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The Misanthrope (French: Le Misanthrope ou l'Atrabilaire amoureux) is a 17th-century comedy of manners in verse written by Molière. It was first performed on 4 June 1666 at the Théâtre du Palais-Royal, Paris by the King's Players.^[1]

The play satirizes the hypocrisies of French aristocratic society, but it also engages a more serious tone when pointing out the flaws which all humans possess. The play differs from other farces at the time by employing dynamic characters like Alceste and Célimène as opposed to the traditionally flat characters used by most satirists to criticize problems in society. It also differs from most of Molière's other works by focusing more on character development and nuances than on plot progression. The play, though not a commercial success in its time, survives as Molière's best known work today.

Because both Tartuffe and Dom Juan, two of Molière's previous plays, had already been banned by the French government, Molière may have subdued his actual ideas to make his play more socially acceptable. As a result, there is much uncertainty about whether the main character Alceste is supposed to be perceived as a hero for his strong standards of honesty or whether he is supposed to be perceived as a fool for having such idealistic and unrealistic views about society. Molière has received much criticism for The Misanthrope. The French philosopher Jean-Jacques Rousseau, claimed (in his Letter to M. D'Alembert on Spectacles) that it was Molière's best work but hated the fact that Alceste was depicted as a fool on stage. He believed that the audience should be supporting Alceste and his views about society rather than disregarding his idealistic notions and belittling him as a character.

Characters[link]

Alceste 

The protagonist and "misanthrope" of the title. He is quick to criticize the flaws of everyone around him, including himself. He cannot help but love Célimène though he loathes her behaviour.

Célimène 

A young woman who is courted by Alceste, Oronte, Acaste, and Clitandre. She is playful and flirtatious, and likes to point out the flaws of everyone she meets behind their backs. Célimène pays much attention to social appearances.

Philinte 

A polite man who genuinely cares for Alceste, and recognizes the importance of occasionally veiling one's true opinions in a social context. He is mainly thought of as Alceste's foil.

Acaste 

A young, pompous marquis who believes he is deserving of Célimène's love.

Oronte 

An outgoing, seemingly confident man who also loves Célimène for a time. His insecurity is revealed when he is unable to handle Alceste's criticism of his love sonnet.

Arsinoé 

A highly moralistic older woman who is jealous of the attentions which Alceste pours onto Célimène.

Éliante 

Love interest to Philinte and cousin to Célimène, who initially pines for Alceste. She possesses a good balance between societal conformity and individual expression.

Clitandre 

Another marquis who attempts to woo Célimène and win her love, and enjoys gossiping with her about notable social figures.

Basque 

Célimène's loyal manservant.

Du Bois 

Alceste's farcically blundering manservant.

Guard 

A messenger of the Marshals of France who asks Alceste to answer for his criticism of Oronte's poetry.

Synopsis[link]

Much to the horror of his friends and companions, Alceste rejects the notion la politesse, or the social conventions of the seventeenth century French salon. His refusal to "make nice" makes him tremendously unpopular and he laments his isolation in a world he sees as superficial and base, saying early in Act I, "… Mankind has grown so base, / I mean to break with the whole human race.”

Despite his convictions, however, Alceste cannot help but love the flighty and vivacious Célimène, a consummate flirt whose wit and frivolity epitomize the courtly manners that Alceste despises. Though he constantly reprimands her, Célimène refuses change, charging Alceste with being unfit for society.

Despite his sour reputation, "the misanthrope," Alceste, does have women pining for him, in particular the moralistic Arsinoé and the honest Eliante. Though he acknowledges their superior virtues, his heart still lies with Célimène. His deep feelings for her primarily serve to counter his negative expressions about mankind, since the fact that he has such feelings includes him amongst those he so fiercely criticizes.

When Alceste insults a sonnet written by the powerful noble, Oronte, he is called to stand trial. Refusing to dole out false compliments, he is charged and humiliated, and resolves on self-imposed exile.

His friends forsake him and upon meeting them, he discovers that Célimène has been leading him on. She has written identical love letters to numerous suitors, and broken her vow to favor him above all others. He gives her an ultimatum. He will forgive her and marry her if she runs away with him to exile. Célimène refuses, believing herself too young and beautiful to leave society and all her suitors behind. Philinte, for his part, becomes betrothed to Eliante. Alceste then decides to exile himself from society, and the play ends with Philinte and Eliante running off to convince him to return.

Adaptations[link]

Modern adaptations of the play have been written by Tony Harrison and Liz Lochhead. Lochhead's version is set in the early years of the Scottish Parliament and satirises Scottish Labour's relationship with the media. The Grouch, a more modern verse version of The Misanthrope by Ranjit Bolt was first performed at West Yorkshire Playhouse in February 2008. It is set in contemporary London, and most of the characters' names are recognisably linked to Molière's: in the sequence of the above cast list they are Alan, Celia, Phil, Eileen, Orville, Fay (Arsinoe), Lord Arne, Chris, and manservant Bates. Martin Crimp's adaptation, starring Damian Lewis and Keira Knightley, opened at the Comedy Theatre, London in December 2009.

References[link]

• Wilbur's translation

External links[link]

French Wikisource has original text related to this article: Le Misanthrope

• The Misanthrope (full text, in English)
• The Misanthrope in London

v t e Works by Molière Le Médecin volant Les Précieuses ridicules The School for Wives Tartuffe Dom Juan L'Amour médecin The Misanthrope Le Médecin malgré lui Amphitryon George Dandin ou le Mari confondu The Miser Monsieur de Pourceaugnac Le Bourgeois gentilhomme Psyché Les Fourberies de Scapin Les Femmes Savantes The Imaginary Invalid

This article may be expanded with text translated from the corresponding article in the French Wikipedia. (May 2012) Don't speak French? Click here to read a machine-translated version of the French article. Click [show] on the right to review important translation instructions before translating. Google's machine translation is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. After translating, {{Translated|fr|Francis Huster}} must be added to the talk page to ensure copyright compliance. For more guidance, see Wikipedia:Translation.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (June 2008)

Huster at the 2001 Cannes Film Festival.

Francis Huster (born 8 December 1947) is a French stage, film and television actor, film director and scriptwriter.

Biography[link]

Francis Huster was born in Neuilly-sur-Seine. He was a son of Charles Huster, commercial director at Lancia, and Suzette Cwajbaum, a Polish Jewish woman.

He studied acting at the Conservatoire of the 17th arrondissement of Paris, at the Cours Florent and at the Conservatoire national (1968), where he had René Simon and later Antoine Vitez as teachers.^[1][2] He joined the Comédie-Française in 1971, became sociétaire in 1977, and left this institution in 1982.^[3] He later founded the theater group Compagnie Francis Huster, of which the following actors have been members: Clotilde Courau, Valérie Crunchant, Christiana Réali, Estelle Skornik, Valentine Varela, Olivier Martinez, Mathieu Carriere.^[4]

Awards[link]

Francis Huster became Chevalier de la Legion d'Honneur in 1991, and was awarded the rank of "Officier" by Jacques Chirac in 2006.^[2] The latter made the following comment: "C'est un comédien absolument exceptionnel qui se donne sans réserve à son art" ("He is an absolutely exceptional actor who dedicates himself totally to his art").^[5]

Filmography[link]

• 1970 : Chambres de bonne short film directed by Jean-Pierre Moulin
• 1970 : En attendant l'auto... short film directed by Gisèle Braunberger
• 1970 : La Faute de l'abbé Mouret, directed by Georges Franju
• 1972 : Faustine et le bel été, directed by Nina Companeez
• 1972 : L'histoire très bonne et très joyeuse de Colinot trousse-chemise, directed by Nina Companeez
• 1975 : Lumière, directed by Jeanne Moreau
• 1976 : Je suis Pierre Rivière, directed by Christine Lipinska
• 1976 : Si c'était à refaire, directed by Claude Lelouch
• 1977 : Comme sur des roulettes, directed by Nina Companeez
• 1977 : Un autre homme, une autre chance, directed by Claude Lelouch
• 1978 : En attendant Paul... short film directed by Georges Birtschansky
• 1978 : One, Two, Two 122, rue de Provence, directed by Christian Gion
• 1978 : L'Adolescente (The Adolescent), directed by Jeanne Moreau
• 1979 : Les Égouts du paradis, directed by José Giovanni
• 1980 : Les Uns et les Autres (Bolero), directed by Claude Lelouch
• 1981 : Qu'est-ce qui fait courir David ?, directed by Elie Chouraqui
• 1982 : Édith et Marcel, directed by Claude Lelouch
• 1983 : J'ai épousé une ombre, directed by Robin Davis
• 1983 : Équateur, directed by Serge Gainsbourg
• 1983 : Le Faucon, directed by Paul Boujenah
• 1983 : Drôle de samedi, directed by Bay Okan
• 1984 : Première Classe... short film directed by Mehdi El Glaoui
• 1984 : La femme publique (The Public Woman), directed by Andrzej Zulawski
• 1984 : L'Amour braque, directed by Andrzej Zulawski
• 1985 : Parking, directed by Jacques Demy
• 1985 : Drôle de samedi, directed by Tunç Okan
• 1986 : On a volé Charlie Spencer !, directed by Francis Huster
• 1989 : Il y a des jours... et des lunes, directed by Claude Lelouch
• 1992 : Tout ça... pour ça !, directed by Claude Lelouch
• 1995 : Dieu, l'amant de ma mère et le fils du charcutier d'Aline Issermann
• 1998 : Le Dîner de Cons (The Dinner Game), directed by Francis Veber
• 2000 : L'Envol, directed by Steve Suissa
• 2000 : Elle pleure pas short film directed by Steve Suissa
• 2004 : Pourquoi (pas) le Brésil, directed by Laetitia Masson
• 2004 : Le Rôle de sa vie (The Role of Her Life), directed by François Favrat
• 2005 : Le Courage d'aimer (scenes deleted), directed by Claude Lelouch
• 2006 : Comme t'y es belle !, directed by Lisa Alessandrin
• 2008 : A Man and His Dog, directed by Francis Huster

References[link]

External links[link]

• IMDb entry
• Allmovie biography on movies.yahoo.com
• allocine.fr entry (French)
• Detailed biography (French)
• Short biography at evene.fr (French)
• Unofficial website dedicated to Francis Huster (French)

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