayaquil, Ecuador^[26] and her mother, who is American, is of German, Irish, Welsh, and Dutch ancestry.^[27] Her father was stationed at Earnest Harmon Air Force Base in Stephenville, Newfoundland and Labrador and Japan. Aguilera lived with both her father and mother, up until their divorce when she was seven years old. Aguilera then lived with her mother, and her younger sister Rachel, at her grandmother's home in Rochester, Pennsylvania, a town outside Pittsburgh. According to both Aguilera and her mother, her father was very controlling, as well as physically and emotionally abusive. In an interview with Rolling Stone Aguilera revealed, "there was so much domestic violence going on when I grew up with my dad travelling in the military. I think the reason that my drive was so strong and I was so passionate about music was because I grew up in an environment of domestic violence."^[28] She later sang about her difficult childhood in the songs "I'm OK" on Stripped, and "Oh Mother" on Back to Basics. Even though he has made several attempts to reconnect with her, Aguilera ruled out any chance of a reunion.^[29] Since then, her mother has married a paramedic named Jim Kearns, and has changed her name.^[30]

As a child, Aguilera aspired to be a singer. She was known locally as "the little girl with the big voice",^[29] singing in local talent shows and competitions. She attended Rochester Area School District, Marshall Middle School near Wexford and North Allegheny Intermediate High School. On March 15, 1990, she appeared on Star Search singing "A Sunday Kind of Love", but lost the competition at number 2. Soon after losing on Star Search, she returned home and appeared on Pittsburgh's KDKA-TV's Wake Up With Larry Richert to perform the same song. Throughout her youth in Pittsburgh, Aguilera sang "The Star-Spangled Banner" before Pittsburgh Penguins hockey, Pittsburgh Steelers football and Pittsburgh Pirates baseball games, including during the 1992 Stanley Cup Finals.^[31] Her talent was kept a secret to avoid bullying of other children. Following her television appearances Aguilera experienced resentment and bullying including an incident in which her peers slashed the tires on her family's car.^[32] Following several incidents Aguilera was later home schooled.^[29] Aguilera recalls, "doing what I did and maybe being a little smaller, I was definitely picked on and bullied for the attention that I got. It was definitely unwanted attention and there was a lot of unfairness about it."^[33]

In 1991, Aguilera auditioned for a role on The Mickey Mouse Club; however, she did not meet the age requirements. Two years later, she joined the cast, performing musical numbers and sketch comedy, until the show's cancellation in 1994.^[34] Her co-stars included Justin Timberlake, Britney Spears, Ryan Gosling and Keri Russell where they nicknamed her "the Diva"^[35] for her performance style and voice. At the age of fourteen, Aguilera recorded her first song, "All I Wanna Do", a hit duet with Japanese singer Keizo Nakanishi.^[36] In 1997, she represented the United States at the international Golden Stag Festival with a two-song set.^[37] Aguilera entered talent contests on "teen night" at the Pegasus Lounge, a gay and lesbian nightclub in Pittsburgh,^[38] and later at Lilith Fair.^[39] In 1998, Aguilera sent in a demo of her singing Whitney Houston's "Run to You" to Disney who were looking for a singer to record the song "Reflection" for their animated feature film Mulan (1998).^[40] The demo caught the attention of producer and label executive Ron Fair who would later mentor her throughout her career and led to Aguilera earning a contract with RCA Records the same week.^[9] "Reflection" peaked within the top twenty on the Adult Contemporary Singles Chart, and it was nominated for a Golden Globe Award for Best Original Song.

[edit] 1999–01: Christina Aguilera, Mi Reflejo and new management

Under the exclusive representation of Steve Kurtz, Aguilera's self-titled debut album Christina Aguilera was released on August 24, 1999. It reached the top of the Billboard 200 and Canadian album charts, shipping eight million copies in the US^[41] and over seventeen million copies worldwide.^[42] The album is also included in the Top 100 Albums of All Time list of The Recording Industry Association of America (RIAA) based on US sales.^[43] Released during the teen pop era of 1999 the album was well received by several critics, Stephen Thomas Erlewine of AllMusic writes that Aguilera's debut "remains firmly within the teen-oriented dance-pop genre, but done right." Concluding that the album is "lightweight in the best possible sense – breezy, fun, engaging, and enjoyable on each repeated listen. Out of the deluge of teen-pop albums in 1999, this feels like the best of the lot."^[44] Her debut single, "Genie in a Bottle" was an instant hit reaching No.1 on the Billboard Hot 100 and in several countries worldwide. Her follow-up singles "What a Girl Wants" and "Come On Over Baby (All I Want Is You)" topped the Hot 100 as well during 1999 and 2000 while "I Turn to You" reached number three. She is one of the few artists to have multiple No.1 singles from a debut album in Billboard's history.^[45] She made a cameo appearance on an episode of Beverly Hills, 90210, performed on MTV's New Year's Special as MTV's first artist of the millennium, and the Super Bowl XXXIV halftime show. Aguilera wanted to display the range and audacity in her voice during the promotion of the album, and performed acoustic sets and appeared on television shows accompanied only by a piano. At the 42nd Grammy Awards Aguilera received a Best Female Pop Vocal Performance Grammy nomination for "Genie in a Bottle" and despite earlier predictions, she won the Grammy Award for Best New Artist.^[46]

In 2000, Aguilera began recording her first Spanish-language album with producer Rudy Pérez in Miami.^[47][48] Later in 2000, Aguilera, first emphasized her Latin heritage by releasing her first Spanish album, Mi Reflejo on September 12, 2000. This album contained Spanish versions of songs from her English debut as well as new Spanish tracks. Though some criticized Aguilera for trying to cash in on the Latin music boom at the time. According to Pérez, Aguilera was only semi-fluent, while recording. She understood the language, because she has grown up with her father, who is a native of Ecuador. He added "Her Latin roots are undeniable".^[47] The album peaked at number twenty-seven on the Billboard 200 and went No.1 on the Billboard Latin charts for a record 20 weeks. In 2001, it won Aguilera a Latin Grammy Award for Best Female Pop Vocal Album. The album was later certified 6× Platinum (Latin field) in the US Aguilera won the World Music Award and Billboard award as the best selling Latin artist that year. Aguilera also released a Christmas album, My Kind of Christmas, on October 24, 2000 and performed "The Christmas Song" at the White House that year.^[41] The album's only single, "The Christmas Song" made Aguilera one of three artists to take the song into the top twenty on the Billboard Hot 100.^[49] The single and My Kind of Christmas were both certified Platinum in the US^[50][51] Aguilera was Billboard's top female artist for 2000.^[52]

Aguilera's first concert tour, Christina Aguilera: In Concert (also known as "Sears & Levis Tour ") began in the summer of 2000 in the US and ended early 2001 where she toured South America and Asia. A concert special aired on ABC titled My Reflection which was released to DVD and certified Gold in the US.^[53] Aguilera was rumored to have dated MTV VJ Carson Daly.^[54] Rumors of their relationship were fueled after the release of Eminem's song, "The Real Slim Shady" in which he also insinuated a romance between her and rocker Fred Durst. Aguilera responded saying the lyrics were "disgusting, offensive and, above all, not true."^[55] Their feud ended two years later backstage at the Video Music Awards after Aguilera presented the rapper an award onstage.^[56] She dated Puerto Rican dancer Jorge Santos. Santos appeared on her tour and music videos throughout 2000. They dated for nearly two years until the relationship ended on September 11, 2001.^[57] He remained her dancer well into 2002.^[58]

Ricky Martin asked Aguilera to duet with him on the track "Nobody Wants to Be Lonely" from his album Sound Loaded; released in 2001 as the album's second single. The single reached No.1 on the World Chart and top ten in several countries. In 2001, Aguilera, Lil' Kim, Mýa, and Pink were chosen to remake Labelle's 1975 single "Lady Marmalade" for the film Moulin Rouge! and its soundtrack. The song peaked at No.1 on the Billboard Hot 100 for five weeks and was the most successful airplay-only single in history.^[59] It also reached number one in eleven other countries and earned all four performers a Grammy Award for Best Pop Collaboration with Vocals. Aguilera's appearance in the music video was compared to that of Twisted Sister frontman Dee Snider.^[60] The video won two MTV Video Music Awards including Video of the Year in 2001, where Aguilera accepted the award saying, "I guess the big hair paid off."^[61]

That same year, the single "Just Be Free" emerged into record stores which was one of the demos Aguilera recorded when she was around fifteen years old. When RCA Records discovered the single, they advised fans not to purchase it.^[62] Months later, Warlock Records was set to release Just Be Free, an album which contains the demo tracks. Aguilera filed a breach of contract and unfair competition suit against Warlock and the album's producers to block the release.^[63] Instead, the two parties came to a settlement to release the album. Aguilera lent out her name, likeness and image for an unspecified amount of damages. Many of the details of the lawsuit remain confidential. When the album was released in August 2001, it had a photograph of Aguilera when she was fifteen years old.^[64]

Although Aguilera's debut album was commercially successful, she was dissatisfied with the music and image her management had created for her. Aguilera was marketed as a bubblegum pop singer because of the genre's upward financial trend.^[65] She mentioned plans of her next album to have much more depth, both musically and lyrically.^[66] Aguilera's views of Steve Kurtz's influence in matters of the singer's creative direction, the role of being her exclusive personal manager and overscheduling had in part caused her to seek legal means of terminating their management contract. In October 2000, Aguilera filed a breach of fiduciary duty lawsuit against her manager Kurtz for improper, undue and inappropriate influence over her professional activities, as well as fraud. According to legal documents, Kurtz did not protect her rights and interests. Instead, he took action that was for his own interest, at the cost of hers. She petitioned the California State Labor Commission to nullify the contract. Aguilera revealed while recording her then upcoming album, "I was being overworked. You find out that someone you thought was a friend is stealing money behind your back, and it's heartbreaking. I put faith in the people around me, and unfortunately, it bit me in the butt."^[67] After terminating Kurtz's services, Irving Azoff was hired as her new manager.

[edit] 2002–05: New image, Stripped and marriage

On October 26, 2002, Aguilera's fourth studio album, Stripped, was released. The album sold more than 330,000 copies in the first week and peaked at number two on the Billboard 200. Unlike her previous work, the album showcased Aguilera's raunchier side.^[68] The majority of Stripped was co-written by Aguilera (who had recently signed a global music publishing contract with BMG Music Publishing), and was influenced by many different subjects and music styles, including contemporary R&B, gospel, soul, balladry, pop rock, and hip hop.^[69] The majority of the album was produced by Scott Storch and singer-songwriter Linda Perry who produced her more personal records. Rockwilder and singer Alicia Keys also contributed a track each. Upon initial release, the album was very well received by critics, although Aguilera's vocals were overlooked as she began to cultivate a more sexually provocative image.^[70] After the release of the album, she took part in photoshoots for magazines, many of these photographs featured her nude or semi-nude. Her cover for Rolling Stone,^[71] featured the singer only wearing boots and a well-placed electric guitar. It was during this time Aguilera referred to herself as "Xtina", even getting a tattoo of her nickname on the back of her neck and several piercings.^[72]

Aguilera performing during during Stripped Live... on Tour in 2003

Initially, the raunchy image had a negative effect on Aguilera in the US, especially after the release of her controversial "Dirrty" music video.^[11] She denied that this change was a matter of publicity, claiming that the image better reflected her true personality than did the image she cultivated back in 1999. Aguilera defended the video stating it was about power and control adding, "I'm also at the forefront. I'm in the power position, in complete command of everything around me."^[41] While the video for "Dirrty" became very popular on MTV, it disappointed on the US singles chart. However, the single was a hit worldwide, reaching No.1 in the UK and Ireland. The second single, "Beautiful" received critical praise. The classically influenced ballad reached number one in several countries and peaked at No.2 in the US. "Beautiful" earned Aguilera the Grammy for Best Female Pop Vocal Performance. Three more singles ("Fighter", "Can't Hold Us Down" featuring Lil' Kim, "The Voice Within") were released in the following two years and were hits that helped the album stay on the charts for the next two years. Stripped stayed on the U.S. and UK album charts well into 2004, and went on to be certified four-times platinum in the US with over thirteen million copies sold worldwide.^[73] It appeared at number ten on Billboard's year-end album chart and Aguilera was the top female artist for 2003.^[74] Kelly Clarkson's second single "Miss Independent" was co-written by Aguilera, having been half-finished for Stripped.

Aguilera performing during Stripped Live... on Tour in 2003

Aguilera joined Justin Timberlake that June on the final leg of his international Justified tour, held in the US. This portion of the tour became a co-headliner called the Justified/Stripped Tour. In August, an overhead lighting grid collapsed from the ceiling of the Boardwalk Hall in Atlantic City, New Jersey, causing major damage to the sound and video equipment below. Because the collapse occurred hours before the show, only a few stagehands were injured, but a few shows were cancelled or postponed. In the fourth quarter of that year, Aguilera continued to tour internationally without Timberlake, and changed the name of the tour to the Stripped World Tour. She also dyed her hair black. It was one of the top-grossing tours of that year, and sold out most of its venues. Rolling Stone readers named it the best tour of the year.^[75] That same year she hosted the 2003 MTV Europe Music Awards and was a special guest performer with the Pussycat Dolls' dance troupe performing at the Roxy Theatre and Viper Room in Los Angeles. She also appeared on a Maxim spread alongside them, her second Maxim cover that year set record sales for the issue making it the top selling issue to date. By the end of the year she topped the annual Hot 100 list saying, "we had fun working with certain clothes, or the lack thereof."^[76][77][78]

Aguilera's first DVD live-recording from a concert tour, Stripped Live in the U.K., was released in November 2004. In light of the tour's success, another U.S. tour was scheduled to begin in mid-2004 with a new theme. The tour however was scrapped because of the vocal cord injuries Aguilera suffered shortly before the tour's opening date. In a tribute to Madonna's performance at the inaugural MTV Video Music Awards, Aguilera performed a kiss with the singer-actress at the 2003 edition of the ceremony in August. The incident occurred during the opening performance of Madonna's songs "Like a Virgin" and "Hollywood" with fellow popstar Britney Spears.^[41] Also in 2004, she hosted a Saturday Night Live episode which included a Sex & The City skit where she portrayed Samantha Jones revealing to everyone she was a man the entire time.^[79]

Aguilera later decided to embrace a more mature image; this move was met with more praise than criticism, with articles using punch lines such as "From Crass to Class."^[80] She eventually dyed her hair cherry blonde and recorded a jingle, "Hello", for a Mercedes-Benz ad. Shortly after, she dyed her hair flaxen blonde and cut it short, and took on a Marilyn Monroe look; she is one of the main proponents (along with Dita Von Teese, Gwen Stefani, and Ashley Judd) in bringing back the 1920s–1940s Hollywood glamour look.^[81][82] In late summer 2004, Aguilera released two singles. The first, "Car Wash", was a remake of the Rose Royce disco song recorded as a collaboration with rapper Missy Elliott for the soundtrack to the film Shark Tale. She voiced a small singing part in the film playing a Rastafarian jellyfish in the film's closing musical number. The second song was also a collaboration, but this time as a second single from one of Nelly's double-release albums, Sweat, titled "Tilt Ya Head Back". Both singles failed commercially in the US, but did considerably better in other parts of the world. Aguilera collaborated with jazz artist Herbie Hancock on a cover of Leon Russell's "A Song for You" recorded for Hancock's album Possibilities, released in August 2005. Aguilera and Hancock were later nominated for the Grammy Award for Best Pop Collaboration with Vocals. She helped open the 50th Anniversary for Disneyland performing "When You Wish upon a Star", and she also collaborated with Andrea Bocelli on the song "Somos Novios" for his album Amore. Aguilera began dating music marketing executive Jordan Bratman in 2002. Their engagement was announced in February 2005,^[83] and they married on November 19, 2005, in a Napa Valley estate.^[84]

[edit] 2006–09: Back to Basics, motherhood and greatest hits album

Aguilera performing during the Sanremo Story festival in 2006

Aguilera's fifth studio album, Back to Basics was released August 15, 2006. The album debuted at No.1 in the US, the UK and eleven other countries. Aguilera described the double CD as "a throwback to the 20s, 30s, and 40s-style jazz, blues, and feel-good soul music, but with a modern twist."^[85] The album received generally positive reviews, although many critics commented on the album's length saying, "At one disc, this would have been nothing short of masterful."^[86] A review in AllMusic adds, "Back to Basics also makes clear that Stripped was a necessary artistic move for Christina: she needed to get that out of her system in order to create her own style, one that is self-consciously stylized, stylish, and sexy."^[87] The critically acclaimed lead single "Ain't No Other Man" was a substantial success, reaching No. 2 on the World Chart, No.6 in the US, and No.2 in the UK. Producers on the album included DJ Premier, Kwamé, Linda Perry, and Mark Ronson. The follow-up singles did very well in different regions, "Hurt" in Europe and "Candyman" in the Pacific. She co-directed both music videos, the former with Floria Sigismondi who directed her "Fighter" video, and the latter, "Candyman", with director/photographer Matthew Rolston which was inspired by The Andrews Sisters.^[88] Back to Basics has sold 4.5 million units worldwide,^[89] with over 1.7 million sold in the US.^[90]

In late 2006, Aguilera collaborated with Sean "Diddy" Combs on a track, titled "Tell Me", from his album Press Play. She also began the Back to Basics Tour in Europe^[91] followed by a 41-date North American tour in early 2007.^[92] After this, she toured Asia and Australia, where it was supposed to end on August 3, however she canceled her dates in Melbourne and her final two in Auckland due to an illness.^[93] Her extravagant arena tour included cabaret, three-ring circus and juke joint sets and 10 piece costumes designed by Roberto Cavalli.^[94] She released her concert DVD Back to Basics: Live and Down Under the following year. The tour grossed nearly 50 million by the end of the year in North America and an additional 40 million worldwide in her Europe and Australia dates, grossing almost 90 million by the end of the tour.^[95][96] It was the most successful US tour by a female in 2007.^[97]

At the 49th Grammy Awards, Aguilera again won the Best Female Pop Vocal Performance for "Ain't No Other Man". She made a noteworthy performance at the ceremony paying tribute to James Brown with her rendition of his song "It's a Man's Man's Man's World".^[98] In January 2007, she was named the 19th richest woman in entertainment by Forbes, with a net worth of US$60 million.^[99] Aguilera performed "Steppin' Out With My Baby" with Tony Bennett on his NBC special Tony Bennett: An American Classic and on Saturday Night Live. They performed at the 59th Primetime Emmy Awards where both specials received Emmys. "Steppin' Out" was nominated for Best Pop Collaboration with Vocals at the 50th Annual Grammy Awards.

Aguilera confirmed she was pregnant on November 4, 2007,^[100] though Paris Hilton accidentally revealed her pregnancy several weeks prior during a party Aguilera hosted.^[101] She gave birth to her son, Max Liron Bratman, in Los Angeles on January 12, 2008 and held a bris for him with Bratman, who is of Jewish descent, where the baby was circumcised in accordance with Jewish practice.^[102] Aguilera was reportedly paid $1.5 million by People for her son's baby pictures—the sixth most expensive celebrity baby photos ever taken.^[103]

In 2008, Aguilera appeared in the Martin Scorsese documentary Shine a Light which chronicles a two day Rolling Stones concert in New York City's Beacon Theatre. The film features Aguilera performing "Live With Me" alongside Mick Jagger. Shine a Light premiered at the Berlin Film Festival and was released worldwide on April 4, 2008. She also had brief cameo in the comedy film Get Him to the Greek,^[104] and appeared as a guest judge on the sixth season of Project Runway on Lifetime Television. She and designer Bob Mackie were the inspiration for the challenge in which they had to design a stage outfit for Aguilera. To commemorate Aguilera's ten years in the music industry, RCA Records released, Keeps Gettin' Better: A Decade of Hits on November 11, 2008, exclusively at Target stores in the US. The greatest hits included her first three number one singles, and other songs released from her previous three albums. "Lady Marmalade" and several Spanish singles from Mi Reflejo were included in the worldwide releases. The album's only single, "Keeps Gettin' Better", was premiered at the 2008 MTV Video Music Awards, which debuted and peaked at No.7 on the Billboard Hot 100, her highest debut on the chart. Following the greatest hits, Aguilera took over a year hiatus in 2009 working on her then upcoming album and film. She was one of Billboard's Top 20 Artists of the Decade in their year-end charts.^[105]

[edit] 2010–11: Bionic, Burlesque and The Voice

Aguilera's sixth studio album Bionic was released on June 8, 2010. The album's producers included Tricky Stewart, Samuel Dixon, Polow da Don, Le Tigre, Switch, Ester Dean, songwriters Sam Endicott, Sia Furler, Claude Kelly, Linda Perry and collaborations with M.I.A., Santigold, Nicki Minaj, and Peaches. Bionic's material consisted of many mainstream and pop records along with electronic and dance music. Two of the album's three singles, "Not Myself Tonight" and "You Lost Me" peaked at No.1 on the Billboard Hot Dance Club Play Charts^[106] but were unsuccessful elsewhere. "Woohoo", featuring rapper Nicki Minaj, was also released as the album's second single. The album was released to mixed reviews from music critics,^[107][15] with Jon Pareles of The New York Times writing that the singer's new music direction "makes her sound as peer-pressured as a pop singer can be."^[108] Allison Stewart of The Washington Post described the album as being "noisy, robotic and overstuffed" adding that the disc's "greatest disappointments" is its "virtual abandonment" of Aguilera's voice.^[109] She concluded that Aguilera attempts "to do it all," which was to try to "revel in her newfound domesticity, to wrest her crown from Gaga and to reestablish her sex kitten bona fides."^[109] Sales of Bionic were underwhelming in the US compared to her previous releases selling 110,000 copies in its first week landing at No.3.^[110][111] It has since sold 295,000 copies in the US.^[112] Shortly after the album's release, further promotion ended and a scheduled summer tour for the album was cancelled due to "inadequate rehearsal time".^[113] "You Lost Me" was her first single to not chart the Hot 100 while Bionic was her first English studio album not to receive a Grammy nomination. Aguilera later responded in an interview saying, "I was really proud of that record. I think there was a lot of promotion issues, coming from a standpoint of how everything resulted. Nothing is ever a setback. If anything, it just motivates you for what’s next."^[114]

Aguilera announced that she and Bratman had separated, saying in a statement, "Although Jordan and I are separated, our commitment to our son Max remains as strong as ever."^[115][116] Aguilera filed for divorce from Bratman on October 14, 2010, seeking joint legal and physical custody of their son, and specifying September 11, 2010, as the date of separation.^[117][118] They later reached a settlement agreement and custody deal, details of their agreement were private.^[119] Their divorce was finalized on April 15, 2011.^[120] The following month, Aguilera appeared as herself on the Entourage season seven finale as a client/friend of Ari Gold.^[121] On November 15, 2010, Aguilera received a Star on the Hollywood Walk of Fame.^[122]

Aguilera's star on the Hollywood Walk of Fame, which she received in 2010

In November 2010, Aguilera appeared in her first feature film, the musical Burlesque. She portrayed a small town girl, Ali Rose, who finds love and success in a Los Angeles neo-burlesque club.^[123] Aguilera performed eight of the musical numbers on the film's soundtrack released on November 22, 2010, and co-wrote a number of the tracks working with producers and writers including Tricky Stewart, Sia Furler, Samuel Dixon, Linda Perry, Claude Kelly, Danja, and Ron Fair. The remaining two tracks were sung by Cher, who co-starred alongside Aguilera. The soundtrack debuted in the top 20 in the US and was certified Gold.^[124][125] The film was written and directed by Steve Antin who wrote the part of Ali specifically with Aguilera in mind.^[126] Aguilera's co-stars also included Cam Gigandet, Eric Dane, Kristen Bell and Stanley Tucci. Several critics praised Aguilera's performance. A review in TIME states, "Aguilera might not be to your taste, or mine, but in terms of sheer power, she's impressive. If Ali were real, she'd have already been discovered on American Idol."^[127] While Variety wrote, "Aguilera, while undeniably entertaining when her character is onstage, cannot spin the slight backstory into anything resembling a full-blooded person."^[128] Though Burlesque was released to mixed reviews from critics,^[129][130] the film received a Golden Globe nomination for Best Picture – Musical or Comedy and earned Aguilera, writer/producer Sia Furler and Samuel Dixon, a nomination for Best Original Song for the track "Bound to You". The soundtrack also earned Aguilera a Grammy nomination for Best Compilation Soundtrack. Burlesque has grossed over $90 million worldwide.^[131]

Following the release of Burlesque, Aguilera collaborated with rapper T.I. on the track, "Castle Walls" from his album No Mercy. Aguilera performed the U.S. national anthem, "The Star-Spangled Banner", during the Super Bowl XLV on February 6, 2011, and created embarrassment when she omitted a line of the anthem and messed up the song's lyrics.^[132] She later apologized, telling CNN that "I got so caught up in the moment of the song that I lost my place. I can only hope that everyone could feel my love for this country and that the true spirit of its anthem still came through."^[133] The following week, Aguilera, alongside Jennifer Hudson, Martina McBride, Yolanda Adams, and Florence Welch opened the 53rd Grammy Awards paying tribute to Aretha Franklin.

Aguilera began dating musician and production assistant, Matt Rutler whom she met during the filming of Burlesque. Her personal life was the subject of scrutiny;^[19] and reports over out of control behavior, excessive drinking,^[134][135] and a reported confrontation with her co-star Julianne Hough.^[136][137] On March 1, 2011, Aguilera was arrested for public intoxication in West Hollywood as her boyfriend was arrested for DWI.^[138] She was later released on bail and no charges were filed.^[139][140] Although the L.A. Sheriff's office stated Aguilera's mug shot would not be released to the public, E! News obtained the mug shot which circulated social networks and the media shortly after her release.^[141] Rutler's DWI charge was dismissed due to insufficient evidence, after his BAC was determined as below the legal limit.^[142]

Aguilera signed to be a judge on The Voice, which debuted on NBC in April 2011. Aguilera, alongside other musicians Adam Levine, Blake Shelton and Cee Lo Green serve as judges and coaches, with Carson Daly as the show's host. The show's first episode was well-received, and delivered the strongest ratings for a series premiere on a major network since Undercover Boss debuted after the Super Bowl in February 2010.^[143][144] The show's first season was a ratings success for NBC following its debut.^[145][146] Aguilera performed "Moves Like Jagger" on The Voice – the single with Maroon 5 on which she is featured, from their album Hands All Over. The song was an instant hit reaching No.2 in the UK, No.1 on the World Chart and earned Aguilera her fifth No.1 single on the Billboard Hot 100, a decade after her last No.1, "Lady Marmalade".^[147] The single became the first 4 million-seller for both artists and marks the first time two former Best New Artist Grammy Award winners have collaborated on a Hot 100 hit.^[49] "Moves Like Jagger" was nominated for Best Pop Duo/Group Performance at the Grammy Awards and has since sold over 7 million copies worldwide, establishing itself among the best-selling singles of all time.^[148].

2012–present: Seventh studio album and current projects[link]

The second season of The Voice premiered following Super Bowl XLVI. Aguilera performed a cover of "At Last" by Etta James at James' funeral on January 28, 2012.^[149][150] Aguilera recorded her first Spanish-language track in over a decade titled "Casa de Mi Padre" which was released as the title song for the soundtrack and film of the same name.^[151] In regards to her upcoming album, Aguilera stated that she is recording a new studio album in an interview with Live with Regis and Kelly.^[152] No official date has been announced but the album is expected to be released in 2012.^[153]

Artistry[link]

Vocal ability[link]

Aguilera performing during her Back to Basics Tour in 2006

Aguilera possesses a soprano^[154][155] vocal range and has been referred to as the "voice of her generation" and a blue eyed soul singer.^[156][157] Aguilera also topped COVE's list of the 100 Best Pop Vocalists with a score of 50/50^[158][159] and came fifth in MTV's 22 Greatest Voices in Music.^[160] Her rendition of "It's A Man's Man's Man's World" at the 49th Grammy Awards ranked third in the Grammy's Greatest Moments List behind Celine Dion's performance of "My Heart Will Go On" and Green Day's performance of "American Idiot". In an interview, Dion described Aguilera as "probably the best vocalist in the world."^[161] Rolling Stone ranked Aguilera at 58 on their list of the 100 Greatest Singers of All Time, the youngest singer on the list.^[21]