- published: 09 Oct 2006
- views: 414312
- author: jarkkkoo
9:45
Iannis Xenakis - Metastasis
watch in full screen! Iannis Xenakis / Metastaeis from www.uni-ak.ac.at...
published: 09 Oct 2006
author: jarkkkoo
Iannis Xenakis - Metastasis
watch in full screen! Iannis Xenakis / Metastaeis from www.uni-ak.ac.at
- published: 09 Oct 2006
- views: 414312
- author: jarkkkoo
8:29
Iannis Xenakis - Metastasis (Spectral View)
Metastasis or Metastaseis ("dialectic transformations"), is an orchestral work by Iannis X...
published: 15 Feb 2008
author: babylonianman
Iannis Xenakis - Metastasis (Spectral View)
Metastasis or Metastaseis ("dialectic transformations"), is an orchestral work by Iannis Xenakis, a Greek composer-architect and a major figure in the postwar development of musical modernism worldwide. He is particularly remembered for the pioneering use of stochastic mathematical techniques in his compositions, including probability (Maxwell-Boltzmann kinetic theory of gases, aleatory distribution of points on a plane, minimal constraints, Gaussian distribution, Markov chains), game theory, group theory, Boolean algebra and Brownian motion. Metastasis was inspired by Einstein's view of time (a function of matter & energy) and structured on mathematical ideas by Xenakis's colleague Le Corbusier. The 1st and 3rd movements don't have a melodic theme to hold them together, but rather depend on the strength of this conceptualization of time. The 2nd movement does have some sort of melodic element. A fragment of a 12-tone row is used, with durations based on the Fibonacci sequence (1,1,2,3,5,8,13,21,34...) The preliminary sketch for Metastasis was in graphic notation looking more like a blueprint than a musical score, showing graphs of mass motion and glissandi like structural beams of the piece, with sound frequencies on one axis and time on the other. In this video I tried to display this by presenting the frequency spectrum (0-20.000Hz) of the piece and how Xenakis actually "drew" music. SWF Symphony Orchestra Hans Rosbaud, conductor October 1955
- published: 15 Feb 2008
- views: 140159
- author: babylonianman
9:39
Mycenae Alpha
Iannis Xenakis created the music using the UPIC which makes sound based on drawings that X...
published: 13 Jul 2007
author: d21d34c55
Mycenae Alpha
Iannis Xenakis created the music using the UPIC which makes sound based on drawings that Xenakis made.
- published: 13 Jul 2007
- views: 193085
- author: d21d34c55
9:44
Iannis Xenakis : Pithoprakta
The wonderful "Pithoprakta" (1956), which I personally regard as Xenakis' greatest work fr...
published: 29 Jan 2010
author: flammesombres
Iannis Xenakis : Pithoprakta
The wonderful "Pithoprakta" (1956), which I personally regard as Xenakis' greatest work from his early period... but then I suppose there's ST/4 and Achorripsis. Anyway, there's a better recording of this with Tamayo and the Orchestre Philharmonique du Luxembourg, but it's really worth buying.
- published: 29 Jan 2010
- views: 66208
- author: flammesombres
14:46
Iannis Xenakis - Tetras
Tetras, for string quartet (1983) Arditti String Quartet Tetras stands as one of the very ...
published: 05 Feb 2011
author: pelodelperro
Iannis Xenakis - Tetras
Tetras, for string quartet (1983) Arditti String Quartet Tetras stands as one of the very finest chamber compositions of Greek composer Iannis Xenakis. It is also one of the most original, profoundly challenging contributions to the string quartet genre. "Tetras" means "four" in ancient Greek, and the composer treats the four players as a single entity throughout most of the sixteen minutes of the piece. This multi-bodied, many-stringed organism vibrates with intense energy, the strings oscillating at lightning speed as glissando contours take shape across the registral continuum. It is no coincidence that Tetras was written for the Arditti String Quartet, a group that sealed its reputation as the leading proponent of challenging new repertoire with its exhilarating, awe-inspiring performances of such demanding works. While the glissando is the primary compositional element of this piece, others are important as well. After the opening section, in which the texture of the initial violin solo is gradually filled in, there is a long passage made up of a shifting timbral kaleidoscope: short grinding noises, bowing behind the bridge, knocking on the body of the instrument, extremely high harmonics, and the like. These strange sounds interrupt the texture at various other points in the piece, creating moments of surprise and theatricality. A later passage is built from scales; while the avant-garde aesthetic often avoids such banal material, Xenakis offers a new approach by ...
- published: 05 Feb 2011
- views: 4881
- author: pelodelperro
9:35
Iannis Xenakis Interview (1 of 3)
An interview with the composer Xenakis. (1 of 3) The interviewer is Harry Halbreich (Belgi...
published: 05 Mar 2008
author: edwardlawes
Iannis Xenakis Interview (1 of 3)
An interview with the composer Xenakis. (1 of 3) The interviewer is Harry Halbreich (Belgian musicologist) Not sure who "owns" the footage so I claim "fair use".(original title said "By GK", appears to be from 1995) Original footage not well shot or edited so I have reframed some of it and added some pauses (for emphasis). Also I have peak limited the audio and added new titles (the music underneath is Xenakis, but which piece?, answers on a postcard). The original was one file and was higher res/less compressed but wouldnt fit on YouTube (276mb) so I had to split it into three. I will try and find a free server to upload the whole file to at some point. complementinversion.blogspot.com
- published: 05 Mar 2008
- views: 33624
- author: edwardlawes
10:59
Iannis Xenakis Orient Occident
Iannis Xenakis - Electronic Music - Orient Occident Iannis Xenakis (Ιωάννης Ιάννης Ξενάκης...
published: 05 May 2009
author: unholy1988
Iannis Xenakis Orient Occident
Iannis Xenakis - Electronic Music - Orient Occident Iannis Xenakis (Ιωάννης Ιάννης Ξενάκης) (May 29, 1922 February 4, 2001) was a Greek composer, music theorist and architect. He is commonly recognized as one of the most important post-war avant-garde composers.[1][2] Xenakis pioneered the use of mathematical models such as applications of set theory, varied use of stochastic processes, game theory, etc., in music, and was also an important influence on the development of electronic music.
- published: 05 May 2009
- views: 36652
- author: unholy1988
7:04
Iannis Xenakis - S.709
S.709, for 2-track tape & at least 4 loudspeakers (1994) After composing GENDY3, Xenakis e...
published: 19 Jan 2011
author: pelodelperro
Iannis Xenakis - S.709
S.709, for 2-track tape & at least 4 loudspeakers (1994) After composing GENDY3, Xenakis extended the GENDY program, adding the possibility of modulating the parameters of the dynamic stochastic synthesis algorithm. With this version of the program, Xenakis created S.709. S.709 premiered at a concert at La Maison de Radio-France in December 1994. Its title stands for Sequence 709. Sequence was the name that Xenakis gave to the sections created by the PARAG program. In a radio interview, Brigitte Robindoré, head of musical production at Les Ateliers UPIC, said about S.709: "It's unedited. It's unrestrained." It could then be inferred that S.709 consists of the output of only one PARAG program: it could be a PARAG section of 7 minutes in length. In this piece, the rapid and periodic modulation of the parameters creates voices that are constantly and widely fluctuating in pitch, amplitude and timbre. In the same radio interview, Robindoré mentions that S.709 "produces quite a polemical reaction in the audience." This is not surprising; this work is extremely original in its materials and in its construction; it does not resemble any other piece by Xenakis, nor any other piece that I have ever heard. [Sergio Luque, "The Stochastic Synthesis of Iannis Xenakis."]
- published: 19 Jan 2011
- views: 33578
- author: pelodelperro
2:45
Iannis Xenakis - Concret PH
Concret PH, for 2-track tape & at least 4 loudspeakers (1958) A casual listener may not be...
published: 04 Jan 2011
author: pelodelperro
Iannis Xenakis - Concret PH
Concret PH, for 2-track tape & at least 4 loudspeakers (1958) A casual listener may not be aware of Iannis Xenakis' early involvement in the field of architecture. He worked for Le Corbusier for close to thirteen years, and helped design a handful of projects for the famed architect throughout the 1950s. His most important contribution was the design of the Philips Pavilion for the 1958 World Fair in Brussels. Le Corbusier was occupied with a major project in India, so much of the work on the pavilion fell to Xenakis, who created a striking tent-like form based on hyperbolic paraboloid curves. Le Corbusier aimed to create a multimedia presentation for Philips, a "poème électronique," that would incorporate film, slides, lighting effects, sculpture, and music. Edgard Varèse created his only entirely electronic score for this installation, and Xenakis, too, contributed a brief electronic piece. Concret PH, the title being a reference to the architectural design and construction material, is a crackling two minutes of pointillistic sounds. Xenakis recorded the sound of burning charcoal, then layered and transposed the recordings to create evolving densities and ranges of snaps, crackles, and pops. This piece, along with Varèse's Poème électronique, remains a classic of the electroacoustic genre. [Allmusic.com]
- published: 04 Jan 2011
- views: 7577
- author: pelodelperro
24:51
Iannis Xenakis: Polytope de Cluny (1972)
Iannis Xenakis (1922-2001): Polytope de Cluny (Polytope II),azione per luci e 7 natri magn...
published: 27 Dec 2011
author: TheWelleszOpus
Iannis Xenakis: Polytope de Cluny (1972)
Iannis Xenakis (1922-2001): Polytope de Cluny (Polytope II),azione per luci e 7 natri magnetici (1972). Realizzazione visiva di Anton Cabaleiro, da un'idea di Brian Brandt e Anton Cabaleiro. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
- published: 27 Dec 2011
- views: 5465
- author: TheWelleszOpus
9:44
Iannis Xenakis - Oresteïa I
Iannis Xenakis: Oresteïa (1966) I. Agamemnon II. Kassandra (1987) III. Agamemnon (suite et...
published: 07 Nov 2009
author: pelodelperro
Iannis Xenakis - Oresteïa I
Iannis Xenakis: Oresteïa (1966) I. Agamemnon II. Kassandra (1987) III. Agamemnon (suite et fin) IV. Les coephores V. Les Euménides Spiros Sakkas - Baritone Sylvio Gualda - Percussion Maitrise de Colmar Ensemble Vocal d'Anjou Ensemble de Basse-Normandie Dominique Debart Robert Weddle From the time of his youth, Xenakis found solace and inspiration in the writings of the ancient Greeks, and his handful of stage works draw on these sources exclusively. One of the composer's earliest commissions came from Alexis Solomos, originally of the Greek National Theater, who had been engaged to direct a series of performances of Greek dramas in Ypsilanti, Michigan in the summer of 1966. Xenakis was hired to provide the music for Aeschylus' tragic trilogy, Oresteïa. Evidently, he provided almost two hours of music for this production; as it was not recorded nor ever again presented, little is known about the original score. Soon after the premiere, though, Xenakis produced a concert suite which was subsequently published and performed. The suite is in three parts, following, in abbreviated fashion, the outline of the original trilogy: "Agamemnon," "The Libation Bearers," and "Eumenides." In fashioning the suite, Xenakis used only excerpts from the choruses, setting them in the original Greek and attempting to follow the rhythmic and melodic contours of the language as much as possible. The instrumental writing, while more restrained than that in Xenakis' other works, is nonetheless ...
- published: 07 Nov 2009
- views: 16195
- author: pelodelperro
10:45
Iannis Xenakis : Jonchaies {1/2}
from 1977....
published: 24 Dec 2009
author: flammesombres
Iannis Xenakis : Jonchaies {1/2}
from 1977.
- published: 24 Dec 2009
- views: 6871
- author: flammesombres
Vimeo results:
11:15
Iannis Xenakis
AKRATA
LP EMI...
published: 01 Oct 2009
author: ywngr
Iannis Xenakis
AKRATA
LP EMI
1:12
IanniX
A sneak preview of the new version of IanniX…
IanniX is a graphical open-source sequencer...
published: 09 Apr 2011
author: IanniX
IanniX
A sneak preview of the new version of IanniX…
IanniX is a graphical open-source sequencer, based on Iannis Xenakis works, for digital art. IanniX syncs via Open Sound Control (OSC) events and curves to your real-time environment.
--
Un petit aperçu de la nouvelle version de IanniX…
IanniX est un séquenceur graphique open-source, inspiré des travaux de Iannis Xenakis, destiné à la création numérique. IanniX synchronise via Open Sound Control (OSC) des événements et courbes vers votre environnement temps-réel.
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http://www.iannix.org
--
Project manager : Thierry Coduys (thierry@iannix.org)
Development : Guillaume Jacquemin (guillaume@iannix.org)
Web & identity : Matthieu Ranc (matthieu@iannix.org)
5:37
Iannis Xenakis - Charisma
Interperetación de María Lipkau y Hugo Manzanilla de la pieza de Xenakis "Charisma" en el ...
published: 27 Jul 2012
author: Jaime Lobato
Iannis Xenakis - Charisma
Interperetación de María Lipkau y Hugo Manzanilla de la pieza de Xenakis "Charisma" en el festival Sección Temperie 1.0, dentro de la serie de conciertos Open Source, organizado por el Centro Multimedia (CNA, México) y el colectivo Dicotomía.
Curaduría de Jaime Lobato
0:26
Iannis Xenakis Persepolis LA
published: 11 Nov 2010
author: Alex Braidwood
Iannis Xenakis Persepolis LA
Youtube results:
5:32
N'Shima. Diamanda Galás. Iannis Xenakis. 1/2
N'Shima, for 2 amplified voices, 2 amplified French horns, 2 tenor trombones & amplified c...
published: 26 May 2011
author: ALLANILSON
N'Shima. Diamanda Galás. Iannis Xenakis. 1/2
N'Shima, for 2 amplified voices, 2 amplified French horns, 2 tenor trombones & amplified cello. The two female singers are asked to sing in a "peasant" style, with guttural attacks, no vibrato, and consistent use of the chest voice (lending a deeper, slightly rougher quality of the vocal sonority). The singers are supported by two horns and two trombones, with a solo cello weaving otherworldly contours around the rest of the ensemble. Aside from the cello, the entire piece, lasting close to twenty minutes, takes place within the ambitus of a single octave. The voices and brass make constant use of microtones, and slide between the notes as well, alluding to Middle-Eastern ornamentation and character. The irregular, layered rhythms and interwoven textures, however, are far from traditional. This combination of exotic, or at least ethnic, flavor with original techniques for creating radical, continually-evolving textures exemplifies Xenakis's genius for melding a primitive expression with an unsentimental modernism. N'Shima is a highly concentrated work, alternating passages for voices and different combinations of brass with cello interjections, and, at one point, a passage of breathing sounds. There, at the "still point," is the breath/spirit of the title. This remains one of Xenakis's most remarkable, original works
- published: 26 May 2011
- views: 1162
- author: ALLANILSON
60:46
IANNIS XENAKIS - PERSEPOLIS (1971).wmv
Iannis Xenakis (1922-2001) "Persepolis" For 8-Channel Electronic Tape (Composed in 1971)...
published: 25 Mar 2012
author: LouiePlaysDrums
IANNIS XENAKIS - PERSEPOLIS (1971).wmv
Iannis Xenakis (1922-2001) "Persepolis" For 8-Channel Electronic Tape (Composed in 1971)
- published: 25 Mar 2012
- views: 3933
- author: LouiePlaysDrums
9:01
Xenakis- Persephassa (1/3)
Iannis Xenakis' Persephassa for Percussion Ensemble....
published: 26 Jan 2009
author: John11inch
Xenakis- Persephassa (1/3)
Iannis Xenakis' Persephassa for Percussion Ensemble.
- published: 26 Jan 2009
- views: 37095
- author: John11inch
4:35
Yuji Takahashi_Herma(Iannis Xenakis)
Iannis Xenakis...
published: 13 Oct 2006
author: hirabayashi49
Yuji Takahashi_Herma(Iannis Xenakis)
Iannis Xenakis
- published: 13 Oct 2006
- views: 81806
- author: hirabayashi49