An early pirate 8 track mixtape from 1974

The compact audio cassette

A mixtape or mixed-tape is the generic name given to any compilation of songs recorded onto a Compact Cassette, CD, music file, or any other audio format^[1].

A mixtape, which usually reflects the musical tastes of its compiler, can range from a casually selected list of favorite songs, to a conceptual mix of songs linked by a theme or mood, to a highly personal statement tailored to the tape's intended recipient. Essayist Geoffrey O'Brien has called the personal mix tape "the most widely practiced American art form",^[2] and many^[who?] mix tape enthusiasts believe that by carefully selecting and ordering the tracks in a mix, an artistic statement can be created that is greater than the sum of its individual songs.

With the advent of affordable, consumer-level digital audio, creating and distributing mixes in the form of compact disc or MP3 playlists has become the contemporary method of choice, but the term mix tape is still commonly used, even for mixes in different media (for example, CD, MP3, MiniDisc, audio cassette 8 track).^{[citation needed]} Video mixtapes have emerged as well.

History[link]

The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)

The most common early mix tapes were bootleg 8 track tapes that were sold at flea markets and truck stops in the late 1960s through the early 1980s, with names like "Super 73", "Country Chart Toppers" or "Top Pops 1977".

Homemade mix tapes became common in the 1980s. Although the compact audio cassette by Philips appeared at the 1963 Berlin Radio Show,^[3] the sound quality of cassettes was not good enough to be seriously considered for music recording until further advances in tape formulations, including the advent of chrome and metal tape. Before the introduction of the audio cassette, the creation of a pop music compilation required specialized or cumbersome equipment, such as a reel-to-reel or 8 track recorder, that was often inaccessible to the casual music fan. As cassette tapes and recorders grew in popularity and portability, these technological hurdles were lowered to the point where the only resources required to create a mix were a handful of cassettes and a cassette recorder connected to a source of prerecorded music, such as a radio or LP player. The 8-track tape cartridge was more popular for music recording during much of the 1960s, as the cassette was originally only mono and intended for vocal recordings only, such as in office dictation machines. But improvements in fidelity finally allowed the cassette to become a major player. The ready availability of the cassette and higher quality home recording decks to serve the home casual user allowed the cassette to become the dominant tape format, to the point that the 8 track tape nearly disappeared shortly after the turn of the 1980s. The growth of the mixtape was also encouraged by improved quality and increased popularity of audio cassette players in car entertainment systems, and by the introduction of the Sony Walkman in 1979.

A distinction should be drawn between a private mixtape, which is usually intended for a specific listener or private social event, and a public mixtape, or "party tape", usually consisting of a recording of a club performance by a DJ and intended to be sold to multiple individuals. In the 1970s, such DJs as Grandmaster Flash and the Furious Five, Afrika Bambaataa and the Soulsonic Force, Kool Herc and the Herculoids, DJ Breakout, the Funky Four, and DJ Hollywood would often distribute recordings of their club performances via audio cassette, as well as customized recordings (often prepared at exorbitant prices) for individual tape purchasers. These recordings tended to be of higher technical ability than home-made mixtapes and incorporated techniques such as beatmatching and scratching. One 12 October 1974 article in Billboard Magazine reported, "Tapes were originally dubbed by jockeys to serve as standbys for times when they did not have disco turntables to hand. The tapes represent each jockey's concept of programming, placing, and sequencing of record sides. The music is heard without interruption. One- to three-hour programs bring anywhere from $30 to $75 per tape, mostly reel-to-reel, but increasingly on cartridge and cassette." Club proprietors, as well as DJs, would often prepare such tapes for sale.

The CD-R disc is currently the most common medium for homemade mixes

Throughout the 1980s, mixtapes were a highly visible element of youth culture. However, the increased availability of CD burners and MP3 players and the gradual disappearance of cassette players in cars and households have led to a decline in the popularity of the compact audio cassette as a medium for homemade mixes. The high point of traditional mixtape culture was arguably the publication of Nick Hornby's novel High Fidelity in 1995. Since then, mixtapes have largely been replaced by mix CDs and shared MP3 playlists, which are more durable, can hold more songs, and require minutes (rather than hours) to prepare. While some mixtape enthusiasts bemoan the obsolescence of the cassette tape, others concede that the greater convenience offered by the mix CD has expanded the possibilities and accessibility of the medium, as indicated by the recent resurgence of mix-swapping clubs that trade mix CDs by regular mail. Some mix enthusiasts also appreciate the potential of the mix CD for extended, continuous mixes and creative album art.

Today, websites concerned with electronic music provide mixes in a digital format.^[4][5][6] These usually consist of recorded DJ sets of live, beat-matched mixes of songs, which are used by DJs seeking to demonstrate their mixing skills to an online audience. Some radio shows worldwide specialize in mix series, including The Breezeblock on BBC Radio 1, The Solid Steel Show (formerly on KISS-FM), Eddy Temple-Morris/The Remix on Xfm and The BTTB Show.

Additionally, DJs such as Grandmaster Flash, DJ QBert, DJ Spooky, DJ Z-Trip or DJ Shadow, The Avalanches, and Rjd2 have gained fame for creating new songs by combining fragments of existing songs (which need not necessarily belong to the same genre). The resulting remix or mash-up can be seen as an evolution of the mixtape, in that it appropriates existing songs to give them new meanings through their juxtaposition, but does so in a quicker, more integrated style. This practice is heavily derived from the use of song loops as musical backdrops for an MC's rhymes in hip hop music, which is also related to turntablism.

Mixtapes vs. compilations[link]

This unreferenced section requires citations to ensure verifiability.

Many commercially available compilations of pop music initially seem to share certain important characteristics with mixtapes. Like many private mixes, a significant number of the earliest pop LPs were essentially collections of popular singles, and such compilation albums have often taken cues from underground mixes of the same era. One example is Disco Par-r-r-ty, the first nonstop dancing LP record, which was released by Spring Records in October 1974. Consisting of a continuous mix of songs by such artists as James Brown, Mandrill, and Barry White, it was clearly inspired by the bootleg DJ mixes that were becoming popular at the same time. However, the relative anonymity of the compilers of such albums is arguably inconsistent with the rationale behind most mixtapes, which typically reflect the musical tastes of a single compiler. While the editors of such compilations do exercise a certain amount of discretion over song order and selection, the term mixtape is generally restricted to a compilation where the identity of the compiler is clearly associated with the album itself. For example, Starbucks, the coffee chain, sells a compilation CD series called Artist's Choice, which consists of mixes based on selections by such artists as Johnny Cash, Tony Bennett, and Sheryl Crow. Similarly, Apple Computer's iTunes Store features Celebrity Playlists, downloadable mixtapes in AAC-compatible form, selected by such artists as Moby, Barry Manilow, and Andrew W.K. The Late Night Tales series has seen artists such as Four Tet and Turin Brakes make their own compilations that are distributed in mainstream record shops such as HMV.

The presence of an identifiable compiler whose tastes are reflected in song selection and arrangement allow retail mix CDs to be distinguished from other types of compilations. The distinction can be rather subtle. For example, while most "greatest hits" compilations of individual recording artists consist of a collection of singles in chronological order, others include album tracks, new songs, or obscure selections in addition to established hits, and sometimes reorder the songs for optimal listening. As such, these compilations can be seen as "artist-specific" mixes selected and arranged by the artists themselves.

One could also argue that the modern movie soundtrack, which often consists of selected pop music tracks (rather than the traditional orchestral score) is a mixtape with songs selected by the film's director or music supervisor.

Legal issues in the United States[link]

An important distinction between homemade mixes and retail compilations of pop music is that the latter generally obtain permissions for the use of copyrighted songs, while the former do not. As a result, mixtapes, such as those produced and sold by club DJs in the 1970s, are illegal. Most^[who?] mixtape enthusiasts assume that private mixtapes are inoffensive from a fair use standpoint, but this is far from clear. Frank Creighton, a director of anti-copyright infringement efforts for the Recording Industry Association of America, was quoted in New York Times as saying that "money did not have to be involved for copying to be illegal."^[7] While mixes on cassette tapes may not have inspired the wrath of the record industry in the past, Mr. Creighton said, "digital mixes have better sound quality". And given the proliferation of CD burning for friends and relatives, "it would be naïve of us to say that we should allow that type of activity".

Aesthetics[link]

While the process of recording a mix onto an audio cassette from LPs or compact discs is technically straightforward, many music fans who create more than one mixtape are eventually compelled to confront some of the practical and aesthetic challenges involved in the mixtape format. From a practical standpoint, such issues as avoiding an excessive amount of blank tape at the end of one side (which requires careful planning of the length of each side of the mix) and reducing the audible click between songs (which requires mastery of the pause button on the cassette recorder) have been identified as part of the shared experience of mixtape aficionados. From an aesthetic point of view, many enthusiasts believe that because a tape player, unlike a CD player, lacks the ability to skip from song to song, the mixtape needs to be considered in its entirety. This requires the mixtape creator to consider the transitions between songs, the effects caused by juxtaposing a soft song with a loud song, and the overall "narrative arc" of the entire tape. One notable listing of such aesthetic "rules" can be found in a paragraph from Nick Hornby's High Fidelity:

Many enthusiasts also devote substantial attention to the packaging of a mix tape intended as a gift, sometimes going so far as to create cover art and customized liner notes. The cover of the original McSweeney's edition of 31 Songs, a 2003 essay collection by Nick Hornby, was intended to suggest the packaging of a homemade mix CD. It also came with an actual CD featuring ten of the songs discussed in the text. Indeed, the look of mix tapes, featuring hand-written notes on the recording medium manufacturer's supplied labels, has become one of the aesthetic conventions of modern design, a distinct style that designers may attempt to copy or cite. Many have been so widely distributed that the CDDB has logged and can identify ID3 tags when a disc mix tape is inserted into a PC.

From an artistic point of view, many creators of mix tapes seem to regard them as a form of emotional self-expression, although whether a mix tape retains the same web of emotional associations when passed from its creator to the recipient is, at best, debatable. Some argue that in selecting, juxtaposing, or even editing originally unrelated tracks of pop music into a new work of art, the "author" of a mix tape moves from passive listener to archivist, editor, and finally active participant in the process of musical creation. (Some legitimacy for this viewpoint was provided by Cassette Stories, a 2003 exhibition at the Museum of Communication in Hamburg, Germany, which featured stories and submissions from eighty mix tape enthusiasts.) However, this perception of the mix tape as a work of art has been criticized as resulting in a sort of elitism, with creators becoming more concerned with finding arcane and surprising combinations of tracks than with creating a tape that is listenable, enjoyable, or appropriate to its intended recipient. (In High Fidelity, for example, the narrator's girlfriend complains that his mix tapes are too didactic.) On a very basic level, the creation of a mix tape can be seen as an expression of the individual compiler's taste in music, often put forward for the implicit approval of the tape's recipient, and in many cases as a tentative step towards building the compiler's personal canon of pop music.

Types of Mix Tapes[link]

Although a "comprehensive" list of the different genres or categories of mixtapes could be extended indefinitely, creating a taxonomy of mix tapes is a project that many mix tape enthusiasts have intuitively attempted.^{[citation needed]} The different types of mix tapes identified on community sites, such as FoundTrack and Art of the Mix (which lists over two hundred genres), indicate the variety of potential categories. Beyond basic genres as the simple taping of an entire album, the collection of favorite songs, and the "snapshot"^{[clarification needed]} mix of recent favorites, some of the more commonly cited categories include the driving mix, the workout mix, the party mix, the krazy mix (eclectic selections of obscure, rare or otherwise unconventional tracks), the didactic mix (intended to educate the recipient as to the essential works of a particular artist or genre), the concept / theme mix (a mix of Christmas songs, songs about cars, or covers of songs by a particular artist or similar), and the mood mix (simply a mix of songs intended to sustain a specific mood, stated or unstated — notable sub genres include the romantic mix and the break-up mix). Mixtapes eventually made their way onto television screens by video mix DJs (i.e., Jordan Laws 'Fit to Fill Video Mixtape' DJ SWB^{[Full citation needed]}).

Mixtapes in hip hop[link]

In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows.^[8] Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaata.^[8] As more tapes became available, they began to be collected and traded by fans. In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop.^[8] Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as "blends").^[8] Blend tapes became increasingly popular by the mid-1990s^{[citation needed]}, and fans increasingly looked for exclusive tracks and freestyles on the tapes. In the hip hop scene, mix tape is often displayed as a single term mixtape.

See also[link]

Music portal

• DJ mix
• Mix Tape: The Art of Cassette Culture
• MP3 CD

References[link]

Further reading[link]

• Corn, Doron Porat (c2002). "History of Mixtapes" AllMixTapes.com
• Ellis, Bret Easton (1986). Less Than Zero. ISBN 0-679-78149-8
• Erdman, Sarah (2003). Nine Hills to Nambonkaha: Two Years in the Heart of An African Village. ISBN 0-8050-7381-7
• Gallagher, David (30 January 2003). For the mix tape, a digital upgrade and notoriety. The New York Times.
• Hornby, Nick (1995). High Fidelity. ISBN 1-57322-551-7
• Hornby, Nick (2003). Songbook. ISBN 1-57322-356-5
• Keller, Joel (22 January 2004). PCs killed the mix-tape star. Salon.com.
• Mobley, Max (5 December 2007). "Requiem for the Mixtape". Crawdaddy!.
• Moore, Thurston (2004). Mix Tape. ISBN 0-7893-1199-2
• McMahon, Andrew (2005): "The Mixed Tape", Everything In Transit — Jack's Mannequin
• O'Brien, Geoffrey (2004). Sonata for Jukebox. ISBN 1-58243-192-2
• Paul, James (26 September 2003). Last night a mix tape saved my life. The Guardian.
• Sante, Luc (13 May 2004). Disco Dreams. The New York Review of Books. (This review of Songbook and Sonata for Jukebox describes the mix tape as "one part Victorian flower album, one part commonplace book, one part collage, and one part recital.")
• Stuever, Hank (29 October 2002). Unspooled: In the digital age, the quaint cassette is sent reeling into history's dustbin. Washington Post.
• Vowell, Sarah (2001). Take the Cannoli: Stories from the New World. ISBN 0-7432-0540-5
• Warner, Alan (1995). Morvern Callar. ISBN 0-385-48741-X

Wiz Khalifa
Wiz Khalifa in Brooklyn, New York in August 2009.
Background information
Birth name	Cameron Jibril Thomaz
Born	(1987-09-08) September 8, 1987 (age 24) Minot, North Dakota, United States
Genres	Hip hop
Occupations	Rapper, singer, songwriter, actor
Years active	2005–present
Labels	Rostrum, Taylor Gang, Warner Bros., Atlantic
Associated acts	Snoop Dogg, Rick Ross, Curren$y, Big Sean, Chevy Woods, Mac Miller, Juicy J, Tinie Tempah, Yelawolf, Maroon 5, Big K.R.I.T.
Website	wizkhalifa.com

Cameron Jibril Thomaz (born September 8, 1987), better known by the stage name Wiz Khalifa, is an American rapper. He released his debut album, Show and Prove, in 2006, and signed to Warner Bros. Records in 2007. His Eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts in 2008.^[1] Khalifa parted with Warner Bros. and released his second album, Deal or No Deal, in November 2009. He released the mixtape Kush and Orange Juice as a free download in April 2010; he then signed with Atlantic Records.^[2] He is also well known for his debut single for Atlantic, "Black and Yellow", which peaked at number 1 on the Billboard Hot 100. His debut album for the label, Rolling Papers, was released on March 29, 2011.^[3]

Early life[link]

Khalifa was born on September 8, 1987 to a mother and a father serving in the military.^[1][4] His parents divorced when Khalifa was about three years old. His parents' military service caused him to move regularly: Khalifa lived in Germany, the United Kingdom, and Japan before settling in Pittsburgh where he attended Taylor Allderdice High School.^[1][4]

His stage name is derived from khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy .^[5] Khalifa stated to spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got his stage name tattooed on his 17th birthday.^[6][7] He includes Jimi Hendrix, Camp Lo, The Notorious B.I.G. and Bone Thugs-n-Harmony among his influences.^[8]

Career[link]

[edit] 2005–08: Early mixtapes and Show and Prove

Rostrum Records president Benjy Grinberg first heard about Wiz Khalifa in 2004 when the rapper's contribution to a mixtape of various new Pittsburgh artists attracted his interest.^[9] When Grinberg finally met the 16-year-old artist, he immediately decided he wanted to work with him, later telling HitQuarters: "Even though he wasn’t all the way developed you could just tell that he was a diamond in the rough, and that with some polishing, guidance and backing he could become something special."^[9] Khalifa signed to the label shortly after and began a seven year period of artist development.^[9]

Khalifa released his first mixtape, Prince of the City: Welcome to Pistolvania, in 2005. The mixtape paved the way for his first full length album entitled Show and Prove in 2006. Khalifa was declared an "artist to watch" that year in Rolling Stone magazine.^[10][11]

In 2007, Khalifa signed to Warner Bros. Records and released two mixtapes through Rostrum Records: Grow Season, hosted by DJ Green Lantern and released on July 4, 2007, and Prince of the City 2, released on November 20, 2007. His debut Warner Bros. single "Say Yeah" reached number 25 on the Billboard Rhythmic Top 40 music chart and number 20 on Billboard's Hot Rap Tracks. The song samples "Better Off Alone" by Alice Deejay. Khalifa's vocals from "Say Yeah" appear near the end of Pittsburgh mash up producer Girl Talk's 2008 album, Feed the Animals, over music from Underworld's "Born Slippy", Usher's "Love in This Club", and the Cure's "In Between Days".^[12] Khalifa appeared with The Game, David Banner and Play-n-Skillz at U92's Summer Jam at the USANA Amphitheatre in West Valley City, Utah on August 2, 2008.^[13] Khalifa released the mixtapes Star Power in September 2008, and Flight School in April 2009 on Rostrum Records.

Khalifa parted ways with Warner Bros. Records in July 2009 after numerous delays in releasing his planned debut album for the label, First Flight. Khalifa stated to the Pittsburgh Post-Gazette that, "I learned a lot during my time there and matured as an artist during the process. I'm happy to be moving on with all of my material and having the chance to be in control of my next moves".^[14] Khalifa appeared with Girl Talk, Modey Lemon, Donora, Grand Buffet, and Don Caballero at the Amphitheatre at Station Square in Pittsburgh on July 31, 2009, where he announced that his relationship with Warner Bros. was over.^[15]

Wiz Khalifa performing at Columbia University in New York City in April 2010.

[edit] 2009–10: Deal or No Deal

Continuing his association with Rostrum Records, Khalifa released the single "Teach U to Fly", and the mixtape How Fly, a collaboration with New Orleans rapper Curren$y, on August 9, 2009.^[14] Khalifa introduced a more melodic style on the mixtape, alternating between singing and rapping. He opened for Wu-Tang Clan member U-God at the 2009 CMJ Music Marathon in New York City.^[16] Khalifa released the mixtape Burn After Rolling on November 2, 2009, where he raps over familiar beats from other artists, including the songs "If I Were A Boy" and "Diva" by Beyoncé, "Walking on a Dream" by Empire of the Sun, "Luchini AKA This Is It" by Camp Lo, and "Best I Ever Had" by Drake.^[17] Khalifa released his second album, Deal or No Deal, on November 24, 2009.^[18]

Khalifa performed at Emo's in Austin, Texas in March 2010 as part of the 2010 South by Southwest Music Festival.^[19] He appeared on the cover of XXL magazine that same month, for the magazine's annual list of Top 10 Freshman, which included Donnis, J. Cole, Pill, Freddie Gibbs, and Fashawn. Wiz Khalifa was named 2010 "Rookie Of The Year" by "The Source", with alongside Rick Ross, "The Man Of The Year".^[20] He toured with rapper Yelawolf on a 20-date tour, the Deal Or No Deal Tour.^[21] Khalifa released the free mixtape Kush and Orange Juice for download on April 14, 2010. Due to Khalifa's devoted grassroots fan base, the mixtape became the No. 1 trending topic on Twitter with the hash tag #kushandorangejuice, and "Kush and Orange Juice download” ranked No. 1 on Google’s hot search trends.^[22]

2010: Signing with Atlantic Records[link]

Citing music industry insiders, New York magazine wrote that Khalifa signed with Atlantic Records in April 2010, although the rapper did not confirm it.^[23] He stated to AllHipHop in June 2010 that he was working on a new album, but was weighing his options and had not yet decided on a label to distribute it.^[24] Khalifa confirmed to MTV on July 30 that he was signing an Atlantic Records deal.^[25]

Wiz Khalifa on stage in Boston in August 2010.

Khalifa was featured in a remix and video for the 2010 Rick Ross single "Super High", alongside Curren$y.^[26] He guested on the mixtape Grey Goose, Head Phones, and Thirsty Women by St. Louis rapper M.C,^[27] and was featured on the track "The Breeze (Cool)" on rapper Wale's August 2010 mixtape More About Nothing.^[28] Khalifa was named MTV's Hottest Breakthrough MC of 2010, winning with nearly 70,000 votes, and beating out finalists Nicki Minaj, J. Cole, Travis Porter, and Diggy Simmons.^[29]

Khalifa appeared at the Soundset 2010 festival in May 2010 in Minneapolis, Minnesota, alongside Method Man & Redman, Del the Funky Homosapien and Hieroglyphics, Atmosphere, Murs, Cage, and others.^[30] He also performed at the 2010 Rock the Bells festival, along with hip hop veterans Wu-Tang Clan, Snoop Dogg, Lauryn Hill, A Tribe Called Quest, Rakim, KRS-One, Jedi Mind Tricks and Slick Rick.^[31] Khalifa declined an invitation to tour with rapper Drake and launched his own "Waken Baken" tour, a 50-city national tour with rapper Yelawolf. The tour, scheduled to last from September to November 2010, has, as of October, sold out every venue.^[8] On November 2010, during his "Waken Baken" tour at East Carolina University, Wiz Khalifa was arrested for possession and trafficking of marijuana. He was then released the next morning after a $300K bail, and resumed his tour. Khalifa performed in a cypher during the 2010 BET Hip-Hop Awards. He recited his verse from the song, "The Check Point", from his mixtape with Curren$y, How Fly.^[32]

[edit] 2010–11: Mainstream success and Rolling Papers

Wiz Khalifa at SXSW in 2010

Khalifa released "Black and Yellow", his first single for Rostrum/Atlantic, produced by Stargate, which has received radio airplay.^[8][33] The single was peaked at number 1 on the Billboard Hot 100; the title of the song refers to the colours of the City of Pittsburgh.^[34] Khalifa released his debut album with Atlantic Records in 2011.^[35] He appeared with Curren$y on the track "Scaling the Building" on producer Ski Beatz' 2010 album, 24 Hour Karate School.^[36] Khalifa's record label is Taylor Gang Records, named after his love of Chuck Taylor All-Stars^[8], and Taylor Allderdice High School in Pittsburgh, PA, where he graduated from.

On March 29, 2011, Khalifa released his first studio album, Rolling Papers. The album debuted at number two on the US Billboard 200 chart, with first-week sales of 197,000 copies in the United States.^[37] Shortly afterward on March 31, 2011 Wiz Khalifa performed at Emory University in Atlanta, Georgia as part of the school's annual Dooley's Weekend.^[38] On June 26, 2011, Khalifa was nominated and won Best New Artist at the BET Awards of 2011.^[39] Khalifa collaborated with British rapper Tinie Tempah whom Tinie announced in an interview with Rolling Stone that his next single is to be called "Till I'm Gone" and would feature Wiz Khalifa and is to be produced by Stargate.^[40][41] The single and the video song were released at the end of June 2011.^[42]

Personal life[link]

Thomaz proposed to model Amber Rose on March 1, 2012 showing off the ring on Twitter.^[43] He is personal friends with Snoop Dogg, Juicy J, Yelawolf, and fellow Pittsburgh rapper Mac Miller.^[44]

In March 2012, Thomaz purchased a 2.8 private wooded acres with a 3,891-square-foot residence in Canonsburg, Pennsylvania, a small community southwest of Pittsburgh. The residence includes 5-bedroom, 4-bath eco-friendly, Brazilian Koa floors, stainless steel appliances, a separate guest house, and a lavish master suite with high ceilings.^[45] He currently resides there with his fiancée Amber Rose.

Discography[link]

Studio albums

• 2006: Show and Prove
• 2009: Deal or No Deal
• 2011: Rolling Papers
• 2012: O.N.I.F.C. ^[11][46][47]

Collaborative albums

• 2011: Mac & Devin Go to High School (with Snoop Dogg)
• 2012: TBA (with Taylor Gang)

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Wiz Khalifa

• Official website
• Wiz Khalifa on Facebook
• Wiz Khalifa on Myspace
• Wiz Khalifa on Twitter
• Wiz Khalifa at MTV
• Non-commercial Wiz Khalifa mixtapes

Andre Drummond
Drummond at Mohegan Sun Arena
College	UConn
Conference	Big East Conference
Sport	Basketball
Position	Center
Jersey #	12
Class	Freshman
Height	6 ft 11 in (2.11 m)
Weight	275 lb (125 kg)
Nationality	American
Born	(1993-08-10) August 10, 1993 (age 18) Mount Vernon, New York
High school	St. Thomas More (Oakdale, Connecticut)
Tournaments
College 2012 NCAA Men's Division I Basketball Tournament High School 2010 FIBA Under-17 World Championship

Andre Jamal Drummond (born August 10, 1993) is an American college basketball player for the University of Connecticut. He was one of the top rated basketball players in the class of 2012, but announced his intention to attend the University of Connecticut in the fall of 2011.

High school career[link]

From St. Thomas More in Oakdale, Connecticut, Drummond was one of the most dominating centers in high school basketball.^[1] He spent two years at St. Thomas More and led the team to the national prep championship in 2011. He graduated in the spring that year.^[2]

He was rated as the #1 player in the class of 2012 by ESPN and NBADraft.net, while being ranked #2 player by Rivals.com and Scout.com.^[3][4]

In the summer of 2010, Drummond was a member of the gold medal winning United States team at the 2010 FIBA Under-17 World Championship. He helped lead team USA to a 111-80 victory over Poland in the gold medal game.^[5]

College career[link]

Drummond initially declared he would spend a post-graduate year at Wilbraham & Monson Academy in 2011–12.^[2][6] Two weeks later on August 26, 2011, he announced via Twitter that instead intended to attend the University of Connecticut.^[7] According to ESPN, the decision "created a media frenzy due to the sheer surprise."^[1] Drummond had also been considering attending Kentucky, Louisville, Georgetown, or West Virginia.^[7] Connecticut did not have any scholarships to offer Drummond until center Michael Bradley agreed to surrender his scholarship and apply for financial aid.^[8][9][10]

NBA draft[link]

Drummond declared for the 2012 NBA Draft on April 12, 2012. In May 2011, ESPN wrote he has "a chance to be the No. 1 overall player in any draft he's involved with."^[11]

Player profile[link]

Drummond possesses NBA-like size and can rebound and block shots. In 2011, ESPN wrote that he has a developing offensive game and the ability to pass the ball in a high-low setting or with his back to the basket.^[1] He can defend in the low or high post, and he is an intimidator. Drummond needs to become comfortable with his size, and avoid overaggressive play which results in foul calls.^[1][11]

References[link]

External links[link]

• UConn Bio
• NBADraft.net Profile
• Scout.com Profile
• Rivals.com Profile
• ESPNU Profile

Mark Matthews
File:MarkMatthews.jpg Mark Matthews during his tenure as a Buffalo Soldier (date unknown)
Born	(1894-08-07)August 7, 1894 Greenville, Alabama
Died	September 6, 2005(2005-09-06) (aged &10000000000000111000000111 years, &1000000000000003000000030 days) Washington, D.C.
Place of burial	Arlington National Cemetery
Allegiance	United States of America
Service/branch	United States Army
Years of service	1910 – 1947/9
Rank	1st Sergeant
Unit	10th Cavalry
Battles/wars	Pancho Villa Expedition World War II Battle of Saipan

Mark Matthews (August 7, 1894 – September 6, 2005) was an American veteran of the Second World War and a Buffalo Soldier. Born in Alabama and growing up in Ohio, Matthews joined the 10th Cavalry Regiment when he was only 15 years old, after having been recruited at a Lexington, Kentucky racetrack and having documents forged so that he appeared to meet the minimum age of 17. While stationed in Arizona, he joined General John J. Pershing's Mexico expedition to hunt down Mexican bandit Pancho Villa. He was later transferred to Virginia, where he took care of President Roosevelt and First Lady Eleanor's horses and was a member of the Buffalo Soldiers' drum and bugle corps. In his late 40s, he served in combat operations in the South Pacific during World War II and achieved the rank of First Sergeant. He was noted as an excellent marksman and horse showman.

Leaving the United States Army a few years before it was integrated, Matthews then took a job as a security guard in Maryland, rising to the rank of chief of the guards and then retiring in 1970. After the war, he told stories of military experiences and grew to represent a symbol of the Buffalo Soldiers. He met with Bill Clinton and Colin Powell in his later years, and dedicated a barracks in Virginia in honor of the Buffalo Soldiers. Having experienced excellent health for most of his life, Matthews died of pneumonia at the age of 111 and was buried in Arlington National Cemetery. At the time of his death, he was recognized as the oldest living Buffalo Soldier as well as the oldest man, and the second-oldest person, in the District of Columbia.

Early life[link]

Matthews was born on August 7, 1894, in Greenville, Alabama, and grew up in Mansfield, Ohio. His horse riding career began early, when he would deliver newspapers on the back of a pony. When he was only 15 years old, he met members of the 10th Cavalry, the original Buffalo Soldier unit, while tending to horses on a racetrack in Lexington, Kentucky. Although there is disagreement as to the origins of the name "Buffalo Soldiers," it referred to several segregated units within the United States army. Although the legal age of recruitment was 17 at the time, documents were forged and Matthews signed up to join the army in Columbus, Ohio.^[1]

Military career[link]

After his training, Matthews was first stationed in Fort Huachuca in Arizona. At the time, the army was still using Native Americans as guides in the western United States. During his tenure in the state, he was regarded as an excellent marksman. Next, he joined General John J. Pershing's campaign into Mexico in 1916 to hunt for Pancho Villa. Although Matthews admitted to never having met Villa, he would claim that "I knew where he was at."^[1] When the United States turned its attention to World War I, Europe had no use for American cavalry, therefore Matthews and the 10th Regiment remained in the United States for the duration of the conflict.^[2]

In 1931, he was transferred to Fort Myer in Virginia.^[1] While stationed there, Matthews and some of his troops were escorts for King George VI and his wife Queen Elizabeth when they came to visit President Franklin D. Roosevelt at the White House. He earned acclaim for his horse shows, which helped sell war bonds during World War II and he tended to First Lady Eleanor Roosevelt's personal horses.^[3] He also played on the polo team while stationed in the state.^[1]

He was also a member of the Buffalo Soldiers' drum and bugle corps, and performed at funerals in Arlington National Cemetery, where he himself would later be buried. Since the Army would not allow colored soldiers to be seen at white funerals at this time, he was forced to hide in the woods while playing "Taps".^[4] A decade later, he fought in World War II and saw combat action at the Battle of Saipan in the South Pacific.^[1] During the conflict, he rose to the rank of First Sergeant.^[5] He had originally been sent to train with the Tuskegee Airmen, but was deemed to be too old at the time.^[4]

Later life[link]

Although there were conflicting reports on whether he retired from the Army in 1947,^[6] 1949^[1] or 1950,^[3] he left the army only shortly before the Buffalo Soldiers were disbanded as part of President Harry S. Truman's initiative to integrate the Army. His next job was at the National Institutes of Health in Bethesda where he worked as a security guard. By the time he retired for a second time, in 1970, he had become the chief of the guards at the institution. He spent much of his spare time fishing, reading the Bible, and recounting tales of his extensive military experiences, which made him a popular and respected figure within the community. His wife of 57 years, Genevieve Hill Matthews, died in 1986 and one of his daughters, Shirley Ann, died two years later.^[1]

In his old age, he became a symbol for the Buffalo Soldiers. In 1994, he met with President Bill Clinton at the White House.^[5] In 1997, at the age of 103, Matthews was present at Arlington National Cemetery for a service honoring the Buffalo Soldiers, where he unveiled a plaque that dedicated his former barracks in honor of the soldiers.^[7] For his 108th birthday in 2002, he met with then-United States Secretary of State Colin Powell, where Powell was presented with a portrait of Matthews.^[8] He was a member of his local church, a Prince Hall Masonic Temple and the Washington chapter of the 9th and 10th Cavalry Association until his death.^[1]

Although partially blind from glaucoma by the age of 109 and completely blind from cataracts by 111, he nevertheless retained his memory and good health until his final days; his medical history showed no signs of high blood pressure, heart or kidney trouble or diabetes. He was able to walk without a cane or walker, preferring not to use one, and was able to feed himself, including Cheerios for breakfast, his favorite vanilla ice cream with his other meals and a daily can of Ensure for energy. While he enjoyed recounting tales from his military experience, he never complained about the segregated nature of his unit, preferring instead to focus on his own exploits on the job.^[3][6]

Matthews died at the age of 111 of pneumonia in Washington, D.C. At the time of his death, he was recognized as the oldest living former Buffalo Soldier, the oldest man in Washington and the second oldest person in Washington overall behind then oldest American Corinne Dixon Taylor. He was survived by three of his four daughters, his son, nine grandchildren and seventeen great-grandchildren.^[1] He was buried at Arlington National Cemetery in September 2005 and Washington, D.C. Mayor Anthony A. Williams spoke at his funeral, which was also attended by councilman and future mayor Adrian Fenty.^[4]

See also[link]

United States Army portal

• Longevity
• Supercentenarian

References[link]