- published: 23 Jan 2011
- views: 13974
- author: WackoX1337
9:06
ATC Recording - El Al Flight 1862 (Bijler Crash Amsterdam)
Crash at 08:10...
published: 23 Jan 2011
author: WackoX1337
ATC Recording - El Al Flight 1862 (Bijler Crash Amsterdam)
Crash at 08:10
- published: 23 Jan 2011
- views: 13974
- author: WackoX1337
2:15
Gatling 1862
An animation of Richard Gatling's first Battery gun, modeled from his 1862 patent. The ori...
published: 28 Aug 2010
author: vbbsmyt
Gatling 1862
An animation of Richard Gatling's first Battery gun, modeled from his 1862 patent. The original model fired the standard .58 paper cartridge used in American Civil War muzzle loading rifles. The paper cartridges were loaded into steel chambers, which were then picked up from a hopper by a shaped carrier. As the lock assembly rotates, a small ramp (green) at the rear of the casing pushes each lock forwards and this moves the steel chamber against the rear of the barrel. A firing hammer is cocked by an inclined cam (yellow) and released at the 12 o'clock position. Note later models of Gatling gun fire when the barrel is almost at its lowest position (7 o'clock). All of Gatling's first models were destroyed in a fire at the Cincinnati Eagle Iron Works. He built a second batch. 12 were sold to General Butler, and saw limited use during the siege of Petersberg. The second batch of guns used a metallic cartridge loaded into the steel chamber. For more information on this animation, google for victorian ship models and anti torpedo boat guns.
- published: 28 Aug 2010
- views: 14145
- author: vbbsmyt
4:23
Playmobil: Civil War 1862
War is sorrowful, but there is one thing infinitely more horrible than the worst horrors o...
published: 21 Jun 2008
author: worbthebest
Playmobil: Civil War 1862
War is sorrowful, but there is one thing infinitely more horrible than the worst horrors of war, and that is the feeling that nothing is worth fighting for
- published: 21 Jun 2008
- views: 31017
- author: worbthebest
7:06
Verdi -La forza del destino -ouverture (ed. 1862)
New Years Concert In St Petersbourg (Valery Gergiev Mariinsky Theater 2006) Ouverture of L...
published: 14 Oct 2008
author: pozzil
Verdi -La forza del destino -ouverture (ed. 1862)
New Years Concert In St Petersbourg (Valery Gergiev Mariinsky Theater 2006) Ouverture of La forza del destino by Verdi
- published: 14 Oct 2008
- views: 374115
- author: pozzil
6:36
2 My Indian Heroes Saintly Baba Allauddin Khan 1862-1972
www.aacm.org Ustad Baba Allauddin Khan Saheb was a Muslim and a Hindu - ahead of his time ...
published: 19 Jun 2008
author: anandjee47
2 My Indian Heroes Saintly Baba Allauddin Khan 1862-1972
www.aacm.org Ustad Baba Allauddin Khan Saheb was a Muslim and a Hindu - ahead of his time - like Akbar. When many people hear the name Allauddin Khan, they think of a grumpy old man (after all, he lived to 110) with a hot temper but a heart of gold -- anecdotes about him range from throwing a tabla tuning hammer at the Maharaja himself to taking care of disabled beggars. (Nikhil Banerjee said that the tough image was "deliberately projected in order not to allow any liberty to the disciple. He always had the tension that soft treatment on his part would only spoil them". Allauddin Khan was a very religious man, and though Muslim by name, was strongly devoted to the goddess Saraswati, in the form of Sarada Devi, to whom there stands an old and famous temple atop a hill in Maihar. This is why Allauddin, despite more lucrative offers from other courts, never left Maihar, refusing to move away even for hospital treatment -- he would rather die near Sarada Devi than live someplace else. A few years before the turn of the century, he married Madanmanjari Devi (1888--?). He had one son and sarod heir, Ali Akbar Khan, and three daughters, Sharija, Jehanara and Annapurna Devi. After Sharija got married, and her jealous mother-in-law burnt her tanpura, Allauddin decided not to train his other daughters, but Annapurna proved so talented he changed his mind. She later married and divorced Ravi Shankar. This man alone created Ali Akbar Khan (and his children), Annpurna Devi, Ravi ...
- published: 19 Jun 2008
- views: 34457
- author: anandjee47
5:02
Claude Debussy (1862-1918): "La cathédrale engloutie"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
author: d60944
Claude Debussy (1862-1918): "La cathédrale engloutie"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. This piece is number ten in the first book of Préludes. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. Debussy makes important changes to the music here, doubling the tempo when bars are notated in 3/2 (the prevailing tempo being 6/4).
- published: 24 Feb 2008
- views: 237787
- author: d60944
12:16
Shooting Colts 1862 Police Revolver.mov
In this video we examine Colt's 1862 Police revolvers. The 5-shot .36 caliber cap and ball...
published: 20 Feb 2012
author: duelist1954
Shooting Colts 1862 Police Revolver.mov
In this video we examine Colt's 1862 Police revolvers. The 5-shot .36 caliber cap and ball revolver evolved out of the Colt 1849 Pocket model in .31 caliber, similar to the development of the 1860 Army revolver from the 1851 Navy. We'll shoot the 1862 police and discuss loading and capping issues.
- published: 20 Feb 2012
- views: 11515
- author: duelist1954
9:23
1 of 5 Battle of Antietam 1862.mp4
...
published: 26 Feb 2010
author: kelandsmith1
1 of 5 Battle of Antietam 1862.mp4
- published: 26 Feb 2010
- views: 26280
- author: kelandsmith1
3:29
Claude Debussy (1862-1918): "La plus que lente"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
author: d60944
Claude Debussy (1862-1918): "La plus que lente"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. This work, "La plus que lente", is a very slow waltz of sorts, composed in 1910.
- published: 24 Feb 2008
- views: 150708
- author: d60944
6:29
Battle of Malvern Hill, 1862
The Battle of Malvern Hill was the last battle in the Seven Days' Battles outside Richmond...
published: 22 May 2008
author: VideoHistoryToday
Battle of Malvern Hill, 1862
The Battle of Malvern Hill was the last battle in the Seven Days' Battles outside Richmond, VA, in 1862. The battle came about as the Union army retreated to Harrison's Landing in a successful attempt to avoid Lee's Confederate advance. The video starts on the Union artillery line moving around the edge of the battlefield anti-clockwise (counter clockwise) to cover the Confederate positions and artillery.Please take a look at Video History Today www.videohistorytoday.com , the first web site to offer unique collections of re-usable original video clips designed for teachers and students. The idea behind Video History Today is to give schools the raw material to make mini-documentaries and video essays on historical subjects. Initial packages focus on World War I (Somme and Ieper areas), The Holocaust, the American Civil War and D-Day & Normandy 1944.
- published: 22 May 2008
- views: 3433
- author: VideoHistoryToday
4:31
Claude Debussy (1862-1918): "D'un cahier d'esquisses"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
author: d60944
Claude Debussy (1862-1918): "D'un cahier d'esquisses"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for.
- published: 24 Feb 2008
- views: 45629
- author: d60944
7:45
Emil von Sauer (1862-1942): Piano Concerto no.1 in E minor - III Cavatina: Larghetto amoroso
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful rec...
published: 27 Jan 2010
author: d60944
Emil von Sauer (1862-1942): Piano Concerto no.1 in E minor - III Cavatina: Larghetto amoroso
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique. This recording is a little different from most of mine. It is the slow, third movement ("Cavatina") of Sauer's first piano concerto in a modern recording. If we listen to this having listened carefully to Sauer himself playing the other tracks, we might just imagine what he himself would sound like playing it. The rest of this concerto has already been uploaded to YouTube by others, but this movement is by far the best (a kind of fusion of the slow movements of Chopin's first concerto and Saint-Saens' organ symphony, gently spiced up with some Tchaikowsky). It is the simplest movement, formally, in the concerto, and is aa glorious 8 minutes of music by any standard. This recording features Stephen Hough at the piano, with the City of Birmingham Symphony Orchestra under Lawrence Foster. The recording is widely available and strongly recommended.
- published: 27 Jan 2010
- views: 6701
- author: d60944
8:06
Bernhard Stavenhagen (1862-1914): Liszt - Hungarian Rhap. 12
Stavenhagen was something of a child prodigy, whose final teacher was Liszt, who thought v...
published: 01 Jun 2008
author: d60944
Bernhard Stavenhagen (1862-1914): Liszt - Hungarian Rhap. 12
Stavenhagen was something of a child prodigy, whose final teacher was Liszt, who thought very highly of his playing. He began learning withLiszt in 1885 and accompanied him on his tours for the last two years of his life, acting as personal secretary when Friedheim was unable to do so. Thus in 1886 he accompanied Liszt on his own last concert tour to England, and Liszt helped to launch his career as concert pianist. Stavenhagen went on to a highly successful international concert career both as pianist and, later, conductor. The lack of any suriving recordings by him is a great loss. One recording known to have been made is now assumed lost (Chopin's Nocturne in D-flat op. 27 no.2). He did leave a few piano rolls for the Welte system though, made in 1904 or 1905. This work is Liszt's 12th Hungarian Rhapsody and, like Reisenauer, Stavenhagen annotates the roll as "gespielt nach persönlicher Erinnerung an Liszt" (ie "played according to personal memory of [the playing of] Liszt"). You can hear the many alterations made to the score. Some technical info: this roll was played back not on a real piano, but is a digitised playback on a sampled Steinway piano made from a digitally encoded transcription of the original roll (all the dynamics, articulation, pedalling, and so on is unchanged from the original roll, and there has been no "editing" of it). This is something I am experimenting with doing at the moment and I am quite pleased with this result in general. However ...
- published: 01 Jun 2008
- views: 5899
- author: d60944
8:35
Minnesota Massacre of 1862
In 1862 the Dakota or Santee Sioux angered over late annuity payments, late food distribut...
published: 09 Jan 2009
author: 7thUSCavalryman
Minnesota Massacre of 1862
In 1862 the Dakota or Santee Sioux angered over late annuity payments, late food distribution and corrupt practices of white traders began an uprising in Minnesota. Before it was over at least 644 white men, women and children were dead. Many of whom were mutilated, tortured, and indecently violated. In the aftermath 303 warriors were tried and sentenced to death for war crimes. President Lincoln commuted the sentences of 264 of the warriors. One other warrior later received a reprieve as well. On December, 26 1862 the 38 condemned prisoners were executed by hanging in what remains the largest execution in US history. www.americanheritage.com www.accessgenealogy.com www.dakotauprising.com
- published: 09 Jan 2009
- views: 11487
- author: 7thUSCavalryman
Vimeo results:
6:25
Burial Site - Canon 5DmkII Short Film
Please visit my website and blog for more information about this film. Link: http://www.to...
published: 27 Jun 2009
author: Tom Guilmette
Burial Site - Canon 5DmkII Short Film
Please visit my website and blog for more information about this film. Link: http://www.tomguilmette.com/wp/my-blog/archives/1840 and http://www.tomguilmette.com/wp/my-blog/archives/1862
This is my first film shot with the Canon 5DmkII digital SLR. This camera is simply amazing and it is really changing the "film-look for video" game.
The idea for this film came to me a few days ago. I wanted to shoot in an old, abandoned house with no electricity. My goal was to light the entire film with available light and light from a single oil lamp. The low light capability of this camera is unlike anything I have ever used before. This camera is amazing when shooting with the light from a single flame.
I called my friend, Adam, and asked him if he would meet me at on old vacant farm house in Attleboro, Massachusetts so that we could shoot a film.
We brought a few props, like the old tin, oil lamp and photograph for the film and shot non-stop from 11am to 5pm. We started outside in the rain and then moved into the dank dirt-floor basement. Later in the afternoon, we shot upstairs in the decaying house.
All sound was recorded separately with the Zoom h4 stereo recorder with the built in microphones.
I used Vinten tripods, and especially loved my new Vinten baby legs when shooting with the Vision 3 (spring#1) to get the low angles.
I edited this project with very little grading to the final film with Final Cut Pro and Magic Bullet Looks. If you have any questions about the Canon 5DmkII or the making of this film, please visit my website and post your comments there. Link: http://www.tomguilmette.com
I have also posted the untreated rough cut of the 1960 farm house flashback. This rough cut includes reference audio directly from the 5Dmk2 microphone. I figured this might be helpful to those who want to hear how the built in mic sounds. Link: http://vimeo.com/5302278
Special Thanks to:
Matt Johnson
Chris Nicini
Joe Francazio
TRT: 6 minutes 25 seconds
Size: 139.44 MB
Type: Quicktime mpeg4 720p HDTV
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
Youtube results:
9:52
2 of 5 Battle of Antietam 1862.mp4
...
published: 26 Feb 2010
author: kelandsmith1
2 of 5 Battle of Antietam 1862.mp4
- published: 26 Feb 2010
- views: 16796
- author: kelandsmith1
4:37
Liszt Consolation no. 3 performed on Liszt's 1862 Bechstein Piano
Sandro Russo plays Liszt's Consolation No. 3 on the 1862Bechstein Liszt Piano. FOR THE FIR...
published: 27 Jan 2009
author: Sanrus
Liszt Consolation no. 3 performed on Liszt's 1862 Bechstein Piano
Sandro Russo plays Liszt's Consolation No. 3 on the 1862Bechstein Liszt Piano. FOR THE FIRST TIME EVER, Bechstein piano serial #576, originally delivered to Franz Liszt on March 17, 1862, has arrived in New York. The piano was on display at the Bechstein America corporate headquarters on 58th Street in Manhattan. Ongoing celebrations of this remarkable piece of music history have so far included performances by renowned artists to a sold-out gala tribute to Liszt at Bechstein Centre. In a personal letter penned to Carl Bechstein, Liszt said... "For 28 years I have now used your pianos, and they have maintained their superiority. In a word, your instruments are perfect." Presentation of this famous instrument gave music historians, Liszt lovers, and pianists of all levels and backgrounds a rare opportunity to see an exquisite representation of German handcraftmanship and offered insights into the manufacturing techniques and technology of 19th century piano building. NAMM Booth 209A
- published: 27 Jan 2009
- views: 36620
- author: Sanrus
8:35
5 of 5 Battle of Antietam 1862.mp4
...
published: 26 Feb 2010
author: kelandsmith1
5 of 5 Battle of Antietam 1862.mp4
- published: 26 Feb 2010
- views: 10476
- author: kelandsmith1
0:22
FRIENDS - Flashback Thanksgiving 1862 [legendado]
The other thanksgiving of Phoebe in her other life....
published: 12 Dec 2010
author: Cami740
FRIENDS - Flashback Thanksgiving 1862 [legendado]
The other thanksgiving of Phoebe in her other life.
- published: 12 Dec 2010
- views: 17711
- author: Cami740
