Look up Brooks in Wiktionary, the free dictionary.

Brooks may refer to:

Places[link]

Canada

• Brooks, Alberta

United States

• Brooks, Arkansas
• Brooks, California
• Brooks, Georgia
• Brooks, Kentucky
• Brooks, Maine
• Brooks, Minnesota
• Brooks, Oregon
• Brooks Township, Michigan
• Brooks City-Base, former United States Air Force base near San Antonio, Texas
• Brooks, Wisconsin

United States and Canada

• The Brooks Range, mountain range in Alaska and Yukon

Antarctica

• Cape Brooks

People[link]

Surname[link]

Given name[link]

• Brooks Atkinson, American theater critic
• Brooks Newmark, British member of parliament
• Brooks Orpik, American hockey player
• Brooks Robinson, American baseball player

Companies[link]

• Brooks Locomotive Works, an early manufacturer of steam locomotives for the US railroads
• Brooks Brothers, American men's clothier
• Brooks England, traditional English bicycle saddle manufacturer
• Brooks Pharmacy, former pharmacy chain
• Brooks Sports, American athletic shoe manufacturer

Education[link]

• Brooks College, a system of for-profit colleges in California
• Brooks Institute, a for-profit college in California focusing on visual arts
• Brooks School, North Andover, Massachusetts, United States
• Brooks High School (disambiguation)

Other uses[link]

• Brooks (group), 1970s UK vocal group
• Brooks (mango), a late-season mango cultivar originated in Miami, Florida
• Brooks (programming language), a functional logic programming language
• Nickname for the Brooklyn Dodgers, former Major League Baseball team, now the Los Angeles Dodgers

See also[link]

• Stream
• Brooksville (disambiguation)
• Comet Brooks (disambiguation)
• Mr. Brooks, film

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Kix Brooks
Brooks in April 2010
Background information
Birth name	Leon Eric Kix Brooks, III
Born	(1955-05-12) May 12, 1955 (age 57) Shreveport, Louisiana, USA
Genres	Country
Occupations	Singer-songwriter
Years active	1983–present
Labels	Capitol, Arista Nashville
Associated acts	Ronnie Dunn
Website	www.kixbrooks.com/

Leon Eric "Kix" Brooks III (born on May 12, 1955) is an American country music artist, best known for being one half of the duo Brooks & Dunn.

Early life[link]

Brooks grew up in Shreveport, Louisiana. He has one sister, one half-sister, one half-brother and his father adopted one son of his third wife. He attended Riverside Elementary for grades K-5. After graduating from the former Sewanee Military Academy, an Episcopalian institution in Sewanee, Tennessee, Brooks attended Louisiana Tech University in Ruston, where he was a theatre arts major. He moved to Alaska to work for his father on an oil pipeline for one summer and then returned to Louisiana Tech to finish his education. He then moved to Maine and wrote advertising for a company owned by his sister and brother-in-law.

Musical career[link]

His father urged him to pursue his desire to become a musician, and Kix moved to Nashville in the early 1980s. His then girlfriend (now wife Barbara, with whom he has a son and daughter) followed shortly thereafter. He began working for Tree Publishing as a staff songwriter. He recorded his first solo single, Baby, When Your Heart Breaks Down, for Avion in 1983 but returned to songwriting after its failure. He also released an album, Kix Brooks, in 1989 on Capitol Records. This album also featured the song "Sacred Ground", which became a #2 country hit for McBride & the Ride in 1992.

He was one half of country music duo Brooks & Dunn. Brooks usually provides backing vocals on their songs and singles. The singles featuring Brooks on lead vocals include, "You're Gonna Miss Me When I'm Gone", which went to Number One, Lost and Found, and "Rock My World (Little Country Girl)."

On August 10, 2009, Brooks & Dunn announced to their fans, via their website that they intended to disband after 20 years of touring. According to the short statement released on their web site, Brooks & Dunn intend to release a greatest hits album, tour throughout the rest of 2009, and have a farewell tour in 2010.

Awards[link]

Brooks and Dunn have won more Country Music Association awards and Academy of Country Music awards than any act in the history of country music. They have won the Country Music Association Vocal Duo Of The Year award every year since they debuted in 1991 except in 2000 when the honor went to Montgomery Gentry, and in 2007 and 2009 when it was awarded to Sugarland. They have sold over 30 million records and continue to be one of the most consistently successful touring acts on the concert circuit.

Other achievements[link]

Brooks (right) performing with Bob DiPiero for U.S. troops in Afghanistan on behalf of the USO in December 2010

Since January 2006, Brooks has hosted American Country Countdown, a syndicated radio countdown show based on Mediabase country charts. Brooks succeeded the show's former host, Bob Kingsley. Brooks is also co-owner of Arrington Vineyards with winemaker Kip Summers, and businessmen Fred Mindermann and John Russell. Arrington Vineyard is a winery located outside of Nashville.^[1]

Discography[link]

Studio albums[link]

Singles[link]

• ^ACurrent single.

Guest singles[link]

Music videos[link]

References[link]

Foster Brooks (May 11, 1912 – December 20, 2001) was an American actor and comedian most famous for his portrayal of a lovable drunken man in nightclub performances and television programs.

Biography[link]

Foster Brooks was born in Louisville, Kentucky^[1] on May 11, 1912. He was one of eight sons. His career started in radio, most notably with station WHAS (AM) in Louisville. Brooks was a staff announcer, but his deep baritone voice was well-suited for singing as well. Brooks gained some measure of fame for his reporting of the Ohio River flood of 1937, where he was featured on emergency broadcasts by WHAS and also WSM (AM) out of Nashville, Tennessee. In 1952, Brooks appeared on local television in a short-lived spoof of Gene Autry and his "Singing Cowboys." He later worked in local broadcasting as a radio and TV personality in Buffalo and Rochester, New York before moving to the west coast to launch a career as a standup comic and character actor.

On the syndicated Steve Allen Show of the 1960s, Allen introduced Brooks as an important movie producer. Brooks stumbled on stage doing his drunk act, fooling some of the other guests. Brooks claimed to be the executive in charge of editing movies for television. His biggest success, he said, was the famous movie The Three Commandments. His character also claimed to have invented the concept of removing clips from the movies and inserting commercials.

Singer Perry Como discovered Brooks at a golf tournament in North Carolina^[2] in 1969, giving the comedian his major break.^[3] Como chose Brooks to open for him, and when a manager balked at the newcomer, Como refused to perform. The manager acquiesced, and Brooks was an instant hit.

Brooks regularly appeared on The Dean Martin Show television program in the 1970s (for which he garnered an Emmy nomination in 1974) as well as many situation comedies, talk shows, and a few films. Although he had only one basic signature character, he exhibited such extraordinary timing and subtlety that he was instantly recognized as one of the great comic performers of the time.^{[citation needed]} His signature routine was the basis of a hit comedy album entitled Foster Brooks, The Lovable Lush, released in the early 1970s. As his "Lovable Lush" character, Brooks usually portrayed a conventioneer who had had a few too many drinks — not falling-down drunk, but inebriated enough that he would mix up his words to comedic delight.

Brooks is most affectionately remembered for his stellar appearances on the Dean Martin Celebrity Roasts. His comedy routines as the lovable, but hilarious, drunk, were a testament to the art of comedy without the need for profanity or any other excessive blue humor.

Brooks drew upon his own battles with alcohol for his act. However, during his period of greatest fame, Brooks rarely drank.^[4] Of giving up drinking to win a bet in 1964, Brooks said, "A fellow made me a $10 bet I couldn't quit, and I haven't had a drink since. At the time I needed the $10."^[4] He would occasionally make cameo appearances in which his character was perfectly sober, such as his appearance in a 1968 episode of Adam-12 playing a straight-laced citizen who tries to get out of a parking ticket by dropping the name of an officer senior to the main characters.

In character, Brooks asked Dean Martin to join his group “Alcoholics Unanimous,” a play on Alcoholics Anonymous. He boasted he and Martin were charter members of the DUI Hall of Fame.

Brooks slurs to Martin, "his close friends are members of the CHP and LAPD" for his large number of DUI tickets.

Brooks appeared in the 1977 Johnny Cash television special, A Concert: Behind Prison Walls, where he portrayed himself as a drunken man and also sang the song "Half as Much".

Public sensibilities had changed regarding alcoholics and public drunkenness by the 1980s, so Brooks moved away from his drunk character. He had a recurring role as Mr. Sternhagen, Mindy's boss on Mork & Mindy. For many years, his name was a moniker on a Louisville celebrity golf tournament benefiting Kosair Charities.

Brooks's brother, Tom, was a well-known entertainer in Louisville for many years. Tom Brooks played "Cactus," a hayseed character and sidekick to Randy Atcher on T-Bar-V Ranch and Hayloft Hoedown, two popular local shows and was an off-screen announcer on WHAS-TV for many years in the 1950s and 1960s.

Years later Brooks was referred to on the Cartoon Network television show Space Ghost Coast to Coast (episode 45, "Switcheroo II"). He was featured in a scene that was cut before being aired, but the scene was later included on the Space Ghost Coast to Coast volume 3 DVD release.^[5] He is also referenced on an episode of Get a Life called "Paperboy 2000". On the March 1, 2010 episode of The Daily Show, Jon Stewart referred to Senator Sheldon Whitehouse's mispronunciation of a constituent's name by saying, "It's not supposed to end on a Foster Brooks hiccup."

Foster Brooks is referenced in the 2011 game Deus Ex: Human Revolution; an internal email gained through hacking is sent to a Foster Brooks referencing a "Another Year Sober" meeting.

Brooks died on December 20, 2001, at his home in Encino, California from heart failure. He was 89.^[6]

See also[link]

Biography portal

• List of people from Louisville, Kentucky

References[link]

External links[link]

• Foster Brooks, Comedian Known for His Tipsy Persona, dies at 89
• Foster Brooks at the Internet Movie Database
• Kentucky Archivist: WHAS collection at Berea College
• This Is True: Foster Brooks
• Foster Brooks at Find a Grave
• Performing on Dean Martin show video clip

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2008)

Dean Martin
Photo 1960
Background information
Birth name	Dino Paul Crocetti
Also known as	Dean Martin The King of Cool Dino Dino Martini
Born	(1917-06-07)June 7, 1917 Steubenville, Ohio, U.S.
Died	December 25, 1995(1995-12-25) (aged 78) Beverly Hills, California, U.S.
Genres	Big band, easy listening, pop standard, country
Occupations	Musician, singer, actor, comedian, film producer
Years active	1939–1995
Labels	Capitol, Reprise

Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", "Volare" and "Ain't That a Kick in the Head?". Nicknamed the "King of Cool",^[1][2] he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life[link]

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Montesilvano, Pescara, Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers.^[3] He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven."^[4] For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch. Martin knocked out King in the first round of an amateur boxing match.^[5]

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands, calling himself "Dino Martini" (after the famous Metropolitan Opera tenor, Nino Martini). He got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested that he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York,^[6] when he followed Frank Sinatra in 1943, but it was the setting for their meeting.

Martin was drafted into the United States Army in 1944 during World War II, serving a year stationed in Akron, Ohio. He was then reclassified as 4-F and was discharged (possibly because of a double hernia; Jerry Lewis referred to the surgery that Martin needed for this in his autobiography).

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs where he played, but he inspired none of the fanatical popularity enjoyed by Sinatra.

Alleged Mafia connections[link]

A biography of Martin titled Dean Martin: King of the Road, by Michael Freedland, alleged that he had links to the Mafia early in his career. According to this book, Martin received help with his singing career from members of the Chicago Outfit, who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony Accardo and Sam Giancana. Freedland suggests that Martin felt little sympathy for the Mafia and did small favors for them only if it was not inconvenient for him. Another book, The Animal in Hollywood by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters Johnny Roselli and Anthony Fiato. Smith suggested that Fiato did many favors for Martin, such as recovering money from two swindlers who had cheated his ex-wife Betty out of thousands of dollars of her alimony.^[7]

Career[link]

Teaming with Jerry Lewis[link]

Dean Martin and Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's Toast of the Town (later called The Ed Sullivan Show) with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction.^[8] He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, Ten Thousand Bedrooms (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

Solo career[link]

Dean Martin in the film Ada (1961)

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, Some Came Running (1958). By the mid '60s, Martin was a top movie, recording, television, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in The Sons of Katie Elder (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play Bells Are Ringing. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he was not above poking fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer. Indeed, in the second Matt Helm film Murderers' Row (1966), Helm, about to be executed, receives a last cigarette, and tells the provider, "I'll remember you from the great beyond," continuing sotto voce, "somewhere around Steubenville, I hope."

With John Wayne in Rio Bravo

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin, The Hit Sound Of Dean Martin, Welcome To My World and Gentle On My Mind were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in Ocean's 11 that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack[link]

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

Dean Martin and Frank Sinatra

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas Strip performances. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their appearances were unprecedentedly valuable because the city would always become flooded with high rollers, wealthy gamblers who would routinely leave substantial fortunes in the casinos' coffers. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences.^{[citation needed]} It was all good-natured male bonding, never vicious, rarely foul-mouthed,^{[citation needed]} and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin were active supporters of the Civil Rights Movement and refused to perform in clubs that would not allow African-American or Jewish performers.^[9]

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy.

The Dean Martin Celebrity Roast[link]

In 1965, Martin launched his weekly NBC comedy-variety series, The Dean Martin Show, which exploited his public image as a lazy, carefree boozer. There he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a success. Martin prided himself on memorizing whole scripts – not merely his own lines.^{[citation needed]} He disliked rehearsing because he firmly believed his best performances were his first.^{[citation needed]} The show's loose format prompted quick-witted improvisation from Martin and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers.^{[citation needed]} This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker – a reputation perpetuated via his vanity license plates reading "DRUNKY" – he was remarkably self-disciplined.^[10] He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. Phyllis Diller has said that Martin was indeed drinking alcohol onstage and not apple juice. She also commented that although he was not drunk, he was not really sober either, but had very strict rules when it came to performances. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in Some Came Running and Howard Hawks's Rio Bravo led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.^{[citation needed]}

Martin starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, The Ravagers, was planned starring Sharon Tate and Martin in a dual role, one as a serial killer, but due to the murder of Tate and the decline of the spy genre, the film was never made.^{[citation needed]}

By the early 1970s, The Dean Martin Show was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell steadily. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.^{[citation needed]}

Now comfortable financially, Martin did not need to work as much and he began reducing his schedule. The final (1973–74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air The Dean Martin Celebrity Roast format in a series of TV specials through 1984. In those 11 years, Martin and his panel of pals successfully ridiculed and made fun of these legendary stars in this order: Ronald Reagan, Hugh Hefner, Ed McMahon, William Conrad, Kirk Douglas, Bette Davis, Barry Goldwater, Johnny Carson, Wilt Chamberlain, Hubert Humphrey, Carroll O'Connor, Monty Hall, Jack Klugman & Tony Randall, Zsa Zsa Gabor, Leo Durocher, Truman Capote, Don Rickles, Ralph Nader, Jack Benny, Redd Foxx, Bobby Riggs, George Washington, Dan Rowan & Dick Martin, Hank Aaron, Joe Namath, Bob Hope, Telly Savalas, Lucille Ball, Jackie Gleason, Sammy Davis Jr, Michael Landon, Evel Knievel, Valerie Harper, Muhammad Ali, Dean Martin, Dennis Weaver, Joe Garagiola, Danny Thomas, Angie Dickinson, Gabe Kaplan, Ted Knight, Peter Marshall, Dan Haggerty, Frank Sinatra, Jack Klugman, Jimmy Stewart, George Burns, Betty White, Suzanne Somers, Joan Collins, and Mr T. For nearly a decade, Martin had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - Once In A While, released in 1978. His last recording sessions were for Warner Brothers Records. An album titled The Nashville Sessions was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song", which was recorded with Conway Twitty and made a respectable showing on the country charts. A followup single "L.A. Is My Home" / "Drinking Champagne" came in 1985. The 1975 film Mr. Ricco marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.^{[citation needed]}

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World-U.S.A. 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis.^{[citation needed]} This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship, but only performed together again once, in 1989, on Martin's 72nd birthday.^[11]

Personal life[link]

Martin was married three times. Martin's first wife, Elizabeth Anne McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism^{[citation needed]}. It remains a matter of speculation whether her alcoholism led to the failure of the marriage, or whether Martin's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. Their children were Stephen Craig (born June 29, 1942), Claudia Dean (March 16, 1944 - 2001 from breast cancer), Barbara Gail (born April 11, 1945) and Deana (Dina) (born August 19, 1948).

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted 24 years (1949–1973) and produced three children. Their children were Dean Paul (November 17, 1951 - March 21, 1987; plane crash), Ricci James (born September 20, 1953) and Gina Caroline (born December 20, 1956), whose marriage made Dean the father-in-law of The Beach Boys' Carl Wilson.

Martin's third marriage, to Catherine Hawn, lasted three years. One of Martin's managers had spotted her at the reception desk of a hair salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage also failed. Martin initiated divorce proceedings.

Martin's uncle was Leonard Barr, who appeared in several of his shows.

Later years and death[link]

Dean Martin's grave

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey law by making the dealer deal the cards by hand instead of from a shoe. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget received a $25,000 fine (which Sinatra paid, stating that it was his responsibility as he and Martin were the cause of the fine) and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay.

Martin returned to films briefly with appearances in the two star-laden, yet critically panned Cannonball Run movies. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son, Dean Paul (formerly Dino of the '60s "teeny-bopper" rock group Dino, Desi & Billy), was killed when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered, "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not interested in drinking until dawn after performances. His final Vegas shows were at Bally's Hotel in 1990. There he had his final reunion with Jerry Lewis on his 72nd birthday. Martin's last two TV appearances involved tributes to his former Rat Pack members. On December 8, 1989, he joined many stars of the entertainment industry in Sammy Davis, Jr's 60th anniversary celebration, which aired only a few weeks before Davis died from throat cancer. In December 1990, he congratulated Frank Sinatra on his 75th birthday special.

Martin was diagnosed with lung cancer at Cedars Sinai Medical Center in September 1993, and in early 1995 retired from public life. He died of acute respiratory failure resulting from emphysema at his Beverly Hills home on Christmas morning 1995, at age 78.^[12] The lights of the Las Vegas Strip were dimmed in his honor.

Martin is buried at the Westwood Village Memorial Park Cemetery in Los Angeles.

Tributes and legacy[link]

In 1996, Ohio Rte. 7, through Steubenville, was rededicated as "Dean Martin Boulevard." Road signs bearing an Al Hirschfeld caricature of Martin's likeness officially designate the stretch, along with a state historical marker, in the Gazebo Park at Route 7 and North Fourth Street.

An annual "Dean Martin Festival" celebration is held in Steubenville. Impersonators, friends and family of Martin, and various entertainers, many of Italian ancestry, appear.

In 2005, Clark County, Nevada renamed Industrial Road as Dean Martin Drive. A similarly named street was dedicated in 2008 in Rancho Mirage, California.

Martin's family was presented a gold record in 2004 for Dino: The Essential Dean Martin, his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R AC chart. It also went to #36 on the R&R Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, Forever Cool, was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others.

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has three stars on the Hollywood Walk of Fame: one at 6519 Hollywood Boulevard, for movies; one at 1617 Vine, for recordings; and one at 6651 Hollywood Boulevard, for television.

In February 2009, Martin was honored with a posthumous Grammy Lifetime Achievement Award. Four of his surviving children, Gail, Deana, Ricci and Gina, were on hand to accept on his behalf. In 2009, Martin was inducted into the Hit Parade Hall of Fame.

Popular culture[link]

A number of Dean Martin songs have constantly been featured across popular culture for decades. Hit songs such as "Ain't That a Kick in the Head", "Sway","You're Nobody Till Somebody Loves You", "That's Amore", and Martin's signature song "Everybody Loves Somebody" (and many more) have been used in films (such as the Oscar-winning Logorama, A Bronx Tale, Casino, Goodfellas, Payback, and Return to Me), television series (such as American Dad!, Friends, and House MD), video games (such as The Godfather: The Game, The Godfather II, Fallout: New Vegas, and Mafia II), and even fashion shows (such as the Victoria's Secret Fashion Show 2008).

In film and television[link]

• In a 1996 episode of the NBC-TV series Boston Common, actor Anthony Clark pantomimes and dances a routine to Martin's 1960 song, "Ain't That A Kick In The Head?"
• In That '70s show episode, S-6/E-2 "Join Together." When the Forman's were throwing away all of their bad foods and drinks, because of Red's Heart Attack. Red's beloved beer and his meats were taken away and Red's Fresh mouth son, Eric said,"Whoa look at this, it looks like Dean Martin exploded!"
• In the movie A Bronx Tale, Martin's song, "Ain't That A Kick In The Head?", was featured during the scene when C was playing dice.
• A Budweiser TV commercial that premiered during Super Bowl XLI featured Martin's "Ain't That A Kick In The Head?".
• British actor Jeremy Northam portrayed the entertainer in a made-for-TV movie called, Martin and Lewis, alongside Will & Grace's Sean Hayes as Jerry Lewis.
• Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled The Rat Pack. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role.
• In the movie Return to Me, three of his recordings are featured: "Good Morning, Life," "Buona Sera" and "Return to Me".
• Danny Gans portrayed Martin in the miniseries Sinatra.
• In the pilot episode of White Collar, Peter refers to Neal as "Dino", referencing the newly-found Sy Devore suits that Neal now wears – made famous by the "Rat Pack".
• In the movie Pulp Fiction, Mia Wallace and Vincent Vega go out to dinner at "Jack Rabbit Slim's" – she chooses "Martin and Lewis", and a $5 milkshake shows up.
• In the movie Moonstruck, Martin's recording of "That's Amore" plays over both the opening and closing credits.
• In the HBO television series, The Sopranos, in season 6 episode "Johnny Cakes", "That's Amore" is heard when Vito Spatafore is cooking.
• In the Wong Kar-Wai movie 2046, Martin's recording of "Sway" is played extensively.
• In a Royal Automobile Club commercial, "Memories are Made of This" is sung.
• In the 2009, 60's-era French parody film, "OSS 117: Rio Ne Répond Plus... (Lost in Rio)" starring Jean Dujardin, Martin's "Gentle On My Mind" plays during the opening credits scene
• In the 2011 film, Mission: Impossible – Ghost Protocol Martin's song "Ain't That A Kick In The Head?" is used by Cruise to arouse his fellow prisoner's into a riot.

In games and gambling[link]

• Martin is the subject of "Dean Martin's Wild Party", a video slot machine found in some casinos. The game features songs sung by Martin during the bonus game and the count-up of a player's winnings.
• The 2010 video game, Fallout: New Vegas, features Martin's "Ain't that a Kick in the Head?" throughout the game. It can be listened to on the "New Vegas" radio channel and heard on the loud speakers when entering the Vegas Strip. The first quest of the game is named after the same song, as the player character is afflicted with a headshot wound.
• Dean Martin's music is featured on the radios in the video games Mafia II and Godfather II.

In music[link]

• A compilation album called, Amore!, debuted at Number One on Billboard magazine's Top Pop Catalog Albums chart in its February 21, 2009 issue.

Other[link]

• In the Victoria's Secret Fashion Show 2008, "Ain't That A Kick In The Head?" was the opening song from the show.

Discography[link]

Filmography[link]

References[link]

Further reading[link]

• Arthur Marx. Everybody Loves Somebody Sometime (Especially Himself): The story of Dean Martin and Jerry Lewis, New York, NY: Hawthorn Books, 1974, ISBN 978-0-8015-2430-1
• Lewis, Jerry and James Kaplan. Dean & Me (A Love Story). Doubleday, New York, 2005. ISBN 0-7679-2086-4
• Tosches, Nick. Dino: Living High in the Dirty Business of Dreams. Delta Trade Paperbacks, New York, 1992 (1st edition). ISBN 0-385-33429-X
• Smith, John L. The Animal in Hollywood: Anthony Fiato's Life in the Mafia. Barricade Books, New York, 1998. ISBN 1-56980-126-6

External links[link]

Biography portal

Wikimedia Commons has media related to: Dean Martin

• Dean Martin at the Internet Movie Database
• Dean Martin at The Biography Channel
• Cleveland.com: Homegrown Heroes: Dean Martin Timeline
• Dean Works the room at the Sands
• Dean Martin biography/discography on The Interlude Era site
• Radio interview with Deana Martin WSLR

Sammy Davis Jr.
1986 portrait by Allan Warren
Born	Samuel George Davis, Jr. (1925-12-08)December 8, 1925 Harlem, New York, United States
Died	May 16, 1990(1990-05-16) (aged 64) Beverly Hills, California, United States Interred: Forest Lawn Memorial Park, Glendale, California
Cause of death	Throat cancer
Occupation	Singer, tap dancer, actor, musician
Years active	1928–1990
Religion	Judaism
Spouse	Loray White (1958–1959) May Britt (1960–1968) Altovise Davis (1970–1990)
Children	Tracey (b. 1961) Mark (b. 1960) Jeff (b. 1964) Manny (b. 1988)
Parents	Sammy Davis, Sr. (father) Elvera Sanchez (mother)
Website
sammydavis-jr.com

Samuel George "Sammy" Davis Jr. (December 8, 1925 – May 16, 1990) was an American entertainer and was also known for his impersonations of actors and other celebrities.

Primarily a dancer and singer, Davis started as a child vaudevillian who became known for his performances on Broadway and Las Vegas. He went on to become a world famous recording artist, television and film star. Davis was also a member of Frank Sinatra's "Rat Pack".

At the age of three Davis began his career in vaudeville with his father and "uncle" as the Will Mastin Trio, toured nationally, and after military service, returned to the trio. Davis became an overnight sensation following a nightclub performance at Ciro's after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, he lost his left eye in an automobile accident.

His film career began as a child in 1933. In 1960 he appeared in the first Rat Pack film, Ocean's 11. After a starring role on Broadway in 1956's Mr Wonderful, Davis returned to the stage in 1964's Golden Boy, and in 1966 had his own TV variety show, The Sammy Davis Jr. Show. Davis' career slowed in the late sixties, but he had a hit record with "The Candy Man", in 1972, and became a star in Las Vegas earning him the nickname Mister Show Business.

As an African American, Davis was the victim of racism throughout his life, and was a large financial supporter of civil rights causes. Davis had a complex relationship with the African-American community, and attracted criticism after physically embracing Richard Nixon in 1970. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap—I'm a one-eyed Negro Jew."^[1][2] This was to become a signature comment, recounted in his autobiography, and in countless articles.^[3]

After reuniting with Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before dying of throat cancer in 1990. He died in debt to the Internal Revenue Service, and his estate was the subject of legal battles.^{[citation needed]}

Davis was awarded the Spingarn Medal by the NAACP, and was nominated for a Golden Globe and an Emmy Award for his television performances. He was the recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.

Early life[link]

Samuel George Davis, Jr. was born in New York City, to Sammy Davis, Sr. (1900–1988), an African-American entertainer, and Elvera Sanchez (1905–2000),^[4] a tap dancer. During his lifetime, Davis, Jr. stated that his mother was Puerto Rican and born in San Juan; however, in the 2003 biography In Black and White, author Wil Haygood writes that Davis, Jr.'s mother was born in New York City to Cuban American parents, and that Davis, Jr. claimed he was Puerto Rican because he feared anti-Cuban backlash would hurt his record sales.^[5][6][7]

Davis' parents were vaudeville dancers. As an infant, he was raised by his paternal grandmother. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour. Davis learned to dance from his father and his "uncle" Will Mastin, who led the dance troupe his father worked for. Davis joined the act as a child and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism. Snubs were explained as jealousy, for instance. When Davis served in the United States Army during World War II, however, he was confronted by strong racial prejudice. He later said, "Overnight the world looked different. It wasn't one color any more. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for eighteen years, a door which they had always secretly held open."

Career[link]

Sammy Davis Jr. during the 1963 March on Washington

During service in WWII, the Army assigned Davis to an integrated entertainment Special Services unit and he found that the spotlight lessened the prejudice. Even prejudiced white men admired and respected his performances. "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking," he said.^[8]

After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He began to achieve success on his own and was singled out for praise by critics, releasing several albums.^[9] This led to Davis being hired to sing the title track for the Universal Pictures film Six Bridges to Cross in 1954,^[10][11] and later to his appearance in the Broadway play Mr. Wonderful in 1956.

In 1959, Davis became a member of the famous "Rat Pack", led by his friend Frank Sinatra, which included fellow performers such as Dean Martin, Joey Bishop and Peter Lawford. Initially, Sinatra called the gathering "the Clan", but Sammy voiced his opposition, saying that it reminded people of the racist Ku Klux Klan. Sinatra renamed the group "the Summit", but the media referred to them as the Rat Pack.

Davis was a headliner at The Frontier Casino in Las Vegas, Nevada, but he was required (as were all black performers in the 1950s) to lodge in a rooming house on the west side of the city, instead of in the hotels as his white colleagues did. No dressing rooms were provided for black performers, and they had to wait outside by the swimming pool between acts. Davis and other black artists could entertain, but could not stay at the hotels where they performed, gamble in the casinos, or dine or drink in the hotel restaurants and bars. Davis later refused to work at places which practiced racial segregation.^[12]

Sammy Davis Jr. (left) with Walter Reuther (center) and Roy Wilkins (right) at the 1963 March on Washington.

In 1964, Davis was starring in Golden Boy at night and shooting his own New York-based afternoon talk show during the day. When he could get a day off from the theater, he would be recording new songs in the studio, or performing live, often at charity benefits as far away as Miami, Chicago, and Las Vegas, or doing television variety specials in Los Angeles. Davis knew he was cheating his family of his company, but he could not help himself; as he later said, he was incapable of standing still.

Although he was still a draw in Las Vegas, Davis' musical career had sputtered by the latter 1960s, although he had a No. 11 hit (#1 on the Easy Listening singles chart) with "I've Gotta Be Me" in 1969. His effort to update his sound and reconnect with younger people resulted in some "hip" musical efforts with the Motown record label.^[13] But then, even as his career seemed at its nadir, Sammy had an unexpected hit with "Candy Man". Although he did not particularly care for the song and was chagrined that he was now best known for it, Davis made the most of his opportunity and revitalized his career. Although he enjoyed no more Top 40 hits, he did enjoy popularity with his 1976 performance of the theme song from the Baretta TV series, "Baretta's Theme (Keep Your Eye On The Sparrow)" (1975–1978), which was released as a single (20th century 2282). He occasionally landed television and film parts, including cameo visits to the television shows "I Dream of Jeannie", All in the Family (during which he famously kisses Archie Bunker (Carroll O'Connor) on the cheek) and, with wife Altovise Davis, on Charlie's Angels. In the 1970s, he appeared in commercials in Japan for Suntory whiskey.

Davis performing in 1966.

On December 11, 1967, NBC broadcast a musical-variety special entitled Movin' With Nancy. In addition to the Emmy Award-winning musical performances, the show is notable for Nancy Sinatra and Sammy Davis Jr. greeting each other with a kiss, one of the first black-white kisses in U.S. television history.^[14]

It's been said^{[by whom?]} Davis had a friendship with Elvis Presley. Davis sang a cover-version of Presley's song "In The Ghetto" and made a cameo-appearance in Presley's concert-film Elvis: That's the Way It Is. One year later, he made a cameo appearance in a James Bond film, but the scene he appeared in was deleted.

In Japan, Davis appeared in television commercials for coffee, and in the U.S. he joined Sinatra and Martin in a radio commercial for a Chicago car dealership.

Davis was a fan of the daytime soap operas, particularly the shows produced by the American Broadcasting Company. This led to a cameo appearance on General Hospital and a recurring role as character Chip Warren on One Life to Live, for which he received a Daytime Emmy nomination in 1980. He was also a game show fan, appearing on the ABC version of Family Feud in 1979. He appeared on Tattletales with third wife Altovise Davis in the 1970s. He made a cameo during an episode of the NBC version of Card Sharks in 1981.

In addition to American soaps, he was also a huge fan of the Australian show Prisoner: Cell Block H. Davis wanted to make an appearance in Prisoner, but the show ended (in 1986) before this could be arranged.

Davis was an avid photographer who enjoyed shooting family and acquaintances. His body of work was detailed in a 2007 book by Burt Boyar. "Jerry [Lewis] gave me my first important camera, my first 35 millimeter, during the Ciro's period, early '50s", Boyar quotes Davis. "And he hooked me." Davis used a medium format camera later on to capture images. Again quoting Davis, "Nobody interrupts a man taking a picture to ask ... 'What's that nigger doin' here?'". His catalog includes rare photos of his father dancing onstage as part of the Will Mastin Trio and intimate snapshots of close friends Jerry Lewis, Dean Martin, Frank Sinatra, James Dean, Nat "King" Cole, and Marilyn Monroe. His political affiliations also were represented, in his images of Robert Kennedy, Jackie Kennedy, and Martin Luther King, Jr. His most revealing work comes in photographs of wife May Britt and their three children, Tracey, Jeff and Mark.

Davis was an enthusiastic shooter and gun owner. He participated in fast-draw competitions—Johnny Cash recalled that Sammy was said to be capable of drawing and firing a Colt Single Action Army revolver in less than a quarter of a second.^[15] Davis was skilled at fast and fancy gunspinning, and appeared on TV variety shows showing off this skill. He appeared in Western films and as a guest star on several "Golden Age" T.V. Westerns.

Personal life[link]

Car accident and conversion to Judaism[link]

Davis nearly died in an automobile accident on November 19, 1954 in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles.^[16] The accident occurred at a fork in U.S. Highway 66 at Cajon Boulevard and Kendall Drive (34°12′26″N 117°23′08″W / 34.2072°N 117.3855°W / 34.2072; -117.3855). Davis lost his left eye as a result. His friend, actor Jeff Chandler, offered one of his own eyes if it would keep Davis from total blindness. The offer was not needed.^[17] Davis wore an eye patch for at least six months following the accident.^[18][19] He appeared on What's My Line wearing the patch.^[20] Later, he was fitted for a glass eye, which he wore for the rest of his life.

While in the hospital, Davis' friend, performer Eddie Cantor, told him about the similarities between the Jewish and black cultures. Prompted by this conversation, Davis—who was born to a Catholic mother and Protestant father—began studying the history of Jews. He converted to Judaism several years later.^[1] One passage from his readings (from the book A History of The Jews by Abram L. Sachar), describing the endurance of the Jewish people, intrigued him in particular: "The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush".^[21] In many ways, the accident marked a turning point in Davis' career, taking him from a well-known entertainer to a national celebrity and icon.^[16]

Marriages[link]

In the mid-1950s, Sammy was involved with Kim Novak, a film star under contract to Columbia Studios. The head of the studio, Harry Cohn, was worried about the negative effect this would have on the studio because of the prevailing taboo against miscegenation. He called his friend, the mobster Johnny Roselli, who was asked to tell Davis that he had to stop the affair with Novak. Roselli arranged for Davis to be kidnapped for a few hours to throw a scare into him. His hastily arranged and soon-dissolved marriage to black dancer Loray White in 1958 was an attempt to quiet the controversy.^[22]

In 1960, Davis caused controversy again when he married white Swedish-born actress May Britt. Davis received hate mail while starring in the Broadway musical adaptation of Golden Boy from 1964–66 (for which he received a Tony Award nomination for Best Actor). At the time Davis appeared in the play, interracial marriages were forbidden by law in 31 US states, and only in 1967 were those laws ruled unconstitutional by the US Supreme Court.^[23] Davis and Britt had one daughter and adopted two sons. Davis performed almost continuously and spent little time with his wife. They divorced in 1968, after Davis admitted to having had an affair with singer Lola Falana. That year, Davis started dating Altovise Gore, a dancer in Golden Boy. They were married on May 11, 1970 by the Reverend Jesse Jackson. They adopted a child and remained married until Davis's death in 1990.

Political beliefs[link]

Sammy Davis, Jr. in the Yellow Oval Room of the White House with President Richard Nixon, March 4, 1973

Although Davis had been voting Democratic, he felt a lack of respect from the John F. Kennedy presidency. He had been removed from the list of performers for Kennedy's inaugural party (hosted by Davis' close friend Frank Sinatra) because of Davis' recent interracial marriage to May Britt on November 13, 1960, in order to quell any controversy.^[24]

In the early 1970s, Davis supported Republican President Richard M. Nixon (and gave the startled President a hug during a live television broadcast). The incident was controversial, and Davis was given a hostile reception by his peers. Previously Davis had won their respect with his performance as Joe Wellington Jr. in Golden Boy and his participation in the Civil Rights Movement. Nixon invited Davis to sleep in the White House in 1973, which is believed^{[by whom?]} to be the first time an African American was invited to do so.^{[citation needed]} Davis spent the night in the Queens' Bedroom.^[25] Unlike Sinatra, Davis voted Democratic for President again after the Nixon administration, supporting the campaigns of Rev. Jesse Jackson in 1984 and 1988.

Death[link]

Davis died in Beverly Hills, California on May 16, 1990, of complications from throat cancer. Earlier, when he was told that surgery (laryngectomy) offered him the best chance of survival, Davis replied he would rather keep his voice than have a part of his throat removed; he subsequently was treated with a combination of chemotherapy and radiation.^[26] However, a few weeks prior to his death his entire larynx was removed during surgery.^[27] He was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California next to his father and Will Mastin.

On May 18, 1990, two days after Davis' death, the neon lights of the Las Vegas Strip were darkened for ten minutes, as a tribute to him.

Portrayals[link]

Davis in 1989

Davis was portrayed by Don Cheadle in the HBO film The Rat Pack, a television film about the pack of entertainers. Cheadle won a Golden Globe award for his performance.

Eddie Griffin has made his impersonation of Davis a major part of his career, be it at stage or TV.

On Saturday Night Live, Davis has been portrayed by Garrett Morris, Eddie Murphy, Billy Crystal and Tim Meadows.

Davis was portrayed on the popular sketch comedy show In Living Color by Tommy Davidson, notably a parody of the film Ghost, in which the ghost of Davis enlists the help of Whoopi Goldberg to communicate with his wife.

David Raynr also portrayed Davis in the miniseries Sinatra, a television film about the life of Frank Sinatra.

Davis was portrayed by Keith Powell in an episode of 30 Rock entitled "Subway Hero".

In the 1993 film Wayne's World 2, Tim Meadows portrays Davis in the dream sequence with Michael A. Nickles as Jim Morrison.

He was portrayed by Paul Sharma in the 2003 West End production Rat Pack Confidential.^[28]

In September 2009, the musical Sammy: Once in a Lifetime premiered at the Old Globe Theater in San Diego with book, music and lyrics by Leslie Bricusse, and additional songs by Bricusse and Anthony Newley. The title role was played by Broadway Tony Award nominee Obba Babatundé.

Davis was mentioned in British singer Amy Winehouse's album Back to Black on the song "Me and Mr. Jones". The lyrics are as follows: "Aside from Sammy you're my best black Jew."

A black and white portrait of Davis, drawn by Jim Blanchard, adorns the cover of avant-garde rock band Oxbow's second album King Of The Jews.

Midwest radio personality Kevin Matthews impersonated Sammy Davis, Jr. many times on his radio show.

Comedian Jim Carrey has portrayed Davis on stage in a stand up routine.

Discography[link]

Honors and awards[link]

Grammy Awards[link]

Emmy Awards[link]

Other honors[link]

Filmography[link]