This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason has been specified. Please help improve this article if you can; the talk page may contain suggestions. (January 2012)

A stop sign ironically defaced with a beseechment not to deface stop signs

Irony. (from the Ancient Greek εἰρωνεία eirōneía, meaning dissimulation or feigned ignorance)^[1] is a rhetorical device, literary technique, or situation in which there is a sharp incongruity or discordance that goes beyond the simple and evident intention of words or actions. There is presently no accepted method for textually indicating irony, though an irony (punctuation) mark has been proposed. In the 1580's Henry Denham introduced a rhetorical question mark or percontation point which looks like a reversed question mark. This mark was also proposed by the French poet Marcel Bernhardt at the end of the 19th century to indicate irony or sarcasm.^{[by whom?]}.

Ironic statements (verbal irony)^[2] are statements that imply a meaning in opposition to their literal meaning. A situation is often said to be ironic (situational irony) if the actions taken have an effect exactly opposite from what was intended. The discordance of verbal irony may be deliberately created as a means of communication (as in art or rhetoric). Descriptions or depictions of situational irony, whether in fiction or in non-fiction, serves the communicative function of sharpening or highlighting certain discordant features of reality. Verbal and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes emphasize one's meaning by the deliberate use of language which states the opposite of the truth — or drastically and obviously understates a factual connection.

In dramatic irony, the author causes a character to speak or act erroneously, out of ignorance of some portion of the truth of which the audience is aware. In other words, the audience knows the character is making a mistake, even as the character is making it. This technique highlights the importance of a particular truth by portraying a person who is strikingly unaware of it.

Definitions[link]

Henry Watson Fowler, in The King's English, says "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partridge, in Usage and Abusage, writes that "Irony consists in stating the contrary of what is meant."

The use of irony may require the concept of a double audience. Fowler's A Dictionary of Modern English Usage says:

Irony is a form of utterance that postulates a double audience, consisting of one party that hearing shall hear & shall not understand, & another party that, when more is meant than meets the ear, is aware both of that more & of the outsiders' incomprehension.^[3]

The term is sometimes used as a synonym for incongruous and applied to "every trivial oddity" in situations where there is no double audience.^[3] An example of such usage is:

Sullivan, whose real interest was, ironically, serious music, which he composed with varying degrees of success, achieved fame for his comic opera scores rather than for his more earnest efforts.^[4]

The American Heritage Dictionary’s secondary meaning for irony: “incongruity between what might be expected and what actually occurs.”^[5] This sense, however, is not synonymous with "incongruous" but merely a definition of dramatic or situational irony. It is often included in definitions of irony not only that incongruity is present but also that the incongruity must reveal some aspect of human vanity or folly. Thus the majority of American Heritage Dictionary’s usage panel found it unacceptable to use the word ironic to describe mere unfortunate coincidences or surprising disappointments that “suggest no particular lessons about human vanity or folly.”^[6]

Origin of the term[link]

According to the Encyclopædia Britannica,

The term irony has its roots in the Greek comic character Eiron, a clever underdog who by his wit repeatedly triumphs over the boastful character Alazon. The Socratic irony of the Platonic dialogues derives from this comic origin.^[7]

According to Richard Whately:

Aristotle mentions..Eironeia, which in his time was commonly employed to signify, not according to the modern use of ‘Irony, saying the contrary to what is meant’, but, what later writers usually express by Litotes, i.e. ‘saying less than is meant’.^[8]

The word came into English as a figure of speech in the 16th century as similar to the French ironie. It derives from the Latin ironia and ultimately from the Greek εἰρωνεία eirōneía, meaning dissimulation, ignorance purposely affected.^[9]

Types of irony[link]

A "No smoking" sign surrounded by images of a smoking Sherlock Holmes at Baker Street tube station.

Modern theories of rhetoric distinguish among verbal, dramatic and situational irony.

• Verbal irony is a disparity of expression and intention: when a speaker says one thing but means another, or when a literal meaning is contrary to its intended effect. An example of this is when someone says "Oh, that's beautiful", when what they mean (probably conveyed by their tone) is they find "that" quite ugly.

• Dramatic irony is a disparity of awareness between actor and observer: when words and actions possess significance that the listener or audience understands, but the speaker or character does not, for example when a character says to another "I'll see you tomorrow!" when the audience (but not the character) knows that the character will die before morning.

• Situational irony is the disparity of intention and result: when the result of an action is contrary to the desired or expected effect. Being "shot with one's own gun", or "hoisted with one's own petard" are popular formulations of the basic idea of situational irony.

• Cosmic irony is disparity between human desires and the harsh realities of the outside world. By some definitions, situational irony and cosmic irony are not irony at all.

Verbal irony[link]

According to A glossary of literary terms by Abrams and Hartman,

Verbal irony is a statement in which the meaning that a speaker employs is sharply different from the meaning that is ostensibly expressed. The ironic statement usually involves the explicit expression of one attitude or evaluation, but with indications in the overall speech-situation that the speaker intends a very different, and often opposite, attitude or evaluation.^[10]

Verbal irony is distinguished from situational irony and dramatic irony in that it is produced intentionally by speakers. For instance, if a man exclaims, “I’m not upset!” but reveals an upset emotional state through his voice while truly trying to claim he's not upset, it would not be verbal irony by virtue of its verbal manifestation (it would, however, be situational irony). But if the same speaker said the same words and intended to communicate that he was upset by claiming he was not, the utterance would be verbal irony. This distinction illustrates an important aspect of verbal irony - speakers communicate implied propositions that are intentionally contradictory to the propositions contained in the words themselves. There are, however, examples of verbal irony that do not rely on saying the opposite of what one means, and there are cases where all the traditional criteria of irony exist and the utterance is not ironic.

Ironic similes are a form of verbal irony where a speaker intends to communicate the opposite of what they mean. For instance, the following explicit similes begin with the deceptive formation of a statement that means A but that eventually conveys the meaning not A:

• as soft as concrete
• as clear as mud
• as pleasant as a root canal
• "as pleasant and relaxed as a coiled rattlesnake" (Kurt Vonnegut from Breakfast of Champions)

The irony is recognizable in each case only by using knowledge of the source concepts (e.g., that mud is opaque, that root canal surgery is painful) to detect an incongruity.

In The Unauthorized Autobiography of Lemony Snicket, this formulation is broken down by the construction of an ironic simile followed by a reversion of the meaning so the statement once again means A.

• "Today was a very cold and bitter day, as cold and bitter as a cup of hot chocolate, if the cup of hot chocolate had vinegar added to it and were placed in a refrigerator for several hours."
• "The day was as normal as a group of seals with wings riding around on unicycles, assuming that you lived someplace where that was very normal."

Verbal irony and sarcasm[link]

A fair amount of confusion has surrounded the issue regarding the relationship between verbal irony and sarcasm.

Fowler's A Dictionary of Modern English Usage states:

Sarcasm does not necessarily involve irony and irony has often no touch of sarcasm.

This suggests that the two concepts are linked but may be considered separately. The OED entry for sarcasm does not mention irony, but the irony entry reads:

A figure of speech in which the intended meaning is the opposite of that expressed by the words used; usually taking the form of sarcasm or ridicule in which laudatory expressions are used to imply condemnation or contempt.

The Encyclopædia Britannica has "Non-literary irony is often called sarcasm”; while the Webster's Dictionary entry is:

Sarcasm: 1 : a sharp and often satirical or ironic utterance designed to cut or give pain. 2 a : a mode of satirical wit depending for its effect on bitter, caustic, and often ironic language that is usually directed against an individual.

Partridge in Usage and Abusage would separate the two forms of speech completely:

Irony must not be confused with sarcasm, which is direct: sarcasm means precisely what it says, but in a sharp, caustic, ... manner.

The psychologist Martin, in The psychology of humour, is quite clear that irony is where “the literal meaning is opposite to the intended”; and sarcasm is “aggressive humor that pokes fun”.^[11] He has the following examples: For irony he uses the statement "What a nice day" when it is raining. For sarcasm, he cites Winston Churchill who, when told by a lady that he was drunk, said "my dear, you are ugly ... but tomorrow I shall be sober", as being sarcastic, while not saying the opposite of what is intended.

Psychology researchers Lee and Katz (1998) have addressed the issue directly. They found that ridicule is an important aspect of sarcasm, but not of verbal irony in general. By this account, sarcasm is a particular kind of personal criticism leveled against a person or group of persons that incorporates verbal irony. For example, a woman reports to her friend that rather than going to a medical doctor to treat her cancer, she has decided to see a spiritual healer instead. In response her friend says sarcastically, "Oh, brilliant, what an ingenious idea, that's really going to cure you." The friend could have also replied with any number of ironic expressions that should not be labeled as sarcasm exactly, but still have many shared elements with sarcasm.

Most instances of verbal irony are labeled by research subjects as sarcastic, suggesting that the term sarcasm is more widely used than its technical definition suggests it should be (Bryant & Fox Tree, 2002; Gibbs, 2000). Some psycholinguistic theorists (e.g., Gibbs, 2000) suggest that sarcasm ("Great idea!", "I hear they do fine work."), hyperbole ("That's the best idea I have heard in years!"), understatement ("Sure, what the hell, it's only cancer..."), rhetorical questions ("What, does your spirit have cancer?"), double entendre ("I'll bet if you do that, you'll be communing with spirits in no time...") and jocularity ("Get them to fix your bad back while you're at it.") should all be considered forms of verbal irony. The differences between these tropes can be quite subtle, and relate to typical emotional reactions of listeners, and the rhetorical goals of the speakers. Regardless of the various ways theorists categorize figurative language types, people in conversation are attempting to decode speaker intentions and discourse goals, and are not generally identifying, by name, the kinds of tropes used (Leggitt & Gibbs, 2000).

Dramatic irony[link]

This type of irony is the device of giving the spectator an item of information that at least one of the characters in the narrative is unaware of (at least consciously), thus placing the spectator a step ahead of at least one of the characters. Dramatic irony has three stages—installation, exploitation, and resolution (often also called preparation, suspension, and resolution)—producing dramatic conflict in what one character relies or appears to rely upon, the contrary of which is known by observers (especially the audience; sometimes to other characters within the drama) to be true. In summary, it means that the reader/watcher/listener knows something that one or more of the characters in the piece is not aware of.

For example:

• In City Lights the audience knows that Charlie Chaplin's character is not a millionaire, but the blind flower girl (Virginia Cherrill) believes him to be rich.
• In North by Northwest, the audience knows that Roger Thornhill (Cary Grant) is not Kaplan; Vandamm (James Mason) and his accomplices do not. The audience also knows that Kaplan is a fictitious agent invented by the CIA; Roger (initially) and Vandamm (throughout) do not.
• In Oedipus the King, the reader knows that Oedipus himself is the murderer that he is seeking; Oedipus, Creon and Jocasta do not.
• In Othello, the audience knows that Desdemona has been faithful to Othello, but Othello does not. The audience also knows that Iago is scheming to bring about Othello's downfall, a fact hidden from Othello, Desdemona, Cassio and Roderigo.
• In The Cask of Amontillado, the reader knows that Montresor is planning on murdering Fortunato, while Fortunato believes they are friends.
• In The Truman Show, the viewer is aware that Truman is on a television show, but Truman himself only gradually learns this.
• In Romeo and Juliet, the other characters in the cast think Juliet is dead, but the audience knows she only took a sleeping potion.
• In Forrest Gump, the audience knows the historical significance of the characters and scenarios Forrest Gump finds himself in, but he often does not.
• In The Lion King, the main protagonist Simba goes throughout the middle of the film until near its end believing that he himself was the one responsible for his father, Mufasa's, death. However, the audience knows that it was actually his uncle Scar who killed him.
• In most of the Halloween episodes of Home Improvement, the characters believe something odd has happened, but the audience knows that the odd event is simply a Halloween prank.

Tragic irony[link]

Tragic irony is a special category of dramatic irony. In tragic irony, the words and actions of the characters contradict the real situation, which the spectators fully realize. The Oxford English Dictionary has:

the incongruity created when the (tragic) significance of a character's speech or actions is revealed to the audience but unknown to the character concerned, the literary device so used, orig. in Greek tragedy.^[12]

Ancient Greek drama was especially characterized by tragic irony because the audiences were so familiar with the legends that most of the plays dramatized. Sophocles' Oedipus the King provides a classic example of tragic irony at its fullest. Colebrook writes:

Tragic irony is exemplified in ancient drama ... The audience watched a drama unfold, already knowing its destined outcome. ... In Sophocles' Oedipus the King, for example, 'we' (the audience) can see what Oedipus is blind to. The man he murders is his father, but he does not know it.^[13]

Irony has some of its foundation in the onlooker’s perception of paradox that arises from insoluble problems. For example, in the William Shakespeare play Romeo and Juliet, when Romeo finds Juliet in a drugged death-like sleep, he assumes her to be dead and kills himself. Upon awakening to find her dead lover beside her, Juliet stabs herself with a dagger thus killing herself.

Situational irony[link]

This is a relatively modern use of the term, and describes a discrepancy between the expected result and actual results in a certain situation.

For example:

• When John Hinckley attempted to assassinate Ronald Reagan, all of his shots initially missed the President; however, a bullet ricocheted off the bullet-proof Presidential limousine and struck Reagan in the chest. Thus, a vehicle made to protect the President from gunfire was partially responsible for his being shot.^[14]
• The Wonderful Wizard of Oz is a story whose plot revolves around situational irony. Dorothy travels to a wizard and fulfills her challenging demands to go home, before discovering she had the ability to go back home all the time. The Scarecrow longs for intelligence, only to discover he is already a genius, and the Tin Woodsman longs to be capable of love, only to discover he already has a heart. The Lion, who at first appears to be a whimpering coward, turns out to be bold and fearless. The people in Emerald City believed the Wizard to be a powerful deity, only to discover that he is a bumbling, eccentric old man with no special powers at all.

Irony of fate (cosmic irony)[link]

The expression “irony of fate” stems from the notion that the gods (or the Fates) are amusing themselves by toying with the minds of mortals with deliberate ironic intent. Closely connected with situational irony, it arises from sharp contrasts between reality and human ideals, or between human intentions and actual results. The resulting situation is poignantly contrary to what was expected or intended.

The words ironic, irony, and ironically are sometimes used of events and circumstances that might better be described as simply "coincidental" or "improbable".^[15]

Some examples of situations poignantly contrary to expectation:

In art:

• In O. Henry's story "The Gift of the Magi", a young couple are too poor to buy each other Christmas gifts. The wife cuts off her treasured hair to sell it to a wig-maker for money to buy her husband a chain for his heirloom pocket watch. She's shocked when she learns he had pawned his watch to buy her a set of combs for her long, beautiful, prized hair.
• In the ancient Indian story of Krishna, King Kamsa is told in a prophecy that a child of his sister Devaki would kill him. To prevent this, he imprisons both Devaki and her husband Vasudeva, allowing them to live only if they hand over their children as soon as they are born. He murders nearly all of them, one by one, but the seventh and eighth children, Balarama and Krishna, are saved and raised by a royal couple, Nanda and Yashoda. After the boys grow up, Krishna eventually kills Kamsa as the prophecy foretold. Kamsa's attempt to prevent the prophecy led to it becoming a reality. Self-fulfilling prophecies are common motifs in Greek mythology as well. This story is similar to the story of Cronus preventing his wife from raising any children, the one who ends up defeating him being Zeus, the later King of the Gods. Other similar tales in Greek Mythology include Perseus (who killed his grandfather, Acrisius by accident with a discus despite Acrisius' attempt to avert his fate) and more famously Oedipus who killed his father and married his mother not knowing their relationship due to being left to die by his father to prevent that very prophecy from occurring.
• In The Twilight Zone, the device of the Zone itself often fills the role of the gods or fates. In the episode Time Enough At Last, a bookish, bespectacled little man who loves nothing more than reading finds himself the sole survivor of a nuclear holocaust. Wandering dispairingly through the wreckage of civilization, he eventually stumbles upon the ruins of the public library, where somehow numerous tomes have survived the bomb. Enraptured, he realizes he now will finally have time to do all the reading he's always wanted to do. After organizing all the volumes, he sits down to begin his glorious reading. Noticing one book amiss, he reaches for it... only to have his thick glasses fall and break, leaving him too blurry-visioned to read anything.

In history:

• In the Dred Scott v. Sandford ruling in 1856, the United States Supreme Court held that the Fifth Amendment barred any law that would deprive a slaveholder of his property, such as his slaves, upon the incidence of migration into free territory. So, in a sense, the Supreme Court used the Bill of Rights to deny rights to slaves. Also, chief justice Taney hoped that the decision would resolve the slavery issue, but instead it helped cause the American Civil War.
• In the Kalgoorlie (Australia) gold rush of the 1890s, large amounts of the little-known mineral calaverite (gold telluride) were ironically identified as fool's gold. These mineral deposits were used as a cheap building material, and for the filling of potholes and ruts. When several years later the mineral was identified, there was a minor gold rush to excavate the streets.
• John F. Kennedy's last conversation was ironic in light of events which followed seconds later. During the motorcade in Dallas, in response to Mrs. Connolly's comment, "Mr. President, you can't say that Dallas doesn't love you," Kennedy replied, "That's very obvious." Immediately after, he was mortally wounded.^[16]
• In 1974, the U.S. Consumer Product Safety Commission had to recall 80,000 of its own lapel buttons promoting "toy safety", because the buttons had sharp edges, used lead paint, and had small clips that could be broken off and subsequently swallowed.^[17]
• Introducing cane toads to Australia to control the cane beetle not only failed to control the pest, but introduced, in the toads themselves, a very much worse pest.
• Kudzu - a vine imported to the United States in the 1930s and planted all over the South at the direction of the US Government in order to prevent soil erosion. Instead of preventing erosion, it climbs and chokes native trees and plants, thus causing even more erosion.

Historical irony[link]

When history is seen through modern eyes, there often appear sharp contrasts between the way historical figures see their world's future and what actually transpires. For example, during the 1920s The New York Times repeatedly scorned crossword puzzles. In 1924, it lamented "the sinful waste in the utterly futile finding of words the letters of which will fit into a prearranged pattern." In 1925 it said "the question of whether the puzzles are beneficial or harmful is in no urgent need of an answer. The craze evidently is dying out fast." Today, no U.S. newspaper is more closely identified with the crossword than The New York Times.^[18]

In a more tragic example of historical irony, what people now refer to as "The First World War" was called by H.G. Wells "The war that will end war",^[19] which soon became "The war to end war" and "The War to End All Wars", and this became a widespread truism, almost a cliche. Historical irony is therefore a subset of cosmic irony, but one in which the element of time is bound to play a role. Another example could be that of the Vietnam war, where in the 1960s the U.S.A. attempted to stop the Viet Cong (Viet Minh) taking over South Vietnam. However it is an often ignored fact that the U.S. originally supported the Viet Minh to prevent imperialist ambitions.^{[citation needed]}

Gunpowder was, according to prevailing academic consensus, discovered in the 9th century by Chinese alchemists searching for an elixir of immortality.^[20]

Historical irony also includes inventors killed by their own creations, such as William Bullock — unless, due to the nature of the invention, the risk of death was always known and accepted, as in the case of Otto Lilienthal.

In certain kinds of situational or historical irony, a factual truth is highlighted by some person's complete ignorance of it or his belief in the opposite of it. However, this state of affairs does not occur by human design. In some religious contexts, such situations have been seen as the deliberate work of Divine Providence to emphasize truths and to taunt humans for not being aware of them when they could easily have been enlightened (this is similar to human use of irony). Such ironies are often more evident, or more striking, when viewed retrospectively in the light of later developments which make the truth of past situations obvious to all.

Irony in use[link]

Ironic art[link]

One point of view has it that all modern art is ironic because the viewer cannot help but compare it to previous works. For example, any portrait of a standing, non-smiling woman will naturally be compared with the Mona Lisa; the tension of meaning exists, whether the artist meant it or not.

While this does not appear to exactly conform to any of the three types of irony above, there is some evidence that the term "ironic art" is being used in this context.^[21] This definition could extend to any sort of modern artistic endeavour: graphic design or music (sampling, for example).

For example:

• A South African weekly published a cartoon by Zapiro of the Prophet Mohammad complaining that his followers lack a sense of humor, angering Muslims and raising fear of reprisal attacks during the 2010 World Cup.

Comic irony[link]

Irony is often used in literature to produce a comic effect. This may also be combined with satire. For instance, an author may facetiously state something as a well-known fact and then demonstrate through the narrative that the fact is untrue.

Jane Austen's Pride and Prejudice begins with the proposition “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” In fact, it soon becomes clear that Austen means the opposite: women (or their mothers) are always in search of, and desperately on the lookout for, a rich single man to make a husband. The irony deepens as the story promotes this romance and ends in a double marriage proposal.

Metafiction[link]

Metafictions are kinds of fiction that self-consciously address the devices of fiction. It usually involves irony and is self-reflective. Metafiction (or “romantic irony” in the sense of roman the prose fiction^{[citation needed]}) refers to the effect when a story is interrupted to remind the audience or reader that it is really only a story. Examples include Henry Fielding’s interruptions of the storyline to comment on what has happened, or J.M. Barrie’s similar interjections in his book, Peter Pan. The concept is also explored in a philosophical context in Sophie's World, by Jostein Gaarder. A notable children's book that uses this is the series "Captain Underpants" by Dav Pilkey. The characters continue to allude to the fact that "This sort of thing only happens in poorly-written children's books!".

Notable attempts to sustain metafiction throughout a whole novel are Christie Malry's Own Double Entry by B.S. Johnson, in which none of the characters are real and exist only within the author's imagination, and In The Night Room by Peter Straub, in which the narrator is an author, whose fictional character comes to life and accompanies him through the book.

Socratic irony[link]

This is "The dissimulation of ignorance practised by Socrates as a means of confuting an adversary".^[22] Socrates would pretend to be ignorant of the topic under discussion, in order to draw out the inherent nonsense in the arguments of his interlocutors. Chambers dictionary has: "a means by which a questioner pretends to know less than a respondent, when actually he knows more."

Zoe Williams of The Guardian wrote: "The technique [of Socratic irony], demonstrated in the Platonic dialogues, was to pretend ignorance and, more sneakily, to feign credence in your opponent's power of thought, in order to tie him in knots."^[21]

A more modern example of Socratic irony can be seen on the American crime fiction television film series, Columbo. The character Lt. Columbo is seemingly naïve and incompetent. His untidy appearance adds to this fumbling illusion. As a result, he is underestimated by the suspects in murder cases he is investigating. With their guard down and their false sense of confidence, Lt. Columbo is able to solve the cases leaving the murderers feeling duped and outwitted.^[23]

Irony as infinite, absolute negativity[link]

Danish philosopher Søren Kierkegaard, and others, see irony, such as that used by Socrates, as a disruptive force with the power to undo texts and readers alike.^[24] The phrase itself is taken from Hegel's Lectures on Aesthetics, and is applied by Kierkegaard to the irony of Socrates. This tradition includes 19th century German critic and novelist Friedrich Schlegel ("On Incomprehensibility"), Charles Baudelaire, Stendhal, and the 20th century deconstructionist Paul de Man ("The Concept of Irony"). In Kierkegaard's words, from On the Concept of Irony with Continual Reference to Socrates:

[Socratic] irony [is] the infinite absolute negativity. It is negativity, because it only negates; it is infinite, because it does not negate this or that phenomenon; it is absolute, because that by virtue of which it negates is a higher something that still is not. The irony established nothing, because that which is to be established lies behind it...^[25]

Where much of philosophy attempts to reconcile opposites into a larger positive project, Kierkegaard and others insist that irony—whether expressed in complex games of authorship or simple litotes—must, in Kierkegaard's words, "swallow its own stomach". Irony entails endless reflection and violent reversals, and ensures incomprehensibility at the moment it compels speech. Similarly, among other literary critics, writer David Foster Wallace viewed the pervasiveness of ironic and other postmodern tropes as the cause of "great despair and stasis in U.S. culture, and that for aspiring fictionists [ironies] pose terrifically vexing problems."^[26]

See also[link]

• Irony mark (؟)
• Satire
• Apophasis
• Sarcasm
• Hypocrisy
• Paradox
• Oxymoron
• Post-irony
• Ironism

Notes[link]

Bibliography[link]

External links[link]

• "The final irony"—a Guardian article about irony, use and misuse of the term
• Article on the etymology of Irony
• "Irony", by Norman D. Knox, in Dictionary of the History of Ideas (1973)
• "Sardonicus"—a web-resource that provides access to similes, ironic and otherwise, harvested from the web.
• Excerpt on dramatic irony from Yves Lavandier's Writing Drama
• "American Irony" compared with British irony, quoting Stephen Fry
• American and British irony compared by Simon Pegg
• Modern example of ironic writing
• Irony definition by Baldrick (BlackAdder)

Alanis Morissette
Alanis Morissette signing autographs for fans after concert
Background information
Birth name	Alanis Nadine Morissette
Born	(1974-06-01) June 1, 1974 (age 38)
Origin	Ottawa, Ontario, Canada
Genres	Alternative rock, pop rock, electronica, post-grunge
Occupations	Singer, songwriter, actress, record producer
Instruments	Piano, guitar, flute, harmonica, bass, vocals
Years active	1987–present
Labels	MCA Canada, Maverick, Warner Bros., Epiphany Music
Associated acts	Tim Thorney
Website	alanis.com

Alanis Nadine Morissette (born June 1, 1974) is a Canadian^[1] singer-songwriter, guitarist, record producer, and actress. She has won 16 Juno Awards and seven Grammy Awards, was nominated for two Golden Globe Awards and also shortlisted for an Academy Award nomination. Morissette began her career in Canada, and as a teenager recorded two dance-pop albums, Alanis and Now Is the Time, under MCA Records Canada.

Her first international album was the rock-influenced Jagged Little Pill, released in 1995. Jagged has sold more than 33 million units globally.^[2][3][4] Her following album, Supposed Former Infatuation Junkie, was released in 1998 and was a success as well. Morissette took up producing duties for her subsequent albums, which include Under Rug Swept, So-Called Chaos and Flavors of Entanglement. Morissette has sold more than 60 million albums worldwide.^[5][6][7] Morissette is also known for her powerful and emotive mezzo-soprano voice.^[8]

Morissette acquired United States citizenship in 2005.^[9]

Early life[link]

Morissette was born June 1, 1974 in Ottawa, Ontario, Canada,^[10] the daughter of Georgia Mary Ann (née Feuerstein), a teacher of Hungarian descent,^[11][12] and Alan Richard Morissette, a French-Canadian high school principal.^[13] She has a twin brother, Wade Morissette, (also a musician) who was born 12 minutes after her.^[14] Morissette was raised Catholic.^[15] She attended Glebe Collegiate Institute (Ottawa, Canada) for high school.

Music career[link]

1987: First Demo[link]

Alanis recorded her first demo called "Fate Stay With Me" at Marigold Studios in Toronto, engineered by Rich Dodson of Canadian classic rock band, The Stampeders. ^[16]

1990–92: Early career[link]

In 1991 MCA Records Canada released Morissette's debut album, Alanis, in Canada only. Morissette co-wrote every track on the album with its producer, Leslie Howe. By the time it was released, she had dropped her stage name and was credited simply as Alanis. The dance-pop album went platinum,^[17] and its first single, "Too Hot", reached the top twenty on the RPM singles chart. Subsequent singles "Walk Away" and "Feel Your Love" reached the top 40. Morissette's popularity, style of music and appearance, particularly that of her hair, led her to become known as the Debbie Gibson of Canada;^[18] comparisons to Tiffany were also common. During the same period, she was a concert opening act for rapper Vanilla Ice.^[19] Morissette was nominated for three 1992 Juno Awards: Most Promising Female Vocalist of the Year (which she won), Single of the Year and Best Dance Recording (both for "Too Hot").^[20]

In 1992, she released her second album, Now Is the Time, a ballad-driven record that featured less glitzy production than Alanis and contained more thoughtful lyrics.^[18] Morissette wrote the songs with the album's producer, Leslie Howe, and Serge Côté. She said of the album, "people could go, 'Boo, hiss, hiss, this girl's like another Tiffany or whatever.' But the way I look at it ... people will like your next album if it's a suck-ass one."^[19] As with Alanis, Now Is the Time was released only in Canada and produced three top 40 singles—"An Emotion Away", the minor adult contemporary hit "No Apologies" and "(Change Is) Never a Waste of Time". It was a commercial failure, however, selling only a little more than half the copies of her first album.^[18][21] With her two-album deal with MCA Records Canada complete, Morissette was left without a major label contract.

[edit] 1993–97: Move to Los Angeles and Jagged Little Pill

In 1993 Morissette's publisher Leeds Levy at MCA Music Publishing introduced her to manager Scott Welch.^[22] Welch told HitQuarters he was impressed by her "spectacular voice", her character and her lyrics. At the time she was still living at home with her parents. Together they decided it would be best for her career to move to Toronto and start writing with other people.^[22] After graduating from high school, Morissette moved from Ottawa to Toronto.^[18] Her publisher funded part of her development and when she met producer and songwriter Glen Ballard, he believed in her talent enough to let her use his studio.^[18][22] The two wrote and recorded Morissette's first internationally released album, Jagged Little Pill, and by the spring of 1995, she had signed a deal with Maverick Records. According to manager Welch every label they had approached had passed on Morissette apart from Maverick.^[22]

	"Ironic" (1996) noicon The two-time Grammy Award-nominated song is considered one of Morissette's signature tunes.
Problems listening to this file? See media help.

Maverick Records released Jagged Little Pill internationally in 1995. The album was expected only to sell enough for Morissette to make a follow-up, but the situation changed quickly when KROQ-FM, an influential Los Angeles modern rock radio station, began playing "You Oughta Know", the album's first single.^[23] The song instantly garnered attention for its scathing, explicit lyrics,^[18] and a subsequent music video went into heavy rotation on MTV and MuchMusic.

After the success of "You Oughta Know", the album's other hit singles helped send Jagged Little Pill to the top of the charts. "All I Really Want" and "Hand In My Pocket" followed, but the fourth U.S. single, "Ironic", became Morissette's biggest hit. "You Learn" and "Head over Feet", the fifth and sixth singles, respectively, kept Jagged Little Pill in the top twenty on the Billboard 200 albums chart for more than a year. According to the RIAA, Jagged Little Pill sold more than 16 million copies in the U.S.; it sold 33 million worldwide,^[24] making it the second biggest selling album by a female artist (behind Shania Twain's Come On Over).^[25][26] Morissette's popularity grew significantly in Canada, where the album was certified twelve times platinum^[17] and produced four RPM chart-toppers: "Hand In My Pocket", "Ironic", "You Learn", and "Head over Feet". The album was also a bestseller in Australia and the United Kingdom.^[27][28]

Morissette's success with Jagged Little Pill was credited with leading to the introduction of female singers such as Shakira, Tracy Bonham, Meredith Brooks, Patti Rothberg and, in the early 2000s, Pink and fellow Canadian Avril Lavigne.^[29] She was criticized for collaborating with producer and supposed image-maker Ballard, and her previous albums also proved a hindrance for her respectability.^[18][30] Morissette and the album won six Juno Awards in 1996: Album of the Year, Single of the Year ("You Oughta Know"), Female Vocalist of the Year, Songwriter of the Year and Best Rock Album.^[31] At the 1996 Grammy Awards, she won Best Female Rock Vocal Performance, Best Rock Song (both for "You Oughta Know"), Best Rock Album and Album of the Year.^[32]

Later in 1996, Morissette embarked on an 18-month world tour in support of Jagged Little Pill, beginning in small clubs and ending in large venues. Taylor Hawkins, who later joined the Foo Fighters, was the tour's drummer. "Ironic" was nominated for two 1997 Grammy Awards—Record of the Year and Best Music Video, Short Form^[33]—and won Single of the Year at the 1997 Juno Awards, where Morissette also won Songwriter of the Year and the International Achievement Award.^[34] The video Jagged Little Pill, Live, which was co-directed by Morissette and chronicled the bulk of her tour, won a 1998 Grammy Award for Best Music Video, Long Form.^[35]

Following the stressful tour, Morissette started practicing Iyengar Yoga for balancing, and after the last December 1996 show, she headed to India for six weeks, accompanied by her mother, two aunts and two female friends.^[36]

[edit] 1998–2000: Supposed Former Infatuation Junkie and Alanis Unplugged

	"Thank U" (1998) noicon The most successful single from 1998's Supposed Former Infatuation Junkie was written after a trip to India. "That I Would Be Good" (1998) noicon A live version of this ballad was released to promote 1999's Alanis Unplugged.
Problems listening to these files? See media help.

Morissette was featured as a guest vocalist on Ringo Starr's cover of "Drift Away" on his 1998 album, Vertical Man, and on the songs "Don't Drink the Water" and "Spoon" on the Dave Matthews Band album Before These Crowded Streets. She recorded the song "Uninvited" for the soundtrack to the 1998 film City of Angels. Although the track was never commercially released as a single, it received widespread radio airplay in the U.S. At the 1999 Grammy Awards, it won in the categories of Best Rock Song and Best Female Rock Vocal Performance, and was nominated for Best Song Written for a Motion Picture, Television or Other Visual Media.^[37] Later in 1998, Morissette released her fourth album, Supposed Former Infatuation Junkie, which she wrote and produced with Glen Ballard.

Privately, the label hoped to sell a million copies of the album on initial release;^[38] instead, it debuted at number one on the Billboard 200 chart with first-week sales of 469,000 copies—a record, at the time, for the highest first-week sales of an album by a female artist.^[39] The wordy, personal lyrics on Supposed Former Infatuation Junkie alienated many fans, and after the album sold considerably less than Jagged Little Pill, many labelled it an example of the sophomore jinx.^[18][40] However, it received positive reviews, including a four-star review from Rolling Stone.^[41] In Canada, it won the Juno Award for Best Album and was certified four times platinum.^[17][42] "Thank U", the album's only major international hit single, was nominated for the 2000 Grammy Award for Best Female Pop Vocal Performance; the music video, which featured Morissette nude, generated mild controversy.^[38][43] Morissette herself directed the videos for "Unsent" and "So Pure", which won, respectively, the MuchMusic Video Award for Best Director and the Juno Award for Video of the Year.^[42][44] The "So Pure" video features actor Dash Mihok, with whom Morissette was in a relationship at the time.^[38]

Morissette contributed vocals to "Mercy", "Hope", "Innocence", and "Faith", four tracks on Jonathan Elias's project The Prayer Cycle, which was released in 1999. The same year, she released the live acoustic album Alanis Unplugged, which was recorded during her appearance on the television show MTV Unplugged. It featured tracks from her previous two albums alongside four new songs, including "King of Pain" (a cover of The Police song) and "No Pressure over Cappuccino", which Morissette wrote with her main guitar player, Nick Lashley. The recording of the Supposed Former Infatuation Junkie track "That I Would Be Good", released as a single, became a minor hit on hot adult contemporary radio in America. Also in 1999, Morissette released a live version of her song "Are You Still Mad" on the charity album Live in the X Lounge II. For her live rendition of "So Pure" at Woodstock '99, she was nominated for Best Female Rock Vocal Performance at the 2001 Grammy Awards.^[45] During summer 1999, Alanis toured with singer/songwriter Tori Amos on the 5 And A Half Weeks Tour in support of Amos' album To Venus And Back.

[edit] 2001–03: Under Rug Swept and Feast on Scraps

In 2001, Morissette was featured with Stephanie McKay on the Tricky song "Excess", which is on his album Blowback. Morissette released her fifth studio album, Under Rug Swept, in February 2002. For the first time in her career, she took on the role of sole writer and producer of an album. Her band, comprising Joel Shearer, Nick Lashley, Chris Chaney, and Gary Novak, played the majority of the instruments; additional contributions came from Eric Avery, Dean DeLeo, Flea, and Meshell Ndegeocello.

Under Rug Swept debuted at number one on the Billboard 200 chart, eventually going platinum in Canada and selling one million copies in the U.S.^[17][46] It produced the hit single "Hands Clean", which topped the Canadian Singles Chart and received substantial radio play; for her work on "Hands Clean" and "So Unsexy", Morissette won a Juno Award for Producer of the Year.^[47] A second single, "Precious Illusions", was released, but it did not garner significant success outside Canada or U.S. hot AC radio.

Later in 2002, Morissette released the combination package Feast on Scraps, which includes a DVD of live concert and backstage documentary footage directed by her and a CD containing eight previously unreleased songs from the Under Rug Swept recording sessions. Preceded by the single "Simple Together", it sold roughly 70,000 copies in the U.S. and was nominated for a Juno Award for Music DVD of the Year.^[46][48]

[edit] 2004–05: So-Called Chaos, Jagged Little Pill Acoustic and The Collection

Alanis Morissette, 2004

	"Everything" (2004) noicon The first single from So Called Chaos showcased a more relaxed and self-evaluating Morissette and was a moderate success.
Problems listening to this file? See media help.

Morissette hosted the Juno Awards of 2004 dressed in a bathrobe, which she took off to reveal a flesh-colored bodysuit, a response to the era of censorship in the U.S. caused by Janet Jackson's breast-reveal incident during the Super Bowl XXXVIII halftime show.^[49] Morissette released her sixth studio album, So-Called Chaos, in May 2004. She wrote the songs on her own again, and co-produced the album with Tim Thorney and pop music producer John Shanks. The album debuted at number five on the Billboard 200 chart to generally mixed critical reviews, and it became Morissette's lowest seller in the U.S.^[46] The lead single, "Everything", achieved major success on adult top 40 radio in America and was moderately popular elsewhere, particularly in Canada, although it failed to reach the top 40 on the U.S. Hot 100. Because the first line of the song includes the word asshole, American radio stations refused to play it, and the single version was changed to include the word nightmare instead.^[49] Two other singles, "Out Is Through" and "Eight Easy Steps", fared considerably worse commercially than "Everything", although a dance mix of "Eight Easy Steps" was a U.S. club hit.

Morissette embarked on a U.S. summer tour with long-time friends and fellow Canadians Barenaked Ladies, working with the non-profit environmental organization Reverb.^[50]

To commemorate the tenth anniversary of Jagged Little Pill, Morissette released a studio acoustic version, Jagged Little Pill Acoustic, in June 2005. The album was released exclusively through Starbucks' Hear Music retail concept through their coffee shops for a six-week run. The limited availability led to a dispute between Maverick Records and HMV North America, who retaliated by removing Morissette's other albums from sale for the duration of Starbucks's exclusive six-week sale.^[51][52] As of November 2010, Jagged Little Pill Acoustic had sold 372,000 copies in the U.S.,^[53] and a video for "Hand in My Pocket" received rotation on VH1 in America. The accompanying tour ran for two months in mid 2005, with Morissette playing small theatre venues. During the same period, Morissette was inducted into Canada's Walk of Fame.^[54]

Morissette opened for The Rolling Stones for a few dates of their A Bigger Bang Tour in the autumn of 2005.

Morissette released the greatest hits album Alanis Morissette: The Collection in late 2005. The lead single and only new track, a cover of Seal's "Crazy", was a U.S. adult top 40 and dance hit, but it achieved only minimal chart success elsewhere. A limited edition of The Collection features a DVD including a documentary with videos of two unreleased songs from Morissette's 1996 Can't Not Tour: "King of Intimidation" and "Can't Not". (A reworked version of "Can't Not" had also appeared on Supposed Former Infatuation Junkie.) The DVD also includes a ninety-second clip of the unreleased video for the single "Joining You". As of November 2010, The Collection had sold 373,000 copies in the U.S., according to Soundscan.^[53]

Morissette contributed the song "Wunderkind" to the soundtrack of the film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, and it was nominated for a Golden Globe Award for Best Original Song.^[55]

Alanis performed two songs with Avril Lavigne: Morissette's "Ironic" and Lavigne's "Losing Grip".

[edit] 2006–10: Flavors of Entanglement and leaving Maverick Records

Alanis during a live concert in Barcelona, June 2008

2006 marked the first year in Morissette's musical career without a single concert appearance showcasing her own songs, with the exception of an appearance on The Tonight Show with Jay Leno in January when she performed "Wunderkind".

On April 1, 2007, Morissette released a tongue-in-cheek cover of The Black Eyed Peas's selection "My Humps", which she recorded in a slow, mournful voice, accompanied only by a piano. The accompanying YouTube-hosted video, in which she dances provocatively with a group of men and hits the ones who attempt to touch her "lady lumps", had received 16,465,653 views on February 15, 2009.^[56] Morissette did not take any interviews for a time to explain the song, and it was theorized that she did it as an April Fools' Day joke.^[57] Black Eyed Peas vocalist Stacy "Fergie" Ferguson responded by sending Morissette a buttocks-shaped cake with an approving note.^[58] On the verge of the release of her latest album, she finally elaborated on how the video came to be, citing that she became very much emotionally loaded while recording her new songs one after the other and one day she wished she could do a simple song like "My Humps" in a conversation with Guy Sigsworth and the joke just took a life of its own when they started working on it.^[56]

Morissette performed at a gig for The Nightwatchman, a.k.a. Tom Morello of Rage Against the Machine and Audioslave fame, at the Hotel Café in Los Angeles in April 2007. The following June, she performed "The Star-Spangled Banner" and "O Canada", the American and Canadian national anthems, in Game 4 of the Stanley Cup Finals between the Ottawa Senators and the Anaheim Ducks in Ottawa, Ontario.^[59] (The NHL requires arenas to perform both the American and Canadian national anthems at games involving teams from both countries.) In early 2008, Morissette participated in a tour with Matchbox Twenty and Mutemath as a special guest.

Morissette's seventh studio album, Flavors of Entanglement, which was produced by Guy Sigsworth, was released in mid 2008. She has stated that in late 2008, she would embark on a North American headlining tour, but in the meantime she would be promoting the album internationally by performing at shows and festivals and making television and radio appearances. The album's first single was "Underneath", a video for which was submitted to the 2007 Elevate Film Festival, the purpose of which festival was to create documentaries, music videos, narratives and shorts regarding subjects to raise the level of human consciousness on the earth.^[60] On October 3, 2008, Morissette released the video for her latest single, "Not as We".^[61]

Recently, Morissette has contributed to 1 Giant Leap, performing "Arrival" with Zap Mama and she has released an acoustic version of her song "Still" as part of a compilation from Music for Relief in support of the 2010 Haiti earthquake crisis. Morissette has also recorded a cover of the 1984 Willie Nelson and Julio Iglesias hit, "To All the Girls I've Loved Before", re-written as "To All the Boys I've Loved Before".^[62] Nelson played rhythm guitar on the recording.^[62]

In April 2010, Morissette released the song "I Remain", which she wrote for the Prince of Persia: The Sands of Time soundtrack.

On May 26, 2010, the season finale of American Idol, Morissette performed a duet of her song "You Oughta Know" with Runner Up Crystal Bowersox.^[63]

Morissette left Maverick Records after all promotion for Flavors was completed.

[edit] 2011–present: Havoc and Bright Lights and upcoming 2012 tour

On October 11, 2011, Morissette posted a picture of herself in a recording studio to her Facebook page. The picture included the message "back in the studio saddle....the songs have come in droves...!", indicating that Morissette had begun work on her next album. However, it was unknown if she would be still associated with Maverick Records, after the completion of her last album Flavors of Entanglement.^[64]

On November 20, 2011, Morissette appeared at the American Music Awards. When asked about the new album during a short interview, she said she had recorded thirty-one songs, and that the album would "likely be out next year, probably [in] summertime".^[65]

On December 21, 2011, Morissette performed a duet of "Uninvited" with finalist Josh Krajcik during the performance finale of the X-Factor.

Morissette is embarking on a European tour for the Summer of 2012, according to Alanis.com. In early May 2012, a new song called "Magical Child" appeared on a Starbucks compilation called Every Mother Counts.^[66]

Rolling Stone Magazine initially reported that Morissette's new album would be released in June 2012 and revealed the titles of four album tracks: "Spiral," "Guardian," "Celebrity," and "Havoc." "Spiral" and "Guardian" were performed at Guitar Center sessions.^[67] "Havoc" is a ballad, while "Celebrity" is described to be "a scathing takedown of America's obsession with fame."^[68]

On May 2, 2012, Morissette revealed through her Facebook account that her eighth studio album, entitled Havoc and Bright Lights, would be released in August 2012, on new label "Collective Sound", distributed by Sony's RED Distribution.^[69] On the same day, Billboard precised the date as August 28 and revealed the album would contain twelve tracks. The album's lead single, "Guardian", is due for release on iTunes on May 15, 2012, and will hit the radio airwaves four days prior to this.^[70]

Acting career[link]

In 1986, Morissette had her first stint as an actor: five episodes of the children's television show You Can't Do That on Television. She appeared on stage with the Orpheus Musical Theatre Society in 1985 and 1988.^[71]

In 1993, she appeared in the film Just One of the Girls starring Corey Haim, which she described as "horrible".^{[clarification needed][citation needed]}

In 1999, Morissette delved into acting again, for the first time since 1993, appearing as God in the Kevin Smith comedy Dogma and contributing the song "Still" to its soundtrack. Morissette reprised her role as God for a post-credits scene in Smith's next film, Jay and Silent Bob Strike Back, to literally close the book on the View Askewniverse. She also appeared in the hit HBO comedies Sex and the City and Curb Your Enthusiasm, appeared in the play The Vagina Monologues, and had a brief role in the Brazilian hit soap opera "Celebridade" (Celebrity).

In late 2003, Morissette appeared in the Off-Broadway play The Exonerated as Sunny Jacobs, a death row inmate freed after proof surfaced that she was innocent. In April 2006, MTV News reported that Morissette would reprise her role in The Exonerated in London from May 23 until May 28.^[72]

She expanded her acting credentials with the July 2004 release of the Cole Porter biographical film De-Lovely, in which she performed the song "Let's Do It (Let's Fall in Love)" and had a brief role as an anonymous stage performer. In February 2005, she made a guest appearance on the Canadian television show Degrassi: The Next Generation with Dogma co-star Jason Mewes and director Kevin Smith.

In 2006, she guest starred in an episode of Lifetime's Lovespring International as a homeless woman named Lucinda, three episodes of FX's Nip/Tuck, playing a lesbian named Poppy, and the mockumentary/documentary Pittsburgh as herself.

Morissette has appeared in eight episodes of Weeds, playing Dr. Audra Kitson, a "no-nonsense obstetrician" who treats pregnant main character Nancy Botwin.^[73] Her first episode aired in July 2009.

In early 2010 Morissette returned to the stage, performing a one night engagement in An Oak Tree, an experimental play in Los Angeles. The performance was a sell out. In April 2010 Morissette was confirmed in the cast of Weeds season six, performing again her role as Dr. Audra Kitson.^[74]

Morissette also starred in a film adaptation of Philip K. Dick's novel Radio Free Albemuth. Morissette plays Sylvia, an ordinary woman in unexpected remission from lymphoma. Morissette stated that she is "...a big fan of Philip K. Dick's poetic and expansively imaginative books" and that she "feel[s] blessed to portray Sylvia, and to be part of this story being told in film".^[75]

She appeared as Ava Alexander's Maya Rudolph former Sound LLC bandmate, Amanda in one episode of NBC's "Up All Night" ^[76] on February 16, 2012. Rudolph officiated as minister for Morissette's wedding with both performing the explicit version of their hit hip-hop song, "Back It Up (Beep Beep)".

Personal life[link]

Morissette dated actor and comedian Dave Coulier for a short time in the early 1990s.^[77] In a 2008 interview with the Calgary Herald, Coulier claimed to be the ex-boyfriend who inspired Morissette's song "You Oughta Know".^[78] Morissette, however, has maintained her silence on the subject of the song.^[79]

Morissette met Canadian actor Ryan Reynolds at Drew Barrymore's birthday party in 2002, and the couple began dating soon after.^[80] They announced their engagement in June 2004.^[78] In February 2007, representatives for Morissette and Reynolds announced they had mutually decided to end their engagement.^[81] Morissette has stated that her album Flavors of Entanglement was created out of her grief after the break-up, saying that "it was cathartic".^[82]

Morissette became an American citizen in 2005, while maintaining her Canadian citizenship.^[9]

On May 22, 2010, Morissette married rapper Mario “MC Souleye” Treadway (born May 3, 1980 in Boston, Massachusetts) in a private ceremony at their Los Angeles home.^[83] Their first child, Ever Imre Morissette-Treadway, was born on December 25, 2010.^[84]

Morissette is also a vegan, and an active environmentalist.^[85]

Discography[link]

• Alanis (1991)
• Now Is the Time (1992)
• Jagged Little Pill (1995)
• Supposed Former Infatuation Junkie (1998)
• Under Rug Swept (2002)
• So-Called Chaos (2004)
• Flavors of Entanglement (2008)
• Havoc and Bright Lights (2012)

Filmography[link]

Tours[link]

• 1991: Vanilla Ice tour (opening act)
• 1995: Jagged Little Pill/Intellectual Intercourse Tour
• 1996: Can't Not Tour
• 1998: Club Tour (Alanis Morissette tour)
• 1999: Junkie Tour
• 1999: Junkie Tour Australian Leg (with Garbage)
• 1999: 5 ½ Weeks Tour (with Tori Amos)
• 2000: One Tour
• 2001: Under Rug Swept Tour
• 2002: Toward Our Union Mended Tour
• 2003: All I Really Want/Feast on Scraps Tour
• 2004: So-Called Chaos/Au Naturale Tour (with Barenaked Ladies)
• 2005: Diamond Wink Tour
• 2008: Exile in America (with Matchbox Twenty and Mutemath)
• 2008: Flavors of Entanglement Tour
• 2009: Flavors of Entanglement South American Tour

Awards and nominations[link]

See also[link]

	Book: Alanis Morissette
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Canadian rock
• Music of Canada
• Best selling music artists
• List of diamond-certified albums in Canada
• List of best-selling albums worldwide
• List of best-selling music artists

References[link]