Georgie Fame
Fame playing with Bill Wyman's Rhythm Kings in 2009 Photo: Jacco Barth
Background information
Birth name	Clive Powell
Born	(1943-06-26) 26 June 1943 (age 69) Leigh, Lancashire England
Genres	R&B, jazz
Occupations	Musician, musical director
Instruments	Vocals, piano, keyboards
Years active	1959–present
Labels	Columbia, Polydor
Associated acts	Blue Flames Georgie Fame and the Blue Flames Alan Price Bill Wyman's Rhythm Kings Van Morrison
Notable instruments
Hammond organ, piano
Music sample
"Do The Dog" noicon

Georgie Fame (born Clive Powell, 26 June 1943, Leigh, Lancashire) is a British rhythm and blues and jazz singer and keyboard player. The one-time rock and roll tour musician, who had a string of 1960s hits, is still a popular performer, often working with contemporaries such as Van Morrison and Bill Wyman.^[1]

Biography[link]

Early life[link]

Fame took piano lessons from the age of seven and after leaving Leigh Central County Secondary School at 15, he worked for a brief period in a cotton weaving mill and played piano for a band called The Dominoes in the evenings. After taking part in a singing contest at the Butlins Holiday Camp in Pwllheli, North Wales he was offered a job there by the band leader, early British rock'n'roll star Rory Blackwell.

At sixteen years of age, Fame went to London and, on the recommendation of Lionel Bart, entered into a management agreement with Larry Parnes, who had given new stage names to such artists as Marty Wilde and Billy Fury. Fame later recalled that Parnes had given him an ultimatum over his forced change of name:

Over the following year he toured the UK playing beside Wilde, Joe Brown, Gene Vincent, Eddie Cochran and others. Fame played piano for Billy Fury in his backing band The Blue Flames. When the backing band got the sack at the end of 1961, the band were re-billed as "Georgie Fame and the Blue Flames" and went on to enjoy great success with a repertoire largely of rhythm and blues numbers.

The Blue Flames[link]

Fame was influenced from early on by jazz and such blues musicians as Willie Mabon and Mose Allison, and was one of the first white artists to be influenced by the ska music he heard in Jamaican cafes in and around Ladbroke Grove. Black American soldiers who visited the Flamingo Club, where the band had a three-year residency, would play him the latest jazz and blues releases from America, "Midnight Special" by Jimmy Smith, "Grooving With Jug" by Gene Ammons and Richard "Groove" Holmes, and "Green Onions" by Booker T. & the M.G.'s. Fame Later recalled;

In August 1963 the band took a weekly Friday night spot at "The Scene" on Great Windmill Street. In September 1963 the band recorded its debut album Rhythm And Blues At the Flamingo live at the Flamingo Club. Produced by Ian Samwell, who had previously played with Cliff Richard, and engineered by Glyn Johns,^[4] the album was released, in place of a planned single, on the EMI Columbia label. It failed to reach the chart but the October 1964 follow-up Fame At Last achieved No. 15 on the UK album chart. In 1964 Fame and the band appeared on five episodes of ITV's Ready Steady Go!.^[5]

When Ronan O'Rahilly, who then managed him, could not get Fame's first record played by the BBC^[6] and was also turned down by Radio Luxembourg, he announced he would start his own radio station in order to promote the record.^[7] The station became the offshore pirate radio station, Radio Caroline.^[8]

Georgie Fame at Gröna Lund, Stockholm, 1968

Later Fame enjoyed regular chart success with singles, having three Top 10 hits, which all made number one in the UK Singles Chart.^[1] His version of "Yeh Yeh", released on 14 January 1965, spent two weeks at No. 1 on the UK singles chart and a total of 12 weeks on the chart. The following-up single, in 1965, was "In The Meantine" which also charted in both UK and US. Fame made his US television debut that same year on the NBC Hullabaloo series. Fame's single "Get Away", released on 21 July 1966, spent one week at No. 1 on the UK chart and 11 weeks on the chart in total. The song, originally recorded with a view to using it as a television jingle for a petrol advertisement, was later used as the theme tune for a quiz show on Australian television. At this point Fame disbanded his band and went solo.

Solo[link]

Fames' version of the Bobby Hebb song "Sunny" made No. 13 in the UK charts in September 1966.^[9] The follow-up, "Sitting In The Park", made No. 12. His greatest chart success was "The Ballad of Bonnie and Clyde" in 1967, which was a number one hit in the United Kingdom, and No.7 in the United States. "Yeh Yeh" and "The Ballad of Bonnie and Clyde" sold over one million copies, and were awarded gold discs.^[10]

Price of Fame[link]

Fame continued playing into the 1970s, having a hit, "Rosetta", with his close friend Alan Price, ex-keyboard player of The Animals, in 1971, and they worked together extensively for a time. In 1974, Fame reformed the Blue Flames and also began to sing with Europe's finest orchestras and big bands, a musical tradition he still currently pursues. During the 1970s, he also wrote jingles for several UK radio and TV commercials, and composed the music for the feature films Entertaining Mr Sloane and The Alf Garnett Saga (1972).

Recent work[link]

Fame has collaborated with some of the most successful performers in the world of popular music. He has been a core member of Van Morrison's band, as well as his musical producer. Fame also played keyboards and sang harmony vocals on such tracks as "In the Days before Rock 'n' Roll" from the album Enlightenment, whilst still recording and touring as an artist in his own right. Fame played organ on all of the Van Morrison albums between 1989 and 1997, and starred at Terry Dillon's 60th birthday party on 10 May 2008. Morrison refers to Fame in the line "I don't run into Mr. Clive" in his song "Don't Go to Nightclubs Anymore" featured on the 2008 Keep It Simple album. Fame appeared as a special guest on Morrison's television concert show presented by BBC Four series on 25 April and 27 April 2008.

Fame was also founding member of friend Bill Wyman's early band Rhythm Kings, touring with the band. He has also worked with Count Basie, Eric Clapton, Muddy Waters, Joan Armatrading and The Verve.^[11]

Fame has frequently played residences at jazz clubs, such as Ronnie Scott's. He has also played organ on Starclub's album. He was the headline act on the Sunday night at the Jazz World stage at the 2009 Glastonbury Festival, this following a headline gig the night before at the "Midsummer Music @ Spencers" festival in Essex.^[12]

On 18 April 2010, Fame, together with his two sons Tristan Powell (guitar) and James Powell (drums), performed at the Live Room at Twickenham Stadium,^[13] as part of the 10th birthday celebrations of "The Eel Pie Club".^[14] Part of the proceeds from the concert will benefit The Otakar Kraus Trust, which provides music and voice therapy for children and young people with physical and mental difficulties.^[15] The trio performed later that same year at the opening night at Towersey Festival.^[16]

Fame has made several albums on his own Three Line Whip label since the late 1990s, mostly new original compositions with a jazz/R&B framework.

Personal life[link]

In 1972, Fame married Nicolette (née Harrison), Marchioness of Londonderry, the former wife of the 9th Marquess. Lady Londonderry already had given birth to one of Fame's children during marriage to the marquess; the child, Tristan, bore the courtesy title Viscount Castlereagh and was believed to be heir to the marquessate. When tests determined that the child was actually Fame's, the Londonderrys divorced. The couple had one son, James, after their marriage. Nicolette Powell died on 13 August 1993, after jumping off the Clifton Suspension Bridge.^[17]

Views and advocacy[link]

Fame is a supporter of the Countryside Alliance and has played concerts to raise funds for the organisation,^[18] and a supporter of The Otakar Kraus Music Trust.

Discography[link]

Singles[link]

• "Do the Dog"/"Shop Around" (January 1964) Columbia DB 7193
• "Do Re Mi"/"Green Onions" (Apr 1964) Columbia DB 7255
• "Bend a Little"/"I'm In Love With You" (Jul 1964) Columbia DB 7328
• "Yeh Yeh"/"Preach And Teach" (Dec 1964) Columbia DB 7428
• "In the Meantime"/"Telegram" (Mar 1965) Columbia DB 7494
• "Like We Used to Be"/"It Ain't Right" (Jul 1965) Columbia DB 7328
• "Something" (Oct 1965) Columbia DB 7727
• "Get Away" (Jun 1966) Columbia DB 7946
• "Sunny" (Sep 1966) Columbia DB 8015
• "Sitting in the Park" (Dec 1966) Columbia DB 8096
• "Because I Love You" (1967)
• "Try My World" (1967)
• "The Ballad of Bonnie and Clyde" (1967) CBS CBS 3124
• "Peaceful" (1969) CBS 4295
• "Seventh Son" (1969)
• "Somebody Stole Ny Thunder" / "Entertaining Mr. Sloane" (1970) CBS 5035
• "Rosetta" (with Alan Price) (1971) ^[1]
• "Ali Shuffle" (1974)
• "Yes Honestly" (1976)
• "Sweet Perfection" (1976)
• "New York Afternoon" (1986) (Mondo Kane feat Georgie Fame, produced by Stock Aitken Waterman)
• "That's Life" (with Van Morrison) (1996)

EPs[link]

• "Rhythm & Blue-Beat" (1964) Columbia SEG 8334
• "Fame At Last" (1964) Columbia SEG 8393

Albums[link]

• Rhythm and Blues at the Flamingo (1964) Columbia 33SX 1599
• Fame at Last! (1965) Columbia
• Sweet Things (1966) Columbia
• Sound Venture (1966) Columbia
• The Two Faces of Fame (1967) CBS
• The Third Face of Fame (1968) CBS
• Seventh Son (1969) CBS
• Shorty featuring Georgie Fame (1969 - live album not issued in the UK) CBS
• Georgie Does His Thing with Strings (1970) CBS
• Fame and Price, Price and Fame: Together! (1971) CBS
• Going Home (1971) CBS
• All Me Own Work (1972) Reprise
• Georgie Fame (1973) Island
• Right Now (1979)
• Closing the Gap (1980)
• In Hoagland (with Annie Ross) (1981) (featuring the songs of Hoagy Carmichael)
• Samba (1986) Ensign Records ENYX 605
• No Worries (1988)
• Cool Cat Blues (1991)
• Three Line Whip (1994)
• The Blues and Me (1996)
• Tell Me Something: The Songs of Mose Allison (1996)
• Name Droppin': Live at Ronnie Scott's, Vol. 1 (1997)
• Walkin' Wounded: Live at Ronnie Scott's, Vol. 2 (1998)
• Endangered Species with The Danish Radio Big Band (recorded 1993, released 1999)
• Poet in New York (2000)
• Relationships (2001)
• The Birthday Big Band (1998 55th birthday concert) (2007)
• Charleston (2007)
• Tone-Wheels 'A' Turnin' (2009)

Compilation albums[link]

• Hall of Fame (1967)
• Fame Again (1979)
• On the Right Track: Beat, Ballad and Blues (1992)
• The Very Best of Georgie Fame and the Blue Flames (1998)
• Funny How Time Slips Away (2001)
• Somebody Stole My Thunder: 1967–1971 (2007)
• Georgie Fame: Mod Classics 1964–1966 (2010) Ace Records (CDBGPD 206)

References[link]

External links[link]

Wikimedia Commons has media related to: Georgie Fame

• Georgie Fame biography, Steve Huey, AllMusic
• "The Entertainers: Georgie Fame", on Grampian Television, broadcast 28 May 1979, at youtube.com

Gangway was a Danish band (now-defunct), sometimes classified as indie pop. Gangway consists of Allan Jensen lead singer, Henrik Balling on guitar, Torben Johansen on keyboards, and four different drummers, Jan Christensen (1982–84), Gorm Ravn-Jonsen (1984–89), Cai Bojsen-Møller (1991–94), and Jeppe Moesgaard (1996–98).

Their first three albums tend towards Beatle-esque (and sometimes Smiths-esque) guitar pop, with a distinct New Wave twist, but later on, particularly on The Quiet Boy Ate The Whole Cake, their influences from synth-pop music, especially Pet Shop Boys shows through. They are also known for their strange and subtle lyrics that are often on the verge of surrealism. Usually near impossible to find their records in the U.S., with the strange exception of them popping up at Tower Outlet.

Their song My Girl and Me was a big hit in Denmark and was also played on MTV. It received regular airplay on modern rock radio station KITS in San Francisco.

The band broke up in 1998, but on 21 October 2006, guitarist/songwriter Henrik Balling and lead singer Allan Jensen finally staged an exclusive re-union show for just 125 people at a small bar in Copenhagen. Torben Johansen was present in the audience.

Set list:

Scream
Out on the rebound from love
Once bitten twice shy
Join the party
Violence easter and X-mas
Didn't I make you laugh
Sisters in legs
Mountain song

The party's over
Believe in me
Biology
She keeps telling jokes
Sitting in the park
Don't ask yourself
April fool
Thermometer song
Come back as a dog

My girl and me
The idiot

Discography[link]

• The Twist (1984)
• Sitting in the Park (1986)
• Sitting in the Park Again (1988)
• The Quiet Boy Ate the Whole Cake (1991)
• Happy Ever After (1992)
• Optimism (1994)
• That's Life (1996)
• Compendium (1998)

External links[link]

• Gangway fan site

Symphony Sid (left) with Josh White (right), WHOM, New York, in the 1940s

Sid Torin (born Sidney Tarnopol on December 14, 1909 – died September 14, 1984) was a long-time jazz disk jockey in the United States. Many critics have credited him with introducing jazz to the mass audience.

Early life[link]

Sidney Tarnopol^[1] was born in New York City. According to the 1920 U.S. Census, his parents were Isidore (a printer) and Caroline, both Yiddish-speaking immigrants; his father was from Russia and his mother from Romania. Sidney was the oldest of three siblings—he had a brother Martin and a sister Mildred. Born on New York's Lower East Side, Sid grew up in Brooklyn, in a poor neighborhood.^[2] Not much is known about his youth, although he seems to have become a jazz fan as a teenager,^[3] and at one point tried to become a trumpet player. (Passman, 67) One source says he started college and then dropped out as a result of the Depression.^[4] By 1930, the census showed him working at a record store. He first got into radio in 1937, at a radio station in the Bronx, WBNX, where he began as an afternoon disc jockey, doing a show called the "Afternoon Swing Session". His show featured the biggest hits by black performers such as Count Basie, Duke Ellington and Ella Fitzgerald. He became extremely popular with young people, many of whom would come to the station hoping to meet him or make a request.^[5] In an era when black music was still not frequently heard on the air, Symphony Sid was among the few white announcers who played what was then called "race" or "sepia" recordings on a regular basis. In addition to being an announcer—in 1937, the word "disc jockey" was not yet in common use—Sid sold airtime for his own program and produced the commercials for his sponsors.^[6]

Early radio career[link]

The story of how he got the nickname "Symphony" Sid has been told in numerous ways. According to one source, it came from working at the Symphony record store where he introduced R&B records. The predominantly black customers told their friends that they bought the records from Symphony Sid.^[7] But another source says it came from a sponsor—a men's clothing store, and when announcer Walter Tolmes opened Sid's show, he rhymed "Here comes the kid with the fancy pants and the fancy lid... Symphony Sid."^[4] And yet another source says he got the name from playing "good music" (classical recordings) at his first radio job, before he became known for jazz. This source says the name came from his playing symphonic music every day.^[2] But however he got the nickname, he also did what was very common back then—he shortened his ethnic-sounding last name (Tarnopol) to one that was more generic—Torin. By 1941, Symphony Sid had left WBNX and was working at WHOM in Jersey City, New Jersey, where he became identified with doing the late night shift. His show was called the "After-Hours Swing Session".^[8] At WHOM, he began to give up-and-coming black performers exposure. He also began to co-produce and promote jazz concerts, in association with Monte Kay. One of their first collaborations was in 1945 (some sources say 1942) at New York's Town Hall; it featured two up-and-coming talents, Dizzy Gillespie and Charlie Parker.^[9] After WHOM, his career took him briefly to WWRL in New York and then to WMCA. By 1947, he was one of the most well-known jazz disc jockeys, and airplay on his show could give a major boost to any musician. Some grateful performers even wrote songs that they dedicated to him: for example, in 1947, Arnett Cobb recorded "Walkin' With Sid" for the Apollo record label.^[10] And also in 1947, Sid began to use a song by Erskine Hawkins, "After Hours", as the theme of his nightly program.^[11]

Sid left WMCA in early June 1949, but he didn't have to wait long for his next job. On 20 June 1949, he received his biggest opportunity: a network program on what was then called WJZ—later known as WABC. Thanks to his work on the fledgling ABC Radio Network, he was heard in more than 30 states. (Barlow, 158) And as a result of his network show, jazz, especially the music of artists like Miles Davis and Charlie Parker, gained wider exposure with a national audience. Later, critics would refer to him as "the dean of jazz radio".^[12]

Controversy and change[link]

Although Sid was white, he was famous for his hipster lingo, his love of be-bop, and his knowledge of the black music scene. While modern critics later accused white jazz disc jockeys like Symphony Sid and Alan Freed of profiting from black radio and taking jobs away from black announcers (see for example Sinclair, 1989 for example), this did not seem to be a concern during the years when Sid broadcast. He won several awards from black organizations, including an award for Disc Jockey of the Year presented to him in 1949 by the Global News Syndicate, for his "continuous promotion of negro artists".^[13] Among the entertainers he had helped were such jazz performers as Nat King Cole, Sarah Vaughn, Charlie Parker, and Billy Eckstine. As his popularity grew, songs were written about him. For example, there was a reference to "the dial is all set right close to eighty" in the song "Jumpin' With Symphony Sid", which was written by Lester Young with lyrics by King Pleasure; the song mentioned the location on the radio dial where Symphony Sid's Friday night show could be found. "Jumpin' With Symphony Sid" was also a 1950 hit for the George Shearing Quintet. In addition, another song, "Symphony in Sid" by Illinois Jacquet was written in tribute to him.^[14] Following are the complete King Pleasure lyrics to "Jumpin' with Symphony Sid":