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• 
  

• 
  Bergen
  Bergen (Norwegian pronunciation: [ˈbærɡən]  (listen)) is a city and municipality in Hordaland on the west coast of Norway. As of 26 June 2012, the municipality had a population of 265,800 and Greater Bergen had a population of 391,000, making Bergen the second-largest city in Norway. The municipality covers and area of 465 square kilometers (180 sq mi) and is located on the peninsula of Bergenshalvøyen. The city center and northern neighborhoods are located on Byfjorden and the city is built around the Seven Mountains. Many of the extra-municipal suburbs are located on islands. Bergen is the administrative center of Hordaland and consists of eight boroughs—Arna, Årstad, Åsane, Bergenhus, Fana, Fyllingsdalen, Laksevåg and Ytrebygda.
  Trading in Bergen may have started as early as the 1020s, but the city was not incorporated until 1070. It served as Norway's capital from 1217 to 1299, and from the end of the 13th century became a bureau city of the Hanseatic League. Until 1789, Bergen enjoyed exclusive rights to mediate trade between Northern Norway and abroad. The remains of the quays, Bryggen, is a World Heritage Site. The city was hit by numerous fires. The Norwegian School of Economics was founded in 1936 and the University of Bergen in 1946. From 1831 to 1972, Bergen was its own county, after which Bergen amalgamated with the surrounding municipalities.
  
  wn.com/Bergen
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  Copenhagen
  Copenhagen ( /ˈkoʊpənheɪɡən/ or /ˈkoʊpənhɑːɡən/; Danish: København pronounced [kʰøb̥m̩ˈhɑʊ̯ˀn] ( listen), Latin: Hafnia) is the capital of Denmark and its most populous city, with an urban population of 1,213,822 (as of 1 January 2012 (2012 -01-01)^[update]) and a metropolitan population of 1,935,746 (as of 1 April 2012 (2012 -04-01)^[update]). With the completion of the transnational Øresund Bridge in 2000, Copenhagen has become the centre of the increasingly integrating Øresund Region. Within this region, Copenhagen and the Swedish city of Malmö are growing into a combined metropolitan area. Copenhagen is situated on the islands of Zealand and Amager.
  First documented in the 11th century, Copenhagen became the capital of Denmark in the beginning of the 15th century. During the 17th century, under the reign of Christian IV, it became a significant regional centre.
  Copenhagen is a major regional centre of culture, business, media, and science, as indicated by several international surveys and rankings (see International rankings below). Life science, information technology and shipping are important sectors, and research & development plays a major role in the city's economy. Its strategic location and excellent infrastructure, with the largest airport in Scandinavia,Kastrup, located 14 minutes by train from the city centre, have made it a regional hub and a popular location for regional headquarters and conventions.
  
  wn.com/Copenhagen
• 
  Karlshamn
  Karlshamn is a locality and the seat of Karlshamn Municipality in Blekinge County, Sweden. It had 19,075 inhabitants in 2010, out of 30,918 in the municipality (2009).
  Karlshamn received a Royal Charter and city privileges in 1664, when King Charles X Gustav, in Swedish Karl, realized the strategic location near the Baltic Sea. In 1666 the town was named Karlshamn, meaning Karl's Port in honour of the Swedish king.
  At the outlet of the stream "Mieån" was found a harbour and fishing village "Bodekull" and a farm "Bodetorp". In the lower parts of "Mörrumsån" was a prosperous salmon fishery.
  Sweden gained supremacy over the territory through Treaty of Roskilde 1658. The king Charles X Gustav immediately inspected the coast and found here a tremendously beautiful and incomparable harbour. Fortifications designed by Erik Dahlberg were erected on Boön 1659 and on Friesholmen 1675, called "Kastellet". Troops loyal to the Danish king attacked the town twice in 1676-78. The location attracted foreign merchants and in 1664 royal privileges were issued to establish a town named after the king, meaning "Karl's Port". The settlement expanded rapidly to count 647 citizens in the year 1700. Pestilence reduced the population in 1710.
  
  wn.com/Karlshamn
• 
  Norway
  Norway ⁱ/ˈnɔrweɪ/ (Norwegian:  Norge (Bokmål) or  Noreg (Nynorsk)), officially the Kingdom of Norway, is a Nordic unitary constitutional monarchy whose territory comprises the western portion of the Scandinavian Peninsula, Jan Mayen, the Arctic archipelago of Svalbard and the subantarctic Bouvet Island. Norway has a total area of 385,252 square kilometres (148,747 sq mi) and a population of about 5 million. It is the second least densely populated country in Europe. The majority of the country shares a border to the east with Sweden; its northernmost region is bordered by Finland to the south and Russia to the east; in its south Norway borders the Skagerrak Strait across from Denmark. The capital city of Norway is Oslo. Norway's extensive coastline, facing the North Atlantic Ocean and the Barents Sea, is home to its famous fjords.
  
  wn.com/Norway
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  Oslo
  Oslo (English pronunciation: /ˈɒzloʊ/, OZ-loh,Norwegian pronunciation: [²ʊʃlʊ] ( listen) or [²ʊslʊ]) is the capital of and most populous city in Norway. Founded around 1048 by King Harald III, the city was elevated to a bishopric in 1070 and a capital under Haakon V around 1300. Personal unions with Denmark from 1397 to 1523 and again from 1536 to 1814 and with Sweden from 1814 to 1905 reduced its influence. After being destroyed by a fire in 1624, the city was moved closer to Akershus Castle during the reign of King Christian IV and renamed Christiania in his honour. It was established as a municipality (formannskapsdistrikt) on 1 January 1838. Following a spelling reform, it was known as Kristiania from 1877 to 1925, when its original Norwegian name was restored.
  Oslo is the economic and governmental centre of Norway. The city is also a hub of Norwegian trade, banking, industry and shipping. It is an important centre for maritime industries and maritime trade in Europe. The city is home to many companies within the maritime sector, some of which are amongst the world's largest shipping companies, shipbrokers and maritime insurance brokers. Oslo is a pilot city of the Council of Europe and the European Commission intercultural cities programme.
  
  wn.com/Oslo
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  Scotland
  Scotland (Scottish Gaelic: Alba ([ˈalˠ̪apə]  listen (help·info))) is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the southwest. In addition to the mainland, Scotland constitutes over 790 islands including the Northern Isles and the Hebrides.
  Edinburgh, the country's capital and second largest city, is one of Europe's largest financial centres. Edinburgh was the hub of the Scottish Enlightenment of the 18th century, which transformed Scotland into one of the commercial, intellectual and industrial powerhouses of Europe. Glasgow, Scotland's largest city, was once one of the world's leading industrial cities and now lies at the centre of the Greater Glasgow conurbation. Scottish waters consist of a large sector of the North Atlantic and the North Sea, containing the largest oil reserves in the European Union. This has given Aberdeen, the third largest city in Scotland, the title of Europe's oil capital.
  
  wn.com/Scotland
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  Troldhaugen
  Troldhaugen was the home of Norwegian composer Edvard Grieg and his wife Nina Grieg. Troldhaugen is located in Bergen, Norway and consists of the Edvard Grieg Museum, Grieg’s villa, the hut where he composed music, and his and his wife's gravesite.
  The building was designed by Grieg's cousin, the architect Schak Bull. The name comes from trold meaning troll and haug from the Old Norse word haugr meaning hill or knoll. Grieg is reputed to have said that children called the nearby small valley "The Valley of Trolls" and thus gave the name for his building as well. Edvard Grieg himself called the building "my best composition hitherto".
  Edvard and Nina Grieg finished building Troldhaugen in 1885. Edvard and Nina Grieg lived in Troldhaugen when he was home in Norway, mostly in the summer. Troldhaugen was the home of Edvard Grieg from April 1885 to his death. After the death of her husband in 1907, Nina Grieg moved to Denmark where she spent the remainder of her life. Grieg and his wife's ashes rest inside a mountain tomb near the house.
  
  wn.com/Troldhaugen

• André Previn
  André George Previn, KBE (born Andreas Ludwig Priwin; April 6, 1929) is a German-American pianist, conductor, and composer. He is considered one of the most versatile musicians in the world and is the winner of four Academy Awards for his film work and ten Grammy Awards for his recordings.
  Previn was born in Berlin, Germany, the son of Charlotte (née Epstein) and Jack Previn, who was a lawyer, judge, and music teacher. He is said to be "a distant relative of" the composer Gustav Mahler. However, In a pre-concert public interview at the Lincoln Center, in May 2012, Previn laughed at the suggestion that he is related to Mahler. The year of his birth is uncertain. Whilst most published reports give 1929, Previn himself has stated that 1930 is his birth year. This situation is a consequence of his the family losing Previn's birth certificate when they left Germany in 1938.^{[citation needed]} His elder brother was director Steve Previn.^{[citation needed]} The Previn family, which was Jewish,^{[citation needed]} emigrated to the United States in 1939 to escape the Nazi regime in Germany.^{[citation needed]}
  
  wn.com/André_Previn
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  Arne Garborg
  Arne Garborg, born Aadne Eivindsson Garborg (25 January 1851, Time - 14 January 1924) was a Norwegian writer.
  Garborg championed the use of Landsmål (now known as Nynorsk, or New Norwegian), as a literary language; he translated the Odyssey into it. He founded the weekly Fedraheim in 1877, in which he urged reforms in many spheres including political, social, religious, agrarian, and linguistic. He was married to Hulda Garborg.
  Garborg grew up on a farm named Garborg, near Undheim, in Time municipality at Jæren in Rogaland county. He grew up together with eight siblings. Although he was to become known as an author, it was as a newspaperman that he got his start. In 1872 he established the newspaper Tvedestrandsposten, and in 1877 the Fedraheimen, which he served as managing editor until 1892. In the 1880s he was also a journalist for the Dagbladet. In 1894 he laid the ground, together with Rasmus Steinsvik, for the paper Den 17de Mai; which changed its name to Norsk Tidend in 1935.
  His novels are profound and gripping while his essays are clear and insightful. He was never inclined to steer clear of controversy. His work tackled the issues of the day, including the relevance of religion in modern times, the conflicts between national and European identity, and the ability of the common people to actually participate in political processes and decisions.
  
  wn.com/Arne_Garborg
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  Edmund Neupert
  (Carl Fredrik) Edmund Neupert (1 April 1842 – 22 June 1888) was a Norwegian pianist and composer.
  He was a teacher at the Stern Conservatory in Berlin from 1866-1868. He then moved to Copenhagen, where he held a position at the town's conservatory for two years. In 1881 he traveled to Moscow, and in 1882 he moved to Christiania (today Oslo), where he taught at a piano school for children. In 1883 he stayed in New York. Neupert was regarded as an outstanding pianist and piano pedagogue, often compared to Franz Liszt.
  He was now best remembered as the soloist at the world premiere of Edvard Grieg's Piano Concerto in A minor. This occurred on 3 April 1869 in the Casino Concert Hall in Copenhagen, with the Royal Danish Orchestra conducted by Holger Simon Paulli. The piano used for the performance was lent for the occasion by Anton Rubinstein, who attended the concert. Grieg himself was not present, due to commitments back home in Norway. Neupert was also the dedicatee of the second edition of the concerto (Rikard Nordraak was the original dedicatee), and was said to have actually composed the cadenza in the first movement.
  
  wn.com/Edmund_Neupert
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  Edvard Grieg
  Edvard Hagerup Grieg /ˈɛdʋɑɖ ˈhɑːgəɾʉːp gɾiːg/ (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces.
  Edvard Hagerup Grieg was born in Bergen, Norway on 15 June 1843. His parents were Alexander Grieg (1806–1875), a merchant and vice consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of Edvard Hagerup. The family name, originally spelled Greig, has Scottish origins. After the Battle of Culloden in 1746, Grieg's great-grandfather traveled widely, settling in Norway about 1770, and establishing business interests in Bergen.
  Edvard Grieg was raised in a musical area. His mother was his first piano teacher and taught him to play at the age of 6. Grieg studied in several schools,^{[clarification needed]} including Tank's School. He often brought in samples of his music to class.^{[citation needed]}
  
  wn.com/Edvard_Grieg
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  Edvard Hagerup
  Edvard Hagerup (1781–1853) was a Norwegian solicitor and politician. He was born in Kristiansand, the son of a bishop Eiler (Kongel) Hagerup b. 1718 and Edvardine Magdalene Margarethe Christie (b. 1755).
  In 1801, he studied in Copenhagen with Wilhelm Frimann Koren Brodtkorp Christie (b. 1778). Both became "Stiftsamtmann", the King's representative in a county. During the formation of the Constitution of Norway signed at Constitutional Assembly on the 17th of May 1814, Christie was secretary to the delegates led by Christian Magnus Falsen and Hagerup was adviser to the Danish Prince Christian Fredrik who was present.
  He was a member of the first Norwegian Parliament, in the year 1814. He was asked to accept the post of minister, but that would require him to live in Stockholm, and he abstained. At that time he worked as an assessor.
  Hagerup was later appointed County Governor of Nordre Bergenhus amt (today named Sogn og Fjordane), serving from 1822 to 1831. Seated in Bergen, as Nordre Bergenhus was administrated from outside its territory, Hagerup was elected to the Norwegian Parliament from that city for the year 1824. In 1827 he was elected to the Norwegian Parliament for a third time.
  
  wn.com/Edvard_Hagerup
• 
  Eilif Peterssen
  Hjalmar Eilif Emanuel Peterssen (September 4, 1852 in Christiania - December 29 1928 in Lysaker) was a Norwegian painter.
  Hjalmar Eilif Emanuel Peterssen was born in Christiania, now Oslo, Norway. He grew up in the neighborhood of Hegdehaugen in the district of Frogner.
  He attended the Johan Fredrik Eckersberg School of Painting in Oslo in 1869. In 1871 he left Oslo to study at the Art Academy in Copenhagen. Later that year he moved to Karlsruhe, where he was a student of Ludwig des Coudres and Wilhelm Riefstahl at Die Grossherzoglische Kunstschule . In the fall of 1873 Peterssen travelled to Munich where he got Wilhelm von Diez as a teacher. In Munich Peterssen was partly a pupil of Franz von Lenbach as well and he got to know other famous artists like Arnold Böcklin and Karl von Piloty.
  Peterssen made his breakthrough as a painter in Munich with the history painting Christian II signs the death sentence of Torben Oxe (1876) which was acquired by the Verbindung für historische Kunst in Stuttgart. In Munich he also painted one of his biggest paintings, the altarpiece The Crucifixion (disappeared) for the Johannes church in Oslo. Later he was to paint 9 more altarpieces and a church decoration,The Ascension (1908-1909) in the Ullern church in Oslo.
  
  wn.com/Eilif_Peterssen
• Eva Knardahl
  Eva Knardahl Freiwald (May 10, 1927 – September 3, 2006, Oslo) was a Norwegian pianist, with a noted career both as a child prodigy and adult performer.
  Her debut with the Oslo Philharmonic Orchestra at the age of 12, in which she played three concertos (those by Johann Sebastian Bach in F minor, Joseph Haydn in D major and Carl Maria von Weber in C major), was received with rave reviews. Knardahl was a student of Mary Barrat Due, who was educated in Italy. Idar Karevold, a music professor in Oslo, said that Knardahl's Italian style was unique in Norway.
  She emigrated at 19 to the United States, where she had a distinguished career with the Minnesota Orchestra for 15 years, before returning to Norway in 1967. She became a popular fixture on the Norwegian music scene and was named the first professor of chamber music at the Norwegian Academy of Music. Knardahl was awarded the Norwegian Spellemanspris twice, and she also won the Norwegian Critics' Prize in 1968.
  Knardahl is most known for her interpretations of the piano works of Edvard Grieg. She has recorded the composer's complete piano music during 1978 and 1980. The recordings were reissued in 2006 on 12 compact discs by BIS Records.
  
  wn.com/Eva_Knardahl
• Finn Benestad
  Finn Benestad (30 October 1929 – 30 April 2012) was a Norwegian musicologist and music critic. He was a professor at the University of Oslo from 1965 to 1998, and is probably best known for his long-term research on composer Edvard Grieg.
  Benestad was born in Kristiansand as the son of Harald Martin Benestad and Ellen Kittelsen. He married Inge Bergliot Rosendal in 1951. He graduated in musicology from the University of Oslo in 1953. He worked as a school teacher in Oslo from 1950 to 1959, and was assigned a position at the University from 1960 to 1961. In 1961 he was appointed professor at the Teachers' College (later merged into the Norwegian University of Science and Technology) in Trondheim, and from 1965 to 1998 he was a professor at the University of Oslo.
  Among his books is a study of composer Johannes Haarklou from 1961, Waldemar Thrane from 1961, and Musikklære (English: Music theory) from 1963. He published the songbooks Skolens visebok (English: Songbook for schools) in 1972 (co-edited with Klakegg and Lunde), and Syng med (English: Sing along) in 1988.
  
  wn.com/Finn_Benestad
• Frants Beyer
  Frants Diecke Cappelen Beyer (1851 – 1918) was a Norwegian average adjuster, tax inspector and composer. He is particularly known for his long-term close friendship with composer Edvard Grieg. A large portion of the letter correspondence between Grieg and Beyer has been preserved and later published. Among his musical contributions are records of eighteen folk songs which formed the basis for Grieg's opus 66. He was chairman of the board of the Bergen Philharmonic Orchestra for many years.
  
  
  
  wn.com/Frants_Beyer
• 
  Franz Liszt
  Franz Liszt (German: [fʁant͡s lɪst]); Hungarian: Liszt Ferencz, in modern use Liszt Ferenc) (October 22, 1811 – July 31, 1886) was a 19th-century Hungarian composer, pianist, conductor, and teacher.
  Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age. In the 1840s he was considered by some to be perhaps the greatest pianist of all time. He was also a well-known composer, piano teacher, and conductor. He was a benefactor to other composers, including Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
  As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony. He also played an important role in popularizing a wide array of music by transcribing it for piano.
  
  wn.com/Franz_Liszt
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  Frédéric Chopin
  Frédéric François Chopin ( /ˈʃoʊpæn/; French pronunciation: [fʁe.de.ʁik ʃɔ.pɛ̃]; Polish: Fryderyk Franciszek Chopin, also phonetically Szopen; 22 February or 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of French-Polish parentage. He is considered one of the great masters of Romantic music. Chopin was born in Żelazowa Wola, a village in the Duchy of Warsaw. A renowned child-prodigy pianist and composer, Chopin grew up in Warsaw and completed his music education there; he composed many mature works in Warsaw before leaving Poland in 1830 at age 20, shortly before the November 1830 Uprising.
  Following the Russian suppression of the Uprising, he settled in Paris as part of Poland's Great Emigration. During the remaining 19 years of his life, Chopin gave only some 30 public performances, preferring the more intimate atmosphere of the salon; he supported himself by sales of his compositions and as a piano teacher. After some romantic dalliances with Polish women, including an abortive engagement, from 1837 to 1847 he carried on a relationship with the French writer Amantine Dupin (pen name "George Sand"). For most of his life, Chopin suffered from poor health; he died in Paris in 1849 at age 39.
  
  wn.com/Frédéric_Chopin
• 
  Heinrich Heine
  Christian Johann Heinrich Heine (13 December 1797 – 17 February 1856) was one of the most significant German poets of the 19th century. He was also a journalist, essayist, and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder (art songs) by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose is distinguished by its satirical wit and irony. His radical political views led to many of his works being banned by German authorities. Heine spent the last 25 years of his life as an expatriate in Paris.
  Heine was born in Düsseldorf, Rhineland, into a Jewish family. He was called "Harry" as a child, but became "Heinrich" after his conversion to Christianity in 1825. Heine's father, Samson Heine (1764–1828), was a textile merchant. His mother Peira (known as "Betty"), née van Geldern (1771–1859), was the daughter of a physician. Heinrich was the eldest of the four children; his siblings were Charlotte, Gustav - who later became Baron Heine-Geldern and publisher of the Viennese newspaper Das Fremdenblatt - and Maximilian, later a physician in Saint Petersburg.
  
  wn.com/Heinrich_Heine
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  Henrik Ibsen
  Henrik Ibsen (Norwegian pronunciation: [ˈhɛnɾɪk ˈɪpsən]; 20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of prose drama" and is one of the founders of Modernism in the theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder.
  Several of his plays were considered scandalous to many of his era, when European theater was required to model strict mores of family life and propriety. Ibsen's work examined the realities that lay behind many façades, revealing much that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. The poetic and cinematic play Peer Gynt, however, has strong surreal elements.
  Ibsen is often ranked as one of the truly great playwrights in the European tradition. Richard Hornby describes him as "a profound poetic dramatist—the best since Shakespeare". He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, James Joyce, and Eugene O'Neill. Many critics consider him the greatest playwright since Shakespeare.
  
  wn.com/Henrik_Ibsen
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  Ignaz Moscheles
  (Isaac) Ignaz Moscheles (23 May 1794 – 10 March 1870) was a Bohemian composer and piano virtuoso, whose career after his early years was based initially in London, and later at Leipzig, where he succeeded his friend and sometime pupil Felix Mendelssohn as head of the Conservatoire.
  Much of what we know about Moscheles's life is derived from the edition of his diaries prepared by his wife, Charlotte, after his death, and published in 1874. This edition also gives lively portraits of his era and of his musical contemporaries. Unfortunately however the diaries themselves have since gone missing, although they may perhaps rematerialise. Another important source is the correspondence between Moscheles and Mendelssohn, preserved at the Brotherton Collection at the University of Leeds, and published in 1888 by Ignaz's son (and Felix Mendelssohn's god-son), Felix Moscheles.
  
  wn.com/Ignaz_Moscheles
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  Johan Halvorsen
  Johan Halvorsen (15 March 1864 – 4 December 1935) was a Norwegian composer, conductor and violinist.
  Born in Drammen, Norway he was an accomplished violinist from a very early age and became a prominent figure in Norwegian musical life. He received his musical education in Kristiania (now Oslo) and Stockholm, and was a concertmaster in Bergen before joining the Leipzig Gewandhaus Orchestra. He was a concertmaster in Aberdeen, Scotland, then a professor of music in Helsinki, and finally became a student once again, in St Petersburg, Leipzig (with Adolph Brodsky), Berlin (with Adolf Becker), and Liège (with César Thomson).
  Returning to Norway in 1893, he worked as conductor of the theatre orchestra at Den Nationale Scene in Bergen and of the Bergen Philharmonic Orchestra. He became concertmaster of the Bergen Philharmonic in 1885, and principal conductor in 1893. In 1899 he was appointed conductor of the orchestra at the newly-opened National Theatre in Kristiania, a position he held for 30 years until his retirement in 1929.
  
  wn.com/Johan_Halvorsen
• Knut Helle
  Knut Helle (born 19 December 1930) is a Norwegian historian. A professor at the University of Bergen from 1973 to 2000, he has specialized in the late medieval history of Norway. He has contributed to several large works.
  He was born in Larvik as the son of school inspector Hermann Olai Helle (1893–1973) and teacher Berta Marie Malm (1906–1991). He was the older brother of politician Ingvar Lars Helle. The family moved to Hetland when Knut Helle was seventeen years old.
  He took the examen artium in Stavanger in 1949, and a teacher's education in Kristiansand in 1952. He studied philology in Oslo and Bergen, and graduated with the cand.philol. degree in 1957. His paper Omkring Bǫglungasǫgur, on the Bagler sagas, was printed in 1959. In December 1957 he married Karen Blauuw, who would later become a professor. Helle's marriage to Blauuw was dissolved in 1985. In October 1987 Helle got married to museum director and professor of medieval archaeology Ingvild Øye. They reside in Bergen.
  Helle was a research fellow at the University of Bergen from 1958 to 1963, with the last year being spent at Oxford University. He was hired as a lecturer of history at the University of Bergen in 1963, and promoted to professor in 1973. He specialized in the history of Norway in the Late Middle Ages, and his first major work was Norge blir en stat 1130–1319, published in 1964 and covering general Norwegian history from 1130 from 1319. His main work was Konge og gode menn i norsk riksstyring ca. 1150–1319, published in 1972. In historiography, he is known for reaching different conclusions than did important Norwegian historians of the 1930s, such as Edvard Bull, Sr. and Andreas Holmsen.
  
  wn.com/Knut_Helle
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  Ludwig van Beethoven
  Ludwig van Beethoven (ⁱ/ˈlʊdvɪɡ væn ˈbeɪt.hoʊvən/; German pronunciation: [ˈluːtvɪç fan ˈbeːt.hoːfən] ( listen); baptized 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers.
  Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in his late twenties, yet he continued to compose, conduct, and perform, even after becoming completely deaf.
  Beethoven was the grandson of a musician of Flemish origin named Lodewijk van Beethoven (1712–73) who moved at the age of twenty to Bonn. Lodewijk (Ludwig is the German cognate of Dutch Lodewijk) was employed as a bass singer at the court of the Elector of Cologne, eventually rising to become Kapellmeister (music director). Lodewijk had one son, Johann (1740–1792), who worked as a tenor in the same musical establishment, and gave lessons on piano and violin to supplement his income. Johann married Maria Magdalena Keverich in 1767; she was the daughter of Johann Heinrich Keverich, who had been the head chef at the court of the Archbishopric of Trier.
  
  wn.com/Ludwig_van_Beethoven
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  Mark Gasser
  Mark Gasser (born 1972 in Sheffield, South Yorkshire) is a British concert pianist.
  Gasser is a fellow of the Birmingham Conservatoire and the Royal Academy of Music. He studied with John Humphreys at the Birmingham Conservatoire, and with Frank Wibaut at the Royal Academy of Music. Later he also studied with Alfred Brendel and Peter Donohoe.
  Gasser plays large-scale standard repertoire piano works, in particular the Viennese Classics (Mozart, Beethoven and Schubert) and Edvard Grieg, Felix Mendelssohn, Ferruccio Busoni, and Rachmaninoff, and the French Impressionists Debussy and Ravel. His repertoire ranges from Bach's Goldberg Variations to Messiaen's Vingt regards sur l'enfant-Jésus. As a chamber musician he has performed in all the major chamber music festivals in the US, Europe and Australia and has toured with the virtuoso cellist Mats Lidström.
  His concerto repertoire includes more than 70 works ranging from Bach to music from the present day. Gasser collaborates with contemporary composers and has premiered and recorded compositions by 20th-century composers such as Alfred Schnittke, Ross Edwards (composer),Constant Lambert, Benjamin Britten, Henri Pousseur, Henry Cowell, Toru Takemitsu, George Crumb,James McMillan, Alistair Zaldua, Michael Tippett, John Webb, James Dillon, Phillip Whilby, Richard Barrett, Aldo Clementi, Mike Vaughan, John Cage, Luigi Dallapiccola, John Adams, Mark-Anthony Turnage, Olivier Messiaen,Luigi Nono, Edgard Varèse, Judith Bingham, Pierre Boulez, Joël-François Durand, Frank Zappa, György Ligeti and Ronald Stevenson. Gasser has also worked with contemporary artists such as Pink, Jarvis Cocker and Björk.
  
  wn.com/Mark_Gasser
• 
  Niels Gade
  Niels Wilhelm Gade (22 February 1817 – 21 December 1890) was a Danish composer, conductor, violinist, organist and teacher. He is considered the most important Danish musician of his day.
  Gade was born in Copenhagen, the son of a joiner and instrument maker. He began his career as a violinist with the Royal Danish Orchestra, and saw his concert overture Efterklange af Ossian ("Echoes of Ossian") premiered with them in 1841. When his first symphony was turned down for performance in Copenhagen, he sent it to Felix Mendelssohn. Mendelssohn received the work positively, and conducted it in Leipzig in March 1843, to enthusiastic public reaction. Supported by a fellowship from the Danish government, Gade himself moved to Leipzig, teaching at the Conservatory there, working as an assistant conductor of the Gewandhaus Orchestra, and befriending Mendelssohn, who had an important influence on his music. In 1845 he conducted the premiere performance of Mendelssohn's Violin Concerto in E minor. He also became friends with Robert Schumann.
  
  wn.com/Niels_Gade
• 
  Nikolai Myaskovsky
  Nikolai Yakovlevich Myaskovsky (Russian: Никола́й Я́ковлевич Мяско́вский; 20 April [O.S. 8 April] 1881 – 8 August 1950) was a Russian and Soviet composer. He is sometimes referred to as the "father of the Soviet symphony".
  Myaskovsky was born in Novogeorgiyevsk (Polish - Modlin Fortress), near Warsaw, Congress Poland, Russian Empire, the son of an engineer officer in the Russian army. After the death of his mother the family was brought up by his father's sister, Yelikonida Konstantinovna Myaskovskaya, who had been a singer at the Saint Petersburg Opera. The family moved to Saint Petersburg in his teens.
  Though he learned piano and violin, he was discouraged from pursuing a musical career, and entered the military; however, a performance of Tchaikovsky's Pathétique Symphony conducted by Arthur Nikisch in 1896 made him decide to become a composer. In 1902 he completed his training as an engineer, like his father. As a young subaltern with a Sappers Battalion in Moscow, he took some private lessons with Reinhold Glière and when he was posted to St Petersburg he studied with Ivan Krizhanovsky as preparation for entry into the Saint Petersburg Conservatory, where he enrolled in 1906 and became a student of Anatoly Lyadov and Nikolai Rimsky-Korsakov.
  
  wn.com/Nikolai_Myaskovsky
• 
  Nina Grieg
  Nina Grieg, born Hagerup (November 24, 1845 – December 9, 1935) was a Danish-Norwegian lyric soprano. She was the first cousin of composer Edvard Grieg, whom she married.
  Nina was born in Bergen, Norway. She married Edvard on June 11, 1867, in Copenhagen. The couple often performed concerts together in Europe, usually to rave reviews. Edvard considered her the best performer of his songs.
  The English composer Frederick Delius dedicated two sets of songs to her in the years 1888–1890.
  She was featured as a soloist in Felix Mendelssohn's Elijah with Musikselskabet Harmonien (later known as the Bergen Philharmonic Orchestra) in 1866.
  After the death of Edvard in 1907, she moved to Denmark where she died.
  Nina Grieg never recorded professionally, but two amateur recordings made on wax cylinders have been preserved (sadly in quite poor condition) and have been issued on the Simax label.
  
  wn.com/Nina_Grieg
• 
  Ole Bull
  Ole Bornemann Bull (5 February 1810 – 17 August 1880) was a Norwegian violinist and composer.
  Bull was born in Bergen. He was the eldest of ten children of Johan Storm Bull (1787–1838) and Anna Dorothea Borse Geelmuyden (1789–1875). His brother, Georg Andreas Bull became a noted Norwegian architect. He was also the uncle of Edvard Hagerup Bull, Norwegian judge and politician.
  His father wished for him to become a minister, but he desired a musical career. At the age of four or five, he could play all of the songs he had heard his mother play on the violin. At age nine, he played first violin in the orchestra of Bergen's theatre and was a soloist with the Bergen Philharmonic Orchestra. At eighteen, he was sent to the University of Christiania, but failed his examinations. He joined the Musical Lyceum, a musical society, and after its director Waldemar Thane took ill, Bull became the director of Musical Lyceum and the Theater Orchestra in 1828. He also became friends with Henrik Wergeland, who later wrote a biography of Bull.
  
  wn.com/Ole_Bull
• 
  Percy Grainger
  George Percy Aldridge Grainger (8 July 1882 – 20 February 1961), known as Percy Grainger, was an Australian-born composer, arranger and pianist. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. He also made many adaptations of other composers' works. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens".
  Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters in explicitly racist and anti-Semitic terms.
  
  wn.com/Percy_Grainger
• Peter Erős
  Hungarian-American conductor Peter Erős was born in Budapest in 1932 and attended the Franz Liszt Academy of Music, where he studied composition with Zoltán Kodály, chamber music with Leo Weiner, and conducting with László Somogyi.
  In 1956, during the Hungarian Revolution, he emigrated to The Netherlands. At age 27, he was named Associate Conductor of the Amsterdam Concertgebouw Orchestra, a post he held for five years. While in Amsterdam, he assisted Otto Klemperer in opera productions for the Holland Festival. In the summers of 1960 and 1961, he served as a coach and assisted Hans Knappertsbusch at the Bayreuth Festival, and in 1961 was assistant conductor to Ferenc Fricsay for the Salzburg Festival production of Mozart’s "Idomeneo". He continued to assist Fricsay both in Salzburg and in Berlin with the RIAS Symphony Orchestra and Deutsche Grammophon through 1964. In 1965, Erős came to the United States for the first time at the invitation of George Szell to work with him and the Cleveland Orchestra as a Kulas Foundation Fellow.
  
  wn.com/Peter_Erős
• 
  Rikard Nordraak
  Rikard Nordraak (12 June 1842 – 20 March 1866) was a Norwegian composer. He is best known as the composer of the Norwegian national anthem.
  Rikard Nordraak was born and grew up in Oslo, Norway. His family came from the Nordraak farm in the Randsfjorden area in the county of Oppland. His father was a brother of Inger Elise Nordraach, the mother of the Norwegian writer and poet, Bjørnstjerne Bjørnson.
  Nordraak's musical gifts became evident at an early age, but as for many other artists at that time, a different career was already planned. He was going to pursue a career within business, and when he was fifteen he was sent to business school in Copenhagen. Nonetheless his musical interests prevailed and instead of studying business he ended up studying music, and in 1859 he went to Berlin for advanced studies. After six months he had to return home and he continued studies in Oslo, and his first compositions came during the winter of 1859–60. In 1861 he went back to Berlin to continue his studies, and he stayed there for two more years.
  
  wn.com/Rikard_Nordraak
• 
  Rudyard Kipling
  Joseph Rudyard Kipling ( /ˈrʌdjəd ˈkɪplɪŋ/ RUD-yəd KIP-ling; 30 December 1865 – 18 January 1936) was an English poet, short-story writer, and novelist chiefly remembered for his tales and poems of British soldiers in India, and his tales for children. Kipling received the 1907 Nobel Prize for Literature. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling is best known for his works of fiction, including The Jungle Book (a collection of stories which includes "Rikki-Tikki-Tavi"), Just So Stories (1902) (1894), Kim (1901) (a tale of adventure), many short stories, including "The Man Who Would Be King" (1888); and his poems, including Mandalay (1890), Gunga Din (1890), The White Man's Burden (1899) and If— (1910). He is regarded as a major "innovator in the art of the short story"; his children's books are enduring classics of children's literature; and his best works are said to exhibit "a versatile and luminous narrative gift".
  
  wn.com/Rudyard_Kipling
• Wikipedia Persondata
  wn.com/Wikipedia_Persondata

• Peer Gynt Suite No. 1; I. Morning Mood
• Peer Gynt Suite No. 1; II. Ase's Death
• Peer Gynt Suite No. 1; III. Anitra's Dance
• Peer Gynt Suite No. 1; IV. In the Hall of the Mountain King
• Valse Triste from Kuolema, Op. 44, No. 1
• Swedish Rhapsody No. 1, Op. 19 "Midsommarvaka"
• Finlandia, op. 26
• The Swan of Tuonela - Legend from the Lemminkainen Suite, Op. 22, No. 3
• En Saga, Op. 9

• Peer Gynt, Op. 23: I. Vorspiel
• Peer Gynt, Op. 23: II. Szene mit den Säterinnen
• Peer Gynt, Op. 23: II. In der Halle des Bergkönigs
• Peer Gynt, Op. 23: II. Peer Gynt von den Trollen gejagt
• Peer Gynt, Op. 23: II. Szene mit dem Krummen
• Peer Gynt, Op. 23: III. Äses Tod
• Peer Gynt, Op. 23: IV. Vorspiel: Morgenstimmung
• Peer Gynt, Op. 23: IV. Arabischer Tanz
• Peer Gynt, Op. 23: IV. Anitras Tanz
• Peer Gynt, Op. 23: IV. Solvejgs Lied
• Peer Gynt, Op. 23: V. Vorspiel: Peer Gynts Heimkehr
• Peer Gynt, Op. 23: V. Solvejgs Gesang in der Hütte
• Peer Gynt, Op. 23: V. Nachtszene
• Peer Gynt, Op. 23: V. Gesang der Kirchgänger
• Peer Gynt, Op. 23: V. Solvejgs Wiegenlied

• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso
• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament)
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Concerto symphonique No. 4, Op. 102: Scherzo

• Arietta, Op. 12/1
• Erotik, Op. 43/5
• Allegretto in E major
• Troldtog, Op. 54/3
• For dine födder, Op. 68/3
• Sonata for violoncello and piano in A minor, Op. 36: I. Allegro agitato
• Sonata for violoncello and piano in A minor, Op. 36: II. Andante molto tranquillo
• Sonata for violoncello and piano in A minor, Op. 36: III. Allegro
• Intermezzo in A minor
• Vöglein, Op. 43/4
• Drömmesyn, Op. 62/5
• Geheimnis, Op. 57/4
• Gangar, Op. 54/2
• Heimweh, Op. 57/6
• Entschwundene Tage, Op. 57/1
• Efterklang, Op. 71/7

• Violin Sonata No. 1 in F major, Op. 8: I. Allegro con brio
• Violin Sonata No. 1 in F major, Op. 8: II. Allegretto quasi andantino
• Violin Sonata No. 1 in F major, Op. 8: III. Allegro molto vivace
• Violin Sonata No. 2 in G major, Op. 13: I. Lento doloroso - Allegro vivace
• Violin Sonata No. 2 in G major, Op. 13: II. Allegretto tranquillo
• Violin Sonata No. 2 in G major, Op. 13: III. Allegro animato
• Violin Sonata No. 3 in C minor, Op. 45: I. Allegro molto ed appassionato
• Violin Sonata No. 3 in C minor, Op. 45: II. Allegretto espressivo alla Romanza
• Violin Sonata No. 3 in C minor, Op. 45: III. Allegro animato - Prestissimo
• At Home, Op. 43 No. 3
• Puck, Op. 71 No. 3
• Lonely Wanderer, Op. 43 No. 2
• Scherzo-Impromptu, Op. 73 No. 2
• Grandmother’s Minuet, Op. 68 No. 2
• Dance from Jölster, Op. 17 No. 5

• Holberg Suite, Op. 40: I. Präludium. Allegro vivace
• Holberg Suite, Op. 40: II. Sarabande. Andante
• Holberg Suite, Op. 40: III. Gavotte. Allegretto - Musette. Poco più mosso
• Holberg Suite, Op. 40: IV. Air. Andante religioso
• Holberg Suite, Op. 40: V. Rigaudon. Allegro con brio - Poco meno mosso
• Two Elegiac Melodies, Op. 34 No. 2: Våren (Last Spring)
• Two Melodies, Op. 53 No. 1: Norsk (Norwegian)
• Two Melodies, Op. 53 No. 2: Det første Møde (The First Meeting)
• Two Lyric Pieces, Op. 68 No. 2: Bådnlåt (At the Cradle)
• Two Elegiac Melodies, Op. 34 No. 1: Hjertesår (The Wounded Heart)
• Two Nordic Melodies, Op. 63 No. 1: I Folketonestil (In Folk Style)
• Two Nordic Melodies, Op. 63 No. 2a: Kulokk (Cow Call)
• Two Nordic Melodies, Op. 63 No. 2b: Stabbelåten (Peasant Dance)
• Peer Gynt, Op. 46 No. 1b: Åses død (The Death of Åse)

• Peer Gynt Suite No. 1, Op. 46: I. Morning
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song (arr. for flute and harp)
• Nordic Melodies, Op. 63 No. 1: I folketonestil (In Folk Style)
• Elegiac Melodies, Op. 34 No. 2: Varen (Last Spring)
• Lyric Pieces, Book 2, Op. 38 No. 3: Melodie
• Holberg Suite, Op. 40: IV. Air
• Holberg Suite, Op. 40: II. Sarabande
• Lyric Pieces, Book 3, Op. 43 No. 5: Erotik (arr. for orchestra)
• Melodies of Norway, EG 108: Iceland
• 2 Melodies, Op. 53 No. 2: Det forste mode (The First Meeting)
• Lyric Pieces, Book 1, Op. 12 No. 1: Arietta (arr. for violin and piano)
• Lyric Suite, Op. 54 No. 3: III. Nocturne
• Lyric Pieces, Book 10, Op. 71 No. 2: Someraften (Summer's Eve)
• Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase
• Melodies of the Heart, Op. 5 No. 3: Jeg elsker dig (I Love but Thee) (arr. for violin and orchestra)
• Lyric Pieces, Op. 68 No. 2: At the Cradle

• Peer Gynt, Op. 23: Act IV. Prelude "Morgenstemmning"
• Peer Gynt, Op. 23: Act IV, Scene 1. "I Marokko"
• Peer Gynt, Op. 23: Act IV, Scene 5. "Tyven og heleren"
• Peer Gynt, Op. 23: Act IV, Scene 5. "Peer Gynt blir profet"
• Peer Gynt, Op. 23: Act IV, Scene 6. "Arabisk dans"
• Peer Gynt, Op. 23: Act IV, Scene 6. "Profet og hersker"
• Peer Gynt, Op. 23: Act IV, Scene 6. "Anitras dans"
• Peer Gynt, Op. 23: Act IV, Scene 6. "Profetens juvel"
• Peer Gynt, Op. 23: Act IV, Scene 7. "Peer Gynts Serenade"
• Peer Gynt, Op. 23: Act IV, Scene 9. "Peer Gynt og Anitra"
• Peer Gynt, Op. 23: Act IV, Scene 9. "Peer Gynt og Anitra, forts."
• Peer Gynt, Op. 23: Act IV, Scene 9. "Forlatt i ørkenen"
• Peer Gynt, Op. 23: Act IV, Scene 10. "Solveigs sang"
• Peer Gynt, Op. 23: Act IV, Scene 11. "Peer Gynt i Egypt"
• Peer Gynt, Op. 23: Act IV, Scene 11. "Peer Gynt ved Memnostøtten"
• Peer Gynt, Op. 23: Act IV, Scene 12. "Peer Gynt og Begriffenfeldt"
• Peer Gynt, Op. 23: Act V. Prelude "Peer Gynts hjemfart. Stormfull aften på havet"
• Peer Gynt, Op. 23: Act V, Scene 1. "Utenfor den norske kyst"
• Peer Gynt, Op. 23: Act V, Scene 2. "Skipsforliset"
• Peer Gynt, Op. 23: Act V, Scene 2. "På båthvelvet"
• Peer Gynt, Op. 23: Act V, Scene 5. "Solveig synger i hytten"
• Peer Gynt, Op. 23: Act V, Scene 5. "Peer Gynt ved hytten"
• Peer Gynt, Op. 23: Act V, Scene 6. "Nattscene"
• Peer Gynt, Op. 23: Act V, Scene 7,9. "Peer Gynt og Knappestøperen"
• Peer Gynt, Op. 23: Act V, Scene 10. "Deilige sol og deilige jord"
• Peer Gynt, Op. 23: Act V, Scene 10. "Pinsesalme: Velsignede morgen"
• Peer Gynt, Op. 23: Act V, Scene 10. "Utenfor hytten"
• Peer Gynt, Op. 23: Act V, Scene 10. "Peer Gynt og Solveig"
• Peer Gynt, Op. 23: Act V, Scene 10. "Solveigs vuggevise"

• Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung
• Peer Gynt Suite No. 1, Op. 46: II. Death of Aase
• Peer Gynt Suite No. 1, Op. 46: III. Dance of Anitra
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Piano Concerto in A minor, Op. 16: I. Allegro moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro marcato

• In Autumn, Concert Overture for Orchestra, Op. 11
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato
• Symphony in C minor: I. Allegro molto
• Symphony in C minor: II. Adagio espressivo
• Symphony in C minor: III. Intermezzo. Allegro energico
• Symphony in C minor: IV. Finale. Allegro molto vivace

• Peer gynt, suite, No. 1, Op. 46: I. Morning mood
• Peer gynt suite, No. 1, Op. 46: II. Ase's death
• Peer gynt, suite, No. 1, Op. 46: III. Anitra's dance
• Peer gynt, suite, No. 1, Op. 46: IV. In the hall of the mountain king
• Peer gynt suite, No. 2, Op. 55: I. The abduction [Ingrid's lament]
• Peer gynt, suite, No. 2, Op. 55: II. Arabian dance
• Peer gynt suite, No. 2, Op. 55: III. Peer gynt's homecoming
• Peer gynt suite, No. 2, Op. 55: IV. Solveig's song
• To the spring
• Wedding day
• Waltz, lyric pieces, Op. 12/I
• Erotic, lyric pieces, Op. 43/III
• Piano concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano concerto in A minor, Op. 16: II. Adagio
• Piano concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - quasi presto - andante maestoso

• Piano Concerto in A minor, Op. 54: I. Allegro affettuoso - Andante espressivo - Allegro (Tempo I) - Più animato - Tempo I - Cadenza - Allegro molto
• Piano Concerto in A minor, Op. 54: II. Intermezzo - Andante grazioso -
• Piano Concerto in A minor, Op. 54: III. Allegro vivace
• Variations symphoniques
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro marcato

• Хольберг сюита, соч. 40 Air (Ансамбль "Концертино")
• Шествие гномов, соч. 54 #3 Allegro marcato (Фортепиано М. Плетнёв)
• Пер Гюнт. Сюита #1, соч. 46 Утро (Камерный оркестр Ленинградской Государственной филармонии, дирижёр Л. Шиндер)
• Пер Гюнт. Сюита #1, соч. 46 Танец Анитры (Камерный оркестр Ленинградской Государственной филармонии, дирижёр Л. Шиндер)
• Пер Гюнт. Сюита #1, соч. 46 В пещере горного короля (Камерный оркестр Ленинградской Государственной филармонии, дирижёр Л. Шиндер)
• Пер Гюнт. Сюита #1, соч. 46 Арабский танец (Камерный оркестр Ленинградской Государственной филармонии, дирижёр Л. Шиндер)
• Пер Гюнт. Сюита #1, соч. 46 Песня Сольвейг (Камерный оркестр Ленинградской Государственной филармонии, дирижёр Л. Шиндер)
• Норвежский танец, соч. 35 #2 (Ансамбль "Концертино")
• Кобольд, соч. 71 #3 (Фортепиано М. Плетнёв)
• Элегия, соч. 47 #7 (Фортепиано М. Плетнёв)
• Ручеёк, соч. 62 #4 (Фортепиано М. Плетнёв)
• Концерт для фортепиано с оркестром, соч. 16, I. Allegro molto moderato (Симфонический оркестр Всесоюзного Радио)
• Концерт для фортепиано с оркестром, соч. 16, II. Adagio (Симфонический оркестр Всесоюзного Радио)
• Концерт для фортепиано с оркестром, соч. 16, III. Allegro moderato molto e marcato (Симфонический оркестр Всесоюзного Радио)
• Вальс-экспромт, соч. 47 #1 (Фортепиано М. Плетнёв)
• Бабочка, соч. 43 #1 (Фортепиано М. Плетнёв)

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament)
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Journey Home (A Stormy Evening on the Coast)
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• In Autumn, Concert Overture Op. 11: Andante - allegro agitato - allegro marcato e maestoso
• Symphonic Dances, Op. 64: No. 1 in G major. Allegro moderato e marcato
• Symphonic Dances, Op. 64: No. 2 in A major. Allegretto grazioso
• Symphonic Dances, Op. 64: No. 3 in D major. Allegro giocoso
• Symphonic Dances, Op. 64: No. 4 in A minor. Andante - allegro molto e risoluto

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Abduction of the Bride. Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return Home
• Peer Gynt Suite No. 2, Op. 55: IV. Solvejg's Song
• From Holberg's Time, Op. 40: I. Praludium. Allegro vivace
• From Holberg's Time, Op. 40: II. Sarabande. Andante
• From Holberg's Time, Op. 40: III. Gavotte. Allegretto-Musette. Un poco mosso - Gavotte
• From Holberg's Time, Op. 40: IV. Air. Andante religioso
• From Holberg's Time, Op. 40: V. Rigaudon. Allegro non brio
• Sigurd Jorsalfar, Op. 56: Prelude to Act II, In the King's Hall
• Sigurd Jorsalfar, Op. 56: Intermezzo, Borghild's Dream
• Sigurd Jorsalfar, Op. 56: Homage March

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Death of Ase
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Song
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Abduction and Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arab Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Holberg Suite, Op. 40: I. Prelude
• Holberg Suite, Op. 40: II. Sarabande
• Holberg Suite, Op. 40: III. Gavotte
• Holberg Suite, Op. 40: IV. Air
• Holberg Suite, Op. 40: V. Rigaudon
• Lyric Suite, Op. 54: I. Shepherd's Boy
• Lyric Suite, Op. 54: II. Norwegian March
• Lyric Suite, Op. 54: Notturno
• Lyric Suite, Op. 54: March of the Dwarfs
• Wedding Day at Troldhaugen, Op. 65
• Triumphal March from Sigurd Jorsalfar, Op. 56

• Sonata for piano & cello in A minor, Op. 36: I. Allegro agitato
• Sonata for piano & cello in A minor, Op. 36: II. Andante molto tranquillo
• Sonata for piano & cello in A minor, Op. 36: III. Allegro -- allegro molto e marcato
• Adagio And Allegro, Op. 70
• Sonata for piano & cello in G minor, Op. 65: I. Allegro moderato
• Sonata for piano & cello in G minor, Op. 65: II. Allegro con brio
• Sonata for piano & cello in G minor, Op. 65: III. Largo
• Sonata for piano & cello in G minor, Op. 65: IV. Finale: Allegro

• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato
• "Holberg" Suite, Op. 40 - Prelude
• "Holberg" Suite, Op. 40 - Sarabande
• "Holberg" Suite, Op. 40 - Gavotte
• "Holberg" Suite, Op. 40 - Air
• "Holberg" Suite, Op. 40 - Rigaudon

• Symphony No. 3 in F major, Op. 90: Allegro con brio
• Symphony No. 3 in F major, Op. 90: Andante
• Symphony No. 3 in F major, Op. 90: Poco allegretto
• Symphony No. 3 in F major, Op. 90: Allegro
• Selections from Slavonic Dances: No. 1 in C major
• Selections from Slavonic Dances: No. 5 in A major
• Selections from Slavonic Dances: No. 7 in C minor
• Selections from Slavonic Dances: No. 8 in G minor
• Peer Gynt Suite No. 1: Morning Song
• Peer Gynt Suite No. 1: Ase's Death
• Peer Gynt Suite No. 1: Anitra's Dance
• Peer Gynt Suite No. 1: In the Hall of the Mountain King

• Peer Gynt Suite No. 1, Op. 46: I. Morning
• Peer Gynt Suite No. 1, Op. 46: II. Death Of Åse
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament)
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Evening Storm on the Coast)
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Lyric Suite, Op. 54: I. Shepherd's Boy
• Lyric Suite, Op. 54: II. Norwegian Rustic March
• Lyric Suite, Op. 54: III. Notturno
• Lyric Suite, Op. 54: IV. March of the Dwarfs
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato

• Peer Gynt: Morgenstemming
• Peer op zijn bok
• Peer Gynt: De roof van de bruid / De Klacht van Ingrid
• Peer en de trollen en de heksen
• Peer Gynt: In de hal van de bergkoning
• Peer en zijn moeder Aasa
• Peer Gynt: Aases dood
• Peer in de woestijn
• Peer Gynt: Anitra's dans
• Peer wordt bestolen!
• Peer Gynt: Arabische dans
• Peer lijdt schipbreuk
• Peer Gynt: De thuiskomst van Peer Gynt
• Peer en Solveig
• Peer Gynt: Solveigs lied
• Holberg suite, opus 40

• String Quartet No. 2 in A minor, Op. 13 : I. Adagio - Allegro vivace
• String Quartet No. 2 in A minor, Op. 13 : II. Adagio non lento
• String Quartet No. 2 in A minor, Op. 13 : III. Intermezzo: Allegretto con moto - Allegro di molto - Tempo I
• String Quartet No. 2 in A minor, Op. 13 : IV. Presto
• String Quartet in G minor, Op. 27: I. Un poco andante - Allegro molto ed agitato
• String Quartet in G minor, Op. 27: II. Romanze: Andantino - Allegro agitato
• String Quartet in G minor, Op. 27: III. Intermezzo: Allegro molto marcato - Più vivo e scherzando
• String Quartet in G minor, Op. 27: IV. Finale: Lento - Presto al saltarello

• Holberg Suite, Op.40 : Prelude
• Holberg Suite, Op.40 : Sarabande
• Holberg Suite, Op.40 : Gavotte - Musette - Gavotte
• Holberg Suite, Op.40 : Air
• Holberg Suite, Op.40 : Rigaudon
• Two Elegaic Melodies,Op.34 : Heart Wounds
• Two Elegaic Melodies,Op.34 : Last Spring
• Peer Gynt Suite No. 1, Op. 46: I. Morning
• Peer Gynt Suite No. 1, Op. 46: II. Death of Aase
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Abduction and Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arab Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Two Lyric Pieces from Op.68 : N°4 Evening in the Mountains
• Two Lyric Pieces from Op.68 : N°5 At the Cradle

• Solveigs sang, Op. 23 No. 18
• Solveigs vuggesang, Op. 23 No. 23
• Fra Monte Pincio, Op. 39
• En svane, Op. 25
• Våren, Op. 33
• Henrik Wergeland, Op. 58
• To melodier for strykorkester, Op. 53 No. 1: Norsk
• To melodier for strykorkester, Op. 53 No. 2: Det første møte
• To nordiske melodier for strykeorkester, Op. 63 No. 1: I Folketonestil
• To nordiske melodier for strykeorkester, Op. 63 No. 2a: Kulokk
• To nordiske melodier for strykeorkester, Op. 63 No. 2b: Stabbelåten
• To lyriske stykker for strykere, Op. 68 No. 1: Aften på høyfjeldet
• To lyriske stykker for strykere, Op. 68 No. 2: At the Cradle
• Den bergtekne, Op. 32

• Intermezzo for cello og klaver, EG 115
• Andante con moto, EG 137
• Sonate I a-moll for cello og klaver, Op. 36: I. Allegro agitato
• Sonate I a-moll for cello og klaver, Op. 36: II. Andante molto tranquillo
• Sonate I a-moll for cello og klaver, Op. 36: III. Allegro. Allegro molto e marcato
• "Fra Holbergs tid", Op. 40 No. 1: Preludium
• "Fra Holbergs tid", Op. 40 No. 2: Sarabande
• "Fra Holbergs tid", Op. 40 No. 3: Gavotte
• "Fra Holbergs tid", Op. 40 No. 4: Air
• "Fra Holbergs tid", Op. 40 No. 5: Rigaudon

• Morgenstimmung
• Lyrische Stücke: Arietta, op. 12 No.1
• Lyrische Stücke, An der Wiege op.68 No.5 / Es war einmal, op. 71 No.1
• Lyrische Stücke, In der Heimat op.43 No.3 / Volksweise op.12 No.5
• Lyrische Stücke: An den Frühling, op. 43 No.6
• Lyrische Stücke, Schmetterling op.43 No.1 / Vöglein op. 43 No.4 / Erotik op. 43 No.5
• Lyrische Stücke, Walzer op.38 No.7 / Berceuse op.38 No.1
• Lyrische Stücke: Notturno, op. 54 No.4 - Scherzo, op. 54 No.5
• Lyrische Stücke, Norwegischer Tanz (Halling) op.47 No.4 / Zug der Zwerge Op.54 No.3
• Lyrische Stücke, Heimweh op.57 No.6 / Volkswiese op.38 No.2
• Lyrische Stücke: Nachklänge, op. 71 No.7
• Aus Holbergs Zeit op.40 - I. Preludium: Allegro vivace
• Aus Holbergs Zeit op.40 - II. Sarabande: Andante espressivo
• Aus Holbergs Zeit op.40 - III. Gavotte: Allegretto
• Aus Holbergs Zeit op.40 - IV. Air: Andante religioso
• Aus Holbergs Zeit op.40 - V. Rigaudon: Allegro con brio
• Norwegischer Tanz No.2, op. 35 No.2

• Violin Sonata No. 1 in F, Op. 8: I. Allegro con brio
• Violin Sonata No. 1 in F, Op. 8: II. Allegretto quasi andantino
• Violin Sonata No. 1 in F, Op. 8: III. Allegro molto vivace
• Violin Sonata No. 2 in G, Op. 13: I. Largo doloroso - Allegro vivace
• Violin Sonata No. 2 in G, Op. 13: II. Allegretto tranquillo
• Violin Sonata No. 2 in G, Op. 13: III. Allegro animato
• Violin Sonata No. 3 in C minor, Op. 45: I. Allegro molto ed appassionato
• Violin Sonata No. 3 in C minor, Op. 45: II. Allegretto espressivo alla romanza
• Violin Sonata No. 3 in C minor, Op. 45: III. Allegro animato

• Norwegian Dances, Op. 35, No. 1
• Norwegian Dances, Op. 35, No. 2
• Dance From Jölster, Op. 17, No. 6
• Solfager And The Snake King, Op. 17, No. 12
• Leaping Dance, Op. 17, No. 1 & No. 3
• Cattle Call, Op. 17, No. 22
• Stumping Dance, Op. 17, No. 18
• Solvejg's Song, Op. 55, No. 4
• Anitra's Dance, Op. 48, No. 3
• Our Little Astrid, Op. 66, No. 16
• Lullaby, Op. 66, No. 15
• It Is The Greatest Folly, Op. 66, No. 2
• Gjendine's Lullaby, Op. 66, No. 19
• Tomorrow You Shall Marry Her, Op. 66, No. 10
• Little Bird, Op. 43, No. 4
• Butterfly, Op. 43, No. 1
• Mountaineer's Tune, Op. 73, No. 7
• Holberg Suite, Op. 40: Praeludium
• Holberg Suite, Op. 40: Sarabande
• Holberg Suite, Op. 40: Gavotte
• Holberg Suite, Op. 40: Air
• Holberg Suite, Op. 40: Rigaudon
• March Of The Trolls, Op. 54, No. 3
• Peasant's Song, Op. 65, No. 2
• The Brook, Op. 62, No. 4
• Elve's Dance, Op. 12, No. 4
• Once Upon A Time, Op. 71, No. 1

• Sonate No. 1 for fiolin og klaver I F-dur, Op. 8: I. Allegro con brio
• Sonate No. 1 for fiolin og klaver I F-dur, Op. 8: II. Allegretto quasi andantino
• Sonate No. 1 for fiolin og klaver I F-dur, Op. 8: III. Allegro molto vivace
• Sonate No. 2 for fiolin og klaver I G-dur, Op. 13: I. Lento doloroso - Allegro vivace
• Sonate No. 2 for fiolin og klaver I G-dur, Op. 13: II. Allegretto espressivo alla Romanza
• Sonate No. 2 for fiolin og klaver I G-dur, Op. 13: III. Allegro animato
• Sonate No. 3 for fiolin og klaver I c-moll, Op. 45: I. Allegro agitato
• Sonate No. 3 for fiolin og klaver I c-moll, Op. 45: II. Andante molto tranquillo
• Sonate No. 3 for fiolin og klaver I c-moll, Op. 45: III. Allegro - Allegro molto e marcato

• String Quartet in G minor, Op. 27: I. Un poco andante - Allegro molto ed agitato
• String Quartet in G minor, Op. 27: II. Romanze. Andantino - Allegro agitato
• String Quartet in G minor, Op. 27: III. Intermezzo. Allegro molto marcato - Più vivo e scherzando
• String Quartet in G minor, Op. 27: IV. Finale. Lento - Presto al Saltarello
• Unfinished String Quartet in F major: I. Sostenuto - Allegro vivace e grazioso
• Unfinished String Quartet in F major: II. Allegro scherzando
• Fugue in F minor: Allegro con fuoco

• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato
• Peer Gynt Suite No. 1, Op. 46: Morning
• Peer Gynt Suite No. 1, Op. 46: Ase's Death
• Peer Gynt Suite No. 1, Op. 46: Anita's Dance
• Peer Gynt Suite No. 1, Op. 46: In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: Abduction (Ingrid's Lament)
• Peer Gynt Suite No. 2, Op. 55: Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op. 55: Solveig's Song

• Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
• Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso / III. Allegro vivace
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato molto e marcato - Quasi presto - Andante

• Peer Gynt Suite No. 1, Op. 46: Morning Mood
• Peer Gynt Suite No. 1, Op. 46: Åse's Death
• Peer Gynt Suite No. 1, Op. 46: Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: The Abduction of the Bride and Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: Peer Gynt's Return Home
• Peer Gynt Suite No. 2, Op. 55: Solvejg's Song
• Norwegian Dance, Op. 35, No. 2: Allegretto tranquillo e grazioso
• Lyric Suite No. 4, Op. 54: March of the Trolls
• Valse triste, Op. 44: Lento
• The Swan of Tuonela, Op. 22 No. 3: Andante molto sostenuto
• Finlandia, Op. 26: Andante sostenuto — Allegro moderato — Allegro

• Peer Gynt Suite I Op 46 - Morning Mood
• Peer Gynt Suite I Op 46 - The Death of Ase
• Peer Gynt Suite I Op 46 - Anitra's Dance
• Peer Gynt Suite I Op 46 - In the Hall of the Mountain King
• Peer Gynt Suite II Op 55 - The Abduction and Ingrid's Lament
• Peer Gynt Suite II Op 55 - Arab Dance
• Peer Gynt Suite II Op 55 - Peer Gynt's Homecoming
• Peer Gynt Suite II Op 55 - Solveig's Song
• Norwegian Dances Op 35 - Allegro marcato
• Norwegian Dances Op 35 - Allegro tranquillo e grazioso
• Norwegian Dances Op 35 - Allegro moderato alla marcia
• Norwegian Dances Op 35 - Allegro molto
• The Bride Procession Passes By Op 19
• Wedding Day at Troldhaugen Op 65
• Evening in the Mountains: At The Cradle Op 68 , Nos 4 & 5
• Lyric Suite Op 54 - Shephard's Boy
• Lyric Suite Op 54 - Norwegian March
• Lyric Suite Op 54 - Notturno
• Lyric Suite Op 54 - March of the Dwarfs

• Symphonic Danses Op 64 - Allegro moderato e marcato
• Symphonic Danses Op 64 - Allegretto grazioso
• Symphonic Danses Op 64 - Allegro giocoso
• Symphonic Danses Op 64 - Andante
• Of Holberg's Days Op 40 - Praelude
• Of Holberg's Days Op 40 - Sarabande
• Of Holberg's Days Op 40 - Gavotte
• Of Holberg's Days Op 40 - Air
• Of Holberg's Days Op 40 - Rigaudon
• In Autumn, Concert Overture Op 11
• Two Elegiac Melodies for String Orchestra Op 34
• Sigurd Jorsalfar Op 56 - In the King's Hall
• Sigurd Jorsalfar Op 56 - Borghild's Dream
• Sigurd Jorsalfar Op 56 - Triumphal March

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament)
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Four Norwegian Dances No. 1 in D minor, Op. 35
• Four Norwegian Dances No. 2 in A major, Op. 35
• Four Norwegian Dances No. 3 in G major, Op. 35
• Four Norwegian Dances No. 4 in D major, Op. 35
• Old Norwegian Romance, Op. 51: Poco tranquillo
• Old Norwegian Romance, Op. 51: Variations
• Old Norwegian Romance, Op. 51: Finale

• Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung
• Peer Gynt Suite No. 1, Op. 46: II. Aases Tod
• Peer Gynt Suite No. 1, Op. 46: III. Anitras Tanz
• Peer Gynt Suite No. 1, Op. 46: IV. In der Halle der Bergkönigs
• Peer Gynt Suite No. 2, Op. 55: I. Der Brautraub
• Peer Gynt Suite No. 2, Op. 55: II. Arabischer Tanz
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynts Heimkehr
• Peer Gynt Suite No. 2, Op. 55: IV. Solvejgs Lied
• Karelia-Suite Op. 11: I. Intermezzo
• Karelia-Suite Op. 11: III. Ballade
• Karelia-Suite Op. 11: III. Alla marcia
• Der Schwan von Tuonela Op. 22, No. 2

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso

• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato (feat. piano: Grant Johannesen)
• Piano Concerto in A minor, Op. 16: II. Adagio (feat. piano: Grant Johannesen)
• Piano Concerto in A minor, Op. 16: III. Allegro molto moderato e marcato (feat. piano: Grant Johannesen)
• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op 55: I. Ingrid's Lament
• Peer Gynt Suite No. 2, Op 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op 55: III. Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op 55: IV. Solveig's Song

• Peer Gynt Suite Nr. 1, Op. 46: I. Morgenstimmung
• Peer Gynt Suite Nr. 1, Op. 46: II. Åses Tod
• Peer Gynt Suite Nr. 1, Op. 46: III. Anitras Tanz
• Peer Gynt Suite Nr. 1, Op. 46: IV. In der Halle des Bergkönigs
• Peer Gynt Suite Nr. 2, Op. 55: I. Der Brautraub (Ingrids Klage)
• Peer Gynt Suite Nr. 2, Op. 55: II. Arabischer Tanz
• Peer Gynt Suite Nr. 2, Op. 55: III. Peer Gynts Heimkehr
• Peer Gynt Suite Nr. 2, Op. 55: IV. Solvejgs Lied
• Karelia Suite: I. Intermezzo: Moderato
• Karelia Suite: II. Ballade: Tempo di menuetto
• Karelia Suite: III. Alla marcia: Moderato
• Finlandia Op. 26 No. 7
• Lyrische Suite op. 54: I. Hirtenknabe
• Lyrische Suite op. 54: II. Norwegischer Bauernmarsch
• Lyrische Suite op. 54: III. Notturno
• Lyrische Suite op. 54: IV. Zug der Zwerge

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Perr Gynt's Return
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Lyric Suite, Op. 54: I. Shephard's Boy
• Lyric Suite, Op. 54: II. Norwegian Peasants' March
• Lyric Suite, Op. 54: III. Notturno
• Lyric Suite, Op. 54: IV. March of the Dwarfs

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Åse's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride. Ingrid's Lament
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Coast)
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato

• Concerto for Piano and Orchestra in A minor, Op. 16: I. Allegro molto moderato
• Concerto for Piano and Orchestra in A minor, Op. 16: II. Adagio
• Concerto for Piano and Orchestra in A minor, Op. 16: III. Allegro moderato molto e marcato
• Lyric Pieces, op. 12 no. 1: Arietta
• Lyric Pieces, op. 12 no. 4: Alfedans
• Lyric Pieces, op. 12 no. 7: Albumblad
• Lyric Pieces, op. 38 no. 3: Melodie
• Lyric Pieces, op. 38 no. 6: Elegie
• Lyric Pieces, op. 38 no. 7: Vals
• Lyric Pieces, op. 38 no. 8: Kanon
• Lyric Pieces, op. 43 no. 1: Sommerfugl
• Lyric Pieces, op. 43 no. 5: Erotik
• Lyric Pieces, op. 47 no. 2: Albumblad
• Lyric Pieces, op. 47 no. 7: Elegie
• Lyric Pieces, op. 54 no. 4: Notturno
• Lyric Pieces, op. 54 no. 5: Scherzo
• Lyric Pieces, op. 68 no. 1: Matrosernes Opsang
• Lyric Pieces, op. 68 no. 2: Bedstermors Menuet
• Lyric Pieces, op. 71 no. 1: Der var engang
• Lyric Pieces, op. 71 no. 6: Forbi
• Lyric Pieces, op. 71 no. 7: Efterklang

• Peer Gynt Suite No. 1, Op. 46: I. Morning Impression
• Peer Gynt Suite No. 1, Op. 46: II. Death of Ase
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. Bride's rob (Ingrid's lavement)
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return
• Peer Gynt Suite No. 2, Op. 55: IV. Solvejg's Song
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato e marcato

• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
• Music From Peer Gynt: I. Morning
• Music From Peer Gynt: II. Anitra's Dance
• Music From Peer Gynt: III. In the Hall of the Mountain King
• Music From Peer Gynt: IV. Arabian Dance
• Music From Peer Gynt: V. Solveig's Song

• Piano Concerto in G major: I. Allegramente
• Piano Concerto in G major: II. Adagio assai
• Piano Concerto in G major: III. Presto
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - quasi presto - andante maestoso

• Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
• Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso
• Piano Concerto in A minor, Op. 54: III. Allegro vivace
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato

• Concerto per pianoforte e orchestra in La minore, Op. 16: I. Allegro molto moderato
• Concerto per pianoforte e orchestra in La minore, Op. 16: II. Adagio
• Concerto per pianoforte e orchestra in La minore, Op. 16: III. Allegro moderato molto e marcato
• Peer Gynt: Suite No. 1: Ouverture
• Peer Gynt: Mattinata
• Peer Gynt: Morte di Ase
• Peer Gynt: Danza dell'anatra
• Peer Gynt: Sala del Re della Montagna
• Peer Gynt: Giorno di nozze
• Peer Gynt: Il lamento di Ingrid
• Peer Gynt: Danza araba
• Peer Gynt: Ritorno a casa
• Peer Gynt: Canzone di Solveig

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return Home
• Peer Gynt Suite No. 2, Op. 55: IV. ibid. Solveig's Song
• The Last Spring Op. 34 No. 2
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Allegro moderato e marcato

• Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
• Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
• Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
• Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
• Peer Gynt Suite No. 2, Op. 55: I. The Abduction and Ingrid's Complaint
• Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
• Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
• Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
• Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
• Piano Concerto in A minor, Op. 16: II. Adagio
• Piano Concerto in A minor, Op. 16: III. Finale. Allegro moderato molto e marcato

Born: 1843-06-15

Died: 1907-09-04