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• 
  Connecticut
  Connecticut (ⁱ/kəˈnɛtɨkət/) is a state in the New England region of the northeastern United States. It is bordered by Rhode Island to the east, Massachusetts to the north, and the state of New York to the west and the south (with which it shares a water boundary in Long Island Sound).
  Connecticut is named for the Connecticut River, the major U.S. river that approximately bisects the state. Its capital city is Hartford. Much of southern and western Connecticut (along with the majority of the state's population) is part of the New York metropolitan area; three of Connecticut's eight counties are statistically included in the New York City combined statistical area, the same area is widely referred to as the Tri-State area. Connecticut's center of population is in Cheshire, New Haven County, which is also located within the Tri-State area.
  Connecticut is the 3rd least extensive, the 29th most populous, and 4th most densely populated of the 50 United States. Called the Constitution State, Nutmeg State, and "The Land of Steady Habits", Connecticut was influential in the development of the federal government of the United States.
  
  wn.com/Connecticut
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  Juilliard School
  The Juilliard School /ˌdʒuːliˈɑrd/ located in the Lincoln Center for the Performing Arts in New York City, United States, is a performing arts conservatory which was established during 1905. It is identified informally as simply "Juilliard," and currently trains about 800 undergraduate and graduate students in dance, drama, and music.
  During 1905 the Institute of Musical Art was initiated on the premise that the United States did not have a premier music school and too many students were going to Europe to study music. At its formation, the Institute was located in Manhattan at Fifth Avenue and 12th Street. During its first year, the institute enrolled 500 students. It relocated during 1910 to Claremont Avenue in the Morningside Heights neighborhood of Manhattan. During 1920, the Juilliard Foundation was created, named after textile merchant Augustus D. Juilliard, who bequeathed a substantial amount of money for the advancement of music in the United States. During 1924 the foundation purchased the Vanderbilt family guesthouse at 49 East 52nd Street to start the Juilliard Graduate School. During 1926 it merged partially with the Institute of Musical Art with a common president, the Columbia University professor John Erskine. The schools had separate deans and identities. The conductor and music-educator Frank Damrosch continued as the Institute's dean, and the Australian pianist and composer Ernest Hutcheson was appointed dean of the Graduate School. During 1937, Hutcheson succeeded Erskine as president of the two institutions, a job he had until 1945. As of 1946, the combined schools were named The Juilliard School of Music. The president of the school at that time was William Schuman, the first winner of the Pulitzer Prize for Music. During 1951, the school added a dance division, directed by Martha Hill.
  
  wn.com/Juilliard_School
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  New Jersey
  New Jersey (ⁱ/nuː ˈdʒɜrzi/) is a state in the Northeastern and Middle Atlantic regions of the United States. It is bordered on the north and east by the U.S. state of New York, on the southeast and south by the Atlantic Ocean, on the west by Pennsylvania, and on the southwest by Delaware. New Jersey is the 4th least extensive, but the 11th most populous and the most densely populated of the 50 United States. New Jersey lies mostly within the sprawling metropolitan areas of New York City and Philadelphia. It is also the third wealthiest by 2009–2010 median household income.
  The area was inhabited by Native Americans for more than 2,800 years, with historical tribes such as the Lenape along the coast. In the early 17th century, the Dutch and the Swedes made the first European settlements. The British later seized control of the region, naming it the Province of New Jersey. It was granted as a colony to Sir George Carteret and John Berkeley, 1st Baron Berkeley of Stratton. At this time, it was named after the largest of the British Channel Islands, Jersey, Carteret's birthplace. New Jersey was the site of several decisive battles during the American Revolutionary War.
  
  wn.com/New_Jersey
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  Wesleyan University
  Wesleyan University is a private liberal arts college in Middletown, Connecticut, United States founded in 1831. According to the Carnegie Foundation for the Advancement of Teaching, Wesleyan is the only Baccalaureate College in the nation that emphasizes undergraduate instruction in the arts and sciences, also provides graduate research in many academic disciplines, and grants PhD degrees primarily in the sciences and mathematics. Wesleyan is the second most productive liberal arts college in the United States with respect to the number of undergraduates who go on to earn PhDs in all fields of study.
  Founded under the auspices of the Methodist Episcopal Church and with the support of prominent residents of Middletown, the now secular university was the first institution of higher education to be named after John Wesley, the founder of Methodism. About 20 unrelated colleges and universities were subsequently named after Wesley. Wesleyan, along with Amherst College and Williams College, is a member of the historic Little Three colleges and has long been known as one of the Little Ivies.
  
  wn.com/Wesleyan_University
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  Yale University
  Yale University is an American private Ivy League research university located in New Haven, Connecticut. Founded in 1701 in the Colony of Connecticut, the university is the third-oldest institution of higher education in the United States.
  Incorporated as the "Collegiate School," the institution traces its roots to 17th-century clergymen who sought to establish a college to train clergy and political leaders for the colony. In 1718, the College was renamed "Yale College" to honor a gift from Elihu Yale, a governor of the British East India Company. In 1861, the Graduate School of Arts and Sciences became the first U.S. school to award the PhD. Yale became a founding member of the Association of American Universities in 1900. Yale College was transformed, beginning in the 1930s, through the establishment of residential colleges: 12 now exist and two more are planned. Yale employs over 1,100 faculty to teach and advise about 5,300 undergraduate and 6,100 graduate and professional students. Almost all tenured professors teach undergraduate courses, more than 2,000 of which are offered annually.
  
  wn.com/Yale_University

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  Aaron Copland
  Aaron Copland ( /ˌærən ˈkoʊplənd/; November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later in his career a conductor of his own and other American music. He was instrumental in forging a distinctly American style of composition, and is often referred to as "the Dean of American Composers". He is best known to the public for the works he wrote in the 1930s and 1940s in a deliberately more accessible style than his earlier pieces, including the ballets Appalachian Spring, Billy the Kid, Rodeo and his Fanfare for the Common Man. The open, slowly changing harmonies of many of his works are archetypical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. However, he wrote music in different styles at different periods of his life: his early works incorporated jazz or avant-garde elements whereas his later music incorporated serial techniques. In addition to his ballets and orchestral works, he produced music in many other genres including chamber music, vocal works, opera and film scores.
  
  wn.com/Aaron_Copland
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  Arnold Schoenberg
   Arnold Schoenberg (help·info) (pronounced [ˈaːɐ̯nɔlt ˈʃøːnbɛɐ̯k]; 13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schönberg until after his move to the United States in 1934 (Steinberg 1995, 463), whereupon he altered it to Schoenberg "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45).
  Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th-century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking or, in some cases, passionately reacted against it. During the rise of the Nazi Party in Austria, his music was labeled, alongside jazz, as degenerate art^{[citation needed]}.
  Schoenberg was widely known early in his career for his success in simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify pioneering innovations in atonality (although Schoenberg himself detested the term "atonality" as inaccurate in describing his intentions) that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea.
  
  wn.com/Arnold_Schoenberg
• Bernard Herrmann
  Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures.
  An Academy Award-winner (for The Devil and Daniel Webster, 1941), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed notable scores for many other movies, including Citizen Kane, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (most notably for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs including most notably Rod Serling's The Twilight Zone and Have Gun–Will Travel.
  Herrmann, the son of a Jewish middle class family of Russian origin, was born in New York City. He attended high school at DeWitt Clinton High School, at that time on 10th avenue and 59th Street in New York City. His father encouraged music activity, taking him to the opera, and encouraging him to learn the violin. After winning a $100 composition prize at the age of thirteen, he decided to concentrate on music, and went to New York University where he studied with Percy Grainger and Philip James. He also studied at the Juilliard School and, at the age of twenty, formed his own orchestra, the New Chamber Orchestra of New York.
  
  wn.com/Bernard_Herrmann
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  Charles Ives
  Charles Edward Ives (October 20, 1874 – May 19, 1954) was an American modernistcomposer. He is one of the first American composers of international renown, though Ives' music was largely ignored during his life, and many of his works went unperformed for many years. Over time, Ives came to be regarded as an "American Original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
  Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
  Charles Ives was born in Danbury, Connecticut in 1874, the son of George Ives, a U.S. Army bandleader in the American Civil War, and his wife Mary Parmelee. A strong influence of Charles's may have been sitting in the Danbury town square, listening to his father's marching band and other bands on other sides of the square simultaneously. George Ives' unique music lessons were also a strong influence on Charles; George Ives took an open-minded approach to musical theory, encouraging his son to experiment in bitonal and polytonal harmonizations. It was from his father that Charles Ives also learned the music of Stephen Foster. Ives became a church organist at the age of 14 and wrote various hymns and songs for church services, including his Variations on 'America' .
  
  wn.com/Charles_Ives
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  Eduardo Paolozzi
  Sir Eduardo Luigi Paolozzi, KBE, RA (7 March 1924 – 22 April 2005), was a Scottish sculptor and artist. He was a major figure in the international art sphere, while, working on his own interpretation and vision of the world. Paolozzi investigated how we can fit into the modern world to resemble our fragmented civilization through imagination and fantasy. By the dramatic juxtaposition of ideas in his work, he let us see the confusion as well as the inspiration.
  Paolozzi was born 7 March 1924, in Leith in north Edinburgh, Scotland and was the eldest son of Italian immigrants. In June 1940, when Italy declared war on Britain, Paolozzi was interned (along with most other Italian men in Britain). During his three-month internment at Saughton prison his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the Arandora Star, was sunk by a German U-boat.[1]
  Paolozzi studied at the Edinburgh College of Art in 1943, briefly at the St Martin's School of Art in 1944, and then at the Slade School of Fine Art at University College London from 1944 to 1947, after which he worked in Paris, France. While in Paris from 1947–1949, Paolozzi became acquainted with Alberto Giacometti, Jean Arp, Constantin Brâncuşi, Georges Braque and Fernand Léger. This period became an important influence for his later work.
  
  wn.com/Eduardo_Paolozzi
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  Elliott Carter
  Elliott Cook Carter Jr. (born December 11, 1908) is a two-time Pulitzer Prize-winning American composer born and living in New York City. He studied with Nadia Boulanger in Paris in the 1930s, and then returned to the United States. After a neoclassical phase, he went on to write atonal, rhythmically complex music. His compositions, which have been performed all over the world, include orchestral and chamber music as well as solo instrumental and vocal works.
  He has been extremely productive in his later years, publishing more than 40 works between the ages of 90 and 100, and over 14 more since he turned 100 in 2008.
  Carter's father, Elliott Carter Sr., was a businessman and his mother was the former Florence Chambers. The family was well-to-do. As a teenager, he developed an interest in music and was encouraged in this regard by the composer Charles Ives (who sold insurance to his family). In 1924, a galvanized 15-year-old Carter was in the audience when Pierre Monteux conducted the Boston Symphony Orchestra in the New York première of The Rite of Spring, according to a 2008 report. Carter was again in attendance (see below) at Carnegie Hall, on the occasion of his 100th birthday in 2008, when the orchestra, now under the baton of James Levine, again performed the Stravinsky piece as part of its tribute to Carter. Although Carter majored in English at Harvard College, he also studied music there and at the nearby Longy School of Music. His professors included Walter Piston and Gustav Holst. He sang with the Harvard Glee Club. He did graduate work in music at Harvard, from which he received a Master's degree in music in 1932. He then went to Paris to study with Nadia Boulanger (as did many other American composers). Carter worked with Mlle Boulanger from 1932–35 and in 1935 he received a doctorate in music (D Mus) from the Ecole Normale in Paris. Later in 1935, he returned to the US where he wrote music for the Ballet Caravan.
  
  wn.com/Elliott_Carter
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  Gian Carlo Menotti
  Gian Carlo Menotti (pronounced [dʒan ˈkarlo meˈnɔtːi]) (July 7, 1911 – February 1, 2007) was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera, Amahl and the Night Visitors, among about two dozen other operas intended to appeal to popular taste. He won the Pulitzer Prize for two of them: The Consul (1950) and The Saint of Bleecker Street (1955). He founded the noted Festival dei Due Mondi (Festival of the Two Worlds) in 1958 and its American counterpart, Spoleto Festival USA, in 1977. In 1986 he commenced a Melbourne Spoleto Festival in Australia, but he withdrew after three years.
  Born in Cadegliano-Viconago, Italy, near Lake Maggiore and the Swiss border, Menotti was the sixth of eight children of Alfonso and Ines Menotti, his father being a coffee merchant. Menotti began writing songs when he was seven years old, and at eleven wrote both the libretto and music for his first opera, The Death of Pierrot. He began his formal musical training at the Milan Conservatory in 1923.
  
  wn.com/Gian_Carlo_Menotti
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  Gustav Mahler
  Gustav Mahler (German pronunciation: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 – 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. He was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. Then his family moved to nearby Iglau (now Jihlava) where Mahler grew up.
  As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
  Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism from Judaism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
  
  wn.com/Gustav_Mahler
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  Hector Berlioz
  Hector Berlioz (pronounced: [ɛktɔʁ bɛʁˈljoːz]; 11 December 1803 – 8 March 1869) was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts (Requiem). Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a conductor, he performed several concerts with more than 1,000 musicians. He also composed around 50 songs. His influence was critical for the further development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss, Gustav Mahler and many others.
  Hector Berlioz was born in France at La Côte-Saint-André in the département of Isère, near Grenoble. His father, a respected provincial physician and scholar, was responsible for much of the young Berlioz's education. His father, Louis-Joseph Berlioz, was an atheist, with a liberal outlook; his mother, Marie-Antoinette, was an orthodox Roman Catholic. He had five siblings in all, three of whom did not survive to adulthood. The other two, Nanci and Adèle, remained close to Berlioz throughout his life.
  
  wn.com/Hector_Berlioz
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  Henry Cowell
  Henry Cowell (March 11, 1897 – December 10, 1965) was an American composer, music theorist, pianist, teacher, publisher, and impresario. His contribution to the world of music was summed up by Virgil Thomson, writing in the early 1950s:
  Henry Cowell's music covers a wider range in both expression and technique than that of any other living composer. His experiments begun three decades ago in rhythm, in harmony, and in instrumental sonorities were considered then by many to be wild. Today they are the Bible of the young and still, to the conservatives, "advanced."... No other composer of our time has produced a body of works so radical and so normal, so penetrating and so comprehensive. Add to this massive production his long and influential career as a pedagogue, and Henry Cowell's achievement becomes impressive indeed. There is no other quite like it. To be both fecund and right is given to few.
  Born in rural Menlo Park, California, to two bohemian writers—his father was an Irish immigrant and his mother, a former schoolteacher, had relocated from Iowa—Cowell demonstrated precocious musical talent and began playing the violin at the age of five. After his parents' divorce in 1903, he was raised by his mother, Clarissa Dixon, author of the early feminist novel Janet and Her Dear Phebe. His father, with whom he maintained contact, introduced him to the Irish music that would be a touchstone for Cowell throughout his career. While receiving no formal musical education (and little schooling of any kind beyond his mother's home tutelage), he began to compose in his mid-teens.
  
  wn.com/Henry_Cowell
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  Henry David Thoreau
  Henry David Thoreau (July 12, 1817 – May 6, 1862) was an American author, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, historian, and leading transcendentalist. He is best known for his book Walden, a reflection upon simple living in natural surroundings, and his essay Civil Disobedience, an argument for individual resistance to civil government in moral opposition to an unjust state.
  Thoreau's books, articles, essays, journals, and poetry total over 20 volumes. Among his lasting contributions were his writings on natural history and philosophy, where he anticipated the methods and findings of ecology and environmental history, two sources of modern day environmentalism. His literary style interweaves close natural observation, personal experience, pointed rhetoric, symbolic meanings, and historical lore, while displaying a poetic sensibility, philosophical austerity, and "Yankee" love of practical detail. He was also deeply interested in the idea of survival in the face of hostile elements, historical change, and natural decay; at the same time he advocated abandoning waste and illusion in order to discover life's true essential needs.
  
  wn.com/Henry_David_Thoreau
• Henry Herford
  Henry Herford (born 24 February 1947, Edinburgh, Scotland) is a Scottish baritone singer.
  He read Classics and English at Cambridge University, and studied singing at the Royal Northern College of Music in Manchester where he was awarded the Curtis Gold Medal. He is currently the RNCM's Tutor in French Song. He joined the Glyndebourne Opera Chorus for 1977 and 1978, singing leading roles on tour, and since then has performed over seventy roles with opera companies throughout the UK and Europe, including at Covent Garden, Glyndebourne and Scottish Opera.
  Notable among his roles are the Count (The Marriage of Figaro), Guglielmo and Alfonso (Cosi Fan Tutte), the title role in Don Giovanni, Germont (La Traviata), Silvio (I Pagliacci), Dr Falke (Die Fledermaus), the Forester (The Cunning Little Vixen), Smirnov (William Walton's The Bear), and Demetrius (A Midsummer Night's Dream), which he recorded for Virgin Records.
  Herford has made a speciality of the music of Charles Ives, having recorded many of his songs.
  
  wn.com/Henry_Herford
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  Horatio Parker
  Horatio William Parker (September 15, 1863 – December 18, 1919) was an American composer, organist and teacher. He was a central figure in musical life in New Haven, Connecticut in the late 19th century, and is best remembered as the undergraduate teacher of Charles Ives while the composer attended Yale University .
  He was born in Auburndale, Massachusetts. After early study in the United States with George Whitefield Chadwick and others, he went to Europe, a common destination for a young American composer in the 1880s. In Munich he studied with Josef Rheinberger; also in Munich he composed his first significant works, including a symphony and a dramatic cantata. After his return to the United States in 1885, he was for two years professor of music in the Cathedral School of St. Paul in Garden City, Long Island. From 1888 to 1893, he was organist of Trinity Church, New York City, and from 1893 to 1901 organist of Trinity Church, Boston. In 1893, Parker became professor of the theory of music at Yale University. He was appointed Dean of Music at that school in 1904, a position which he held for the rest of his life.Cambridge University bestowed on him the degree of Mus. Doc. in 1902. In 1915, he was elected as a national honorary member of Phi Mu Alpha Sinfonia Fraternity, the national fraternity for men in music. Parker died in Cedarhurst, New York.
  
  wn.com/Horatio_Parker
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  Howard Hanson
  Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator, music theorist, and champion of American classical music. As director for 40 years of the Eastman School of Music, he built a high-quality school and provided opportunities for commissioning and performing American music. He won a Pulitzer Prize for one of his works and received numerous other awards.
  Hanson was born in Wahoo, Nebraska, to Swedish immigrant parents, Hans and Hilma (Eckstrom) Hanson. In his youth he studied music with his mother. Later, he studied at Luther College in Wahoo, receiving a diploma in 1911, then at the Institute of Musical Art, the forerunner of the Juilliard School, in New York City, where he studied with the composer and music theorist Percy Goetschius in 1914. Afterward he attended Northwestern University, where he studied composition with church music expert Peter Lutkin and Arne Oldberg in Chicago. Throughout his education, Hanson studied piano, cello and trombone. Hanson earned his BA degree in music from Northwestern in 1916, where he began his teaching career as a teacher's assistant.
  
  wn.com/Howard_Hanson
• Jan Swafford
  Jan Swafford (born 1946) is an American composer and author who teaches composition, theory, and musicology at the Boston Conservatory and writing at Tufts University. He earned his B.A. from Harvard College and his M.M.A. and D.M.A. from the Yale School of Music. He has written respected musical biographies of Charles Ives and Johannes Brahms, as well as the introductory Vintage Guide to Classical Music, and is often heard as a musical commentator on NPR and in Slate.
  Swafford's own music, which is highly lyrical and moves freely between tonality and atonality, has been called New Romantic in style. There are equal if less overt contributions from world music, especially Indian and Balinese, and from jazz and blues. The titles of his works reveal a steady inspiration from nature and landscape. The composer views his own work as a kind of classicism: a concern with clarity, directness, and expression, or as he puts it, "music that sounds familiar though it is new, works that sound like they wrote themselves."
  
  wn.com/Jan_Swafford
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  Jean Sibelius
  Jean Sibelius ( pronunciation (help·info); 8 December 1865 – 20 September 1957) was a Finnish composer of the later Romantic period. His music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."
  The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
  In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
  
  wn.com/Jean_Sibelius
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  John Philip Sousa
  John Philip Sousa (/ˈsuːsə/; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known particularly for American military and patriotic marches. Because of his mastery of march composition, he is known as "The March King" or the "American March King" due to his British counterpart Kenneth J. Alford also being known as "The March King". Among his best known marches are "The Washington Post", "Semper Fidelis" (Official March of the United States Marine Corps), and "The Stars and Stripes Forever" (National March of the United States of America).
  His father was Portuguese, and his mother of Bavarian ancestry. Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father eventually enlisted him in the United States Marine Band as an apprentice in 1868. After departing the band in 1875, Sousa eventually learned to conduct. From 1880 until his death, Sousa began focusing exclusively on conducting and wrote marches during this time. He eventually rejoined the Marine Band and served there for 12 years as director. Upon leaving the Marine Band, Sousa organized his own band. He toured Europe and Australia and also developed the sousaphone, a large brass instrument similar to the tuba. On the outbreak of World War I, Sousa was commissioned as a Lieutenant Commander and led the Naval Reserve Band in Illinois. Following his tenure there, Sousa returned to conduct the Sousa Band until his death in 1932.
  
  wn.com/John_Philip_Sousa
• Julian Myrick
  Julian Southall Myrick (March 1, 1880-January 4, 1969) was an insurance salesman and promoter of tennis from the United States.
  Myrick was born in Murfreesboro, North Carolina on March 1, 1880. In 1898, Myrick entered the insurance business as an application clerk at the Mutual Insurance Company. In 1906, Myrick partnered with his colleague Charles Ives to start their own company, Ives and Myrick. Myrick is known for his contributions to insurance industry. In 1910, he was involved in founding the first training college for insurance agents. Myrick also helped set up American College of Life Underwriters (now known as The American College) in 1927.
  Myrick was also significantly involved in promotion of tennis in United States. He was the president West Side Tennis Club in Forest Hills from 1915 to 1917. He was considered instrumental increase in the club's prominence including it being chosen as the venue of US National Championships (now known as U.S. Open). He was also influential in construction of Forest Hills Stadium in Forest Hills, Queens which hosted the first Wightman Cup competition. Myrick also served as the president of United States Lawn Tennis Association, (now known as United States Tennis Association) from 1920-1922. Myrick promoted induction of tennis in schools and colleges as a major sport and acceptance of the sport on a wider level. Myrick was first to deliver a speech on tennis by radio in 1922. He was inducted in the International Tennis Hall of Fame in 1969 for his contribution to the sport in the United States and his administrative abilities.
  
  wn.com/Julian_Myrick
• Leo Sowerby
  Leo Sowerby (May 1, 1895–July 7, 1968), American composer and church musician, was the winner of the Pulitzer Prize for music in 1946, and was often called the “Dean of American church music” in the early to mid 20th century.
  Sowerby was born in Grand Rapids, Michigan, where he began to compose at the age of ten. Early recognition came when his violin concerto was premiered in 1913 by the Chicago Symphony Orchestra (Stalford & Meckna 2001). In 1921 he was awarded the Rome Prize (from the American Academy in Rome), the first composer to receive this. In addition he received the 1946 Pulitzer Prize for Music for his cantata, the Canticle of the Sun, written in 1944 (Stalford & Meckna 2001).
  In 1927 he became organist-choirmaster at St James’s Episcopal Church, Chicago, which was consecrated as a cathedral while he was there (1955). Previously, Sowerby was associate organist at Fourth Presbyterian Church of Chicago (1919).
  In 1962, after his retirement from St James’s, he was called to Washington National Cathedral to become the founding director of the College of Church Musicians, a position he held until his death in 1968 (Stalford & Meckna 2001). He died in Port Clinton, Ohio, while at Camp Wa-Li-Ro, in Put-in-Bay, Ohio, the summer choir camp where he had taught for many years.
  
  wn.com/Leo_Sowerby
• 
  Leonard Bernstein
  Leonard Bernstein ( /ˈbɜrnstaɪn/ US dict: bûrn′·stīn; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer and pianist. He was among the first conductors born and educated in the United States of America to receive worldwide acclaim. According to The New York Times, he was "one of the most prodigiously talented and successful musicians in American history."
  His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, as well as Candide, Wonderful Town, On the Town and his own Mass.
  Bernstein was also the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. In addition, he was a skilled pianist, often conducting piano concertos from the keyboard.
  As a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are regularly performed around the world, although none has matched the tremendous popular and commercial success of West Side Story.
  
  wn.com/Leonard_Bernstein
• 
  Leopold Stokowski
  Leopold Anthony Stokowski (April 18, 1882 – September 13, 1977) was a British orchestral conductor, well known for his free-hand performing style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from many of the great orchestras he conducted.
  In America, Stokowski performed with the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, New York Philharmonic Symphony Orchestra, the Houston Symphony Orchestra, the Symphony of the Air and many others. He was also the founder of the All-American Youth Orchestra, the New York City Symphony, the Hollywood Bowl Symphony Orchestra and the American Symphony Orchestra. He conducted the music for and appeared in Disney's Fantasia and was a lifelong champion of contemporary composers, giving many premieres of new music during his 60-year conducting career. Stokowski, who made his official conducting debut in 1909, appeared in public for the last time in 1975 but continued making recordings until June 1977, a few months before his death at the age of 95.
  
  wn.com/Leopold_Stokowski
• Lou Harrison
  Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer. He was a student of Henry Cowell, Arnold Schoenberg, and K. P. H. Notoprojo (formerly called K.R.T. Wasitodiningrat, informally called Pak Cokro).
  Harrison is particularly noted for incorporating elements of the music of non-Western cultures into his work, with a number of pieces written for Javanese style gamelan instruments, including ensembles constructed and tuned by Harrison and his partner William Colvig. The majority of his works are written in just intonation rather than the more widespread equal temperament. Harrison is one of the most prominent composers to have worked with microtones.
  Harrison was born in Portland, Oregon, but moved with his family to a number of locations around the San Francisco Bay Area as a child. He graduated from Burlingame High School in Burlingame, California in 1934, then he moved to San Francisco. The diverse music which he was to be exposed to there, including Cantonese opera, Native American music, Mexican music, and jazz as well as classical music, was to have a major influence on him. He also heard recordings of Indonesian music early in life.
  
  wn.com/Lou_Harrison
• 
  Louisa May Alcott
  Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist best known as author of the novel Little Women and its sequels Little Men and Jo's Boys. Raised by her transcendentalist parents, Abigail May Alcott and Amos Bronson Alcott in New England, she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard.
  Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts and is loosely based on Alcott's childhood experiences with her three sisters. The novel was very well received and is still a popular children's novel today. Alcott was an abolitionist and a feminist. She never married and died in Boston.
  
  wn.com/Louisa_May_Alcott
• 
  Ludwig van Beethoven
  Ludwig van Beethoven (ⁱ/ˈlʊdvɪɡ væn ˈbeɪt.hoʊvən/; German pronunciation: [ˈluːtvɪç fan ˈbeːt.hoːfən] ( listen); baptized 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers.
  Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in his late twenties, yet he continued to compose, conduct, and perform, even after becoming completely deaf.
  Beethoven was the grandson of a musician of Flemish origin named Lodewijk van Beethoven (1712–73) who moved at the age of twenty to Bonn. Lodewijk (Ludwig is the German cognate of Dutch Lodewijk) was employed as a bass singer at the court of the Elector of Cologne, eventually rising to become Kapellmeister (music director). Lodewijk had one son, Johann (1740–1792), who worked as a tenor in the same musical establishment, and gave lessons on piano and violin to supplement his income. Johann married Maria Magdalena Keverich in 1767; she was the daughter of Johann Heinrich Keverich, who had been the head chef at the court of the Archbishopric of Trier.
  
  wn.com/Ludwig_van_Beethoven
• 
  Nathaniel Hawthorne
  Nathaniel Hawthorne (born Nathaniel Hathorne; July 4, 1804 – May 19, 1864) was an American novelist and short story writer.
  Nathaniel Hawthorne was born in 1804 in the city of Salem, Massachusetts to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge involved in the Salem witch trials who never repented of his actions. Nathaniel later added a "w" to make his name "Hawthorne" in order to hide this relation. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. Hawthorne anonymously published his first work, a novel titled Fanshawe, in 1828. He published several short stories in various periodicals which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at a Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment took Hawthorne and family to Europe before their return to The Wayside in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
  
  wn.com/Nathaniel_Hawthorne
• Neely Bruce
  Neely Bruce (born January 21, 1944), Professor of Music and American Studies at Wesleyan University, is a composer, conductor, pianist and scholar of American music.[1][2]
  Bruce's undergraduate degree is from the University of Alabama at Tuscaloosa. His DMA is from the University of Illinois at Urbana-Champaign. Bruce also received an MAA from Wesleyan University and an MMU from the University of Illinois at Urbana-Champaign.[3] His principal teachers were Ben Johnston, Hubert Kessler, J. F. Goossen, Lara Hoggard, Charles Hamm, Byrnell Figler, Roy McAllister, Soulima Stravinsky and Sophia Rosoff. Bruce was one of the seven keyboard players in the 1969 premiere of John Cage's HPSCHD. He has been visiting professor and artist-in-residence at Middlebury College, Bucknell University, the University of Michigan, and at Brooklyn College. He is the chorus director for Connecticut Opera, and director of music at South Congregational Church in Middletown, Connecticut.
  He is the first pianist ever to play the entire song oeuvre of Charles Ives, which he performed with several singers as part of the Ives Vocal Marathon.
  
  wn.com/Neely_Bruce
• 
  Nicolas Slonimsky
  Nicolas Slonimsky (April 27 [O.S. April 15] 1894 – December 25, 1995) was a Russian born American composer, conductor, musician, music critic, lexicographer and author. He described himself as a "diaskeuast" (from Greek διασκευαστής); "a reviser or interpolator."
  Slonimsky was born Nikolai Leonidovich Slonimskiy in Saint Petersburg. He was of Jewish origin, but his parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church. His maternal aunt, Isabelle Vengerova, was his first piano teacher.
  Slonimsky was brought to the United States in 1923 by Vladimir Rosing to work as an accompanist in the newly formed Opera Department at the Eastman School of Music in Rochester, New York, where he continued his composition and conducting studies. He also accompanied Rosing at many of his vocal recitals, including a performance at Carnegie Hall in October 1924. After two years, Slonimsky moved to Boston to work as an assistant for Boston Symphony Orchestra conductor Serge Koussevitzky, for whom he had earlier worked as a rehearsal pianist in Paris. During this time, Slonimsky taught music theory at Boston Conservatory and the Malkin Conservatory, and began to write music articles for The Boston Evening Transcript, The Christian Science Monitor and the magazine, The Etude.
  
  wn.com/Nicolas_Slonimsky
• 
  Ralph Waldo Emerson
  Ralph Waldo Emerson (May 25, 1803 – April 27, 1882) was an American essayist, lecturer, and poet, who led the Transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States.
  Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of Transcendentalism in his 1836 essay, Nature. Following this ground-breaking work, he gave a speech entitled The American Scholar in 1837, which Oliver Wendell Holmes, Sr. considered to be America's "Intellectual Declaration of Independence".
  Emerson wrote most of his important essays as lectures first, then revised them for print. His first two collections of essays – Essays: First Series and Essays: Second Series, published respectively in 1841 and 1844 – represent the core of his thinking, and include such well-known essays as Self-Reliance, The Over-Soul, Circles, The Poet and Experience. Together with Nature, these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period.
  
  wn.com/Ralph_Waldo_Emerson
• 
  Stephen Foster
  Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as the "father of American music", was the pre-eminent songwriter in the United States of the 19th century. His songs — such as "Oh! Susanna", "Camptown Races", "Old Folks at Home" ("Swanee River"), "Hard Times Come Again No More", "My Old Kentucky Home", "Old Black Joe", "Jeanie with the Light Brown Hair", and "Beautiful Dreamer" — remain popular over 150 years after their composition.
  Foster attended private academies in Allegheny, Athens, and Towanda, Pennsylvania. He received an education in English grammar, diction, the classics, penmanship, Latin and Greek, and mathematics. In 1839, his elder brother William was serving his apprenticeship as an engineer at nearby Towanda and thought Stephen would benefit from being under his supervision. The site of the Camptown Races is 30 miles from Athens, and 15 miles from Towanda. Stephen attended Athens Academy from 1839 to 1841. He wrote his first composition, Tioga Waltz, while attending Athens Academy, and performed it during the 1839 commencement exercises; he was 14. It was not published during the composer's lifetime, but it is included in the collection of published works by Morrison Foster. In 1842, Athens Academy was destroyed in a fire.
  
  wn.com/Stephen_Foster
• 
  Virgil Thomson
  Virgil Thomson (November 25, 1896 – September 30, 1989) was an American composer and critic. He was instrumental in the development of the "American Sound" in classical music. He has been described as a modernist, a neoclassicist, a composer of "an Olympian blend of humanity and detachment" whose, "expressive voice was always carefully muted," until his late opera Lord Byron which, in contrast to all his previous work, exhibited an emotional content that rises to, "moments of real passion", and a neoromantic.
  
  wn.com/Virgil_Thomson
• Walter Piston
  Walter Hamor Piston Jr., (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist and professor of music at Harvard University whose students included Leroy Anderson, Leonard Bernstein, and Elliott Carter.
  Piston was born in Rockland, Maine. His paternal grandfather, a sailor named Antonio Pistone, changed his name to Anthony Piston when he came to America from Genoa, Italy. In 1905, the composer's father Walter Piston Sr. moved with his family to Boston.
  Walter Jr. first trained as an engineer at the Mechanical Arts High School in Boston, but he was artistically inclined. Upon graduating in 1912, he proceeded to the Massachusetts Normal Arts School, where he completed a course of study in draftsmanship in 1916.
  During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by Georges Longy. During World War I, Piston joined the U.S. Navy as a band musician, after rapidly teaching himself to play the saxophone; he later stated that, when "it became obvious that everybody had to go into the service, I wanted to go in as a musician". Playing in a service band, Piston taught himself to play most of the wind instruments. "They were just lying around" he later observed, "and no one minded if you picked them up and found out what they could do".
  
  wn.com/Walter_Piston
• Wikipedia Persondata
  wn.com/Wikipedia_Persondata
• 
  William McKinley
  William McKinley Jr. (January 29, 1843 – September 14, 1901) was the 25th President of the United States, serving from March 4, 1897, until his death. McKinley led the nation to victory in the Spanish–American War, raised protective tariffs to promote American industry, and maintained the nation on the gold standard in a rejection of inflationary proposals. McKinley's administration ended with his assassination in September 1901, but his presidency began a period of over a third of a century dominated by the Republican Party.
  McKinley served in the Civil War and rose from private to brevet major. After the war, he settled in Canton, Ohio, where he practiced law and married Ida Saxton. In 1876, he was elected to Congress, where he became the Republican Party's expert on the protective tariff, which he promised would bring prosperity. His 1890 McKinley Tariff was highly controversial; controversy over it, together with a Democratic redistricting aimed at gerrymanderinging him out of office, led to his defeat in the Democratic landslide of 1890. He was elected Ohio's governor in 1891 and 1893, steering a moderate course between capital and labor interests. With the aid of his close adviser Mark Hanna, he secured the Republican nomination for president in 1896, amid a deep economic depression. He defeated his Democratic rival, William Jennings Bryan, after a front-porch campaign in which he advocated "sound money" (the gold standard unless altered by international agreement) and promised that high tariffs would restore prosperity.
  
  wn.com/William_McKinley
• William Schuman
  William Howard Schuman (August 4, 1910 – February 15, 1992) was an American composer and music administrator.
  Born in Manhattan in New York City to Samuel and Rachel Schuman, Schuman was named after the twenty-seventh U.S. president, William Howard Taft, although his family preferred to call him Bill. Schuman played the violin and banjo as a child, but his overwhelming passion was baseball. While still in high school, he formed a dance band, "Billy Schuman and his Alamo Society Orchestra", that played local weddings and bar mitzvahs in which Schuman played string bass.
  In 1928 he entered New York University's School of Commerce to pursue a business degree, at the same time working for an advertising agency. He also wrote popular songs with E. B. Marks, Jr., a friend he had met long before at summer camp. About then Schuman met lyricist Frank Loesser and wrote some forty songs with him. Loesser's first published song, "In Love with a Memory of You", credits the music to William H. Schuman.
  
  wn.com/William_Schuman

• Sonata No. 1: Andante - Allegro vivace
• Sonata No. 1: Largo cantabile
• Sonata No. 1: Allegro
• Sonata No. 2: Autumn
• Sonata No. 2: In the Barn
• Sonata No. 2: Revival
• Sonata No. 3: Allegro - Allegretto - Adagio
• Sonata No. 3: Allegro
• Sonata No. 3: Adagio (Catabile)
• Sonata No. 4, Children's Day at the Camp Meeting: Allegro
• Sonata No. 4, Children's Day at the Camp Meeting: Largo
• Sonata No. 4, Children's Day at the Camp Meeting: Allegro

• Psalm 90
• Psalm 24
• Psalm 67
• Psalm 135
• Psalm 14
• Psalm 25
• Psalm 100
• Psalm 54
• Psalm 150
• Psalm 42

• Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
• Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
• Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
• Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
• Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
• Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
• Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
• Piano Sonata No. 1: II. Allegro moderato (feat. piano: William Masselos)
• Piano Sonata No. 1: III. Largo; allegro (feat. piano: William Masselos)
• Piano Sonata No. 1: IV. Allegro (feat. piano: William Masselos)
• Piano Sonata No. 1: V. Andante maestoso (feat. piano: William Masselos)

• Appalachian Spring
• Symphony No. 3
• Central Park in the Dark
• Clarinet Concerto

• Symphony No. 2: I. Andante moderato
• Symphony No. 2: II. Allegro molto (con spirito)
• Symphony No. 2: III. Adagio cantabile
• Symphony No. 2: IV. Lento maestoso
• Symphony No. 2: V. Allegro molto vivace (feat. cello: Christopher Adkins)
• Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
• Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
• Symphony No. 3 "The Camp Meeting": III. Communion: Largo
• General Booth Enters Into Heaven

• Symphony No. 1: I. Allegro (con moto)
• Symphony No. 1: II. Adagio molto (sostenuto)
• Symphony No. 1: III. Scherzo: Vivace
• Symphony No. 1: IV. Allegro molto
• Symphony No. 4: I. Prelude: Maestoso
• Symphony No. 4: II. Comedy: Allegretto
• Symphony No. 4: III. Fugue: Andante moderato con moto
• Symphony No. 4: IV. Very slowly (Largo maestoso)
• Central Park in the Dark

• Feldeinsamkeit
• The Things Our Fathers Loved
• Memories: (A) Very Pleasant; (B) Rather Sad
• The Housatonic at Stockbridge
• Swimmers
• The Cage
• The Greatest Man
• General William Booth Enters Into Heaven
• Remembrance
• Berceuse
• West London
• Tom Sails Away
• When Stars are in the Quiet Skies
• Weil' auf mir
• Ich grolle nicht
• Du alte Mutter
• Where the Eagle
• Walking
• Yellow Leaves
• The Side Show
• Élégie
• The New River
• Like a Sick Eagle
• Ann Street
• Slugging a Vampire
• Thoreau
• Serenity
• Tolerance
• Charlie Rutlage
• '1, 2, 3'
• A Song - For Anything

• Varied Air and Variations
• Waltz-Rondo
• Invention in D
• Allegro
• Study No. 2
• Piano Cadenza From Scherzo: Over the Pavements
• Andante
• Impression of the 'St. Gardens' In Boston Common
• The Celestial Railroad
• Minuetto, Op.4
• Allegro Moderato
• Moderato Con Anima
• I. Largo
• II. Allegro
• III. Chorale
• Fourth Fugue
• March No. 1 for Piano, With 'Yeah of the Jubilee'
• March No. 2 for Piano, With Son of a Gambler'
• March No. 3 for Piano, With 'Omega Lambda Chi'
• March in G and C for Piano, With 'See the Conquering Hero Comes'
• March for Piano: 'the Circus Band'
• March No. 5 for Piano, With 'Annie Lisle'
• March No. 6 for Piano, With 'Here's to Good Old Yale'

• The Housatonic at Stockbridge
• Soliloquy, or a Study in 7ths and Other Things
• On the Antipodes
• The Gong on the Hook and Ladder (original version)
• Hallowe’en
• In Re Con Moto et al, Op. 20
• Sunrise
• Remembrance
• Aeschylus and Sophocles
• Five Take-offs: The Seen and Unseen? (Sweet and Tough)
• Five Take-offs: Rough and Ready et al and / or The Jumping Frog
• Five Take-offs: Song Without (Good) Words
• Five Take-offs: Scene Episode
• Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
• Three Quarter-Tone Pieces: Largo
• Three Quarter-Tone Pieces: Allegro
• Three Quarter-Tone Pieces: Chorale

• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
• Varied Air and Variations
• The Celestial Railroad
• Four Transcriptions from 'Emerson', No.1

• Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
• Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
• Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
• Second String Quartet, Op. 19: I. Discussions
• Second String Quartet, Op. 19: II. Arguements
• Second String Quartet, Op. 19: III. The Call of the Mountains
• Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
• Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
• Hallowe'en, Op. 11
• Intermezzo
• In re con moto et al., Op. 20

• The Things Our Fathers Loved, S. 372 (mezzo-soprano: Susan Graham)
• The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Susan Graham)
• Swimmers, S. 366 (mezzo-soprano: Susan Graham)
• Memories, S. 297 (mezzo-soprano: Susan Graham)
• Ann Street, S. 211 (mezzo-soprano: Susan Graham)
• Serenity, S. 347 (mezzo-soprano: Susan Graham)
• 1, 2, 3, S. 321 (mezzo-soprano: Susan Graham)
• Songs My Mother Taught Me, S. 361 (mezzo-soprano: Susan Graham)
• The Circus Band, S. 229 (mezzo-soprano: Susan Graham)
• The Cage, S. 221 (mezzo-soprano: Susan Graham)
• The Indians, S. 283 (mezzo-soprano: Susan Graham)
• Like a Sick Eagle, S. 288 (mezzo-soprano: Susan Graham)
• Remembrance, S. 332 (mezzo-soprano: Susan Graham)
• September, S. 346 (mezzo-soprano: Susan Graham)
• Soliloquy, S. 352 (mezzo-soprano: Susan Graham)
• A Farewell to Land, S. 248 (mezzo-soprano: Susan Graham)
• Thoreau, S. 373 (mezzo-soprano: Susan Graham)
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson" (feat. viola: Tabea Zimmermann)
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau" (feat. flute: Emmanuel Pahud)

• Emerson Concerto: I.
• Emerson Concerto: II.
• Emerson Concerto: III.
• Emerson Concerto: IV.
• Symphony No. 1: I. Allegro con moto
• Symphony No. 1: II. Adagio molto
• Symphony No. 1: III. Scherzo
• Symphony No. 1: IV. Allegro molto

• Symphony No. 1 in D minor: I. Allegro
• Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
• Symphony No. 1 in D minor: III. Scherzo. Vivace
• Symphony No. 1 in D minor: IV. Allegro molto
• Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
• Three Places in New England: II. Putnam's Camp, Redding, Connecticut
• Three Places in New England: III. 'The Housatonic at Stockbridge
• Robert Browning Overture

• Violin Sonata 1: I. Andante
• Violin Sonata 1: II. Largo Cantabile
• Violin Sonata 1: III. Allegro
• Violin Sonata 2: I. Autumn
• Violin Sonata 2: II. In the Barn
• Violin Sonata 2: III. The Revival
• Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
• Violin Sonata 3: II. Allegro
• Violin Sonata 3: III. Adagio Cantabile
• Violin Sonata 4: I. Allegro
• Violin Sonata 4: II. Largo
• Violin Sonata 4: III. Allegro

• "Country Band" March
• Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
• Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
• Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
• Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
• Postlude in F
• Calcium Light Night
• Yale-Princeton Football Game
• Set for Theatre Orchestra: In the Cage
• Set for Theatre Orchestra: In the Inn
• Set for Theatre Orchestra: In the Night
• Largo Cantabile: Hymn
• Three Places in New England: The "Saint-Gaudens" in Boston Common
• Three Places in New England: Putnam's Camp, Redding, Connecticut
• Three Places In New England: The Housatonic at Stockbridge

• Robert Browning Overture, S. 27
• Symphony No. 2, S. 2: I. Andante moderato
• Symphony No. 2, S. 2: II. Allegro
• Symphony No. 2, S. 2: III. Adagio cantabile
• Symphony No. 2, S. 2: IV. Lento maestoso
• Symphony No. 2, S. 2: V. Allegro molto vivace

• Symphony No. 1: I. Allegro
• Symphony No. 1: II. Adagio molto (sostenuto)
• Symphony No. 1: III. Scherzo: Vivace
• Symphony No. 1: IV. Allegro molto
• Symphony No. 4: I. Prelude: Maestoso
• Symphony No. 4: II. Allegretto
• Symphony No. 4: II. Fugue: Andante moderato
• Symphony No. 4: IV. Largo maestoso
• Orchestral Set No. 2: I. An Elegy to Our Forefathers
• Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
• Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose

• Symphony No. 4: I. Prelude: Maestoso
• Symphony No. 4: II. Allegretto
• Symphony No. 4: III. Fugue: Andante moderato
• Symphony No. 4: IV. Largo maestoso
• Symphony No. 2: I. Andante moderato
• Symphony No. 2: II. Allegro
• Symphony No. 2: III. Adagio cantabile
• Symphony No. 2: IV. Lento maestoso
• Symphony No. 2: V. Allegro molto vivace

• June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (beg.)
• June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (end)
• June 12, 1933 - Four Transcriptions from 'Emerson,' No.3
• June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg.)
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end)
• mid 1930s - Study No.11 (abandoned)
• mid 1930s - Study No.11
• mid 1930s - Study No.11, v2
• mid 1930s - Patch for Study No.23
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg., v2)
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end, v2)
• mid 1930s - Four Transcriptions from 'Emerson,' No.3
• mid 1930s - Four Transcriptions from 'Emerson,' No.3, v2
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
• May 11, 1937 - Study No.11
• May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
• May 11, 1937 - Study No.2 with false starts
• May 11, 1937 - Study No.2 (beg.)
• May 11, 1937 - Study No.2 (end)
• May 11, 1937 - Study No.23 (partial)
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
• May 11, 1937 - Study No.23 (partial, v2)
• May 11, 1937 - Three Improvisations, No.1
• May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt)
• May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
• May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
• May 11, 1937 - Study No.20 (partial)
• May 11, 1937 - Three Improvisations, No.3
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial)
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v2)
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v3)
• April 24, 1943 - Study No.2 + Study No.23 (mixed)
• April 24, 1943 - Four Transcriptions from 'Emerson,' No.3 (abandoned)
• April 24, 1943 - Study No.9
• April 24, 1943 - They are There!, first take (abandoned)
• April 24, 1943 - They are There!, second take
• April 24, 1943 - They are There!, third take
• April 24, 1943 - March No.6 for Piano, with 'Here's to Good Old Yale'
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts'

• Three Places in New England - 1. The Saint-Gaudens in Boston Common
• Three Places in New England - 2. Putnams' Camp, Redding, Connecticut
• Three Places in New England - 3. The Housatonic at Stockbridge
• The Unanswered Question
• A Set of Pieces - 1. In the Cage
• A Set of Pieces - 2. In the Inn
• A Set of Pieces - 3. In the Night
• Symphony No.3 - I. Old Folks Gatherin'
• Symphony No.3 - II. Children's Day
• Symphony No.3 - III. Communion
• Set No.1 - 1. The Seer
• Set No.1 - 2. A Lecture (Tolerance)
• Set No.1 - 3. The Ruined River (The New River)
• Set No.1 - 4. Like a Sick Eagle
• Set No.1 - 5. Calcium Light Night
• Set No.1 - 6. Allegretto Sombreoso

• The Unanswered Question
• Holidays (Symphony): I. Washington's Birthday
• Holidays (Symphony): II. Decoration Day
• Holidays (Symphony): III. The Fourth of July
• Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
• Central Park in the Dark
• Concerto for Orchestra

• String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
• String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
• String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
• String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
• Scherzo, S. 84 No. 2 "Holding Your Own"
• String Quartet in B major, Op. 11: I. Molto allegro e appassionato
• String Quartet in B major, Op. 11: II. Molto adagio - attacca:
• String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
• String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
• String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
• String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso

• Symphony No. 2, S. 2: I. Andante moderato
• Symphony No. 2, S. 2: II. Allegro
• Symphony No. 2, S. 2: III. Adagio cantabile
• Symphony No. 2, S. 2: IV. Lento maestoso
• Symphony No. 2, S. 2: V. Allegro molto vivace
• Symphony No. 3 "The Camp Meeting", S. 3: I. "Old Folks Gatherin'", Andante maestoso
• Symphony No. 3 "The Camp Meeting", S. 3: II. "Children's Day", Allegro
• Symphony No. 3 "The Camp Meeting", S. 3: III. "Communion", Largo
• "Central Park in the Dark", Molto Adagio

• Three Places in New England: I. The "St. Gaudens" in Boston Common
• Three Places in New England: II. Putnam's Camp, Redding, Connecticut
• Three Places in New England: III. The Housatonic at Stockbridge
• March III with the air "Old Kentucky Home"
• The Unanswered Question
• Central Park in the Dark
• Fugue in Four Keys on "The Shining Shore"
• Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
• Symphony No. 3 "The Camp Meeting": II. Children's Day
• Symphony No. 3 "The Camp Meeting": III. Communion

• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson" (feat. viola: John Graham)
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau" (feat. flute: Samuel Baron)

• The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
• The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
• West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• August, S. 216 (baritone: William Sharp, piano: Steven Blier)
• September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
• From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
• The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
• From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
• The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
• Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
• Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
• 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
• Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
• The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)

• He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
• Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
• Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
• Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
• Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
• Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
• Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
• Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
• Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
• To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
• Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
• They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)

• I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
• Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
• Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
• Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
• Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
• Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
• Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
• Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)

• Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
• There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
• Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
• When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
• Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
• World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
• Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
• My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
• From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
• Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
• Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)

• A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
• A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
• A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
• A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
• The Unanswered Question, S. 50 (revised version)
• Central Park in the Dark, S. 34
• The Unanswered Question, S. 50 (original version)

• Symphony No. 2, S. 2: I. Andante moderato
• Symphony No. 2, S. 2: II. Allegro
• Symphony No. 2, S. 2: III. Adagio cantabile
• Symphony No. 2, S. 2: IV. Lento maestoso
• Symphony No. 2, S. 2: V. Allegro molto vivace
• Symphony No. 3 "The Camp Meeting", S. 3: I. Old Folks Gatherin'
• Symphony No. 3 "The Camp Meeting", S. 3: II. Children's Day
• Symphony No. 3 "The Camp Meeting", S. 3: III. Communion
• The Unanswered Question, S. 50

• Symphony No. 4, S. 4: I. Prelude: Maestoso
• Symphony No. 4, S. 4: II. Comedy: Allegretto
• Symphony No. 4, S. 4: III. Fugue: Andante moderato
• Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso

• I. Adagio con moto - Andante con moto - Allegro risoluto
• IIa. Allegro moderato - Andante
• IIb. Allegro »In the Inn«
• III. Largo - Allegro - Largo
• IVa. (ohne Tempoangabe) - IVb. Allegro - Presto
• V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante

• Three-Page Sonata
• Song Without (Good) Words
• Study No. 9 "Anti-Abolitionists Riots"
• Study No. 22 "22"
• Study No. 20
• Study No. 18
• Study No. 15
• Study No. 2
• Study No. 8
• Study No. 7
• Study No. 6
• Study No. 5
• Rough and Ready
• Scene Episode

• Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
• Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
• Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
• Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
• Three Quarter-Tone Pieces for Two Pianos: I. Largo
• Three Quarter-Tone Pieces for Two Pianos: II. Allegro
• Three Quarter-Tone Pieces for Two Pianos: III. Choral

• Symphony No. 2: I - Andante Moderato, II - Allegro
• Symphony No. 2: III - Adagio Cantabile
• Symphony No. 2: IV - Lento Maestoso, V - Allegro Molto Vivace
• Symphony No. 3: I - Old Folks Gatherin': Andante Maestoso
• Symphony No. 3: II - Children's Day: Allegro
• Symphony No. 3: III - Communion: Largo

• From the Steeples and the Mountains, S. 65
• The Things Our Fathers Loved, S. 372
• The Pond (Remembrance), S. 40
• Memories, S. 297
• Charlie Rutlage, S. 14iii
• The Circus Band, S. 33 No. 3
• Three Places in New England, S. 7: The "St. Gaudens" in Boston Common
• Three Places in New England, S. 7: Putnam's Camp, Redding, Connecticut
• Three Places in New England, S. 7: The Housatonic at Stockbridge
• In Flanders Fields, S. 277 (arr. David Del Tredici)
• They Are There! (A War Song March), S. 188
• Tom Sails Away, S. 378
• Symphony No. 4, S. 4: III. Fugue
• Psalm 100, S. 153
• Serenity, S. 177 (arr. John Adams)
• General William Booth Enters Into Heaven, S. 181
• The Unanswered Question (I & II), S. 50 (feat. trumpet: Glenn Fischthal)

• Symphony No. 2: I. Andante moderato
• Symphony No. 2: II. Allegro
• Symphony No. 2: III. Adagio cantablile
• Symphony No. 2: IV. Lento maestoso
• Symphony No. 2: V. Allegro molto vivace
• The Gong on the Hook and Ladder or Fireman's Parade on Main Street
• Tone Roads No. 1
• Hymn: Largo Cantabile
• Hallowe'en
• Central Park in the Dark
• The Unanswered Question

• Tom Sails Away
• Ann Street
• Thoreau
• Maple Leaves
• The Cage
• «1, 2, 3.»
• Evening
• Serenity - A unison chant
• The New River
• The White Gulls
• Slugging a Vampire
• West London - A sonnet
• Fron the «Incantation»
• Charlie Rutlage
• Slow March
• The Indians
• Walt Withman - from 20th Stanza
• Afterglow
• His Exaltation
• At the River
• In the Mornin'
• The Camp Meeting
• The Circus Band
• From Paracelsus
• Premonitions
• On the Counter
• A sea Dirge
• Like a Sick Eagle
• Soliloquy - or a Study in 7th and Other Things (feat. pianist: Marie-Noëlle André-Combes)
• Memories
• The One Way
• Remembrance
• A farewell to Land

• Symphony No.2-1 Andante moderato
• Symphony No.2-2 Allegro
• Symphony No.2-3 Adagio cantabile
• Symphony No.2-4 Lento maestoso
• Symphony No.2-5 Allegro molto vivace
• Symphony No.3-1 Old folks gatherin'
• Symphony No.3-2 Childrens day
• Symphony No.3-3 Communion
• Three places in New England-1 The "St Gaudens" in Boston Common
• Three places in New England-2 Putnam's Camp, Redding, Connecticut
• Three places in New England-3 The Housatonic at Stockbridge

Born: 1874-10-20

Died: 1954-05-19