Naughty Naughty

Naughty Naughty (or Naughty, Naughty) may refer to:

Naughty

Naughty may refer to: Inappropriate behaviour especially in children, mischief, recalcitrance and can refer to sexual or lewd behaviour in adults.

See also

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.

John Parr

John Parr (born 18 November 1954) is an English musician, who had two number one hits, best known for his 1985 US number one hit single St. Elmo's Fire (Man in Motion) and in 1984 for his US number one rock single "Naughty Naughty." Parr has sold 10 million albums worldwide, and has written and performed 12 Hollywood movie themes, including for Three Men and a Baby, Near Dark, and The Running Man. He was nominated for a Grammy award for St Elmo's Fire in 1985.

Biography

Parr was born in Worksop, England. He first entered the music scene when he was 12 years old and formed a band with two fellow schoolmates, which they named The Silence. The band had achieved some success. They eventually became professional and started to tour Europe.He then joined a band named Bitter Sweet who were a huge success in the working men's clubs in Yorkshire, he then formed a " Super Band" with musicians from other working men's club bands, and named the band Ponders End an underground tube station name in London

Porcelain Black

Alaina Marie Beaton (born October 1, 1985), better known by her stage name Porcelain Black, is an American industrial pop singer, songwriter, rapper, and model. At age eighteen, she embarked on her music career as a solo act under the name Porcelain and the Tramps with Virgin Records. However, Black and Virgin could not agree on the music she would record. The music she recorded was posted to her Myspace account, "rockcitynosebleed", where she gained millions of hits. After three years of trying to get out of the contract, she signed with RedOne's Universal Republic imprint, 2101 Records, late in 2009 and began working on her debut album. After many internal problems between the artist and record producer, RedOne, Porcelain Black announced the partnership had come to an end, with anticipation of releasing her debut album in the vein of her Porcelain and the Tramps project in 2015.

She has appeared in multiple music videos, including Jack White's "Freedom at 21" and Travie McCoy's "We'll Be Alright". As a songwriter, she is credited on songs performed by One Direction, Orianthi, The Used and Mexican pop singer Belinda, among others. As a solo act, she has released three singles, "This Is What Rock n' Roll Looks Like", "Naughty Naughty", and "One Woman Army", the first featuring guest vocals from Lil Wayne. The first two songs charted on the Billboard Hot Dance Club Songs chart. "One Woman Army" was a top-forty hit in France, Spain, and Wallonia, outselling all of her previous singles in France and becoming her first number-one hit on that country's iTunes chart.