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Indian commemorative post-mark of "Jai Hind"

Jai Hind जय हिंद is a salutation, slogan and battle cry most commonly used in India in speeches and communications pertaining to or referring to patriotism towards India (also known as Hind). It translates roughly to "Hail India" or "Victory to India"^[1] or "Long live India".^[2] The term was coined by Major Abid Hasan Safrani a close lieutenant of Netaji Subash Chandra Bose and is the shortened form of " Jai Hindustan Ki" according to Leonard Gordon author of Brothers Against the Raj. It has since captured the imagination of Indians and has been immortalized by Subhash Chandra Bose as the battle cry of the Indian National Army (Azad Hind Fauj).

Jai Hind Post-mark was the first commemorative postmark of Independent India, and was issued on the day of independence, 15 August 1947.

Jai Hind was coined by Netaji Subhas Bose's close lieutanant Major Abid Hasan Safrani.

In popular culture[link]

A follower of S.C. Bose, Ramchandra Moreshwar Karkare of Gwalher Madhya Bharat, wrote a patriotic drama Jai Hind based on facts and published a book in Hindi, Jai Hind. Later, Ramchandra Karkare became Congress president of Central India Province. He took part in the freedom struggle with Chandrasekhar Azad.

The phrase is what the radio announcer says on All India Radio at the end of the broadcast. The term occurs in the patriotic song Aye Mere Watan Ke Logo sung by Lata Mangeshkar in 1963.^[3] Jai Hind (1999) is also a Hindi film, made by actor-director Manoj Kumar.^[4] The comedy show Jay Hind! (2009) is also named after it, and numerous institutions like Jai Hind College, Mumbai, as well as media entities like Jai Hind Gujarati Newspaper and JaiHind TV.

See also[link]

• Jai Hind Postmark

References[link]

v t e Subhas Chandra Bose Family Emilie Schenkl Anita Bose-Pfaff Sarat Bose Education Fitzwilliam College Scottish Church College Presidency College Events Azad Hind Azad Hind Dal Azad Hind Radio Forward Bloc Greater East Asia Conference Indian Independence movement Indian Independence League Indian National Army Indian National Congress Indische Legion Jai Hind I-29 U-180 Special Bureau for India Surrender of Japan Associates India Abid Hasan C.R. Das Raja Habib ur Rahman Khan Gandhi J.R. Bhonsle Lakshmi Swaminadhan Nehru Rani of Jhansi Regiment Rash Behari Bose Shah Nawaz Khan Bengal Volunteers Germany Abwehr Adam von Trott zu Solz Japan Hideo Iwakuro Hideki Tōjō Hikari Kikan Hiroshi Ōshima Legacy Death Mission Netaji Anuj Dhar Bhagwanji Political views Renkōji Temple Khosla Commission Mukherjee Commission Purna Swaraj Shah Nawaz Committee My enemy's enemy... Netaji Subhas Open University Netaji Bhawan The Forgotten Hero (film)

Look up -jai or jai in Wiktionary, the free dictionary.

Jai or JAI may refer to:

Abbreviations and codes[link]

• The Jewish Agency for Israel
• The IATA code for Jaipur Airport in Jaipur, India
• Java Advanced Imaging, an API for the Java platform
• The ICAO code for Jet Airways, an Indian airline
• Jamna Auto Industries, an Indian Automotive parts company
• John Adams Institute for Accelerator Science, named in honour of physicist John Adams

People[link]

• Jai (actor) (born 1985), Tamil film actor
• Jason Rowe (born 1969), British pop/soul singer who recorded under the name Jai in the late 1990s
• Jai Koutrae (born 1975), Australian actor
• Jai Lucas (born 1988), collegiate basketball player
• Jai McDowall (born 1986), Scottish singer who won the fifth series of Britain's Got Talent
• Jai Rodriguez (born 1979), from the TV show Queer Eye for the Straight Guy
• Jai Taurima (born 1972), long jump champion of Australia
• Jairam Samal, Oriya film actor

Films[link]

• Jai (2004 Telugu film), starring Navdeep
• Jai (2004 Tamil film), starring Prashanth Thyagarajan
• Jai Chiranjeeva (2007 Telugu film), starring Chiranjeevi
• Jai (2012 film), upcoming Hindi film

Other uses[link]

• Jai, a shortened spelling of Luóhàn zhāi (Buddha's delight), a Chinese vegetarian dish typically eaten on the Chinese New Year
• Jai, orphan boy sidekick to Ron Ely's Tarzan (1966–1968), played by Manuel Padilla, Jr
• Jai alai, means "Merry Festival" in the Basque language
• Radio Jai, a Jewish radio station broadcasting from Buenos Aires, Argentina
• Jai, India, a village in Meerut District, India

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Look up hind in Wiktionary, the free dictionary.

The word Hind may refer to:

• a female deer, especially a red deer
• al-Hind (Arabic: الهند) - The people of India or Indian subcontinent (See also Hindustan, Etymology of India)
• Hindi, the most widely spoken language in India
• Hindu, follower of Hinduism
• Hind, also means India
• The Mil Mi-24 helicopter, codenamed the "Hind" by NATO
• Hind (video game), the helicopter game simulation by Digital Integration
• The Golden Hind, a ship captained by Sir Francis Drake between 1577 and 1580
• Hind (crater), a lunar impact crater
• Arzi Hukumate Azad Hind, the Provisional Government of Free India
• Jai Hind, a patriotic salutation in India
• Hawker Hind, a Royal Air Force light-bomber of the inter-war years
• Hind Mazdoor Kisan Panchayat, a national trade union confederation in India
• Ceryneian Hind, a deer in Greek mythology

Several notable people have the name Hind[link]

• Hind (singer), a Bahraini Pop Singer
• Hind Al-Husseini, a Palestinian woman who created an orphanage to house orphaned survivors
• Hind bint Utbah, an Arabic woman who lived in the late 6th and early 7th centuries
• Hind Laroussi, a Dutch pop singer
• Arthur Hind (1856 - 1933)‎, an American industrialist and philatelist
• Arthur Charles Hind, an Indian field hockey player who competed in the 1932 Summer Olympics.
• Ella Cora Hind, a Canadian female journalist.
• Henry Youle Hind (1823–1908), Canadian geologist and explorer
• John Russell Hind (1823–1895), British astronomer.

See also[link]

• Epinephelus, a genus of groupers sometimes referred to as hinds
• Hinds (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Vikram Batra
Born	(1974-09-09)September 9, 1974
Died	July 7, 1999(1999-07-07) (aged 24)
Nationality	Indian
Known for	Unmatched Bravery and Valour

Captain Vikram Batra PVC (September 9, 1974 – July 7, 1999) was an officer of the Indian Army, posthumously awarded the Param Vir Chakra,^[1] India's highest award for valour, for his actions during the 1999 Kargil War in Kashmir between India and Pakistan.

Early life and career[link]

Vikram Batra was born on September 9, 1974 in Ghuggar village near Palampur, Himachal Pradesh, to Mr. G.L. Batra and Mrs. Jai Kamal Batra. Batra joined the Indian Military Academy in Dehradun in 1996 in Jessore company of Manekshaw Battalion, and was commissioned in the Indian Army as a Lieutenant of the 13 Jammu & Kashmir Rifles at Sopore, in Jammu and Kashmir. He rose to the rank of Captain.^[2]

Param Vir Chakra[link]

External videos
	Video on Captain Vikram Batra showing Vikram Batra's original video footage and a recreation of circumstances at his final battle during Kargil war

Captain Vikram Batra was awarded the Param Vir Chakra, India's highest military honor on 15 August 1999, the 52nd anniversary of India's independence. His father Mr. G.L. Batra received the honor for his deceased son from the President of India, the late K.R. Narayanan.^[1]

Captain Vikram Batra, 13 JAK Rifles, and his Delta Company was given the task of recapturing Point 5140. Nicknamed Sher Shah ('Lion King' in Urdu/Hindi) for his unstinting courage, he decided to lead the rear, as an element of surprise would help stupefy the enemy. He and his men ascended the sheer rock-cliff, but as the group neared the top, the enemy pinned them on the face of the bare cliff with machine gun fire. Captain Batra, along with five of his men, climbed up regardless and after reaching the top, hurled two grenades at the machine gun post. He single-handedly killed three enemy soldiers in close combat. He was seriously injured during this, but insisted on regrouping his men to continue with the mission. Inspired by the courage displayed by Captain Batra, the soldiers of 13 JAK Rifles charged the enemy position and captured Point 5140 at 3:30 a.m. on 20 June 1999. His company is credited with killing at least eight Pakistani soldiers and recovering a heavy machine gun.^[2]

The capture of Point 5140 set in motion a string of successes, such as Point 5100, Point 4700, Junction Peak and Three Pimples. Along with fellow Captain Anuj Nayyar, Batra led his men to victory with the recapture of Point 4750 and Point 4875. He was killed when he tried to rescue an injured officer during an enemy counterattack against Point 4875 in the early morning hours of 7 July 1999. His last words were, "Jai Mata Di." (which means in Punjabi 'Hail to thee, the Divine Mother'). For his sustained display of the most conspicuous personal bravery and leadership of the highest order in the face of the enemy, Captain Vikram Batra was awarded the Param Vir Chakra.^[3]

Quotes[link]

• Batra's last words were the battle-cry "Jai Mata Di!" ("Victory to the Mother (Durga!)" in Sanskrit)

• Batra's Yeh Dil Maange More! (My heart asks for more!), erstwhile a popular slogan for a Pepsi commercial, became an iconic battle cry that swept across the country and remains popular with millions of Indians, invoked at patriotic public events, in memory of the war and the soldiers, and as a symbol of the indomitable spirit of Indian patriotism and valor in face of future attacks.
• Upon reaching Point 5140, he got into a cheeky radio exchange with an enemy commander, who challenged him by saying, "Why have you come Sher Shah (Vikram’s nick name given by his commanding officer)? You will not go back." Captain Vikram Batra is said to have replied, "We shall see within one hour, who remains on the top."
• While dragging Lt. Naveen back under cover, Naveen pleaded to Captain Batra to let him continue the fight in spite the injuries to which Captain Batra replied "Tu baal bachedaar hai!! Hatt jaa peeche," ("You have kids and wife to look after! Get back!").
• "Ya toh Tiranga lehrake awunga, ya fir Tirange mein lipta huwa awunga zaroor, lekin awunga" (Either I will come back after hoisting the Tricolour (Indian flag), or I will come back wrapped in it, but i will be back for sure).
• "In reply to a Pakistani's taunt that they will leave Kashmir if the Indians give them Madhuri Dixit, a popular bollywood actress, Captain Batra gave him the reply, "Sorry, Madhuri is busy!". He then shot the taunter and said " From Madhuri,With love".

In film[link]

The 2003 Hindi film LOC Kargil based on the entire Kargil conflict had Abhishek Bachchan.^[4] playing the role of Captain Batra.

See also[link]

• Captain Anuj Nayyar, fellow commander
• Indo-Pakistani Wars
• Kargil War
• Military of India
• Param Vir Chakra

External links[link]

• Vikram Batra
• Indian Army Webpage
• On My Himachal Blog

References[link]

Lata Mangeshkar
Mangeshkar in 2008
Background information
Born	(1929-09-28) September 28, 1929 (age 82) Indore, Central India Agency, British India
Genres	Film music (playback singing)
Occupations	Singer
Instruments	Vocals
Years active	1942–present

Lata Mangeshkar (born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India.^[1][2] Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.^[3]

Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.^[4][5] In 2011 Guinness officially acknowledged Bhosle as the most recorded artist in music history.^[6]

Early life[link]

Lata Mangeshkar was born in Sikh Mohalla,^[7] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.^[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.^[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career[link]

Early career in the 1940s[link]

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.^[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),^[8] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."^[8] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).^[8]

Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.^[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.^[9]

One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s[link]

Mangeshkar as a young woman

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.^[8]

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s[link]

Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-E-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.^[8][10]

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), and "Tu Jahan Jahan Chalega" from Mera Saaya (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. She sang for Parasmani (1963) which was their first film together.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s[link]

In 1972, Meena Kumari's last film, Pakeezah released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman^{[citation needed]}. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards[link]

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including Maine Pyar Kiya (1989) and Hum Aapke Hain Koun..! (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge (2002) and Veer Zaara (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa), "Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.

In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.^[11]

In 1999, Mangeshkar was nominated as a member of Rajya Sabha.^[12] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.^[13][14] She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.^[13][15]

In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief.^[16] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.

On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.^[17]

Lata Mangeshkar records songs for Madhur Bhandarkar Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005), Daata Sun Le for Jail (2009) and, Kyun Yahan Hota Hai was recorded years ago for Corporate (2006), but is only being used in Heroine (2012).^{[18] [19]}

Non-singing career[link]

Music direction[link]

Lata Mangeshkar composed music for the first time in 1955 for Marathi movie Ram Ram Pavhane. Later in 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.^[20]

• 1960 - Ram Ram Pavhana
• 1963 - Maratha Tituka Melvava
• 1963 - Mohityanchi Manjula
• 1965 - Sadhi Manase
• 1969 - Tambadi Mati

She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.^{[citation needed]}

Production[link]

Lata Mangeshkar has produced four films:

• 1953 - Vaadal (Marathi)
• 1953 - Jhaanjhar (Hindi), co-produced with C. Ramchandra
• 1955 - Kanchan (Hindi)
• 1990 - Lekin... (Hindi)

Awards and recognitions[link]

Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997),^[21] NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.

In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.

In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.^[4][22] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.^[23]

Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000.^[24][25] However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250.^[26][27][28] Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.^[29] In 2011 Asha Bhosle was officially acknowledged by Guinness as the most recorded artist in music history, surpassing Mangeshkar.^[6]

See also[link]

• Playback singer
• Asha Bhosle
• List of Indian playback singers
• Bollywood songs

References[link]

Further reading[link]

• Bichu, Dr. Mandar (2011). Lata - Voice of the Golden Era. Popular Prakashan. ISBN 978-81-7991-625-4. 
• Bhimani, Harish (1995). In search of Lata Mangeshkar. Indus. ISBN 978-81-7223-170-5. 
• Bharatan, Raju (1995). Lata Mangeshkar: A Biography. UBS Publishers Distributors. ISBN 978-81-7476-023-4. 
• Kabir, Nasreen Munni (2009). Lata Mangeshkar: In Her Own Voice. Niyogi Books. ISBN 978-81-89738-41-9. 
• Lata, Mangeshkar (1995). Madhuvanti Sapre and Dinkar Gangal. ed (in Marathi). In search of Lata Mangeshkar. Harper Collins/Indus. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.
• Nerurkar, Vishwas (in Hindi). Lata Mangeshkar Gandhar Swaryatra (1945-1989). Mumbai: Vasanti P. Nerukar. .
• Bichhu, Mandar V. (1996) (in Hindi). Gaaye Lata, Gaaye Lata. Sharjah: Pallavi Prakashan. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.

External links[link]

Wikimedia Commons has media related to: Lata Mangeshkar

• Lata Mangeshkar at the Internet Movie Database