His Excellency the Right Honourable the Lord Tweedsmuir PC GCMG GCVO CH
15th Governor General of Canada
In office 2 November 1935 – 11 February 1940
Monarch	George V Edward VIII George VI
Prime Minister	R. B. Bennett William L. Mackenzie King
Preceded by	The Earl of Bessborough
Succeeded by	The Earl of Athlone
More...
Personal details
Born	(1875-08-26)26 August 1875 Perth, Scotland
Died	11 February 1940(1940-02-11) (aged 64) Montreal, Quebec
Spouse(s)	Susan Buchan, Baroness Tweedsmuir
Profession	Author
Religion	Free Church of Scotland, United Free Church of Scotland, Church of Scotland
Signature

John Buchan, 1st Baron Tweedsmuir PC GCMG GCVO CH (26 August 1875 – 11 February 1940) was a Scottish novelist, historian and Unionist politician who served as Governor General of Canada, the 15th since Canadian Confederation.

After a brief career in law, Buchan simultaneously began writing and his political and diplomatic career, serving as a private secretary to the colonial administrator of various colonies in Southern Africa, and eventually wrote propaganda for the British war effort in First World War. Once back in civilian life, Buchan was elected Member of Parliament for the Combined Scottish Universities, but spent most of his time on his writing career. He wrote The Thirty-Nine Steps and other adventure fiction. He was in 1935 appointed as governor general by George V, king of Canada, on the recommendation of Prime Minister of Canada R. B. Bennett, to replace the Earl of Bessborough as viceroy, and occupied that post until his death in 1940. Buchan proved to be enthusiastic about literacy, as well as the evolution of Canadian culture, and he received a state funeral in Canada before his ashes were returned to the United Kingdom.

Early life and education[link]

Buchan was the first child of John Buchan — a Free Church of Scotland minister — and Helen Jane Buchan. Born in Perth,^[1] Buchan was brought up in Kirkcaldy, Fife, and spent many summer holidays with his grandparents in Broughton, in the Scottish Borders. There he developed a love of walking, as well as for the local scenery and wildlife, which often featured in his novels; the name of a protagonist in several of Buchan's books — Sir Edward Leithen — is borrowed from the Leithen Water, a tributary of the River Tweed.

After attending Hutchesons' Grammar School, Buchan was awarded a scholarship to the University of Glasgow at age 17, where he studied classics, wrote poetry, and became a published author. With a junior Hulme scholarship, he moved on in 1895 to study Literae Humaniores (the Oxonian term for the Classics) at Brasenose College, Oxford,^[2] where he befriended a number of individuals, including Hilaire Belloc, Raymond Asquith, and Aubrey Herbert. Buchan won both the Stanhope essay prize, in 1897, and the Newdigate Prize for poetry the following year,^[2] as well as being elected as the president of the Oxford Union and having six of his works published.^[3] It was at around the time of his graduation from Oxford that Buchan had his first portrait painted, done in 1900 by a young Sholto Johnstone Douglas.^[4]

Life as an author and politician[link]

Buchan entered into a career in diplomacy and government after graduating from Oxford, becoming the private secretary to Alfred Milner, who was then the High Commissioner for Southern Africa, Governor of Cape Colony, and colonial administrator of Transvaal and the Orange Free State, putting Buchan in what came to be known as Milner's Kindergarten. He also gained an acquaintance with a country that would feature prominently in his writing, which he resumed upon his return to London, at the same time entering into a partnership in the Thomas Nelson & Son publishing company and becoming editor of The Spectator.^[5] Buchan also read for and was called to the bar in 1901,^[6] though he did not practice as a lawyer,^[7] and on 15 July 1907 married Susan Charlotte Grosvenor — daughter of Norman Grosvenor and a cousin of the Duke of Westminster. Together, Buchan and his wife had four children, Alice, John, William, and Alastair, two of whom would spend most of their lives in Canada.^[6]

John Buchan, circa 1936

Buchan wrote Prester John in 1910, the first of his adventure novels set in South Africa, and the following year he suffered from duodenal ulcers, which also inspired one of his characters in later books. At the same time, Buchan ventured into the political arena, and ran as a Unionist candidate in a Scottish Borders constituency; he supported free trade, women's suffrage, national insurance, and curtailing the powers of the House of Lords,^[8] though he did also oppose the welfare reforms of the Liberal Party, and what he considered to be the "class hatred" fostered by demagogic Liberals such as David Lloyd George.^[9]

With the outbreak of the First World War, Buchan went to write for the British War Propaganda Bureau and worked as a correspondent in France for The Times. He continued to write fiction, and in 1915 published his most famous work, The Thirty-Nine Steps, a spy-thriller set just prior to World War I. The novel featured Buchan's oft used hero, Richard Hannay, whose character was based on Edmund Ironside, a friend of Buchan from his days in South Africa. A sequel, Greenmantle, came the following year. Buchan then enlisted in the British Army and was commissioned as a second lieutenant in the Intelligence Corps, where he wrote speeches and communiqués for Sir Douglas Haig. Recognised for his abilities, Buchan was appointed as the Director of Information in 1917, under the Lord Beaverbrook^[6] — a job that Buchan said was "the toughest job I ever took on"^[10] — and also assisted Charles Masterman in publishing a monthly magazine that detailed the history of the war, the first edition appearing in February 1915 (and later published in 24 volumes as Nelson's History of the War). It was difficult, given his close connections to many of Britain's military leaders, for Buchan to be critical of the British Army's conduct during the conflict.^[11]

Following the close of the war, Buchan turned his attention to writing on historical subjects, along with his usual thrillers and novels. By the mid-1920s, he was living in Elsfield and had become president of the Scottish Historical Society and a trustee of the National Library of Scotland,^[6] and he also maintained ties with various universities. Robert Graves, who lived in nearby Islip, mentioned his being recommended by Buchan for a lecturing position at the newly founded Cairo University and, in a 1927 by-election, Buchan was elected as the Unionist Party Member of Parliament for the Combined Scottish Universities. Politically, he was of the Unionist-Nationalist tradition, believing in Scotland's promotion as a nation within the British Empire. Buchan remarked in a speech to parliament: "I believe every Scotsman should be a Scottish nationalist. If it could be proved that a Scottish parliament were desirable... Scotsmen should support it."^[12] The effects of the Great Depression in Scotland, and the subsequent high emigration from that country, also led Buchan to reflect in the same speech: "We do not want to be like the Greeks, powerful and prosperous wherever we settle, but with a dead Greece behind us,"^[13] and he found himself profoundly affected by John Morley's Life of Gladstone, which Buchan read in the early months of the Second World War. He believed that Gladstone had taught people to combat materialism, complacency, and authoritarianism; Buchan later wrote to Herbert Fisher, Stair Gillon, and Gilbert Murray that he was "becoming a Gladstonian Liberal."^[14]

After the United Free Church of Scotland joined in 1929 with the Church of Scotland, Buchan remained an active elder of St. Columba's Church in London, as well as of the Oxford Presbyterian parish. In 1933 and 1934, Buchan was further appointed as the King George V's Lord High Commissioner to the General Assembly of the Church of Scotland. Beginning in 1930, Buchan aligned himself with Zionism and the related Palestine All Party Parliamentary Group.^[15] In recognition of his contributions to literature and education, on 1 January 1932, Buchan was granted the personal gift of the sovereign of induction into the Order of the Companions of Honour.^[16]

In 1935, Buchan's literary work was adapted to the cinematic theatre with the completion of Alfred Hitchcock's The 39 Steps, starring Robert Donat as Richard Hannay, though with Buchan's story much altered. This came in the same year that Buchan was honoured with appointment to the Order of St. Michael and St. George on 23 May,^[17] as well as being elevated to the peerage, when he was entitled by King George V as Baron Tweedsmuir of Elsfield in the County of Oxford on 1 June.^[18] This had been done in preparation for Buchan's appointment as Canada's governor general; when consulted by Canadian prime minister Richard Bedford Bennett about the appointment, the Leader of His Majesty's Loyal Opposition, William Lyon Mackenzie King, had recommended that the King allow Buchan to serve as viceroy as a commoner,^[19] but George V insisted that he be represented by a peer.

Buchan's name had been earlier put forward by Mackenzie King to George V as a candidate for the governor generalcy: Buchan and his wife had been guests of Mackenzie King's at his estate, Kingsmere, in 1924, and Mackenzie King, who at that time was prime minister, was impressed with Buchan, stating, "I know no man I would rather have as a friend, a beautiful, noble soul, kindly & generous in thought & word & act, informed as few men in this world have ever been, modest, humble, true, man after God's own heart." One evening in the following year, the Prime Minister mentioned to Governor General the Lord Byng of Vimy that Buchan would be a suitable successor to Byng, with which the Governor General agreed, the two being friends. Word of this reached the British Cabinet, and Buchan was approached, but he was reluctant to take the posting; Byng had been writing to Buchan about the constitutional dispute that took place in June 1926 and spoke disparagingly of Mackenzie King.^[20]

Governor General of Canada[link]

Mackenzie King delivers an address at the installation of the Lord Tweedsmuir as Governor General of Canada, 2 November 1935

The Lord Tweedsmuir in Native headdress, 1937 (photo by Yousuf Karsh)

It was announced from the Canadian prime minister's office on 10 August 1935 that the King had approved Bennett's recommendation of Buchan as the viceregal representative by commission under the royal sign-manual and signet. Buchan then departed for Canada and was sworn in as the country's governor general in a ceremony on 2 November 1935 in the salon rouge of the parliament buildings of Quebec. Buchan was the first viceroy of Canada appointed since the enactment of the Statute of Westminster on 11 December 1931, and was thus the first to have been decided on solely by the monarch of Canada in his Canadian council.

Buchan continued writing during his time as governor general, but he also thereafter took his position as viceroy seriously and from the outset made it his goal to travel the length and breadth of Canada, including, for the first time for a governor general,^[3] the arctic regions; he said of his job: "a Governor General is in a unique position for it is his duty to know the whole of Canada and all the various types of her people." Buchan also encouraged a distinct Canadian identity and national unity, despite the ongoing Great Depression and the difficulty which it caused for the population.^[6] Not all Canadians shared Buchan's views; he raised the ire of imperialists when he said in Montreal in 1937: "a Canadian's first loyalty is not to the British Commonwealth of Nations, but to Canada and Canada's King,"^[21] a statement that the Montreal Gazette dubbed as "disloyal."^[22] Buchan maintained and recited his idea that ethnic groups "should retain their individuality and each make its contribution to the national character," and "the strongest nations are those that are made up of different racial elements."^[23]

The following year proved to be a tumultuous one for the monarchy that Buchan represented. In late January, George V died, and his eldest son, the popular Prince Edward, succeeded to the throne as Edward VIII, while Rideau Hall — the royal and viceroyal residence in Ottawa — was decked in black crepe and all formal entertaining was cancelled during the official period of mourning. As the year unfolded, it became evident that the new king planned to marry American divorcée Wallis Simpson, which caused much discontentment throughout the Dominions. Buchan conveyed to Buckingham Palace and British prime minister Stanley Baldwin Canadians' deep affection for the King, but also the outrage to Canadian religious feelings, both Catholic and Protestant, that would occur if Edward married Simpson.^[24] By 11 December, King Edward had abdicated in favour of his younger brother, Prince Albert, Duke of York, who was thereafter known as George VI. In order for the line of succession for Canada to remain parallel to those of the other Dominions, Buchan, as Governor-in-Council, gave the government's consent to the British legislation formalising the abdication, and ratified this with finality when he granted Royal Assent to the Canadian Succession to the Throne Act in 1937 .^[25]

In May and June 1939, the new king and his royal consort toured the country from coast to coast and paid a state visit to the United States on behalf of Canada. The royal tour had been conceived by Buchan before the coronation in 1937; according to the official event historian, Gustave Lanctot, the idea "probably grew out of the knowledge that as his coming Coronation, George VI was to assume the additional title of King of Canada," and Buchan desired to demonstrate with living example — through Canadians seeing "their King performing royal functions, supported by his Canadian ministers" — the fact of Canada's status as an independent kingdom.^[26] Buchan put great effort into securing a positive response to the invitation sent to King George in May 1937; after more than a year without a reply, in June 1938 Buchan headed to the United Kingdom for personal holidays, but also to procure a decision on the possible royal tour. From his home near Oxford, Buchan wrote to Mackenzie King: "The important question for me is, of course, the King's visit to Canada." After a period of convalescence at Ruthin Castle, Buchan, in October, sailed back to Canada with a secured commitment that the royal couple would tour the country. Though he had been a significant contributor to the organisation of the trip, Buchan retired to Rideau Hall for the duration of the royal tour; Buchan expressed the view that while the King of Canada was present, "I cease to exist as Viceroy, and retain only a shadowy legal existence as Governor-General in Council."^[26] In Canada itself, the royal couple took part in public events such as the opening of the Lions Gate Bridge in May 1939.

Another factor behind the tour was public relations: the presence of the royal couple in Canada and the United States, was calculated to shore up sympathy for Britain in anticipation of hostilities with Germany. Buchan's experiences during the First World War made him averse to conflict, he tried to help prevent another war in coordination with United States president Franklin D. Roosevelt and Mackenzie King. Still, Buchan authorised Canada's declaration of war against Germany in September, shortly after the British declaration of war and with the consent of King George; and, thereafter, issued orders of deployment for Canadian soldiers, airmen, and seamen as the titular commander-in-chief of the Canadian armed forces.

These duties would not burden Buchan for long, as, on 6 February 1940, he suffered a severe head injury when he fell during a stroke at Rideau Hall. Two surgeries by Doctor Wilder Penfield of the Montreal Neurological Institute were insufficient to save him, and his death on 11 February was eulogised on the radio by Mackenzie King: "In the passing of His Excellency, the people of Canada have lost one of the greatest and most revered of their Governors General, and a friend who, from the day of his arrival in this country, dedicated his life to their service." The Governor General had formed a strong bond with his prime minister, even if it may have been built more on political admiration than personal friendship; while Mackenzie King appreciated his "sterling rectitude and disinterested purpose,"^[3] despite being wary of Buchan's vices (such as his penchant for titles),

After lying in state in the Senate chamber on Parliament Hill, the state funeral for Buchan was held at St. Andrew's Presbyterian Church in Ottawa. Buchan's ashes were returned to the UK aboard the cruiser HMS Orion for final burial at Elsfield, his family estate in Oxfordshire.

Legacy[link]

In his last years, Buchan, amongst other works, wrote an autobiography, Memory Hold-the-Door, as well as works on the history and his views of Canada. He and Baroness Tweedsmuir together established the first proper library at Rideau Hall, and, with his wife's encouragement, Buchan founded the Governor General's Literary Awards, which remain Canada's premier award for literature.^[6]

Buchan's 100 works include nearly thirty novels, seven collections of short stories, and biographies of Sir Walter Scott, Caesar Augustus, and Oliver Cromwell. Buchan was awarded the James Tait Black Memorial Prize for his biography of the Marquess of Montrose, but the most famous of his books were the spy thrillers, and it is for these that he is now best remembered. The "last Buchan" (as Graham Greene entitled his appreciative review) was the 1941 novel Sick Heart River (American title: Mountain Meadow), in which a dying protagonist confronts the questions of the meaning of life in the Canadian wilderness. The insightful quotation, "It's a great life, if you don't weaken," is famously attributed to Buchan,^[27] as is, "No great cause is ever lost or won, The battle must always be renewed, And the creed must always be restated."^[28]

Tweedsmuir Provincial Park in British Columbia, now divided into Tweedsmuir South Provincial Park and Tweedsmuir North Provincial Park and Protected Area, was created in 1938 to commemorate Buchan's 1937 visit to the Rainbow Range and other nearby areas by horseback and floatplane. In the foreword to a booklet published to commemorate his visit, he wrote, "I have now travelled over most of Canada and have seen many wonderful things, but I have seen nothing more beautiful and more wonderful than the great park which British Columbia has done me the honour to call by my name".^[29]

Titles, styles and honours[link]

Titles[link]

Viceregal styles of The Lord Tweedsmuir (1935–1940)
Reference style	His Excellency the Right Honourable Son Excellence le très honourable
Spoken style	Your Excellency Votre Excellence
Alternative style	Sir Monsieur

United Kingdom

• 25 August 1875 – 3 June 1935: Mister John Buchan or John Buchan, Esquire^{[dubious – discuss]}
• 3 June 1935 – 11 February 1940: The Right Honourable the Lord Tweedsmuir

Canada

• 2 November 1935 – 11 February 1940: His Excellency the Right Honourable the Lord Tweedsmuir, Governor General and Commander-in-Chief of the Militia and Naval and Air Forces of Canada

Honours[link]

Ribbon bars of the Lord Tweedsmuir

Appointments

• 1 January 1932 – 11 February 1940: Companion of the Order of the Companions of Honour (CH)
• 23 May 1935 – 11 February 1940: Knight Grand Cross of the Most Distinguished Order of Saint Michael and Saint George (GCMG)
• 2 November 1935 – 11 February 1940: Chief Scout for Canada
• 2 November 1935 – 11 February 1940: Honorary Member of the Royal Military College of Canada Club
• 28 May 1937 – 11 February 1940: Member of His Majesty's Most Honourable Privy Council (PC)^[30]
• 15 June 1939 – 11 February 1940: Knight Grand Cross of the Royal Victorian Order (GCVO)^[30]
• : Honorary Fellow of Oxford University

Medals

• 1935: King George V Silver Jubilee Medal
• 1937: King George VI Coronation Medal

Awards

• 1897: Stanhope essay prize
• 1898: Newdigate Prize
• 1928: James Tait Black Memorial Prize
• 4 December 1940: Silver Wolf Award (posthumous)^[30]

Foreign honours

• 15 December 1918 – 11 February 1940: Knight of the Order of the Crown of Italy^[30]

Non-national honours

• 1937 – 11 February 1940: Master of the Order of Good Cheer

Honorary military appointments[link]

• 2 November 1935 – 11 February 1940: Colonel of the Regiment of the Governor General's Horse Guards
• 2 November 1935 – 11 February 1940: Colonel of the Regiment of the Governor General's Foot Guards
• 2 November 1935 – 11 February 1940: Colonel of the Regiment of the Canadian Grenadier Guards

Honorary degrees[link]

This list is incomplete; you can help by expanding it.

• 20 June 1934: University of Oxford, Doctor of Civil Law (DCL)^[30]
• 1936: University of Toronto, Doctor of Laws (LLD)^[31]
• 1936: University of Toronto, Doctor of Divinity (DD)^[31]
• 1937: Harvard University, Doctor of Laws (LLD)^[26]
• 1937: Yale University, Doctor of Laws (LLD)^[26]
• : McGill University, Doctor of Laws (LLD)
• : Université de Montréal, Doctor of Laws (LLD)
• : University of Glasgow, Doctor of Laws (LLD)
• : University of St. Andrews, Doctor of Laws (LLD)

Honorific eponyms[link]

Geographic locations

•  British Columbia: Tweedsmuir South Provincial Park
•  British Columbia: Tweedsmuir North Provincial Park and Protected Area
•  British Columbia: Tweedsmuir Peak^[32]
•  Ontario: Tweedsmuir Avenue, Ottawa
•  Manitoba: Tweedsmuir Place, Pinawa
•  Saskatchewan: Tweedsmuir
•  Scotland: John Buchan Way, Broughton^[33]

Schools

•  Alberta: Strathcona-Tweedsmuir School, Okotoks
•  British Columbia: Lord Tweedsmuir Secondary School, Surrey
•  British Columbia: Tweedsmuir Hall (student residence), University of British Columbia
•  Ontario: John Buchan Senior Public School, Toronto
•  Ontario: Tweedsmuir Public School, North Bay

Organisations

•  Scotland: John Buchan Centre, Broughton^[34]

List of principal works[link]

Fiction[link]

• Sir Quixote of the Moors (1896)
• John Burnet of Barns (1898)
• No-Man's Land (1899)
• Grey Weather (1899)
• A Lost Lady of Old Years (1899)
• The Half-Hearted (1900)
• The Watcher by the Threshold (1902)
• A Lodge in the Wilderness (1906)
• Prester John (1910)
• The Moon Endureth (1912)
• Salute to Adventurers (1915)
• The Thirty-Nine Steps (1915)
• The Power House (1916)
• Greenmantle (1916)
• Mr Standfast (1919)
• The Path of the King (1921)
• Huntingtower (1922)
• Midwinter (1923)
• The Three Hostages (1924)
• John Macnab (1925)
• The Dancing Floor (1926)
• Witch Wood (1927)
• The Runagates Club (1928)
• The Courts of the Morning (1929)
• Castle Gay (1930)
• The Blanket of the Dark (1931)
• The Gap in the Curtain (1932)
• The Magic Walking Stick (1932)
• A Prince of the Captivity (1933)
• The Free Fishers (1934)
• The House of the Four Winds (1935)
• The Island of Sheep (1936)
• Sick Heart River (US title: Mountain Meadow) (1941)
• The Long Traverse (US title: Lake of Gold) (1941)
• The Far Islands and Other Tales of Fantasy (1984)

Non-fiction[link]

• Scholar-Gipsies (1896)
• The African Colony (1903)
• The Law Relating to the Taxation of Foreign Income (1905)
• Some Eighteenth Century Byways (1908)
• Sir Walter Raleigh (1911)
• What the Home Rule Bill Means (1912)
• The Marquis of Montrose (1913)
• Andrew Jameson, Lord Ardwall (1913)
• Nelson's History Of The War. 24 volumes (1914–1919)
• Britain's War by Land (1915)
• The Achievement of France (1915)
• Ordeal by Marriage (1915)
• The Future of the War (1916)
• The Battle of the Somme, First Phase (1916)
• The Purpose of War (1916)
• The Battle of Jutland (1916)
• Poems, Scots and English (1917)
• The Battle of the Somme, Second Phase (1917)
• These for Remembrance (1919)
• The Battle Honours of Scotland 1914–1918 (1919)
• The History of the South African Forces in France (1920)
• Francis and Riversdale Grenfell (1920)
• The Long Road to Victory (1920)
• A History of the Great War (1922)
• A Book of Escapes and Hurried Journeys (1922)
• The Last Secrets (1923)
• A History of English Literature (1923)
• Days to Remember (1923)
• Some Notes on Sir Walter Scott (1924)
• Lord Minto, a Memoir (1924)
• The History of the Royal Scots Fusiliers 1678–1918 (1925)
• The Man and the Book: Sir Walter Scott (1925)
• Two Ordeals of Democracy (1925)
• Homilies and Recreations (1926)
• The Kirk in Scotland (with George Adam Smith) (1930)
• Montrose and Leadership (1930)
• Lord Rosebery, 1847–1929 (1930)
• The Novel and the Fairy Tale (1931)
• Julius Caesar (1932)
• Andrew Lang and the Borders (1932)
• The Massacre of Glencoe (1933)
• The Margins of Life (1933)
• Gordon at Khartoum (1934)
• Oliver Cromwell (1934)
• The King's Grace (1935)
• Augustus (1937)
• The Interpreter's House (1938)
• Presbyterianism Yesterday, Today and Tomorrow (1938)
• Memory Hold-the-Door (US title: Pilgrim's Way) (1940)
• Comments and Characters (1940)
• Canadian Occasions (1940)

See also[link]

• List of Scottish novelists
• List of European mystery writers

Notes[link]

References[link]

Further reading[link]

• Daniell, David, The Interpreter's House: A Critical Assessment of John Buchan (Nelson, 1975) ISBN 0-17-146051-0
• Lownie, Andrew, John Buchan: The Presbyterian Cavalier (David R. Godine Publisher, 2003) ISBN 1-56792-236-8
• Macdonald, Kate, John Buchan: A Companion to the Mystery Fiction (McFarland & Company, 2009) ISBN 978-0-7864-3489-3
• Macdonald, Kate (ed.), Reassessing John Buchan: Beyond 'The Thirty-Nine Steps' (Pickering & Chatto, 2009) ISBN 978-1-85196-998-2
• Smith, Janet Adam, John Buchan: A Biography (1965) (Oxford University Press, reissue 1985) ISBN 0-19-281866-X
• Waddell, Nathan, Modern John Buchan: A Critical Introduction (Cambridge Scholars Publishing, 2009) ISBN 978-1-4438-1370-9

External links[link]

Wikiquote has a collection of quotations related to: John Buchan, 1st Baron Tweedsmuir

Wikisource has original works written by or about: John Buchan

Wikimedia Commons has media related to: John Buchan

• Hansard 1803–2005: contributions in Parliament by Lord Tweedsmuir
• Website of the Governor General of Canada entry for Lord Tweedsmuir
• The Canadian Encyclopedia entry for Lord Tweedsmuir
• The John Buchan Society
• John Buchan Radio Plays
• John Buchan Museum
• Buchanalia
• Project Gutenberg Australia entry for the works of John Buchan
• Works by John Buchan at Project Gutenberg
• John Buchan at the Internet Movie Database
• "Man on the Run" Thrillers: A Checklist by David L. Vineyard.

v t e    Governors General of Canada Monck Lisgar Dufferin Lorne Lansdowne Stanley Aberdeen Minto Grey Connaught Devonshire Byng Willingdon Bessborough Tweedsmuir Athlone Alexander Massey Vanier Michener Léger Schreyer Sauvé Hnatyshyn LeBlanc Clarkson Jean Johnston

Map of Scotland showing the present-day committee area of Buchan

Buchan ( /ˈbʌxən/) is one of the six committee areas and administrative areas of Aberdeenshire Council, Scotland. These areas were created by the council in 1996, when the Aberdeenshire unitary council area was created under the Local Government etc (Scotland) Act 1994. The council area was formed by merging three districts of the Grampian region, Banff and Buchan, Gordon and Kincardine and Deeside. The area is also an historic district and earldom, shown on maps as early as 1708.^[1] The Earldom of Mar and Buchan formed one of the seven original Scottish earldoms; later the Earl of Buchan became separated from Mar The district was eventually combined into the county of Aberdeenshire, along with Marr and later The Mearns.

The Buchan area has a population of 39,160 (2001 census) and an area of 547 km². It contains the town of Peterhead and is adjacent to the committee and administrative areas of Banff and Buchan and Formartine. RAF Buchan, a radar station, is in the area.

Peterhead is the largest town in Buchan and Aberdeenshire; the principal white fish landing port in Europe; and a major oil industry service centre. Equally important is the nearby gas terminal at St Fergus.

Attempts are being made to counter the negative effects of several recent key company closures and economic threats. Inland, the area is dependent upon agriculture, and many villages have seen a decline in population and services. Issues affecting Banff and Buchan also apply here, as does the future of the oil and gas industry. Part of Buchan benefits from EU aid coverage. Opportunities exist through the Buchan Local Action Plan to safeguard and enhance the economic future of Peterhead and Buchan.

The Formartine and Buchan Way runs through Buchan.

History[link]

Buchan was part of the Pictish kingdom of Ce. There is considerable ancient history in this geographic area, especially slightly northwest of Cruden Bay, where the Catto Long Barrow and numerous tumuli are found.^[2]

References[link]

External links[link]

• Official Tourism Site for Buchan
• 1714 map showing Buchan
• 1745 Map showing Buchan and Marr combined into Aberdeen (Mearns not combined)
• 1745 Map showing Buchan and Marr combined into Aberdeen (Mearns not combined)

Coordinates: 57°31′N 2°00′W / 57.52°N 2.00°W / 57.52; -2.00

v t e Settlements and places of interest in Buchan, Aberdeenshire Primary settlements Boddam Crimond Cruden Bay Fetterangus Hatton Longside Maud Mintlaw New Deer New Pitsligo Peterhead St Combs St Fergus Strichen Stuartfield Other settlements Auchnagatt Buchanhaven Clola Inverugie Lonmay New Leeds Old Deer Rora Whinnyfold Places of interest Aden Country Park/Aberdeenshire Farming Museum Bullers of Buchan Crimonmogate Deer Abbey Formartine and Buchan Way Loch of Strathbeg Maritime Heritage Museum Rattray Rattray Head Slains Castle

v t e Areas and primary settlements in Aberdeenshire (see also: Aberdeen City) in Banff and Buchan Aberchirder Banff Fraserburgh Gardenstown Inverallochy and Cairnbulg Macduff Portsoy Rosehearty Sandhaven Whitehills in Buchan Boddam Crimond Cruden Bay Fetterangus Hatton Longside Maud Mintlaw New Deer New Pitsligo Peterhead St Combs St Fergus Strichen Stuartfield in Formartine Balmedie Cuminestown Ellon Fyvie Newburgh Oldmeldrum Pitmedden Potterton Rothienorman Tarves Turriff in Garioch Blackburn Insch Inverurie Kemnay Kintore Newmachar Westhill in Kincardine and Mearns Drumoak Fettercairn Gourdon Inverbervie Johnshaven Laurencekirk Newtonhill Portlethen St Cyrus Stonehaven in Marr Aboyne Alford Ballater Banchory Braemar Huntly Lumphanan Tarland Torphins

This Aberdeenshire location article is a stub. You can help Wikipedia by expanding it. v t e

The Three Stooges
The Three Stooges in 1938's Healthy, Wealthy and Dumb. L to R: Moe Howard, Curly Howard, Larry Fine
Also known as	"Ted Healy and His Southern Gentlemen" "Ted Healy and His Stooges" "Ted Healy and His Three Lost Souls"
Genre	Slapstick comedy
Format	Short subject Feature film
Created by	Ted Healy
Starring	Moe Howard Curly Howard Larry Fine Shemp Howard Joe Besser Joe DeRita
Country of origin	United States
Language(s)	English
External links
threestooges.net

The Three Stooges were an American vaudeville and comedy act of the early to mid–20th century best known for their numerous short subject films. Their hallmark was physical farce and extreme slapstick. In films, the Stooges were commonly known by their first names: "Moe, Larry, and Curly" or "Moe, Larry, and Shemp," among other lineups. They started as "Ted Healy and his Southern Gentlemen" which comprised Moe Howard, Larry Fine and Shemp Howard. This original trio did one feature film entitled Soup to Nuts after which Shemp left the group to pursue a solo career, and was replaced by his brother Curly Howard. This incarnation of the team was the first to be known on film as The Three Stooges.

Shemp rejoined the group after Curly suffered a debilitating stroke in May 1946, reinstating the original line-up until November 1955, when Shemp died of a heart attack. In order to complete four Shemp-era shorts, film actor Joe Palma was used as a temporary body double to Shemp, before Joe Besser became the long-term replacement as the third Stooge. Ultimately, Joe DeRita (nicknamed "Curly Joe") replaced Joe Besser by 1958. The act regained momentum throughout the 1960s as popular kiddie fare until Larry Fine's paralyzing stroke in January 1970 effectively marked the end of the act proper. Moe tried, unsuccessfully, one final time to revive the Stooges with longtime supporting actor Emil Sitka filling in for Larry. Larry ultimately succumbed to a series of additional strokes in January 1975, followed by Moe, who died of lung cancer in May 1975.

History[link]

Ted Healy and his stooges[link]

The Three Stooges started in 1925 as part of a raucous vaudeville act called 'Ted Healy and His Stooges' (a.k.a. 'Ted Healy and His Southern Gentlemen', 'Ted Healy and His Three Lost Souls' and 'Ted Healy and His Racketeers'—the moniker 'Three Stooges' was never used during their tenure with Healy). In the act, lead comedian Healy would attempt to sing or tell jokes while his noisy assistants would keep "interrupting" him. Healy would respond by verbally and physically abusing his stooges. Brothers Moe and Shemp were joined later that year by violinist-comedian Larry Fine, and Fred Sanborn joined the group as well.^[1]

In 1930, Ted Healy and His Stooges (including Sanborn) appeared in their first Hollywood feature film, Soup to Nuts, released by Fox Film Corporation. The film was not a critical success, but the Stooges' performances were singled out as memorable, leading Fox to offer the trio a contract minus Healy. This enraged the prickly Healy, who told studio executives that the Stooges were his employees. The offer was withdrawn, and after Howard, Fine and Howard learned of the reason, they left Healy to form their own act, which quickly took off with a tour of the theatre circuit. Healy attempted to stop the new act with legal action, claiming they were using his copyrighted material. There are accounts of Healy threatening to bomb theaters if Howard, Fine and Howard ever performed there, which worried Shemp so much that he almost left the act; reportedly, only a pay raise kept him on board.^[2] Healy tried to save his act by hiring replacement stooges, but they were inexperienced and not as well-received as their predecessors.^[2] In 1932, with Moe now acting as business manager, Healy reached a new agreement with his former Stooges, and they were booked in a production of Jacob J. Shubert's The Passing Show of 1932. During rehearsals, Healy received a more lucrative offer and found a loophole in his contract allowing him to leave the production.^[2] Shemp, fed up with Healy's abrasiveness,^[2] decided to quit the act and found work almost immediately, in Vitaphone movie comedies produced in Brooklyn, New York.^[1]

With Shemp gone, Healy and the two remaining stooges (Moe and Larry) needed a replacement, so Moe suggested his younger brother Jerry Howard. Healy reportedly took one look at Jerry, who had long chestnut red locks and a handlebar mustache, and remarked that he did not look like he was funny.^[2] Jerry left the room and returned a few moments later with his head shaved (though his mustache remained for a time), and then quipped "Boy, do I look girly." Healy heard "Curly," and the name stuck.^[1] (There are varying accounts as to how the Curly character actually came about.)

In 1933, Metro-Goldwyn-Mayer (MGM) signed Healy and his Stooges to a movie contract. They appeared in feature films and short subjects, either together, individually, or with various combinations of actors. The trio was featured in a series of musical comedy shorts, beginning with Nertsery Rhymes. The short was one of a few shorts to be made with an early two-strip Technicolor process, including one featuring Curly without Healy or the other Stooges, Roast Beef and Movies (1934). The shorts themselves were built around recycled film footage of production numbers cut from MGM musicals, such as Children of Pleasure, Lord Byron of Broadway, and the unfinished March of Time (all 1930), which had been filmed in early Technicolor. Soon, additional shorts followed (sans the experimental Technicolor), including Beer and Pretzels (1933), Plane Nuts (1933), and The Big Idea (1934).^[1]

Healy and company also appeared in several MGM feature films as comic relief, such as Turn Back the Clock (1933), Meet the Baron (1933), Dancing Lady (1933), Fugitive Lovers (1934), and Hollywood Party (1934). Healy and the Stooges also appeared together in Myrt and Marge for Universal Pictures.^[1]

In 1934, the team's contract with MGM expired, and the Stooges parted professional company with Healy. According to Moe Howard's autobiography,^[3] the Stooges split with Ted Healy in 1934 once and for all because of Healy's alcoholism and abrasiveness. Their final film with Healy was MGM's 1934 film, Hollywood Party. Both Healy and the Stooges went on to separate successes, with Healy dying under mysterious circumstances in 1937.^[1]

The Columbia years[link]

Moe, Larry and Curly[link]

In 1934, the trio – now officially christened "The Three Stooges" – signed on to appear in two-reel comedy short subjects for Columbia Pictures. In Moe's autobiography, he said they each got $600 per week on a one-year contract with a renewable option;^[3] in the Ted Okuda–Edward Watz book The Columbia Comedy Shorts, the Stooges are said to have received $1,000 among them for their first Columbia effort, Woman Haters, and then signed a term contract for $7,500 per film (equal to $130,299 today), to be divided among the trio.^[4]

Within their first year at Columbia, the Stooges became wildly popular. Realizing this, Columbia Pictures president Harry Cohn used the Stooges as leverage, as the demand for their films was so great that Columbia eventually refused to supply exhibitors with the trio's shorts unless they also agreed to book some of the studio's mediocre B movies. Cohn also saw to it that the Stooges remained ignorant of their popularity. During their 23 years spent at Columbia, the Stooges were never completely aware of their amazing drawing power at the box office. As their contracts with the studio included an open option that had to be renewed every year, Cohn would tell the boys that the short subjects were in decline, which was not a complete fabrication (Cohn's yearly mantra was "the market for comedy shorts is dying out, fellas.") Thinking their days were numbered, the Stooges would sweat it out each and every year, with Cohn renewing their contract for another year at the eleventh hour. This cruel deception kept the insecure Stooges unaware of their true value, resulting in them having second thoughts about asking for a better contract without a yearly option. Cohn's scare tactics worked for all 23 years the Stooges were at Columbia; the team never once asked for — nor were they ever given — a salary increase. It was not until after they stopped making the shorts in December 1957 did Moe learn of Cohn's underhanded tactics, what a valuable commodity the Stooges had been for the ailing studio, and how many millions more the act could have earned.^[4]

The Stooges were required to churn out up to eight short films per year within a 40-week period; for the remaining 12 or so weeks, they were free to pursue other employment. Usually, the Stooges would either spend this time with their families or tour the country promoting their live act.^[5] The Stooges appeared in 190 film shorts and five features while at Columbia. Del Lord directed more than three dozen Stooge films; Jules White directed dozens more, and his brother Jack White directed several under the pseudonym "Preston Black". Silent film star Charley Chase also shared directorial responsibilities with Lord and White, with more than pleasing results.^[4]

The Stooge films made between 1935–1941 captured the team at the peak, according to film historians Ted Okuda and Edward Watz, authors of The Columbia Comedy Shorts. Nearly every film produced became a classic in its own right. 1935's Hoi Polloi utilized the classic premise of a stuffy professor waging a bet that he can transform the uncultured trio into refined gentlemen; the plotline worked so well that it was reused twice, as Half-Wits Holiday and Pies and Guys. Three Little Beers featured the team employed at a brewery who then run amuck on a local golf course to win prize money. 1936's Disorder in the Court is considered a quintessential entry in the series, featuring the team as star witnesses to a murder trial. 1938's Violent is the Word for Curly was a quality Chase-directed short that featured the musical interlude, "Swingin' the Alphabet". In the 1940 film A Plumbing We Will Go, the trio were cast as inadvertent plumbers who nearly destroy a socialite's mansion, causing water to exit every appliance in the home.^[4] Other entries of the era, like Uncivil Warriors, A Pain in the Pullman, False Alarms, Grips, Grunts and Groans, The Sitter Downers, Dizzy Doctors, Tassels in the Air, We Want Our Mummy, Nutty but Nice, An Ache in Every Stake and In the Sweet Pie and Pie are considered among the team's finest work.^[4]

With the onset of World War II, the Stooges released several entries that poked fun at the rising Axis powers. You Nazty Spy! and its sequel I'll Never Heil Again burlesqued Hitler and the Nazis at a time when America was still neutral and resolutely isolationist. Moe is cast as "Moe Hailstone", an Adolf Hitler-like character, with Curly playing a Hermann Göring character (replete with medals), and Larry a Ribbentrop-type ambassador. Though revered by Stooge fans, as well as the Stooges themselves (Moe, Larry and director Jules White considered You Nazty Spy! their best film),^[6] the efforts indulged in a deliberately formless, non-sequitur style of verbal humor that was not the Stooges' forte, according to Okuda and Watz. Other wartime entries, like They Stooge to Conga, Higher Than a Kite, Back From the Front, Gents Without Cents and the controversial The Yoke's on Me have their moments, but taken in bulk, the wartime films are decidedly substandard.^[4] No Dough Boys ranks as the best of these farces. The team, made up as Japanese soldiers for a photo shoot, is mistaken for genuine saboteurs by a Nazi ringleader (Vernon Dent). The highlight of the film features the Stooges engaging in nonsensical gymnastics (the real spies are renowned acrobats) for a skeptical group of enemy agents.^[4]

The Stooges made occasional guest appearances in feature films, though generally they stuck to short subjects. Columbia offered theater owners an entire program of two-reel comedies (15 to 25 titles annually) featuring such stars as Buster Keaton, Andy Clyde, Charley Chase, and Hugh Herbert, but the Three Stooges shorts were the most popular of all.^[2]

The World War II era also brought on rising production costs that resulted in a reduced number of elaborate gags and outdoor sequences, Del Lord's stock and trade; as such, the quality of the teams' films (particularly those directed by Lord) began to slip after 1942. According to Okuda and Watz, entries like Loco Boy Makes Good, What's the Matador?, Sock-A-Bye Baby, I Can Hardly Wait and A Gem of a Jam are considered to be less quality work than previous efforts, and in a different class than their earlier films.^[4] The 1943 film Spook Louder, a remake of Mack Sennett's The Great Pie Mystery, is often cited as their worst film. The story of a phantom pie-thrower (later revealed to be the detective on the case) is repetitious and relying on the same jokes, which many Stooge fans consider to be far less humorous than their past work.^[4] Three Smart Saps, a film considered to be an improvement, features a reworking of a routine from Harold Lloyd's The Freshman, in which Curly's loosely basted suit begins to come apart at the seams while he is on the dance floor.^[4]

Film critics and stooge fans alike have cited Curly as the most popular member of the team.^[2] His childlike mannerisms and natural comedic charm (he had no previous acting experience) made him a hit with audiences, particularly children and women (the latter usually finding the trio's humor juvenile and uncouth). The fact that Curly had to shave his head for the act led him to feel unappealing to women. To mask his insecurities, Curly ate and drank excessively and caroused whenever the Stooges made personal appearances, which was approximately seven months out of the year. His weight ballooned in the 1940s, and his blood pressure was dangerously high.^[1] His wild lifestyle and constant drinking eventually caught up with him in 1945, and his performances suffered. In his last dozen shorts (ranging from 1945's If a Body Meets a Body through 1947's Half-Wits Holiday), he was seriously ill, struggling to get through even the most basic scenes.^[2]

It was during the final day of filming Half-Wits Holiday on May 6, 1946, that Curly suffered a debilitating stroke on the set, ending his 14-year career. Curly's health necessitated a temporary retirement from the act, and while the Stooges hoped for a full recovery, Curly never starred in a film again, except for one brief cameo appearance in the third film after Shemp returned to the trio, Hold That Lion! It was the only film that contained all four of the original Stooges (the three Howard brothers and Larry) on screen simultaneously; Jules White recalled Curly visiting the set one day, and White had him do this bit for fun. (Curly's cameo appearance was recycled in the 1953 remake Booty and the Beast.)^[3] In 1949, Curly was supposed to play a cameo role in the Stooge comedy Malice in the Palace, but he was physically unable to perform. His chef role was played by Larry.^[1]

Shemp returns[link]

Moe Howard turned to his older brother Shemp Howard to take Curly's place. Shemp, however, was hesitant to rejoin the Stooges, as he had a successful solo career at the time of Curly's untimely illness. However, he realized that Moe and Larry's careers would be finished without the Stooge act. Shemp wanted some kind of assurance that his rejoining was indeed temporary, and that he could leave the Stooges once Curly recovered. Curly remained gravely ill after 1950, dying of a cerebral hemorrhage caused by additional strokes on January 18, 1952.^[1]

Shemp appeared with the Stooges in 76 more shorts and a quickie Western comedy feature titled Gold Raiders.

During this period, Moe, Larry, and Shemp made a pilot for a Three Stooges television show called Jerks of All Trades in 1949. The series was never picked up, although the pilot is currently in the public domain and is available on home video, as is an early television appearance from around the same time on a vaudeville-style comedy series, Camel Comedy Caravan, originally broadcast live on CBS-TV on March 11, 1950, and starring Ed Wynn. Also available commercially is a kinescope of Moe, Larry, and Shemp's appearance on The Frank Sinatra Show, broadcast live over CBS-TV on January 1, 1952. Frank Sinatra was reportedly a big fan of the Stooges and slapstick comedy in general. On this broadcast, the Stooges are joined by one of their longtime stock-company members, Vernon Dent, who plays "Mr. Mortimer", a party-goer who requests a drink. The Stooges oblige with disastrous results.^[1]

The Three Stooges during the Shemp years (1947–1956), as represented in Malice in the Palace

Columbia's short-subject division downsized in 1952. Producer Hugh McCollum was discharged and director Edward Bernds resigned out of loyalty to McCollum, leaving only Jules White to both produce and direct the Stooges' remaining Columbia comedies. Almost overnight, the quality of the Stooge shorts declined. Production was significantly faster, with the former four-day filming schedules now tightened to two or three days. In another cost-cutting measure, White would create a "new" Stooge short by borrowing footage from old ones, setting it in a slightly different storyline, and filming a few new scenes often with the same actors in the same costumes. White was initially very subtle when recycling older footage: he would reuse only a single sequence of old film, re-edited so cleverly that it was not easy to detect. The later shorts were cheaper and the recycling more obvious, with as much as 75% of the running time consisting of old footage. White came to rely so much on older material that he could film the "new" shorts in a single day. Plus, any new footage filmed in order to link older material suffered from White's wooden directing and his penchant for telling his actors how to act. Shemp in particular disliked working with White.^[4]

Three years after Curly's death, Shemp died of a sudden heart attack at age 60 on November 22, 1955. Recycled footage of Shemp, combined with new footage utilizing Columbia supporting player Joe Palma as Shemp's double (only filmed from the back), were used to complete the last four films originally planned with Shemp: Rumpus in the Harem, Hot Stuff, Scheming Schemers, and Commotion on the Ocean.^[1]

Joe Besser replaces Shemp[link]

Joe Besser replaced Shemp in 1956, appearing in 16 shorts. Besser, noting how one side of Larry Fine's face seemed "calloused",^[7] had a clause in his contract specifically prohibiting him from being hit too hard (though this restriction was later lifted). Besser was the only "third" Stooge that dared to hit Moe back in retaliation and get away with it; Larry Fine was also known to hit Moe on occasion, but always with serious repercussions. "I usually played the kind of character who would hit others back," Besser recalled.^[8]

At that time, the Stooge films began to resemble sitcoms. Sitcoms, though, were now available for free. Television was the new popular medium, and by the time Besser joined the act, the Stooges were generally considered throwbacks to an obsolete era. The Besser films have long been considered the worst of the Stooge films. Though Besser was a very funny comedian (he was very popular on The Abbott and Costello Show), his whining mannerisms ("Not so harrrrd!") did not quite jell with the roughneck Stooge humor. However, Besser was not solely to blame for the lackluster quality of these final entries: the scripts were tired rehashes of earlier efforts (7 of the 16 films were remakes) and Moe and Larry's performances lacked energy. Both comedians were growing older, and could no longer perform pratfalls and physical comedy as they once had.^[4]

The final Stooge films had few bright moments, according to Okuda and Watz: Hoofs and Goofs, A Merry Mix Up, Rusty Romeos and Oil's Well That Ends Well are amusing, while the musical Sweet and Hot (long detested by fans) deserves some credit for straying from the norm. Muscle Up a Little Closer most resembled the sitcoms of the era, while Pies and Guys was a scene-for-scene remake of both Hoi Polloi and Half-Wits Holiday. The space craze also took hold of the American public at the time, resulting in three entries focusing on space travel: Space Ship Sappy, Outer Space Jitters and Flying Saucer Daffy.^[4]

The inevitable occurred soon enough. Columbia was the last studio still producing shorts, and the market for such films had all but dried up. As a result, the studio opted not to renew the Stooges' contract when it expired in late December 1957. The final comedy produced was Flying Saucer Daffy, filmed on December 19–20, 1957.^[5] Several days later, the Stooges were unceremoniously fired from Columbia Pictures after 24 years of making low-budget shorts. Joan Howard Maurer, daughter of Moe, wrote the following in 1982:

The boys' careers had suddenly come to an end. They were at Columbia one day and gone the next—no 'Thank yous,' no farewell party for their 24 years of dedication and service and the dollars their comedies had reaped for the studio. Moe Howard recalled that a few weeks after their exit from Columbia, he drove to the studio to say goodbye to several studio executives when he was stopped by a guard at the gate (obviously, not a Stooges fan) and, since he did not have the current year's studio pass, was refused entry. For the moment, it was a crushing blow.^[1]

Although the Stooges were no longer working for Columbia, the studio had enough completed films on the shelf to keep releasing new comedies for another 18 months, and not in the order they were produced. The final Stooge release, Sappy Bull Fighters, did not reach theaters until June 4, 1959. With no active contract in place, Moe and Larry discussed plans for a personal appearance tour; meanwhile, Besser's wife had a minor heart attack, and he preferred to stay local, leading him to withdraw from the act. For the first time in nearly 30 years, the Stooges hit a dead end.^[1]

The comeback: Larry, Moe and Curly Joe[link]

Seeing the success of how television, in its early years, allowed movie studios to unload a backlog of short films thought unmarketable, the Stooge films seemed perfect for the burgeoning genre. ABC television had even expressed interest as far back as 1949, purchasing exclusive rights to 30 of the trio's shorts.^[9] However, the success of television revivals for such names as Laurel and Hardy, Woody Woodpecker, Tom and Jerry and the Our Gang series in the late 1950s led Columbia to cash in again on the Stooges. In January 1958, Columbia's television subsidiary Screen Gems offered a package consisting of 78 Stooge shorts (mainly from the Curly era), which were well received.^[10] Almost immediately, an additional 40 shorts hit the market, and by 1959, all 190 Stooge shorts were airing regularly. Due to the massive quantity of Stooge product available for broadcast, the films were broadcast Monday through Friday, leading to heavy exposure aimed squarely at children. This led parents to watch alongside of their offspring, and before long, Howard and Fine found themselves in high demand.^[4] Moe quickly signed movie and burlesque comic Joe DeRita for the "third Stooge" role; DeRita adopted first a crew cut and then a completely shaven hairstyle and became "Curly Joe" because of his resemblance to the original Curly Howard (also to make it easier to distinguish him from Joe Besser, the earlier Stooge called Joe).

This Three Stooges lineup went on to make a series of popular full-length films from 1959 to 1965, most notably Have Rocket, Will Travel, The Three Stooges Meet Hercules and The Three Stooges Go Around the World in a Daze. The films were aimed at the kiddie-matinee market, and most were farce outings in the Stooge tradition, with the exception of Snow White and the Three Stooges, a children's fantasy in Technicolor. They also appeared as firemen (the role that helped make them famous in Soup to Nuts) in the film It's a Mad, Mad, Mad, Mad World. Throughout the 1960s, The Three Stooges were one of the most popular and highest-paid live acts in America.^[8]

The Stooges also tried their hand at another weekly television series in 1960 titled The Three Stooges Scrapbook. Filmed in color and with a laugh track, the first episode, "Home Cooking," featured the boys rehearsing for a new television show. Like Jerks of All Trades, the pilot did not sell. However, Norman Maurer was able to reuse the footage (reprocessed in black and white) for the first 20 minutes of the feature film The Three Stooges in Orbit.^[1]