Dick Cavett
Cavett in April 2010
Birth name	Richard Alva Cavett
Born	(1936-11-19) November 19, 1936 (age 75) Gibbon, Nebraska, U.S.
Years active	1959–present
Spouse	Carrie Nye (1964-2006; her death) Martha Rogers (m. 2010) «start: (2010)»"Marriage: Martha Rogers to Dick Cavett" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Dick_Cavett)
Emmy Awards
Outstanding Variety Series - Talk 1972 The Dick Cavett Show Special Classification of Outstanding Program and Individual Achievement 1974 The Dick Cavett Show

Richard Alva Cavett (English pronunciation: /ˈkævɨt/; born November 19, 1936) — known as Dick Cavett — is a former American television talk show host known for his conversational style and in-depth discussion of issues. Cavett appeared regularly on nationally broadcast television in the United States in five consecutive decades, the 1960s through the 2000s.

In recent years, Cavett has written a blog for the New York Times, promoted DVDs of his former shows, and hosted replays of his classic TV interviews with Groucho Marx, Katharine Hepburn, and others on Turner Classic Movies channel.^[1][2]

Early life[link]

Cavett was born in Nebraska,^[3] but sources differ as to the specific town, locating his birthplace in either Gibbon,^[4][5] where his family lived, or nearby Kearney, the location of the nearest hospital.^[6][7] His mother Erabel "Era" (née Richards) and his father Alva B. Cavett both worked as educators.^[8] When asked by Lucille Ball on his own show about his heritage, he said he was "Scottish, Irish, English, and possibly partly French, and, and uh, a dose of German." He also mentioned that one grandfather "came over" from England, and the other from Wales.^[9] Cavett's grandparents all lived in Grand Island, Nebraska. His paternal grandparents were Alva A. Cavett and Gertrude Pinsch.^[10] His paternal grandfather was from Diller, Nebraska and his paternal grandmother was an immigrant from Aachen, Germany.^{[citation needed]} His maternal grandparents were the Rev. R. R. and Etta Mae Richards. Rev. Richards was from Carmarthen, Wales and was a Baptist minister who served parishes across central Nebraska.^{[citation needed]}

Cavett's parents taught in Comstock, Gibbon, and Grand Island,^[11] where Cavett started kindergarten at Wasmer Elementary School. Three years later, both of his parents landed teaching positions in Lincoln, Nebraska, where Cavett completed his education at Capitol, Prescott, and Irving schools and Lincoln High School. When Cavett was ten, his mother died of cancer at age 36. His father subsequently married Dorcas Deland, also an educator, originally from Alliance, Nebraska. On September 24, 1995 Lincoln Public Schools dedicated the new Dorcas C. and Alva B. Cavett Elementary School in their honor.^[12][13]

In eighth grade, Cavett directed a live Saturday-morning radio show sponsored by the Junior League and played the title role in The Winslow Boy. One of his high-school classmates was actress Sandy Dennis. Cavett was elected state president of the student council in high school, and was a gold-medalist at the state gymnastics championship.^[14][15]

Before leaving for college, he worked as a caddy at the Lincoln Country Club. He also began performing magic shows for $35 a night under the tutelage of Gene Gloye. In 1952 Cavett attended the convention of the International Brotherhood of Magicians in St. Louis and won the Best New Performer trophy.^[15] Around the same time, he met fellow magician Johnny Carson, eleven years his senior, who was doing a magic act at a church in Lincoln.^[16]

While attending Yale University, Cavett played in and directed dramas on the campus radio station, WYBC, and appeared in Yale Drama productions.^[17] In his senior year, he changed his major from English to Drama. He also took advantage of any opportunity to meet stars, routinely going to shows in New York to hang around stage doors or venture backstage. He would go so far as to carry a copy of Variety or an appropriate piece of company stationery in order to look inconspicuous while sneaking backstage or into a TV studio.^[18] Cavett took many odd jobs ranging from store detective to label-typist for a Wall Street firm, and as a copy boy at Time Magazine.^[19]

Marriage[link]

At Yale School of Drama, Cavett met his future wife, Caroline Nye McGeoy (known professionally as Carrie Nye), a native of Greenwood, Mississippi. After graduation, the two acted in summer theater in Williamstown, Massachusetts, and Cavett worked for two weeks in a local lumberyard in order to buy an engagement ring. On June 4, 1964, they were married in New York. Their marriage was at times tumultuous, but they remained married until Nye's death on July 14, 2006.

In 2010, Cavett married business author Martha Rogers, Ph.D. in a small ceremony in New Orleans, Louisiana.^[20]

[edit] The Tonight Show

In 1960, Cavett was living in a three-room, fifth-floor walk-up on West 89th Street in Manhattan for $51 a month.

He was cast in a film by the Signal Corps, but further jobs were not forthcoming. He was an extra on The Phil Silvers Show, a TV remake of Body and Soul, and Playhouse 90 ("The Hiding Place"). He briefly revived his magic act while working as a typist and as a mystery shopper in department stores. Meanwhile, Nye landed several Broadway roles.

Cavett was a copyboy (gofer) at Time^[21] when he read a newspaper item about Jack Paar, then host of The Tonight Show. The article described Paar's concerns about his opening monologue and constant search for material. Cavett wrote some jokes, put them into a Time envelope, and went to the RCA Building. He ran into Paar in a hallway and handed him the envelope.^[21] He then went to sit in the studio audience. During the show, Paar worked in some of the lines Cavett had fed him.^[21] Afterward, Cavett got into an elevator with Paar, who invited him to contribute more jokes. Within weeks, Cavett was hired, originally as talent coordinator. Cavett wrote for Paar the famous line, "Here they are, Jayne Mansfield," as an introduction for the buxom actress.^[22] Cavett appeared on the show in 1961, interpreting Miss Universe of 1961, Marlene Schmidt of Germany.

While at Time, Cavett wrote a letter to Stan Laurel. The two later met at Laurel's apartment in Hollywood. Later the same day, Cavett wrote a tribute that Paar read on the show, which Laurel saw and appreciated. Cavett visited Laurel a few more times, up to three weeks before Laurel's death.

Cavett with Jack Paar in 1973

In his capacity as talent coordinator for The Tonight Show, Cavett was sent to the Blue Angel nightclub to see Woody Allen's act, and immediately afterward struck up a friendship. The very next day, the funeral of playwright George S. Kaufman was held at the Frank E. Campbell funeral home. Allen could not attend, but Cavett did, where he met Groucho Marx in an anteroom. From the funeral, Cavett followed Marx (who later told Cavett that Kaufman was "his personal god") three blocks up Fifth Avenue to the Plaza Hotel, where Marx invited him to lunch.^[21] Years later, Cavett gave the introduction to Marx's one-man show, An Evening with Groucho Marx at Carnegie Hall, and began by saying, "I can't believe that I know Groucho Marx."^[23][24]

Cavett continued with The Tonight Show as a writer after Johnny Carson assumed hosting duties. For Carson he wrote the line, "Having your taste criticized by Dorothy Kilgallen is like having your clothes criticized by Emmett Kelly." He even appeared to do a gymnastics routine on the pommel horse on the show. After departing The Tonight Show, Cavett wrote for Jerry Lewis's ill-fated talk show, for three times the money. He returned to The Tonight Show, however, when Marx was interim host for Carson in July 1964.

Years later, when he was a guest on The Tonight Show, Carson told Cavett that his favorite joke Cavett wrote for him was the humorous caption to a newspaper photo of Aristotle Onassis looking at the home of Buster Keaton, which he was considering purchasing: "Aristotle Contemplating the Home of Buster."^{[citation needed]}

Stand-up comic[link]

Cavett began a brief career as a stand-up comic in 1964 at the Bitter End in Greenwich Village.^[25] His manager was Jack Rollins, who later became famous as the producer of Woody Allen's films.

His most famous line from this period may have been the following:

I went to a Chinese-German restaurant. The food is great, but an hour later you're hungry for power.^[21][22][25]

He also played Mr. Kelly's in Chicago and the Hungry i in San Francisco. In San Francisco, he met Lenny Bruce, about whom he said:

I liked him and wish I had known him better...but most of what has been written about him is a waste of good ink, and his most zealous adherents and hardest-core devotees are to be avoided, even if it means working your way around the world in the hold of a goat transport.^[26]

In 1965, Cavett did some commercial voiceovers, including a series of mock interviews with Mel Brooks for Ballantine beer.^[27] In the next couple of years he appeared on game shows, including What's My Line. He wrote for Merv Griffin and appeared on Griffin's talk show several times, and then on The Ed Sullivan Show.

In 1968, after the premiere of the international film Candy, Cavett went to a party at the Americana Hotel, where those who had just seen the film were being interviewed for TV.

When the interviewer, Pat Paulsen, got to me, he asked what I thought the critics would say about Candy. I said I didn't think it would be reviewed by the regular critics, that they would have to reconvene the Nuremberg Trials to do it justice. He laughed and asked what I had liked, and I said I liked the lady who showed me the nearest exit so that I would not be forced to vomit indoors.

After doing The Star and the Story, a rejected television pilot with Van Johnson, Cavett hosted a special, Where It's At, for Bud Yorkin and Norman Lear.^[28]

In 1968 Cavett was hired by ABC to host This Morning.^[25][29] According to a New Yorker article, the show was too sophisticated for a morning audience,^[25] and ABC first moved the show to prime time, and subsequently to a late-night slot opposite Johnny Carson's The Tonight Show.^[25][30]

[edit] The Dick Cavett Show

Cavett attends the Amfar Gala at Cipriani 42nd Street in New York City, January 31, 2008

Intermittently since 1968, Cavett has been host of his own talk show, in various formats and on various television and radio networks:

• ABC (1968–1974)
• CBS (1975)
• PBS (1977–1982)
• USA (1985–1986)
• ABC (1986–1987)
• CNBC (1989–1996)
• Olympia Broadcasting (syndicated radio show, 1986–1990)
• Turner Classic Movies (2006–2007)

Cavett has been nominated for at least ten Emmy Awards and has won three. In 1970, he co-hosted the Emmy Awards Show (from Carnegie Hall in New York) with Bill Cosby (from Century Plaza in Los Angeles).^[31] His most popular talk show was his ABC program, which ran from 1969 to 1974. From 1962 to 1992, The Tonight Show with Johnny Carson was arguably the most popular of late night variety and talk shows. Unlike many contemporary shows, Cavett managed to remain on the air for five years.^[32] Although his shows did not attract a wide audience, remaining in third place in the ratings behind Carson and Merv Griffin, he earned a reputation as "the thinking man's talk show host" and received favorable reviews from critics.^[1][29] As a talk show host, Cavett has been noted for his ability to listen to his guests and engage them in intellectual conversation.^[14][21] Clive James described Cavett "as a true sophisticate with a daunting intellectual range" and "the most distinguished talk-show host in America."^[14] He is also known for his ability to remain calm and mediate between contentious guests,^[21] and for his deep, resonant voice, unusual for a man of his stature (5'7").^[14][30][33]

His show often focussed on controversial people or subjects, often pairing guests with opposing views on social or political issues, such as Jim Brown and Lester Maddox.^[30]

One particularly controversial show from June 1971 featured a debate between future senator and presidential candidate John Kerry and fellow veteran John O'Neill over the Vietnam War.^[34] O'Neill had been approached by the Nixon administration to work through the Vietnam Veterans for a Just Peace to counter Kerry's influence on the public.^[35][36] The debate went poorly for the pro-war side, so angering President Nixon that he is heard discussing the incident on the Watergate tapes, saying, "Well, is there any way we can screw him [Cavett]? That's what I mean. There must be ways." To which H. R. Haldeman, White House Chief of Staff, answered, "We've been trying to."^[37][38]

Cavett himself, asked during a Question and Answer segment with his audience in the late '60s why he wore long sideburns, replied, "It's a form of mild protest. Sort of like boiling my draft card."^{[citation needed]}

Cavett also hosted many popular musicians, both in interview and performance, such as Sly Stone,^[39] Jimi Hendrix and Janis Joplin.^[40] Several of his Emmy Award nominations and one Emmy Award were for Outstanding Musical or Variety Series, and in 2005 Shout Factory released a selection of performances and interviews on a three DVD set, The Dick Cavett Show: Rock Icons, showcasing interviews of and performances by musicians who appeared on the Dick Cavett show from 1969 to 1974.^[41][42]

Clips from his TV shows have been used in films, for example Annie Hall (1977), Forrest Gump (1994), Apollo 13 (1995), and Frequency (2000). He also holds the distinction of being the only famous person to actually interact with the title character of Forrest Gump without the aid of archive footage or computer trickery. Cavett donned a wig and makeup was applied to make him appear as his 1971 self, and he was filmed with Tom Hanks on a recreated set (though archive footage of John Lennon from Cavett's show was digitally added).^{[citation needed]}

Cavett was surprised at footage from his TV show appearing in Apollo 13. He said at the time of the film's release, "I'm happily enjoying a movie, and suddenly I'm in it."^[43]

Bouts with depression[link]

Cavett has openly discussed his bouts with clinical depression, an illness that first affected him during his freshman year at Yale.^[44] According to an interview published in a 1992 issue of People magazine, Cavett contacted Dr. Nathan Kline in 1975 seeking treatment. Kline prescribed antidepressant medication, which according to Cavett was successful in treating his depression.^[45]

In 1980 Cavett suffered what he characterized as his "biggest depressive episode." While on board a Concorde prior to take off, Cavett broke out into a sweat and became agitated. After he was removed from the plane, Cavett was taken to Columbia Presbyterian Hospital in New York City, where he later underwent electroconvulsive therapy. Regarding this method of treatment Cavett is quoted as saying, "In my case, ECT was miraculous. My wife was dubious, but when she came into my room afterward, I sat up and said, 'Look who's back among the living.' It was like a magic wand."^[45]

He was also the subject of a 1993 video produced by the Depression and Related Affective Disorders Association called A Patient's Perspective.^[46]

In 1997 Cavett was sued by producer James Moskovitz for breach of contract after failing to show up for a nationally syndicated radio program (also called The Dick Cavett Show).^[47][48] Cavett's lawyer, Melvyn Leventhal, asserted at the time that Cavett left due to a manic-depressive episode.^[47] The case was later dropped.^[46]

Other work[link]

Cavett has co-authored two books with Christopher Porterfield: Cavett (1974), his autobiography, and Eye on Cavett (1983). Cavett currently writes a blog, published by the New York Times, entitled "Talk Show: Dick Cavett Speaks Again."

He appeared as himself in various other TV shows, including episodes of The Odd Couple, Cheers, Kate & Allie, and The Simpsons episode Homie the Clown; in Robert Altman's HealtH (1980), and A Nightmare on Elm Street 3: Dream Warriors (1987). In Tim Burton's Beetlejuice, he played a rare bit part as a character other than himself. Cavett often appeared on television quiz and game shows; he appeared on What's My Line?, To Tell the Truth, Password, The $25,000 Pyramid and made a special appearance on Wheel of Fortune in 1989 during their week of shows at Radio City Music Hall, walking on stage after someone solved the puzzle "DICK CAVETT." In 1974, Cavett's company, Daphne Productions, co-produced with Don Lipp Productions a short-lived ABC game show, The Money Maze, although Cavett's name did not appear on the credits.^{[citation needed]}

Cavett was the narrator (on camera and off) for the HBO documentary series Time Was. Each episode covered a decade, ranging from the 1920s to the 1970s, and relied on stock file footage and photographs. The show originally aired in November 1979 and ran for six months with a new show each month.^[49]

Cavett also hosted a documentary series for HBO in the early '80s titled Remember When... that examined changes in American culture over time.

In April, 1981, Cavett traveled to Stockholm, Sweden, to interview the pop group ABBA on the occasion of their tenth anniversary as a group. The special, titled Dick Cavett Meets ABBA, was taped by the Swedish TV network SVT and was broadcast mostly in Europe.

From November 15, 2000, to January 6, 2002, he played the narrator in a Broadway revival of The Rocky Horror Show.^[21] He also had a brief stint as the narrator/old man in the Broadway production of Stephen Sondheim's Into The Woods.^[50]

Dick Cavett is featured in the 2003 documentary From the Ashes: The Life and Times of Tick Hall about the fire that destroyed his Montauk home and his effort to rebuild it.^[51]

Cavett's signature tune has long been a trumpet version of the vocalise "Glitter and Be Gay" from Leonard Bernstein's Candide. The tune was first played at the midpoint of his ABC late-night show, and later became the theme of his PBS show. The tune is also played as he walks on stage during guest appearances on other talk shows.^[21]

Cavett was present when actor Marlon Brando broke the jaw of paparazzo photographer Ron Galella on June 12, 1973. Galella had followed Cavett and Brando to a restaurant after the taping of The Dick Cavett Show in New York City.^[52]

In 2008 Cavett entered the Iraq war dispute with a New York Times blog entry criticizing General David Petraeus, stating "I can’t look at Petraeus — his uniform ornamented like a Christmas tree with honors, medals and ribbons — without thinking of the great Mort Sahl at the peak of his brilliance." Cavett went on to recall Sahl's expressed contempt of General Westmoreland's display of medals, and criticized Petraeus for not speaking in plain language.^[53]

Bibliography[link]

• Cavett by Dick Cavett and Christopher Porterfield, Bantam Books, August 1974. ISBN 0-15-116130-5
• Eye on Cavett by Dick Cavett and Christopher Porterfield, Arbor House, 1983. ISBN 0-87795-463-1
• Talk Show by Dick Cavett, Times Books, 2010. ISBN 0-8050-9195-5

References[link]

External links[link]

Wikimedia Commons has media related to: Dick Cavett

Wikiquote has a collection of quotations related to: Dick Cavett

• Dick Cavett at the Internet Movie Database
• Dick Cavett at the Internet Broadway Database
• An interview with Dick Cavett, Feb 2011
• Dick Cavett at TVGuide.com
• Dick Cavett talks about his love of magic with Dodd Vickers at MagicNewswire.com
• "Talk Show: Dick Cavett Speaks Again" New York Times Blog
• "Discussion of Dick Cavett's unique talent on MetaFilter"

Richard Burton
In Cleopatra (1963) This file is nominated for deletion. See commons:Commons:Deletion requests/File:Burton, Richard (Cleopatra).jpg
Born	Richard Walter Jenkins (1925-11-10)10 November 1925 Pontrhydyfen, Wales
Died	5 August 1984(1984-08-05) (aged 58) Céligny, Switzerland
Cause of death	Cerebral haemorrhage
Nationality	Welsh
Occupation	Actor
Years active	1944–84
Spouse	Sybil Williams (1949–63; divorced) Elizabeth Taylor (1964–74, 1975–76; divorced) Suzy Hunt (1976–82; divorced) Sally Hay (1983–84; his death)
Children	Kate Burton Jessica Burton Liza Todd Burton Maria Burton
Signature

Richard Burton, CBE (10 November 1925 – 5 August 1984) was a Welsh actor.^[1] He was nominated seven times for an Academy Award, six of which were for Best Actor in a Leading Role (without ever winning), and was a recipient of BAFTA, Golden Globe and Tony Awards for Best Actor. Although never trained as an actor, Burton was, at one time, the highest-paid actor in Hollywood. He remains closely associated in the public consciousness with his second wife, actress Elizabeth Taylor; the couple's turbulent relationship was rarely out of the news.^[2]

Childhood and education[link]

Richard Burton was born Richard Walter Jenkins in the village of Pontrhydyfen, Neath Port Talbot, Wales. He grew up in a working class, Welsh-speaking household, the twelfth of thirteen children.^[3] His father, Richard Walter Jenkins, was a short, robust coal miner, a "twelve-pints-a-day man" who sometimes went off on drinking and gambling sprees for weeks. Burton later claimed, by family telling, that "He looked very much like me...That is, he was pockmarked, devious, and smiled a great deal when he was in trouble. He was, also, a man of extraordinary eloquence, tremendous passion, great violence."^[4]:23

Burton was less than two years old in 1927 when his mother, Edith Maude (née Thomas), died at the age of 43^[5]:2 after giving birth to her 13th child.^[6] His sister Cecilia and her husband Elfed took him into their Presbyterian mining family in nearby Port Talbot (an English-speaking steel town).^[3][7] Burton said later that his sister became "more mother to me than any mother could have ever been... I was immensely proud of her... she felt all tragedies except her own". Burton's father would occasionally visit the homes of his grown daughters but was otherwise absent.^{[8]:7, 10} Also important in young Burton's life was Ifor (Ivor), the brother 19 years his senior. A miner and rugby player, Ifor "ruled the household with the proverbial firm hand".^[5]:7

Burton showed a talent for English and Welsh literature at grammar school, and demonstrated an excellent memory, though his consuming interest was sports – rugby (in fact famous Welsh centre Bleddyn Williams said in his autobiography that Burton could have gone far as a player^[9]), cricket, and table tennis^[10] He later said, "I would rather have played for Wales at Cardiff Arms Park than Hamlet at the Old Vic."^[8]:17 He earned pocket money by running messages, hauling horse manure, and delivering newspapers. He started to smoke at the age of eight and drink regularly at twelve.^[4]:25–26 Inspired by his schoolmaster, Philip H. Burton, he excelled in school productions, his first being The Apple Cart.^[4]:29 Philip could not legally adopt Burton because their age difference was one year short of the minimum twenty years required.^{[Did he want to? clarification needed][11]:47} Burton early on displayed an excellent speaking and singing voice and won an Eisteddfod prize as a boy soprano.^[4]:27

Burton left school at sixteen for full-time work. He worked for the local wartime Co-operative committee, handing out supplies in exchange for coupons, but then considered other professions for his future, including boxing, religion and singing.^[4]:27 When Burton joined the Port Talbot Squadron of the Air Training Corps as a cadet, he re-encountered Philip Burton, his former teacher, who was the commander. Richard also joined a youth drama group led by Leo Lloyd, a steel worker and avid amateur thespian, who taught him the fundamentals of acting.

Philip Burton, recognising Richard's talent, then adopted him as his ward and Richard returned to school, and, being older than most of the boys, he was very attractive to some of the girls.^[4]:30–31 Philip Burton later said, "Richard was my son to all intents and purposes. I was committed to him."^[4]:34 Philip Burton tutored his charge intensely in school subjects and also worked at developing the youth's acting voice, including outdoor voice drills which improved his projection.^[8]:38

In 1943, at the age of eighteen, Richard Burton (who had now taken his teacher's surname but would not change it by deed poll for several years^[5]:41), was allowed into Exeter College, Oxford for a special term of six months study, made possible because he was an air force cadet obligated to later military service. He subsequently did serve in the RAF (1944–1947) as a navigator. Burton's eyesight was too poor for him to be considered pilot material.^[10]

Early acting career[link]

In the 1940s and early 1950s Burton worked on stage and in cinema in the United Kingdom. Before his war service with the Royal Air Force, he starred as Professor Higgins in a YMCA production of Pygmalion. He earned his first professional acting fees doing radio parts for the BBC.^[4]:35 He had made his professional acting debut in Liverpool and London, appearing in Druid's Rest, a play by Emlyn Williams (who also became a guru), but his career was interrupted by conscription in 1944.^[8]:44 Early on as an actor, he developed the habit of toting around a book-bag filled with novels, dictionaries, a complete Shakespeare, and books of quotations, history, and biography, and enjoyed solving crossword puzzles. Burton could, given any line from Shakespeare's works, recite from memory the next several minutes of lines.^[12] His Welsh love of language was paramount, as he famously stated years later, with a tearful Elizabeth Taylor at his side, "The only thing in life is language. Not love. Not anything else."^[8]:43

In 1947, after his discharge from the RAF, Burton went to London to seek his fortune. He immediately signed up with a theatrical agency to make himself available for casting calls.^[4]:45 His first film was The Last Days of Dolwyn, set in a Welsh village about to be drowned to provide a reservoir. His reviews praised him for his "acting fire, manly bearing, and good looks."^[4]:48

Burton met his future wife, the young actress Sybil Williams, on the set, and they married in February 1949. They had two daughters, and divorced in 1963 after Burton's widely reported affair with Elizabeth Taylor. In the years of his marriage to Sybil, Burton appeared in the West End in a highly successful production of The Lady's Not for Burning, alongside Sir John Gielgud and Claire Bloom, in both the London and NewYork productions. He had small parts in various British films: Now Barabbas Was A Robber; Waterfront (1950) with Robert Newton; The Woman with No Name (1951); and a bigger part as a smuggler in Green Grow the Rushes, a B-movie.^[8]:70–71

Reviewers took notice of Burton: "He has all the qualifications of a leading man that the British film industry so badly needs at this juncture: youth, good looks, a photogenic face, obviously alert intelligence, and a trick of getting the maximum of attention with a minimum of fuss."^[4]:51 In the 1951 season at Stratford, he gave a critically acclaimed performance and achieved stardom as Prince Hal in Shakespeare's Henry IV, Part 1 opposite Anthony Quayle's Falstaff. Philip Burton arrived at Stratford to help coach his former charge, and he noted in his memoir that Quayle and Richard Burton had their differences about the interpretation of the Prince Hal role. Richard Burton was already demonstrating the same independence and competitiveness as an actor that he displayed off-stage in drinking, sport, or story-telling.^[8]:73

Kenneth Tynan said of Burton's performance, "His playing of Prince Hal turned interested speculation to awe almost as soon as he started to speak; in the first intermission local critics stood agape in the lobbies."^[4]:51 Suddenly, Richard Burton had fulfilled his guardian's wildest hopes and was admitted to the post-War British acting circle which included Anthony Quayle, John Gielgud, Michael Redgrave, Hugh Griffith and Paul Scofield. He even met Humphrey Bogart, a fellow hard drinker, who sang his praises back in Hollywood.^[4]:56 Lauren Bacall recalled, "Bogie loved him. We all did. You had no alternative." Burton bought the first of many cars and celebrated by increasing his drinking.^[8]:73–74 The following year, Burton signed a five-year contract with Alexander Korda at £100 a week, launching his Hollywood career.

Hollywood and later career[link]

Richard Burton in the film Cleopatra (1963)

In 1952, Burton successfully made the transition to a Hollywood star; on the recommendation of Daphne du Maurier, he was given the leading role in My Cousin Rachel opposite Olivia de Havilland.^[4]:59 Burton arrived on the Hollywood scene at a time when the studios were struggling. Television's rise was drawing away viewers and the studios looked to new stars and new film technology to staunch the bleeding. 20th Century Fox negotiated with Korda to borrow him for this film and a further two at $50,000 a film. The film was a critical success. It established Burton as a Hollywood leading man and earned him his first Academy Award nomination and the Golden Globe Award for New Star of the Year – Actor. In Desert Rats (1953), Burton plays a young English captain in the North African campaign during World War II who takes charge of a hopelessly out-numbered Australian unit against the indomitable Field Marshal Erwin Rommel (James Mason). Mason, another actor known for his distinctive voice and excellent elocution, became a friend of Burton's and introduced the new actor to the Hollywood crowd. In short order, he met Judy Garland, Greta Garbo, Stewart Granger, Jean Simmons, Deborah Kerr, and Cole Porter, and Burton met up again with Humphrey Bogart.^[8]:82 At a party, he met a pregnant Elizabeth Taylor (then married to Michael Wilding) whose first impression of Burton was that "he was rather full of himself. I seem to remember that he never stopped talking, and I had given him the cold fish eye."^[4]:60

The following year he created a sensation by starring in The Robe, the first film to premiere in the wide-screen process CinemaScope, winning another Oscar nomination. He replaced Tyrone Power, who was originally cast in the role of Marcellus, a noble but decadent Roman in command of the detachment of Roman soldiers that crucified Jesus Christ, who, haunted by his guilt from this act, is eventually led to his own conversion. Marcellus' Greek slave (played by Victor Mature) guides him as a spiritual teacher, and his wife (played by Jean Simmons) follows his lead, although it will mean both their deaths. The film marked a resurgence in Biblical blockbusters.^[8]:85 Burton was offered a seven-year, $1 million contract by Darryl F. Zanuck at Fox, but he turned it down, though later the contract was revived and he agreed to it.^[8]:87 It has been suggested that remarks Burton made about blacklisting Hollywood while filming The Robe may have explained his failure to ever win an Oscar, despite receiving seven nominations.

In 1954, Burton took his most famous radio role, as the narrator in the original production of Dylan Thomas's Under Milk Wood, a role he would reprise in the film version twenty years later. He was also the narrator, as Winston Churchill, in the highly successful 1960 television documentary series The Valiant Years.^[4]:90

Stage career[link]

Burton was still juggling theatre with film, playing Hamlet and Coriolanus at the Old Vic theatre in 1953 and alternating the roles of Iago and Othello with the Old Vic's other rising matinee idol John Neville. Hamlet was a challenge that both terrified and attracted him, as it was a role many of his peers in the British theatre had undertaken, including John Gielgud and Laurence Olivier.^[8]:93 Bogart, on the other hand, warned him as Burton left Hollywood, "I never knew a man who played Hamlet who didn't die broke."^[4]:67 Once again, Philip Burton provided expert coaching. Claire Bloom played Ophelia, and their work together led to a turbulent affair.^[8]:94 His reviews in Hamlet were good but he received stronger praise for Coriolanus. His fellow actor Robert Hardy said, "His Coriolanus is quite easily the best I've ever seen" but Hamlet was "too strong".^[8]:93

Burton appeared on Broadway, receiving a Tony Award nomination for Time Remembered (1958) and winning the award for playing King Arthur in the musical Camelot (1960), directed by Moss Hart and written by Alan Jay Lerner and Frederick Loewe.^[4]:67 Julie Andrews, fresh from her triumph in My Fair Lady, played Guenevere to Burton's King Arthur, with Robert Goulet as Lancelot completing the love triangle. The production was troubled, with both Loewe and Hart falling ill, numerous revisions upsetting the schedule and the actors, and the pressure building due to great expectations and huge advance sales. The show's running time was nearly five hours. Burton took it all in his stride and calmed people down with statements like "Don't worry, love." Burton's intense preparation and competitive desire served him well. He was generous and supportive to others who were suffering in the maelstrom. According to Lerner, "he kept the boat from rocking, and Camelot might never have reached New York if it hadn't been for him."^[4]:93 As in the play, both male stars were enamoured of their leading lady, newly married Andrews. When Goulet turned to Burton for advice, Burton had none to offer, but later he admitted, "I tried everything on her myself. I couldn't get anywhere either."^[4]:94 Burton's reviews were excellent, Time magazine stated that Burton "gives Arthur the skilful and vastly appealing performance that might be expected from one of England's finest young actors." The show's album was a major seller. The Kennedys, newly in the White House, also enjoyed the play and invited Burton for a visit, establishing the link of the idealistic young Kennedy administration with Camelot.

He then put his stage career on the back burner to concentrate on film, although he received a third Tony Award nomination when he reprised his Hamlet under John Gielgud's direction in 1964 in a production that holds the record for the longest run of the play in Broadway history (136 performances).^[4]:148 The performance was immortalised both on record and on a film that played in US theatres for a week in 1964 as well as being the subject of books written by cast members William Redfield and Richard L. Sterne. Burton took the role on just after his marriage to Taylor. Since Burton disliked wearing period clothing, Gielgud conceived a production in a "rehearsal" setting with a half-finished set and actors wearing their street clothes (carefully selected while the production really was in rehearsal). Burton's basic reading of Hamlet, which displeased some theatre-goers, was of a complex manic-depressive personality, but during the long run he varied his performance considerably as a self-challenge and to keep his acting fresh. On the whole, Burton had good reviews. Time said that Burton "put his passion into Hamlet's language rather than the character. His acting is a technician's marvel. His voice has gem-cutting precision."^[4]:144 The opening night party was a lavish affair, attended by six hundred celebrities who paid homage to the couple. The most successful aspect of the production was generally considered to be Hume Cronyn's performance as Polonius, winning Cronyn the only Tony Award that he would ever receive in a competitive category.

After his Hamlet, Burton did not return to the stage for twelve years until 1976 in Equus. (He did accept the role of Humbert Humbert in Alan Jay Lerner's musical adaptation of Lolita entitled Lolita, My Love. However he withdrew and was replaced by friend and fellow Welshman John Neville.) His performance as psychiatrist Martin Dysart won him both a special Tony Award for his appearance, but he had to make Exorcist II: The Heretic – a film he hated – before Hollywood producers would allow him to repeat his role in the 1977 film version. The final stage performance in which he starred was a critically reviled production of Noël Coward's Private Lives, opposite his ex-wife Elizabeth Taylor, in 1983. Most reviewers dismissed the production as a transparent attempt to capitalise on the couple's celebrity, although they grudgingly praised Burton as having the closest connection to Coward's play of anyone in the cast.

Hollywood career in the 1950s and 1960s[link]

In terms of critical success, Burton's Hollywood roles throughout the 1950s did not live up to the early promise of his debut. Burton returned to Hollywood to star in Prince of Players, another historical Cinemascope film, this time concerning Edwin Booth, famous American actor and brother of Abraham Lincoln's assassin John Wilkes Booth. A weak script undermined a valiant effort by Burton, although the view of director Philip Dunne was that "The fire and intensity were there, but that was all. He hadn't yet mastered the tricks of the great movie stars, such as Gary Cooper."^[4]:71 Next came Alexander the Great (1956), written, directed, and produced by Robert Rossen, with Burton in the title role, on a loan out to United Artists, and again with Claire Bloom co-starring. Contrary to Burton's expectations, the "intelligent epic" was a wooden, slow-paced flop.^[4]:75

In The Rains of Ranchipur, Burton plays a noble Hindu doctor who attempts the spiritual recovery of an adulteress (Lana Turner). Critics felt that the film lacked star chemistry, with Burton having difficulty with the accent, and relied too heavily on Cinemascope special effects including an earthquake and a collapsing dam. Burton returned to the theatre in Henry V and Othello, alternating the roles of Iago and Othello. He and Sybil then moved to Switzerland to avoid high British taxes and to try to build a nest egg, for themselves and for Burton's family.^[4]:75 He returned to film again in Sea Wife, shot in Jamaica and directed by Roberto Rossellini. A young Joan Collins (then called by the tabloids "Britain's bad girl") plays a nun shipwrecked on an island with three men. But Rossellini was let go after disagreements with Zanuck. According to Collins, Burton had a "take-the-money-and-run attitude" toward the film. Burton turned down the lead for Lawrence of Arabia, also turned down by Marlon Brando, which went to newcomer Peter O'Toole.^[4]:75–77

Then in 1958, he was offered the part of Jimmy Porter, "an angry young man" role, in the film version of John Osborne's play Look Back in Anger, a gritty drama about middle-class life in the British Midlands, directed by Tony Richardson, and again with Claire Bloom as co-star. Though it didn't do well commercially (many critics felt Burton, at 33, looked too old for the part) and Burton's Hollywood box office aura seemed to be diminishing, Burton was proud of the effort and wrote to his mentor Philip Burton, "I promise you that there isn't a shred of self-pity in my performance. I am for the first time ever looking forward to seeing a film in which I play".^[8]:125 Next came The Bramble Bush and Ice Palace in 1960, neither important to Burton's career.

After playing King Arthur in Camelot on Broadway for six months, Burton replaced Stephen Boyd as Mark Antony in the troubled production Cleopatra (1963). Twentieth Century-Fox's future appeared to hinge on what became the most expensive movie ever made up until then, reaching almost $40 million.^[4]:97 The film proved to be the start of Burton's most successful period in Hollywood; he would remain among the top 10 box-office earners for the next four years. During the filming, Burton met and fell in love with Elizabeth Taylor, who was married to Eddie Fisher. The two would not be free to marry until 1964 when their respective divorces were complete. On their first meeting on the set, Burton said "Has anyone ever told you that you're a very pretty girl?" Taylor later recalled, "I said to myself, Oy gevalt, here's the great lover, the great wit, the great intellectual of Wales, and he comes out with a line like that."^[4]:103 In their first scenes together, he was shaky and missing his lines, and she soothed and coached him. Soon the affair began in earnest and Sybil, seeing this as more than a passing fling with a leading lady, was unable to bear it. She fled the set, first for Switzerland, then for London.

The gigantic scale of the troubled production, Taylor's bouts of illness and fluctuating weight, the off-screen turbulence—all generated enormous publicity, which by-and-large the studio embraced. Zanuck stated, "I think the Taylor-Burton association is quite constructive for our organization."^[4]:118 The six-hour film was cut to under four, eliminating many of Burton's scenes, but the result was viewed the same—a film long on spectacle dominated by the two hottest stars in Hollywood. Their private lives turned out to be an endless source of curiosity for the media, and their marriage was also the start of a series of on-screen collaborations. In the end, the film did well enough to recoup its great cost.

Burton played Taylor's tycoon husband in The V.I.P.s, an all-star film set in the VIP lounge of London Airport which proved to be a box-office hit. Then Burton portrayed the archbishop martyred by Henry II in the title role of Becket, turning in an effective, restrained performance, contrasting with Peter O'Toole's manic portrayal of Henry.^[4]:130

In 1964, Burton triumphed as defrocked Episcopal priest Dr. T. Lawrence Shannon in Tennessee Williams' The Night of the Iguana directed by John Huston, a film which became another critical and box office success. Richard Burton's performance in The Night of the Iguana may be his finest hour on the screen, and in the process helped put the town of Puerto Vallarta on the map (the Burtons later bought a house there). Part of Burton's success was due to how well he varied his acting with the three female characters, each of whom he tries to seduce differently: Ava Gardner (the randy hotel owner), Sue Lyon (the nubile American tourist), and Deborah Kerr (the poor, repressed artist).^[4]:135

Against his family's advice, Burton married Taylor on Sunday 15 March 1964, in Montreal. Ever optimistic, Taylor proclaimed, "I'm so happy you can't believe it. This marriage will last forever".^[4]:140 At the hotel in Boston, the rabid crowd clawed at the newlyweds, Burton's coat was ripped and Taylor's ear was bloodied when someone tried to steal one of her earrings.^[4]:142

After an interruption playing Hamlet on Broadway, Burton returned to film as British spy Alec Leamas in The Spy Who Came in from the Cold. Burton and Taylor continued making films together though the next one The Sandpiper (1965) was poorly received. Following that, he and Taylor had a great success in Mike Nichols's film (1966) of the Edward Albee play Who's Afraid of Virginia Woolf?, in which a bitter erudite couple spend the evening trading vicious barbs in front of their horrified and fascinated guests, played by George Segal and Sandy Dennis. Burton was not the first choice for the role of Taylor's husband. Jack Lemmon was offered the role first, but when he backed off, Jack Warner, with Taylor's insistence, agreed on Burton and paid him his price. Albee preferred Bette Davis and James Mason, fearing that the Burtons' strong screen presence would dominate the film.^{[4]:155, 163} Nichols, in his directorial debut, managed the Burtons brilliantly. The script, adapted from Albee's play by Hollywood veteran Ernest Lehman, broke new ground for its raw language and harsh depiction of marriage. Although all four actors received Oscar nominations for their roles in the film (the film received a total of thirteen), only Taylor and Dennis went on to win. So immersed had the Burtons become in the roles of George and Martha over the months of shooting, after the wrap Richard Burton said, "I feel rather lost."^[4]:142 Later the couple would state that the film took its toll on their relationship, and that Taylor was "tired of playing Martha" in real life.^[8]:206

Their lively version of Shakespeare's The Taming of the Shrew (1967), directed by Franco Zeffirelli, was a notable success. Later collaborations, however, The Comedians (1967), Boom! (1968), and the Burton-directed Doctor Faustus (1967) (which had its genesis from a theatre production he staged and starred in at the Oxford University Dramatic Society) were critical and commercial failures. He did enjoy a final commercial blockbuster with Clint Eastwood in Where Eagles Dare in 1968^[13] but his last film of the decade, Anne of the Thousand Days (1969), was a commercial and critical disappointment. In spite of those failures, it performed remarkably well at that year's Academy awards (receiving ten nominations, including one for Burton's performance as Henry VIII), which many thought to be largely the result of an expensive advertising campaign by Universal Studios.^[14]

Later career[link]

Because of Burton and Taylor's extravagant spending and his support of his family and others (42 people at one point), Burton agreed to work in mediocre films that hurt his career. He recognised his financial need to do so, and that in the New Hollywood era of cinema he or Taylor would not soon again be paid as well as at the height of their stardom.^[13] Films he made during this period included Bluebeard (1972), Hammersmith Is Out (1972), The Klansman (1974), and Exorcist II: The Heretic (1977). He did enjoy one major critical success in the 1970s in the film version of his stage hit Equus, winning the Golden Globe Award as well as an Academy Award nomination. Public sentiment towards his perennial frustration at not winning an Oscar made many pundits consider him the favourite to finally win the award, but on Oscar Night he lost to Richard Dreyfuss in The Goodbye Girl.

In 1976 Burton received a Grammy in the category of Best Recording for Children for his narration of The Little Prince by Antoine de Saint-Exupéry. He also found success in 1978, when he narrated Jeff Wayne's Musical Version of The War of the Worlds. His distinctive performance became a necessary part of the concept album – so much so that a hologram of Burton is used to narrate the live stage show (touring in 2006, 2007, 2009 and 2010) of the musical.

Burton had an international box office hit with The Wild Geese (1978), an adventure tale about mercenaries in Africa. The film was a success in the UK and Europe but had only limited distribution in the U.S. owing to the collapse of the studio that funded it and the lack of an American star in the movie. He returned to appearing in critically reviled films like The Medusa Touch (1978), Circle of Two (1980), and the title role in Wagner (1983), a role he said he was born to play, after his success in Equus. His last film performance, as O'Brien in Nineteen Eighty-Four, was critically acclaimed.^[13]

At the time of his death, Burton was preparing to film Wild Geese II, the sequel to The Wild Geese, which was eventually released in 1985. Burton was to reprise the role of Colonel Faulkner, while his friend Sir Laurence Olivier was cast as Rudolf Hess. After his death, Burton was replaced by Edward Fox, and the character changed to Faulkner's younger brother.

Oscars[link]

He was nominated six times for an Academy Award for Best Actor and once for an Academy Award for Best Supporting Actor – but he never won. From 1982, he and Becket co-star Peter O'Toole shared the record for the male actor with the most nominations (7) for a competitive acting Oscar without ever winning. In 2007, O'Toole was nominated for an eighth time (and subsequently lost), for Venus (however, O'Toole received an Academy Honorary Award in 2003).

Television[link]

Burton rarely appeared on television, although he gave a memorable performance as Caliban in a televised production of The Tempest for The Hallmark Hall of Fame in 1960. Later appearances included the television film Divorce His – Divorce Hers (1973) opposite then-wife Elizabeth Taylor (a prophetic title, since their first marriage would be dissolved less than a year later), a remake of the classic film Brief Encounter (1974) that was considered vastly inferior to the 1945 original, and a critically applauded performance as Winston Churchill in The Gathering Storm (1974). A critically panned film he made about the life of Richard Wagner (noted for having the only onscreen teaming of Laurence Olivier, John Gielgud and Ralph Richardson in the same scenes) was shown as a television miniseries in 1983 after failing to achieve a theatrical release in most countries, but Burton enjoyed a personal triumph in the American television miniseries Ellis Island in 1984, receiving a posthumous Emmy Award nomination for his final television performance.

Television played an important part in the fate of his Broadway appearance in Camelot. When the show's run was threatened by disappointing reviews, Burton and co-star Julie Andrews appeared on The Ed Sullivan Show to perform the number What Do The Simple Folk Do?. The television appearance renewed public interest in the production and extended its Broadway run.

Burton showed a subtle flair for comedy in a 1970 guest appearance with Elizabeth Taylor on the sitcom Here's Lucy, where he recited, in a plumber's uniform, a haunting excerpt of a speech from Shakespeare's Richard II. He later parodied this role in an episode of Television Show The Fall Guy.

In 1997, archive footage of Burton was used in the first episode of the television series Conan.^[15]

Book[link]

In 1964, Burton wrote a semi-autobiographical book A Christmas Story, which is an endearing tale of a Christmas Eve in a Welsh mining village, during the Depression.^[16]

Personal life[link]

Burton was married five times and he had four children. From 1949 until their divorce in 1963, he was married to producer Sybil Williams, by whom he had two daughters, Katherine "Kate" Burton (born 10 September 1957) and Jessica Burton (born 1961). He was married twice, consecutively, to actress Elizabeth Taylor, from 15 March 1964 to 26 June 1974 and from 10 October 1975 to 29 July 1976. Their first wedding took place in Montreal,^[12] and their second wedding occurred, 16 months after their divorce, in the Chobe National Park in Botswana. In 1964, the couple adopted a daughter from Germany, Maria Burton (born 1 August 1961). Burton also adopted Taylor's daughter by the late producer Mike Todd, Elizabeth Frances "Liza" Todd Burton (born 6 August 1957).^[17] Their relationship as portrayed in Who's Afraid of Virginia Woolf? was popularly likened to Burton and Taylor's real-life marriage.^[18] Burton disagreed with others about Taylor's famed beauty, saying that calling her "the most beautiful woman in the world is absolute nonsense. She has wonderful eyes, but she has a double chin and an overdeveloped chest, and she’s rather short in the leg."^[19] In August 1976, a month after his second divorce from Taylor, Burton married model Susan Hunt, the former wife of Formula 1 Champion James Hunt;^[20] the marriage ended in divorce in 1982. From 1983 until his death in 1984, Burton was married to make-up artist Sally Hay.

In 1957 Burton became a tax exile by moving to Switzerland, where he lived until his death. It is widely believed he was never offered a knighthood due to his tax exile status, together with his attacks on Churchill and other controversial public opinions.

In 1968 Burton's elder brother, Ifor, slipped and fell, breaking his neck, after a lengthy drinking session with Burton at the actor's second home in Céligny, Switzerland. The injury left him paralysed from the neck down.^[21] His younger brother Graham Jenkins opined it may have been guilt over this that caused Burton to start drinking very heavily, particularly after Ifor died in 1973.^[22]

In a February 1975 interview with his friend David Lewin he said he "tried" homosexuality. He also suggested that perhaps all actors were latent homosexuals, and "we cover it up with drink".^[23] In 2000, Ellis Amburn's biography of Elizabeth Taylor suggested that Burton had an affair with Laurence Olivier and tried to seduce Eddie Fisher^{[page needed]}, although this was strongly denied by Burton's younger brother Graham Jenkins.^[24]

Burton's gravestone at the Vieux Cemetery in Céligny. He is buried a few paces away from Alistair MacLean's grave.

Burton was notorious for his unrestrained pursuit of women while filming. Joan Collins wrote that when she rejected his on-set advances, he embarked on a series of liaisons with other women including an elderly black maid who, according to Collins, was "almost toothless". Collins playfully told Burton that she believed he would sleep with a snake if he had the chance, to which Burton is alleged to have replied "only if it was wearing a skirt, darling".

He was an insomniac and a notoriously heavy drinker. However, ongoing back pain and a dependence upon pain medications have been suggested as the true cause of his misery. He was also a heavy smoker from the time he was just eight years old; and by his own admission in a December 1977 interview with Sir Ludovic Kennedy, Burton was smoking 60–100 cigarettes per day. According to his younger brother Graham Jenkins's 1988 book Richard Burton: My Brother, he smoked at least a hundred cigarettes a day.

His father, also a heavy drinker, refused to acknowledge his son's talents, achievements and acclaim.^[7] In turn, Burton declined to attend his funeral, in 1957.^[10] Like Burton, his father died from a cerebral haemorrhage, in January 1957, at the age of 81.

Burton admired and was inspired by the actor and dramatist Emlyn Williams. He employed his son Brook Williams as his personal assistant and adviser and he was given small roles in some of the films in which Burton starred.^[25]

Burton was banned permanently from BBC productions in November 1974 for writing two newspaper articles questioning the sanity of Winston Churchill and others in power during World War II – Burton reported hating them "virulently" for the alleged promise to wipe out all Japanese people on the planet.^[26] The publication of these articles coincided with what would have been Churchill's centenary, and came after Burton had played him in a favourable light in A Walk with Destiny, with considerable help from the Churchill family. In one article he accused Churchill of having Welsh miners shot during strikes in the 1920s.^{[citation needed]} Ironically, Burton got along well with Churchill when he met him at a play in London, and kept a bust of him on his mantelpiece. On the Parkinson show in November 1974 Burton told a funny story about meeting Churchill; however, according to Robert Hardy, it was not true.^{[citation needed]} Politically Burton was a lifelong socialist, although he was never as heavily involved in politics as his close friend Stanley Baker. He greatly admired Democratic Senator Robert F. Kennedy and once got into a sonnet-quoting contest with him. In 1973 Burton agreed to play Josef Broz Tito in a biopic, since he greatly admired the Yugoslav leader. While filming in Yugoslavia he publicly proclaimed that he was a communist, saying he felt no contradiction between earning vast sums of money for films and holding very left-wing views since "unlike capitalists, I don't exploit other people."^[27] Burton courted further controversy in 1976 when he wrote a controversial article about his friend and fellow Welsh thespian Stanley Baker, who had recently died from pneumonia at the age of 48.^{[citation needed]}

Health issues[link]

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The 1988 biography of Burton by Melvyn Bragg^[8] provides a detailed description of the many health issues that plagued Burton throughout his life. In his youth, Burton was a star athlete and well known for his athletic abilities and strength. By the age of 41 he had declined so far in health that his arms were by his own admission thin and weak. He suffered from bursitis, possibly aggravated by faulty treatment, arthritis, dermatitis, cirrhosis of the liver and kidneys, as well as developing, by his mid-forties, a pronounced limp. How much of this was due to his intake of alcohol is impossible to ascertain, according to Bragg, because of Burton's reluctance to be treated for alcohol addiction; however, in 1974, Burton spent six weeks in a clinic to recuperate from a period during which he had been drinking three bottles of vodka a day. He was also a regular smoker, with an intake of between three and five packs a day for most of his adult life. Health issues continued to plague him until his death of a stroke at the age of 58.

Death[link]

Burton died at age 58 from a brain haemorrhage on 5 August 1984 at his home in Céligny, Switzerland, and is buried there.^[28] Although his death was sudden, his health had been declining for several years, and he suffered from a constant and severe pain in the neck. He had been warned that his liver was enlarged as early as March 1970,^[21] and had been diagnosed with cirrhosis of the liver and kidneys in April 1981. Burton was buried in a red suit, a tribute to his Welsh roots, and with a copy of Dylan Thomas' poems.^[29] He and Taylor had discussed being buried together; his widow Sally purchased the plot next to Burton's and erected a large headstone across both, likely to prevent Taylor from being buried there.^[30]

Awards and nominations[link]

Filmography[link]

Stage productions[link]

Further reading[link]

• Shipman, D. The Great Movie Stars: The International Years, Angus & Robertson 1982. ISBN 0-207-14803-1

References[link]